Have you ever taken a walk in the woods and felt like you were not alone? That's because you weren't Forests, lakes, mountains, caves--even your garden--are alive with the spirits of nature. Faeries are real, and you can learn to commune with a whole world of unseen beings, including elves, devas, and nature spirits. With an open mind and a little patience, you can begin to recognize their presence all around you. This book will help you deepen your connection to the natural world as you explore the magical, mystical world of the faerie folk.

--Discover hidden truths in faerie tales and use them as pathways into the faerie realm--Learn the basic habitats, powers and behaviors of faeries, elves, and other nature spirits--Read personal accounts of actual faerie encounters--Invoke fire spirits for traditional psychic readings--Share the magic and knowledge of twenty tree spirits--Find the elementals--gnomes, undines, sylphs and salamanders--with which you resonate most --Contact water sprites, mermaids and other water spirits--Find wood nymphs and the "lady of the woods"--Draw dragons into your environment with the right fragrances --Attract a faerie godmother into your life

Recapture the magic and wonder of a world where trees still speak and every flower tells a story. Explore the faerie realm--a place where faerie tales can and do come true.

The leather motorcycle jacket is more than a coat; it's a mentality. Beginning in the early twentieth century, airplanes, automobiles, and motorcycles redefined freedom, idealized speed, and captured the hearts of men and women alike. The leather jackets developed to protect pilots, racers, and motorists from the elements came to symbolize a romantic sense of rugged adventure. In particular, motorcycle jackets maintained this ideal for decades to come. The first of its kind, this beautiful classic book traces the evolution of the motorcycle jacket over the past century. Hundreds of jackets and accessories from dozens of leather companies past and present are featured in over 1,000 rich color photos--with careful attention to details, original catalog pages, and full pricing information. Surrounding the jackets is a fascinating array of historical photos that capture the motorcycle culture and will make any enthusiast swoon.

Winner of the 2016 Association for Asian American Studies Award for Best Book in Cultural Studies The Exquisite Corpse of Asian America addresses this central question: if race has been settled as a legal or social construction and not as biological fact, why do Asian American artists, authors, and performers continue to scrutinize their body parts? Engaging novels, poetry, theater, and new media from both the U.S. and internationally-such as Kazuo Ishiguro's science fiction novel Never Let Me Go or Ruth Ozeki's My Year of Meats and exhibits like that of Body Worlds in which many of the bodies on display originated from Chinese prisons-Rachel C. Lee teases out the preoccupation with human fragments and posthuman ecologies in the context of Asian American cultural production and theory. She unpacks how the designation of "Asian American" itself is a mental construct that is paradoxically linked to the biological body. Through chapters that each use a body part as springboard for reading Asian American texts, Lee inaugurates a new avenue of research on biosociality and biopolitics within Asian American criticism, focused on the literary and cultural understandings of pastoral governmentality, the divergent scales of embodiment, and the queer (cross)species being of racial subjects. She establishes an intellectual alliance and methodological synergy between Asian American studies and Science and Technology Studies (STS), biocultures, medical humanities, and femiqueer approaches to family formation, carework, affect, and ethics. In pursuing an Asian Americanist critique concerned with speculative and real changes to human biologies, she both produces innovation within the field and demonstrates the urgency of that critique to other disciplines.

Culture Smart guides help travellers have a more meaningful and successful time abroad through a better understanding of the local culture. Chapters on values, attitudes, customs, and daily life will help you make the most of your visit, while tips on etiquette and communication will help you navigate unfamiliar situations and avoid faux pas.

