This delightful, vividly detailed book takes you out 'on the town' in New York from the American Revolution to today's Food Revolution. Michael and Ariane Batterberry, founders of Food and Wine magazine, detail a magnificent journey through the streets of New York, exploring the customs in eating, drinking and entertainment of both high and low culture. They take you into the dives of the Tenderloin and to the elaborate banquets of the Gilded Age. Whether they are talking about a saloon or the famous Astor House, they provide the most interesting historical details - including quality and cost.
First published in 1973 when New York seemed to be a city in decline, the original edition of saw very little hope in the city's culinary future. Who could have known that New York was on the brink of a Food Revolution and a total reinvention of the American dining experience.
Conceived to redress that miscalculation and to celebrate the thriving growth of dining out in New York, this anniversary edition of On the Town in New York contains a new introduction and an afterward that picks up where the Batterberry's left off.
Delicious and irrisistable, this social history of New York will please anyone whose tasted the specialties of Chinatown, had a steak at Keen's or basked in the luxuries of the Rainbow Room.

This set re-issues classic works on folklore by Richard M. Dorson which trace the historical development of the idea of folklore from the Sixteenth Century to the First World War. The set also brings together the theoretical writings from folklorists.

This anthology presents translations of thirty songs about Ilya Muromets, Dobrynya, Sadko, and other legendary characters of Russian folklore.

An extensive introduction provides basic background about Russian epics, their poetics, the history of their collection, their performance context, and their main interpretations. In addition, there is a short introduction to each song, explaining its plot, allusions, and interpretations. A glossary of common terms and a selected bibliography of studies about the Russian epic in English and Russian are also included in the volume.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Answers to how various mythological, Biblical, and literary themes have been treated in literature, art, music, and the performing arts can be found in this work. It provides an analysis of over 100 selected themes that reflect the increasingly interdisciplinary nature of scholarly and academic work through the use of various iconographical sources. The alphabetical arrangement facilitates browsing, while the six indexes provide multiple access by considering, among others, references to the Bible; Judeo-Christian personages, places and concepts; and artists and works of art".--"Outstanding Reference Sources : the 1999 Selection of New Titles", American Libraries, May 1999. Comp. by the Reference Sources Committee, RUSA, ALA.

This set reissues two classic works on folklore by Richard M. Dorson which were originally published in 1968. The word "Folklore" was coined in 1846 by an English antiquary, William John Thoms, although Professor Dorson's study shows that the history of the folklore movement had its origins in an earlier period. Men and women in many fields, especially in Victorian times, succumbed to the fascination of folklore. The idea of folklore was then carried to the four corners of the British Empire by colonial administrators, missionaries, military officers, and throughout Europe by English travellers. The text shows how the influence of folklore also extended into literature, history, classics, archaeology, philology, physical research, legal and medical antiquities, Scandinavian, Germanic and Celtic studies, and the history of religions. The work traces the historical development of the idea of folklore, beginning in the emergence of English and national history with Camden in the 16th century and reaching its climax with the "Great Term" of Andrew Lang and his co-workers from the 1870s to the World War I.

Everyone has heard of the Minotaur in the labyrinth on Crete and many know that the Greek gods would adopt the guise of a bull to seduce mortal women. But what lies behind these legends? This text discusses mankind's enduring obsession with bulls. The bull is an almost universal symbol throughout Indo-European cultures. Bull cults proliferated in the Middle East and in many parts of North Africa, and one cult, Mithraism, was the greatest rival to Christianity in the Roman Empire. The Cults are divergent yet have certain core elements in common. The author argues that the ancient bulls were the supreme sacrificial animal. An examination of evidence from earliest prehistory onwards reveals the bull to be a symbol of political authority, sexual potency, economic wealth and vast subterranean powers. In some areas representations of the bull have varied little from earliest times, in others it has changed vastly over centuries.

