Clothes are inherently geographical objects, yet few of us consider the social and economic significance of their journey from design to production to consumption. The Geographies of Fashion is the first in-depth study of fashion economies from a geographer's perspective, exploring the complex relationship between our attachment to the clothes we own, love and desire, and their geographic and economic ties. How far does a garment physically travel from factory to wardrobe? How do clothes come to have social or economic value and who or what creates it? What are the geographies of fashion and how do they interact with one another? This ground-breaking book powerfully reframes fashion spaces, from the body to the city, digital or virtual space to material production, positioning fashion at the centre of contemporary culture and collective identities. Combining contemporary theoretical approaches with a cutting-edge analysis of international fashion brands and institutions including Maison Martin Margiela, Zara, Louis Vuitton, ASOS and Savile Row, The Geographies of Fashion is essential reading for students of fashion, geography and related disciplines including sociology, architecture and design.

Art and fashion have long gone hand in hand, but it was during the modernist period that fashion first gained equal value to - and took on the same aesthetic ideals as - painting, film, photography, dance, and literature. Combining high and low art forms, modernism turned fashion designers into artists and vice versa. Bringing together internationally renowned scholars across a range of disciplines, this vibrant volume explores the history and significance of the relationship between modernism and fashion and examines how the intimate connection between these fields remains evident today, with contemporary designers relating their work to art and artists problematizing fashion in their works. With chapters on a variety topics ranging from Russian constructionism and clothing to tango and fashion in the early 20th century, Fashion and Modernism is essential reading for students and scholars of fashion, dress history, and art history alike. Contributors: Patrizia Calefato, Caroline Evans, Ulrich Lehmann, Astrid Soederbergh Widding, Alessandra Vaccari, Olga Vainshtein, Sven-Olov Wallenstein

A comprehensive analysis of Second World War dress practice and appearance, this study places dress at the forefront of a complex series of cultural chain reactions. As lives were changed by the conditions of war, dress continued to reflect important visual narratives regarding class, gender and taste that would impact significantly on public consciousness of equality, fairness and morale. Using new archival and primary source evidence, Wartime Fashion clarifies how and why clothing was rationed, and repositions style and design during the war in relation to past expectations and ideas about clothes and fabrics. The book explores the impact of war on the dress and appearance of civilian women of all classes in the context of changing social and economic infrastructures created by the national emergency. The varied research elements combined in this book form a rounded and definitive account of the dress history of British women during the Second World War. This is essential reading for anyone with an active interest in the field, whether personal or professional.

The Central Asian Republics of Kazakhstan, Kyrgyzstan, Turkmenistan, Tajikistan, and Uzbekistan won their independence from the Soviet Union in 1991. Now they are emerging from the shadow of dominance and are subjects of intense interest from the West. The modern culture and customs of the various peoples in these geopolitical hotspots, straddling the far reaches of Europe into Asia, are revealed to a general audience for the first time. This will be the must-have volume for a broad, authoritative overview of these traditional civilizations as they cope with globalization.

A miracle happened that now reveals many secrets of the earth, the universe. Many great mysteries, never before known, will be told in this incredible story, a true phenomenal series of spectacular events. All of mankind is on a well-planned scientific journey. It is a known fact that the sun is traveling or darting through space at a constant speed of 700,000 miles per hour. The earth is being pulled along with the other planets in an exact positioned filing order. The sun is the engine, which controls these planet formations. Their destination will surprise you. This story is so powerful the weak may not be able to follow through to its conclusion. You will come to know and understand this force. There are many forces in the universe and they are sometimes referred to as laws. Such awesome and controlling powers as time, gravity, perpetual energy, and nature are some of the great controlling forces that surround man. Logic and reason should impress the senses that their existence is far more reaching and purposeful than the mere fact of their existence. The knowledge gained through the miracle will indeed show a spectacular reason, that all things have purpose.

Race, religion, language, culture, and national character are full of contradictions. Brazil, the largest country in South America, embodies so much paradox that it defies neat description. This book will help students and general readers dispel stereotypes of Brazil and begin to understand what country's "bigness" means in terms of its land, people, history, society, and cultural expressions. This is the only authoritative yet accessible volume on Brazil that surveys a wide range of important topics, from geography, to social customs, art, architecture, and more. Highlights include discussions of the fluid definitions of race, rituals of candomble, the importance of extended family networks, beach culture, and soccer madness. A chronology and glossary supplement the text.

This book discusses erotic and magical goddesses and heroines in several ancient cultures, from the Near East and Asia, and throughout ancient Europe; in prehistoric and early historic iconography, their magical qualities are often indicated by a magical dance or stance. It is a look at female display figures both cross-culturally and cross-temporally, through texts and iconography, beginning with figures depicted in very early Neolithic Anatolia, early and middle Neolithic southeast Europe--Bulgaria, Romania, and Serbia--continuing through the late Neolithic in East Asia, and into early historic Greece, India, and Ireland, and elsewhere across the world. These very similar female figures were depicted in Anatolia, Europe, Southern Asia, and East Asia, in a broad chronological sweep, beginning with the pre-pottery Neolithic, ca. 9000 BCE, and existing from the beginning of the second millennium of this era up to the present era. This book demonstrates the extraordinary similarities, in a broad geographic range, of depictions and descriptions of magical female figures who give fertility and strength to the peoples of their cultures by means of their magical erotic powers. This book uniquely contains translations of texts which describe these ancient female figures, from a multitude of Indo-European, Near Eastern, and East Asian works, a feat only possible given the authors' formidable combined linguistic expertise in over thirty languages. The book contains many photographs of these geographically different, but functionally and artistically similar, female figures. Many current books (academic and otherwise) explore some of the female figures the authors discuss in their book, but such a wide-ranging cross-cultural and cross-temporal view of this genre of female figures has never been undertaken until now. The "sexual" display of these female figures reflects the huge numinosity of the prehistoric divine feminine, and of her magical genitalia. The functions of fertility and apotropaia, which count among the functions of the early historic display and dancing figures, grow out of this numinosity and reflect the belief in and honoring of the powers of the ancient divine feminine.

Though nearly everyone is familiar with the great mythological figures such as Hercules, Icarus and Medusa, readers may wonder what relevance these ancient tales hold for them. This unique reference book brings mythology to life for students by exploring the connections between ancient myths and contemporary culture. The delightful introductory essay sets the tone, with its overview of the myriad areas of human endeavors that have been influenced by mythology including the arts, science, psychology, language and literature, consumer products and other aspects of popular culture. The user-friendly volume is comprised of 50 narrative essays, that offer a lively retelling of the myth, and then trace the cultural connections. Readers will discover, for example, the fascinating derivation of Freudian psychoanalysis from the myth of Oedipus. Fans of popular film and fiction may be surprised to learn the mythological inspiration for works like Beauty and the Beast, The Matrix, or Michael Crichton's Eaters of the Dead. This engrossing book is enhanced with 25 original illustrations. Five fact-filled appendices offer glossaries and interesting mythological etymologies of commonplace words in nature, science, and everyday consumer products like Nike shoes and Olympus cameras. Whether for research or pure enjoyment, this accessible and informative book reveals the many unrecognized references to mythology that impact our lives.