One of the quickest ways to understand a people or a culture is to learn their proverbs. This anthology, first published in 1984, compiles in dictionary form proverbs from the Islamic world, particularly the Middle East and North Africa. The Arabs were the first to gather and annotate their own proverbs - the earliest collections date from the n

This book summarizes and evaluates the contribution of Martin Buber as a theorist of myth. It offers a coherent and unified study focusing on Buber's approach to myth as part of his entire system of philosophy. The book analyzes whether Buber's use of myth contributes to modern appreciation of myth.

Hats represent an art form that is opening up new vistas for the vintage clothing collector. For the authors hats are a visual treat, and they have crafted a book that is chuck-full of some of the sweetest you'll ever see. This carefully researched book profiles important American and European milliners, and lists the most desirable designer and salon labels. It offers special sections with tips on dating, valuation, and storing and decoration. 500 vivid photos are beautifully styled and enhanced by lively and informative captions. Many period advertisements and illustrations from popular magazines depict the styles and moods of the times.

For centuries Iran hosted numerous travellers and visitors of diverse nationalities and backgrounds. Many of these travellers left behind documents in which they recorded their observations during their residence in Iran, and these embody a vast range of firsthand information about the land and its people at different periods of time. This book, first published in 1990, takes as its subjects the nature and history of Iranian folk narrative scholarship. The contributions of travellers are given their due recognition as important source documents.

In this delightful sleigh ride through Christmas history, Paul Kerensa answers the festive questions you never thought to ask... Did Cromwell help shape the mince pie? Was St Nicholas the first to use an automatic door? Which classic Christmas crooners were inspired by a Hollywood heatwave? And did King Herod really have a wife called Doris? Whether you mull on wine or enjoy the biggest turkey, the biggest tree or the biggest credit card bill, unwrap your story through our twelve dates of Christmas past. From Roman revelry to singing Bing, via Santa, Scrooge and a snoozing saviour, this timeless tale is perfect trivia fodder for the Christmas dinner table.

The ancient dragon Federigo il Barbarossa, more commonly known as Fred, reminisces about the good old days when he and his cohorts ruled the world, before, alas, they got above themselves and were slapped down, permanently as it turned out. During their abandoned spree, he and his fellows created creatures at will, sometimes to help out and some just because they could: the griffin, the opinicus, the basilisk, the hydra, the unicorn, the Pegasus, the questing beast, She that lives in Ness, and others. Richly illustrated with 45 stunning black and white drawings. MICHAEL MCCARTHY was a recognised expert in the field of ecclesiastical heraldry.

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

eBook available with sample pages: HB:0815300557

What is the origin of the stories of the Round Table, of Excalibur and the Holy Grail, of Sir Launcelot and Guinevere? And where was Camelot?King Arthur's name has echoed down the centuries, conjuring up rich images of mystery and power, chivalry and romance. But did he exist at all? There is no evidence to prove he reigned in the fifth and sixth centuries; no eye-witness accounts of his coronation and no reliable manuscripts outlining his deeds. This full-colour guide examines the facts of the legends in the tantalising puzzle of King Arthur and his knights. Learn about the origins of the Round Table, the cult of chivalry and conflict between knights, and Arthur's shape-shifting half-sister Moran le Fay. From the origins of Arthurian legend to the new phase in the Arthurian cyce in the romantic revival of the early nineteenth century, read about the tantalizing puzzle that is King Arthur.Look out for more Pitkin guides on the very best of British history, heritage and travel.

Series Information:
Arthurian Characters and Themes

First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.

A TIMES BESTSELLER, January 2022 A TIMES HISTORICAL FICTION BOOK OF THE YEAR SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR A BBC HISTORY MAG BOOK OF THE YEAR A DAILY EXPRESS BOOK OF THE YEAR 'Expressive, bold and quite beautiful' The Lady '[a] delight of a book' Antonia Senior, The Times 'ravishingly lovely' The Times Ireland '[a] lively retelling of British myths' Apollo Magazine Soaked in mist and old magic, Storyland is a new illustrated mythology of Britain, set in its wildest landscapes. It begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants from an age when the children of Cain and the progeny of fallen angels walked the earth, to the founding of Britain, England, Wales and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans. These are retellings of medieval tales of legend, landscape and the yearning to belong, inhabited with characters now half-remembered: Brutus, Albina, Scota, Arthur and Bladud among them. Told with narrative flair, embellished in stunning artworks and glossed with a rich and erudite commentary. We visit beautiful, sacred places that include prehistoric monuments like Stonehenge and Wayland's Smithy, spanning the length of Britain from the archipelago of Orkney to as far south as Cornwall; mountains and lakes such as Snowdon and Loch Etive and rivers including the Ness, the Soar and the story-silted Thames in a vivid, beautiful tale of our land steeped in myth. It Illuminates a collective memory that still informs the identity and political ambition of these places. In Storyland, Jeffs reimagines these myths of homeland, exile and migration, kinship, loyalty, betrayal, love and loss in a landscape brimming with wonder.