All over the world traditional tales used to be told at the fireseide until their place came to be taken by books, newspapers, radio and television. This is an entertaining collection from Scotland, recorded and collected by researchers from the School of Scottish Studies at Edinburgh University over the past fifty years. Taken from a variety of sources, from the Hebridean Gaelic tradition to recordings of Lowland cairds (travelling people), some are well-known tales which have equivalents in other cultures and languages, whilst others are unique to Scotland. The tales are arranged by theme: - tall tales - hero tales - legends of ghosts and evil spirits - tales of fate and religion - fairies and sea-folk - children's tales - trickster tales - tales of clan feuds - robber tales This is a welcome reprint of a book that quickly established itself as a classic. It was previously published by Polygon.

Contains over 500 articles
Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography.
Special features
*More than 2000 contributors
*Over 500 articles spotlight folk literature, music, crafts, and more
*Alphabetically arranged
*Entries accompanied by up-to-date bibliographies
*Edited by America's best-known folklore authority

High fashion clothing designers from California produced stunning wardrobes for Hollywood stars that were trend-setting styles in the mid-20th century. Adrian, Irene, Helen Rose, Jean Louis, and William Travilla trained in the costume departments of the movie studios before they opened their own salons. Others, such as James Galanos, Rudi Gernreich, and Adolf Schuman (who founded the Lilli Ann company) chose to work their fashion magic in California. Both groups made original styles that influenced fashion around the world. Here hundreds of color photos present clothing designed by these giants of the industry that is still available to today's collectors. A helpful price guide is included to aid collectors and costumers alike. Live models and vintage photographs, original designer sketches and advertisements show the originality and diversity of these American fashions that became immediately popular in the ready-to-wear market.

The Banjara - an ethnic group composed of nomadic tribes, centered in the Indian state of Rajasthan - are renowned for their highly colourful textiles, often embellished with mirrors and intricate embroidery and produced from natural resources. Created to satisfy the needs of the tribe, occasionally incorporating shells, beads, mirrors, and tassels for decoration, the Banjara technique is unique in India and a celebration of the strength of the women who practise it. Recent genetic and linguistic evidence supports ties between the Banjara and the European Roma, eliciting much debate about the exact nature of the connection. This is the first book to be devoted to the traditions and embroidery of the Banjara, illuminating their history and investigating their links with the European Roma. Photographs by documentary photographer Tim McLaughlin illustrate the highest quality pieces of Banjara embroidery and costume, both historic and contemporary, and are accompanied by a foreword by Rosemary Crill, a senior curator at the Victoria and Albert Museum in London, and an appendix of line drawings.

The Arthurian legend closes with a promise: On a distant day, when his country calls, the king will return. His lost realm will be regained, and his shattered dream of an ideal world will, at last, be realized. This collection of original essays explores the issue of return in the modern Arthurian legend. With an Introduction by noted scholar Raymond H. Thompson and 13 essays by authors from the fields of literature, art history, film history, and folklore, this collection reveals the flexibility of the legend. Just as the modern legend takes the form current to its generation, the myth of return generates a new legend with each telling. As these authors show, return can come in the form of a noble king or a Caribbean immigrant, with the mystery of an art theft or a dying boy's dream.

In this narrative collage of ancient and contemporary storytelling, modern theory, and personal reflection, Ian William Sewall seeks to infuse western pedagogy with a folkloral teaching voice. Through multilayered conversations with individuals and groups-traditional storytellers, teachers, children-he examines the dynamic nature of oral culture, its embodied nature, its connection to place, and its use of metaphor, laughter, ethnicity, and intergenerational conversation to create unique kinds of interactions and learning. Offering storytelling as an "ancestral template" of good teaching, Sewall demonstrates how teachers can use the folkoral voice to inform and transform classroom practice.