Answer the enchanting siren call of the mermaid with this comprehensive, lavishly illustrated and intricately designed one-of-a-kind lifestyle compendium from the editor in chief of Faerie Magazine and author of The Faerie Handbook and globally published novel Mermaid, packed with lore, legends, facts and trivia, beautiful illustrations, and numerous step-by-step projects and recipes. Beautiful, seductive, mysterious, and potentially dangerous, the mermaid is a global literary and pop culture icon whose roots date back to ancient sea goddesses and Greek mythology. From Homer's Odyssey and Hans Christian Andersen's fairytale The Little Mermaid to T.S. Eliot's "The Love Song of J. Alfred Prufrock" and the Disney animated film The Little Mermaid, this sea vixen has long seduced popular imagination. Cosmetic companies have drawn inspiration for their makeup lines from mermaids, as have designers throughout fashion history, from Jean Patou to Jean Paul Gaultier and Alexander McQueen. The fishtail dress is a perennial long red-carpet staple, favored by the likes of Marion Cotillard, Sofia Vergara, and Blake Lively. Divided into four sections-Fashion and Beauty; Arts and Culture; Real Mermaids and Where to Find Them; and Food, Entertaining and Stories of the Sea-The Mermaid Handbook is a unique and sumptuous compilation filled with creative ideas for decorating and living inspired by these beauties from the deep. Learn to make a sailor's valentine; a mermaid comb and crown; and a pearl and sequin paillette necklace. There are recipes for mermaid-themed poke bowls, aquatic-themed honey gingerbread cookies, and the official cocktail of the 1960s-era mermaid attraction Aquarama. Folklore expert Carolyn Turgeon also includes profiles of true modern mermaids, tail makers, and mermaid bars; visits mermaid attractions like Weeki Wachee Springs; and provides tips on getting beachy mermaid hair and creating an alluring eye. This collector's item also includes an inset image on the front cover; ornate metallic blue foil patterning on the front, spine, and back; blue stained edges; a satin bookmark, and quality paper.

This comprehensively revised and updated second edition of Fashion Journalism examines the vast changes within the industry and asks what they mean for the status, practices, and values of journalism worldwide. Providing first-hand guidance on how to report on fashion effectively and responsibly, this authoritative text covers everything from ideas generation to writing news and features, video production, podcasting, and styling, including advice on how to stay legally and ethically safe while doing so. The book takes in all types of fashion content - from journalism to branded content, and from individual content creation to editorial for fashion brands. It explores their common practices and priorities, while examining journalists' claim to special status compared to other content producers. In conjunction with expanded theory and research, the book includes interviews with journalists, editors, bloggers, filmmakers, PRs, and brand content producers from the UK, the US, China, and the Middle East to offer all a student or trainee needs to know to excel in fashion journalism.

Chop suey. Sushi. Curry. Adobo. Kimchi. The deep associations Asians in the United States have with food have become ingrained in the American popular imagination. So much so that contentious notions of ethnic authenticity and authority are marked by and argued around images and ideas of food. Eating Asian America: A Food Studies Reader collects burgeoning new scholarship in Asian American Studies that centers the study of foodways and culinary practices in our understanding of the racialized underpinnings of Asian Americanness. It does so by bringing together twenty scholars from across the disciplinary spectrum to inaugurate a new turn in food studies: the refusal to yield to a superficial multiculturalism that naively celebrates difference and reconciliation through the pleasures of food and eating. By focusing on multi-sited struggles across various spaces and times, the contributors to this anthology bring into focus the potent forces of class, racial, ethnic, sexual and gender inequalities that pervade and persist in the production of Asian American culinary and alimentary practices, ideas, and images. This is the first collection to consider the fraught itineraries of Asian American immigrant histories and how they are inscribed in the production and dissemination of ideas about Asian American foodways. Robert Ji-Song Ku is Associate Professor of Asian and Asian American Studies at Binghamton University. He is the author of Dubious Gastronomy: The Cultural Politics of Eating Asian in the USA. Martin F. Manalansan IV is Associate Professor of Anthropology and Asian American Studies at the University of Illinois, Urbana-Champaign. He is the author of Global Divas: Filipino Gay Men in the Diaspora. Anita Mannur is Associate Professor of English and Asian /Asian American Studies at Miami University. She is the author of Culinary Fictions: Food in South Asian Diasporic Culture.

Vikings, those ancient Norse seafarers, have inspired plenty of pop culture phenomena, from the A&E hit show Vikings to Thor Ragnarok to the ever-expanding world of Viking larp. Known for being skilled craftspeople, accomplished merchants, hardworking farmers, and masters of the sea, the Vikings were a complex and captivating people.The Viking Hondb?k is an engaging, compelling guide -- with a sense of humor -- exploring who the Vikings were and how they lived, from ancient Norse daily life to battles and adventuring. Readers will learn how Vikings ate, dressed, and fought, and even how they weaved the perfect beard braid and built warships and weapons. Interspersed throughout the book are revealing historical anecdotes about Viking conquests, daily life, and relationships, with sections covering personal style, family structure and household, tools and metalwork, sailing and raiding, fishing and hunting, family and neighbors, swordmaking and boatbuilding, famous warriors, myths and afterlife, and more. A two-color design and fifty black-and-white line drawings will bring the style and details of the Vikings world to life.