Kristen Richardson, from a family of debutantes, chose not to debut but her curiosity drove her to research this enduring custom. The story begins in England six hundred years ago when wealthy fathers needed an efficient way to find appropriate husbands for their daughters. Elizabeth I's presentations at court expanded into London's season of dances, dinners and courting, extending to the corners of the British empire and beyond. Richardson traces the social seasons of young women, and shares their captivating stories, often through their words from diaries, letters and interviews. While exploring why the debutante tradition persists-and why it has spread to Russia, China and other nations-Richardson has uncovered its extensive cultural influence on the lives of daughters in Britain and the US.

Who was Merlin? Is the famous wizard of Arthurian legend based on a real person? In this book, Merlin's origins are traced back to the story of Lailoken, a mysterious 'wild man' who is said to have lived in the Scottish Lowlands in the sixth century AD. The book considers the question of whether Lailoken belongs to myth or reality. It looks at the historical background of his story and discusses key characters such as Saint Kentigern of Glasgow and King Rhydderch of Dumbarton, as well as important events such as the Battle of Arfderydd. Lailoken's reappearance in medieval Welsh literature as the fabled prophet Myrddin is also examined. Myrddin himself was eventually transformed into Merlin the wizard, King Arthur's friend and mentor. This is the Merlin we recognise today, not only in art and literature but also on screen. His earlier forms are less familiar, more remote, but can still be found among the lore and legend of the Dark Ages. Behind them we catch fleeting glimpses of an original figure who perhaps really did exist: a solitary fugitive, tormented by his experience of war, who roamed the hills and forests of southern Scotland long ago.

After the First Congress of Soviet Writers in 1934, folklore, like literature, became an instrument of the political propagandist. Folklorists devoted considerable efforts to attending to what purported to be a rebirth of the Russian epic tradition, producing works of pseudofolklore that as often as not featured Joseph Stalin in the hero's role. Miller's account of this curious episode in the history of popular culture and totalitarian politics, and his synopses and translations of "classic" examples of folklore for Stalin, seek to serve as a resource not only for the study of contemporary folklore but also for the political scientist.

This concise edition of the definitive 3-volume Dictionary of European Proverbs constitutes a fascinating collection of proverbs in 29 languages. The entries are arranged alphabetically according to the English equivalent, allowing the reader to identify common trends easily and quickly. * All proverbs listed in original language * 29 European languages featured * Includes all proverbs in current use * Thoroughly checked by language specialists to ensure accuracy. The Concise Dictionary of European Proverbs is based on over 40 years in-depth research by the compiler. It is an essential reference source for linguists, ethnologists and folklorists, and of interest to anyone wanting to know about the origins, development and current usage of the proverb. Emanuel Straussis a world-renowned expert on proverbs.

'Switching the focus of Greek myths to bring women, so frequently the supporting cast, to the fore is refreshing and provides a modern take on some very old stories' - Fortean Times Cunning, seductive, monstrous, virtuous - whether in divine or mortal form, women shape the foundations of ancient Greek mythology, but have long been eclipsed by their male counterparts. Now, it's time for their stories to be told. Heroines of Olympus tells the tales of 50 of the most enthralling women of Greek mythology, including goddesses and nymphs such as majestic Athena, goddess of war; vengeful Nemesis, goddess of retribution; and gladiatorial Amazon queen Hippolyta, as well as mortals and demigods such as long-suffering Andromache, murderous Clytemnestra and joyous Iphis. Alongside each story, a character portrait, captivating illustration and explanation of their historic roles by ancient historian Dr Ellie Mackin Roberts provide an indispensable contemporary perspective on these extraordinary women.