"With her trademark brio and deep-tissue understanding, Maria Tatar opens the glass casket on this undying story, which retains its power to charm twenty-one times, and counting." -Gregory Maguire, author of Wicked The story of the rivalry between a beautiful, innocent girl and her cruel and jealous mother has been endlessly repeated and refashioned all over the world. The Brothers Grimm gave this story the name by which we know it best, and in 1937 Walt Disney sweetened their somber version to make the first feature-length, animated fairy tale, Snow White and the Seven Dwarfs. Since then, the Disney film has become our cultural touchstone-the innocent heroine, her evil stepmother, the envy that divides them, and a romantic rescue from domestic drudgery and maternal persecution. But each culture has its own way of telling this story of jealousy and competition. An acclaimed folklorist, Maria Tatar brings to life a global melodrama of mother-daughter rivalries that play out in unforgettable variations across countries and cultures. "Fascinating...A strange, beguiling history of stories about beauty, jealousy, and maternal persecution." -Wall Street Journal "Is the story of Snow White the cruelest, the deepest, the strangest, the most mythopoeic of them all?...Tatar trains a keen eye on the appeal of the bitter conflict between women at the heart of the tale...a feast of rich thoughts...An exciting and authoritative anthology from the wisest good fairy in the world of the fairy tale." -Marina Warner "The inimitable Maria Tatar offers us a maze of mothers and daughters and within that glorious tangle an archetype with far more meaning than we imagine when we say 'Snow White.'" -Honor Moore "Shocking yet familiar, these stories...retain the secret whisper of storytelling. This is a properly magical, erudite book." -Literary Review

The multi-award-winning meditation on survival, care and the place of literature in an unequal world 'Around that time my daughter and I had this exchange: Anne, imagine if the world had nothing in it. Do you mean nothing at all - just darkness - or a world without objects? I mean a world without things: no houses, chairs, or cars. A world with only people and trees and dirt. What do you think would happen? People would make things. We would make things with trees and dirt.' When the cold comes, when our needs announce themselves, it is with clothing, with possessions, in literature, through dreams - in all the forms and categories that shape, contain and constrain - that we keep ourselves alive. Yet, in a society in which some are rich and some are poor, who gets to dream, and who invents our forms? This is a book made of money and the lack of money; of writing and of not-writing; of illness and of care; of low-rent apartments, cake-baking mothers, Socratic daughters and bodies that refuse to become information.

Designed for those interested in the lore and tradition of a language, spoken until comparatively recently across much of Scotland, this is a compendium of Gaelic sayings and usage. The book includes notes, historical and social, and comparisons with sayings in different languages. Alexander Nicolson, one of the best scholars of his day, has gathered together a wide-ranging collection covering such diverse topics as women and marriage, wise men and fools, friendship and courage, and poverty and wealth. The proverbs appear in Gaelic along with the English translation, carefully preserving the pith of the original. These sayings, which as Nicolson remarks in his Preface, 'come from thatched cottages and not baronial and academic halls', reflect keen intelligence and a distinct sense of humour. This is a comprehensive and important collection, with a foreword by Ian MacDonald of the Gaelic Books Council.

Trees are one of Earth's oldest life forms; silent witnesses to human evolution and the passing of time. Many people today are unaware of their significance in Earth's ecology, their medicinal and nutritional properties, or the veneration bestowed on them by ancient peoples. This book captures all these elements in an inspiring holistic appraisal. Hageneder looks in detail at 24 of Europe and North America's best-loved trees: their physical characteristics, their healing powers, the traditions associated with them and how they have inspired human beings through the ages. Beautifully illustrated with black and white photographs and illustrations.

In Cultures, Citizenship and Human Rights the combined analytical efforts of the fields of human rights law, conflict studies, anthropology, history, media studies, gender studies, and critical race and postcolonial studies raise a comprehensive understanding of the discursive and visual mediation of migration and manifestations of belonging and citizenship. More insight into the convergence - but also the tensions - between the cultural and the legal foundations of citizenship, has proven to be vital to the understanding of societies past and present, especially to assess processes of inclusion and exclusion. Citizenship is more than a collection of rights and privileges held by the individual members of a state but involves cultural and historical interpretations, legal contestation and regulation, as well as an active engagement with national, regional, and local state and other institutions about the boundaries of those (implicitly gendered and raced) rights and privileges. Highlighting and assessing the transformations of what citizenship entails today is crucially important to the future of Europe, which both as an idea and as a practical project faces challenges that range from the crisis of legitimacy to the problems posed by mass migration. Many of the issues addressed in this book, however, also play out in other parts of the world, as several of the chapters reflect. This book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