An illuminating look at Native origins and lifeways, a treasure for all who value Native wisdom and the stories that keep it alive.

A fascinating and colourful social history of the nighttime. 'A wonderful revelation of a vanished age of darkness' SPECTATOR 'Fascinating' SUNDAY TIMES 'A splendid book ... great entertainment' Sir Patrick Moore 'A triumph of social history. Almost every page contains something to surprise the reader ... one of the most enjoyable literary experiences of the year' MAIL ON SUNDAY From blanket fairs to night kings, curfews to crime, At Day's Close is an intriguing and captivating investigation into the night. Until now, this rich and complex universe in which we spend nearly half of our lives was a world long-lost to historians. Here, Ekirch explores how the night was lived in the past, through travel accounts, memoirs, letters, folklore, poems, court records and coroner's reports. More than this, it is a passionate argument in the case for less artificial light in an increasingly bright world.

This book contains a detailed account of the various types of Icelandic folk-story, their likely origins and sources, the folk-beliefs they represent, and their meanings. In Iceland, people do not compose verse just to comfort themselves; they worship poetry and believe in it. In poetry is a power which rules men's lives and health, governs wind and sea. Icelanders have faith in hymns and sacred poems too, because of their content. They also have faith in secular poetry composed by themselves, believing it to be no less able to move mountains than religious faith is. By this belief in their own culture, they transfer it into the realm of mythology, and the glow of the super-human is shed over it. Whatever may have been their origin, the folk-stories of Iceland come to mirror the people's life and character, and in the period when the idea gained ground that all power comes from the people, their poetry and lore became sacred things that were revered and looked to as a potential source of strength. Icelandic folk-stories were similarly an important element in the Icelanders' struggle for national and cultural integrity in the nineteenth century. They were more truly Icelandic than anything else worthy of the name.

The Orkney Islands are a place of mystery and magic, where the past and the present meet, ancient standing stones walk and burial mounds are the home of the trows. Orkney Folk Tales walks the reader across invisible islands that are home to fin folk and mermaids, and seals that are often far more than they appear to be. Here Orkney witches raise storms and predict the outcome of battles, ghosts seek revenge and the Devil sits in the rafters of St Magnus Cathedral, taking notes! Using ancient tales told by the firesides of the Picts and Vikings, storyteller Tom Muir takes the reader on a magical journey where he reveals how the islands were created from the teeth of a monster, how a giant built lochs and hills in his greed for fertile land, and how the waves are controlled by the hand of a goddess.

A delightful, diverse selection of fairy tales from around the world by one of our most beloved children's writers

International bestselling children's author Cornelia Funke has always been fascinated by fairy tales; they have often crept into her own storytelling. In this enchanting anthology, Funke presents lesser-known stories that challenge the traditional 'happily-ever-after' alongside more familiar tales. From her native Germany, to snowy Siberia, from Japan to Vietnam, this collection includes wondrous tales from around the world, 'The Girl Who Gave a Knight a Kiss out of Necessity', 'The Frog Princess', 'The Boy Who Drew Cats' and many more besides to delight readers of all ages.

Halloween is a very special time of year and takes on huge significance for a vast number of people in different ways. For many, it's a chance to dress up, wander the streets for a trick or treat session, gorge on candy and have a party, whereas for others it is a time of remembrance, of visits to ancestors' graves, or prayers at this holy time. But what are the real origins and meanings of this festival that's commonly associated with darkness, witches, ghosts and ghouls? The oldest known Halloween celebration was the Celtic Samhain, a time when the souls and spirits of the dead would find it easiest to return to visit the living. Food was offered to keep the spirits happy and eventually the festival was formalised by the church as a time of remembrance in advance of All Saints Day. This fun little guide looks at the history of all things Halloween, from the earliest feasts and customs to the latest fun and games that are common around the world. We delve into the meanings of many of the symbols of Halloween, like pumpkins, black cats, apples, witches and ghosts, and examine the many different ways people celebrate around the world. There is plenty of fun stuff too: freaky facts, scary poems, classic candy, spooky songs, stunning stats, horror film suggestions and all manner of puns, jokes and sayings all relating to the creepiest day of the year. SAMPLE QUOTE: 'Halloween was confusing. All my life my parents said, "Never take candy from strangers." And then they dressed me up and said, "Go beg for it."' - Rita Rudner

In this booklet Jill Dudley describes many of the perilous adventures faced by the great hero Odysseus when returning to his island of Ithaka from the Trojan war. She explains the problems faced by his wife and twenty year old son who did not know whether Odysseus was dead or alive. Jill's explorations of the sites mentioned in the Odyssey leave the reader wanting to visit this beautiful and tranquil Ionian island.