First published in 1956, What Shall I Wear is revolutionary fashion designer Claire McCardell's collection of fashion wisdom and philosophy and a vivacious guide to looking effortlessly stylishClaire McCardell, the revolutionary fashion designer credited with originating "The American Look," designed for the emerging active lifestyle of women in the 1940s and '50s. She was the originator of mix-and-match separates, open-back sundresses, and feminine denim fashion; she started the trend for ballet flats as a wartime leather-rationing measure. Spaghetti straps, brass hooks and eyes as fasteners, rivets, menswear details and fabrics-they were all started by McCardell. Her monastic and popover dresses achieved cult status, and her fashions were taken up by working women, the suburban set, and high society alike.First published in 1956, What Shall I Wear? provides a glimpse into the sources of McCardell's inspiration-travel, sports, the American leisure lifestyle, and her own closet-and how she transformed them into fashion while still approaching design from her chosen vantage point of usefulness. A retro treat for designers and anyone who loves fashion, both vintage and contemporary, the book is teeming with charming illustrations and still-solid advice for finding your own best look, creatively shopping on a budget, and building a real wardrobe that is chic and distinctive. What Shall I Wear? is a tribute to the American spirit in fashion.

Since the spectacular discovery of Nineveh 150 years ago, countless excavators have been searching for the lost civilizations of the ancient Near East. We now know the names of thousands of gods and goddesses, the words of hymns and litanies, the daily procedures of the Babylonian cult, as well as a growing number of mythological tales. A substantial number of the texts discussed in this volume originate from the archives of such ancient cities as Ninevah, Ur, Babylon and Hattusa. Through a collection of accessible entries, which provide sufficient detail and cross-referencing to be beneficial to the specialist reader, Gwendolyn Leick has produced a guide to the complex and little-known world of ancient mythology.

This book explores the 'craft of use', the cultivated, ordinary and ingenious ideas and practices that promote satisfying and resourceful use of garments, presenting them as an alternative, dynamic, experiential frame with which to articulate and foster sustainability in the fashion sector. Here Kate Fletcher provides a broad imagining of sustainability in fashion that gives attention to tending and wearing garments, and favours their use as much as their creation. She offers a diversified view of fashion beyond the market and the market's purpose and reveals fashion provision and expression in a world not dependent on continuous consumption. Framing design and use as a single whole, the book uncovers a more contingent and time-dependent role for design in sustainability, recognising that garments, while sold as a product, are lived as a process. Drawing from stories and portrait photography that document the ways in which members of the public from across three continents use their clothes, and the work of seven international design teams seeking to amplify these use practices, Craft of Use presents a changed social narrative for fashion, borne out of ideas of satisfaction and interdependence, of action, knowledge and human agency, that glimpses fashion post-growth.

Clear-cut and accurate in its guidance, this volume depicts medieval clothes and accessories not as inanimate museum exhibits but as items of vital interest and well worth recreating. Unlike conventional costume histories, which tend to classify their contents by era, this volume portrays the clothing of the twelfth through fifteenth centuries according to the wearer's social class. Here are the garments of royalty, clerics, doctors, merchants, musicians, knights, artisans, farmers, and laborers--all magnificently illustrated with images from tapestries and illuminated manuscripts as well as in drawings and diagrams. Helpful advice covers choosing fabrics; placement of seams; draping and folding garments; how to walk, dance, and climb stairs in the cumbersome unfamiliarity of flowing attire; and even the best methods of storage. Unabridged republication of"

First published in 1996. The need to write, particularly in pre-technological recording days, in order to preserve and to analyze, lies at the heart of folklore and yet to write means to change the medium in which much folk communication and art actually took and takes place. In Part I of the collection, the contributors address literary constructions of traditional and emergent cultures, those of Leslie Marmon Silko, Sandra Cisneros, Pat Mora, Carmen Tafolla, Julio Cortazar, Milan Kundera, Franz Kafka, Philip Roth, Thomas Hardy, and Dacia Maraini. The contributors to Part II of the collection offer readings of a variety of traditional, vernacular, and local performances.

For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events-traditional African ceremonies and contemporary costume parties and carnivals- who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maske, meaning "to wear a mask", this album features a selection of over a hundred of the best of Galembo's masquerade photographs to date organized in country-based chapters, each with her own commentary. The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century.

There once was a king who hated bath time so much that he never washed. He was a very smelly king! The king is finally persuaded to bathe in the river but no matter how clean the rest of him is, his feet stay dirty. The people sweep away all the dirt in the land - but the air is choked with dust. The dust gets washed away but now the land is flooded with water. An enormous tapestry is sewn to cover the whole kingdom but now nothing will grow on the land... What is to be done? At last one old man steps forward with leather and a pair of scissors ... and to the king's amazement he creates - the first ever pair of shoes!