The strength of Professor Varisco's work lies in his combination of ethnographic fieldwork among highland Yemeni farmers with an extensive study of medieval Arabic manuscripts on folk astronomy and agriculture. The opening articles discuss the astronomical concept of the 'lunar stations' in pre-Islamic Arabia and as developed in Arab astronomy and almanac lore; subsequent ones expand on the significance of this for an agricultural society, and examine a unique corpus of Yemeni agricultural almanacs, dating from the Rasulid period (13th-15th centuries) to the present. A further theme is that of traditional Yemeni agriculture, with studies on irrigation practices, plough cultivation, sorghum production, and indigenous plant protection methods, as well as the use of star calendars for seasonal markers.

Focusing on political and religious conformity, this work considers how the languages of dress in the Middle East connect with other social practices. Treating cases as diverse as practices of veiling in Oman and dress reform laws in Turkey, these thenographic studies extend from Malta, across the Middle East, to Iran and countries of the Caucasus.

Imagine a new critical theory that bases its literary value on fashion. In this theory exists a community that explores and interrogates conventionality, and in American literature of the 20th century, it includes fashion and home decoration, two paths to achieving white femininity, a prized component of many novels written by and for women. Drawing on cultural materialism and its connection to the cultural forms of objects, including apparel, Making it Work: 20th Century American Fiction and Fashion provides readers a new understanding of the aims of American writers, and the desires of their readers.

If you love the designs, fabrics, and sheer beauty of 19th and early 20th century women's fashions, this book will be your guide and time machine. It presents over 450 enchanting color photographs of modern-day models wearing the dresses, waists, undergarments, and accessories of this elegant era, including daywear, sportswear, and formalwear. Unusual items such as fancy dress, aesthetic garments, and reform styles are explained and illustrated. This book will help both novice and expert collectors accurately identify and date their collections by evaluating the silhouette, construction, style, and details of fashionable garments. Sound advice for maintaining, laundering, and repairing them is also provided, as is an updated price guide.

From the late eighteenth century to the present day, public exhibitions featuring displays of human anatomy have proven popular with a wide range of audiences, successfully marketed as educational facilities for medical professionals as well as improving entertainments for the general public. Partly a product of the public sanitation and health reform movements that began in the eighteenth century, partly a form of popular spectacle, early public anatomical exhibitions drew on two apparently distinct cultural developments: firstly, the professionalisation of medicine from the mid 1700s and the increasingly central role of practical anatomy within it; secondly, the rise of a culture of public spectacles such as world fairs, public museums, circuses and side shows, and the use of new visual technologies these spaces pioneered. Such spectacles often drew on medical discourses as a way of lending legitimacy to their displays of human bodies, while their popularity also helped make the then-contentious practice of anatomy publicly acceptable.
This book examines the cultural work performed by such exhibitions and their role in (re)producing new ways of seeing and knowing the body over the modern era. While public anatomical exhibitions might seem to occupy a marginal position in the history of popular culture and that of medicine, their distinctive intermixing of the medical and the spectacular has made them an influential and intensely productive cultural space, an important site of emergence for new ideas about bodily health and care. This book traces the influential role of such exhibitions in popularising a distinctly modern idea of the body as something requiring constant work and careful self-cultivation-an idea which continues to play a central role in the contemporary fascination with practices and possibilities of self-improvement. Through a series of representative case studies-including eighteenth-century exhibitions of anatomical Venuses, nineteenth-century anatomical museums "for men only" that served as quack clinics for sexual disorders, traditional and contemporary freak shows, and the recent public display of real human remains in Body Worlds and other such exhibitions-Anatomy as Spectacle traces how these exhibitions taught their spectators to see their bodies as something requiring constant self-monitoring and management, constructing an embodied modern subject who is always responsible, productive, temperate, and focused on self-improvement.