'Fifty years into my life journey I realise that, while I love remote wild places and the peoples I meet there, it is in forests that I find the greatest joy. Of all the forests that I have explored, it is the great circumpolar Boreal forest of the North that calls to me most. Here is a landscape where bush knowledge really counts and where experience counts even more ... This book has been thirty years in the making.' Out on the Land is an absorbing exploration of, and tribute to, the circumpolar Boreal forest of the North: its landscape, its people, their cultures and skills, the wilderness that embodies it, and its immense beauty. The book is vast in scope and covers every aspect of being in the wilderness in both winter and summer (clothing, kit, skills, cooking, survival), revealing the age-old traditions and techniques, and how to carry them out yourself. It also includes case studies of early explorers, as well as modern-day adventurers who found themselves stranded in the forest and forced to work out a way to survive. So much more than a bushcraft manual, this book goes deeper, to the traditions and cultures that gave us these skills, as well as focusing on the detail itself. Ray and Lars's practical advice is wound around a deep love for the forest, respect and admiration for the people who live there and sheer enjoyment of the stunning scenery.

Beads have been a fascinating method for embellishing fashion since ancient cultures sought personal adornment. The twentieth century has seen some of the most innovative, colorful, and wonderful uses for beading as an enhancement in apparel, and, recently, beads have come into fashion as never before. Both vintage and recent costume are desirable as much, if not more, for their beading as for the overall design. This lavishly illustrated book includes chapters on the history, techniques, preservation, and collecting of beads in the world of fashion. With 534 beautiful color photos, a detailed text, captions, value guide, index, and bibliography, it is the first to cover both vintage and recent costume and accessories in one volume. With clothing by designers, ranging from Fortuny and Mackie to unknowns, this volume will delight anyone in the field of fashion.

In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai "rainbow bag," using Balenciaga's hashtags to circulate memes revealing the source of the bags' design. In Why We Can't Have Nice Things Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.

The sagas of the ancient Narts are to the Caucasus what Greek mythology is to Western civilization. This book presents, for the first time in the West, a wide selection of these fascinating myths preserved among four related peoples whose ancient cultures today survive by a thread. In ninety-two straightforward tales populated by extraordinary characters and exploits, by giants who humble haughty Narts, by horses and sorceresses, Nart Sagas from the Caucasus brings these cultures to life in a powerful epos. In these colorful tales, women, not least the beautiful temptress Satanaya, the mother of all Narts, are not only fertility figures but also pillars of authority and wisdom. In one variation on a recurring theme, a shepherd, overcome with passion on observing Satanaya bathing alone, shoots a "bolt of lust" that strikes a rock--a rock that gives birth to the Achilles-like Sawseruquo, or Sosruquo. With steely skin but tender knees, Sawseruquo is a man the Narts come to love and hate. Despite a tragic history, the Circassians, Abazas, Abkhaz, and Ubykhs have retained the Nart sagas as a living tradition. The memory of their elaborate warrior culture, so richly expressed by these tales, helped them resist Tsarist imperialism in the nineteenth century, Stalinist suppression in the twentieth, and has bolstered their ongoing cultural journey into the post-Soviet future. Because these peoples were at the crossroads of Eurasia for millennia, their myths exhibit striking parallels with the lore of ancient India, classical Greece, and pagan Scandinavia. The Nart sagas may also have formed a crucial component of the Arthurian cycle. Notes after each tale reveal these parallels; an appendix offers extensive linguistic commentary. With this book, no longer will the analysis of ancient Eurasian myth be possible without a close look at the Nart sagas. And no longer will the lover of myth be satisfied without the pleasure of having read them. Excerpts from the Nart sagas "The Narts were a tribe of heroes. They were huge, tall people, and their horses were also exuberant Alyps or Durduls. They were wealthy, and they also had a state. That is how the Narts lived their lives..." "The Narts were courageous, energetic, bold, and good-hearted. Thus they lived until God sent down a small swallow..." "The Narts were very cruel to one another. They were envious of one another. They disputed among themselves over who was the most courageous. But most of all they hated Sosruquo...A rock gave birth to him. He is the son of a rock, illegally born a mere shepherd's son..." In a new introduction, folklorist Adrienne Mayor reflects on these tales both in terms of the fascinating warrior culture they depict and the influence they had on Greco-Roman mythology.

What is the role of folklore in the discussion of catastrophe and trauma? How do disaster survivors use language, ritual, and the material world to articulate their experiences? What insights and tools can the field of folkloristics offer survivors for navigating and narrating disaster and its aftermath? Can folklorists contribute to broader understandings of empathy and the roles of listening in ethnographic work? We Are All Survivors is a collection of essays exploring the role of folklore in the wake of disaster. Contributors include scholars from the United States and Japan who have long worked with disaster-stricken communities or are disaster survivors themselves; individual chapters address Hurricane Katrina, Hurricane Maria, and two earthquakes in Japan, including the earthquake, tsunami, and nuclear disaster of 2011. Adapted from a 2017 special issue of Fabula (from the International Society for Folk Narrative Research), the book includes a revised introduction, an additional chapter with original illustrations, and a new conclusion considering how folklorists are documenting the COVID-19 pandemic. We Are All Survivors bears witness to survivors' expressions of remembrance, grieving, and healing.

"Luxury Fashion and Culture" focuses on the study of how humans use high quality, highly pleasurable, and frequently rare products, services, and experiences to distinguish to themselves and others who they are as well as whom they are not - both within and across cultures. Luxury fashion enables the individual to transform herself - to play a part in scenes exuding refinement, acceptance, high status, and good taste and risk ridicule by playing the part badly. The chapters provide new theory, recipes of methods, and findings on how culture helps humans manage and respond to luxury fashion enactments. Rather than focusing on traditional cultural transformations, it focuses on personal expressions of self and archetypal role-playing and fulfilment through the power of luxury fashion. This volume: applies the perspectives of Veblen, Goffman, McCracken, Thompson, and Belk to provide a theoretical foundation to explain why and how humans buy and enact luxury fashion products, services, and experiences; includes confirmatory personal introspections of explanations of luxury fashion enactments with self-photographs and self-interpretations of the enactments to explain how individuals enact luxury fashion and respond to alternative fashion-marketing designs; and is unique in conjoining sociology, psychology, marketing, and economics to advance fashion marketing theory and research.

The issue of patronage-clientelism has long been of interest in the social sciences. Based on long-term ethnographic research in southern Italy, this book examines the concept and practice of raccomandazione: the omnipresent social institution of using connections to get things done. Viewing the practice both from an indigenous perspective - as a morally ambivalent social fact - and considering it in light of the power relations that position southern Italy within the nesting relations of global Norths and Souths, it builds on and extends past scholarship to consider the nature of patronage in a contemporary society and its relationship to corruption.

The mythology and folklore of England is as old as the land itself, rich in symbolism and full of tales of quests and heroic daring-do, ghosts and witches, romantic heroines and noble outlaws. Who hasn't heard of the master sorcerer Merlin, Robin Hood and his merry men, or the legendary monster Grendel? Beginning with the great Anglo-Saxon epic Beowulf, English Myths explores the early legends of post-Roman England, many of which blend history and myth. The book goes on to examine the rich seam of Arthurian and romantic legends first told in the Medieval era, before looking at English folk heroes and the beasts, witches and ghosts that have haunted the land. Discover the brothers Hengist and Horsa, legendary leaders of the first Angles, Saxons and Jutes to settle in England; learn the tragic story of Cornish hero Tristan and his love for Irish princess Iseult; tremble at the Black Dog ghost, a nocturnal hellhound found stalking the country from Suffolk in the east to Devon in the west; and enjoy the tale of George and the dragon, who saved the nation from a rampaging serpent and became the patron saint of the country. Illustrated with 150 photographs and artworks, English Myths is an accessible, entertaining and highly informative exploration of the fascinating mythology underlying one of the world's oldest and most influential cultures.