First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Answers to how various mythological, Biblical, and literary themes have been treated in literature, art, music, and the performing arts can be found in this work. It provides an analysis of over 100 selected themes that reflect the increasingly interdisciplinary nature of scholarly and academic work through the use of various iconographical sources. The alphabetical arrangement facilitates browsing, while the six indexes provide multiple access by considering, among others, references to the Bible; Judeo-Christian personages, places and concepts; and artists and works of art".--"Outstanding Reference Sources : the 1999 Selection of New Titles", American Libraries, May 1999. Comp. by the Reference Sources Committee, RUSA, ALA.

This set reissues two classic works on folklore by Richard M. Dorson which were originally published in 1968. The word "Folklore" was coined in 1846 by an English antiquary, William John Thoms, although Professor Dorson's study shows that the history of the folklore movement had its origins in an earlier period. Men and women in many fields, especially in Victorian times, succumbed to the fascination of folklore. The idea of folklore was then carried to the four corners of the British Empire by colonial administrators, missionaries, military officers, and throughout Europe by English travellers. The text shows how the influence of folklore also extended into literature, history, classics, archaeology, philology, physical research, legal and medical antiquities, Scandinavian, Germanic and Celtic studies, and the history of religions. The work traces the historical development of the idea of folklore, beginning in the emergence of English and national history with Camden in the 16th century and reaching its climax with the "Great Term" of Andrew Lang and his co-workers from the 1870s to the World War I.

All over the world traditional tales used to be told at the fireseide until their place came to be taken by books, newspapers, radio and television. This is an entertaining collection from Scotland, recorded and collected by researchers from the School of Scottish Studies at Edinburgh University over the past fifty years. Taken from a variety of sources, from the Hebridean Gaelic tradition to recordings of Lowland cairds (travelling people), some are well-known tales which have equivalents in other cultures and languages, whilst others are unique to Scotland. The tales are arranged by theme: - tall tales - hero tales - legends of ghosts and evil spirits - tales of fate and religion - fairies and sea-folk - children's tales - trickster tales - tales of clan feuds - robber tales This is a welcome reprint of a book that quickly established itself as a classic. It was previously published by Polygon.

Everyone has heard of the Minotaur in the labyrinth on Crete and many know that the Greek gods would adopt the guise of a bull to seduce mortal women. But what lies behind these legends? This text discusses mankind's enduring obsession with bulls. The bull is an almost universal symbol throughout Indo-European cultures. Bull cults proliferated in the Middle East and in many parts of North Africa, and one cult, Mithraism, was the greatest rival to Christianity in the Roman Empire. The Cults are divergent yet have certain core elements in common. The author argues that the ancient bulls were the supreme sacrificial animal. An examination of evidence from earliest prehistory onwards reveals the bull to be a symbol of political authority, sexual potency, economic wealth and vast subterranean powers. In some areas representations of the bull have varied little from earliest times, in others it has changed vastly over centuries.

Contains over 500 articles
Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography.
Special features
*More than 2000 contributors
*Over 500 articles spotlight folk literature, music, crafts, and more
*Alphabetically arranged
*Entries accompanied by up-to-date bibliographies
*Edited by America's best-known folklore authority

High fashion clothing designers from California produced stunning wardrobes for Hollywood stars that were trend-setting styles in the mid-20th century. Adrian, Irene, Helen Rose, Jean Louis, and William Travilla trained in the costume departments of the movie studios before they opened their own salons. Others, such as James Galanos, Rudi Gernreich, and Adolf Schuman (who founded the Lilli Ann company) chose to work their fashion magic in California. Both groups made original styles that influenced fashion around the world. Here hundreds of color photos present clothing designed by these giants of the industry that is still available to today's collectors. A helpful price guide is included to aid collectors and costumers alike. Live models and vintage photographs, original designer sketches and advertisements show the originality and diversity of these American fashions that became immediately popular in the ready-to-wear market.

The Banjara - an ethnic group composed of nomadic tribes, centered in the Indian state of Rajasthan - are renowned for their highly colourful textiles, often embellished with mirrors and intricate embroidery and produced from natural resources. Created to satisfy the needs of the tribe, occasionally incorporating shells, beads, mirrors, and tassels for decoration, the Banjara technique is unique in India and a celebration of the strength of the women who practise it. Recent genetic and linguistic evidence supports ties between the Banjara and the European Roma, eliciting much debate about the exact nature of the connection. This is the first book to be devoted to the traditions and embroidery of the Banjara, illuminating their history and investigating their links with the European Roma. Photographs by documentary photographer Tim McLaughlin illustrate the highest quality pieces of Banjara embroidery and costume, both historic and contemporary, and are accompanied by a foreword by Rosemary Crill, a senior curator at the Victoria and Albert Museum in London, and an appendix of line drawings.

The Arthurian legend closes with a promise: On a distant day, when his country calls, the king will return. His lost realm will be regained, and his shattered dream of an ideal world will, at last, be realized. This collection of original essays explores the issue of return in the modern Arthurian legend. With an Introduction by noted scholar Raymond H. Thompson and 13 essays by authors from the fields of literature, art history, film history, and folklore, this collection reveals the flexibility of the legend. Just as the modern legend takes the form current to its generation, the myth of return generates a new legend with each telling. As these authors show, return can come in the form of a noble king or a Caribbean immigrant, with the mystery of an art theft or a dying boy's dream.

In this narrative collage of ancient and contemporary storytelling, modern theory, and personal reflection, Ian William Sewall seeks to infuse western pedagogy with a folkloral teaching voice. Through multilayered conversations with individuals and groups-traditional storytellers, teachers, children-he examines the dynamic nature of oral culture, its embodied nature, its connection to place, and its use of metaphor, laughter, ethnicity, and intergenerational conversation to create unique kinds of interactions and learning. Offering storytelling as an "ancestral template" of good teaching, Sewall demonstrates how teachers can use the folkoral voice to inform and transform classroom practice.

"With her trademark brio and deep-tissue understanding, Maria Tatar opens the glass casket on this undying story, which retains its power to charm twenty-one times, and counting." -Gregory Maguire, author of Wicked The story of the rivalry between a beautiful, innocent girl and her cruel and jealous mother has been endlessly repeated and refashioned all over the world. The Brothers Grimm gave this story the name by which we know it best, and in 1937 Walt Disney sweetened their somber version to make the first feature-length, animated fairy tale, Snow White and the Seven Dwarfs. Since then, the Disney film has become our cultural touchstone-the innocent heroine, her evil stepmother, the envy that divides them, and a romantic rescue from domestic drudgery and maternal persecution. But each culture has its own way of telling this story of jealousy and competition. An acclaimed folklorist, Maria Tatar brings to life a global melodrama of mother-daughter rivalries that play out in unforgettable variations across countries and cultures. "Fascinating...A strange, beguiling history of stories about beauty, jealousy, and maternal persecution." -Wall Street Journal "Is the story of Snow White the cruelest, the deepest, the strangest, the most mythopoeic of them all?...Tatar trains a keen eye on the appeal of the bitter conflict between women at the heart of the tale...a feast of rich thoughts...An exciting and authoritative anthology from the wisest good fairy in the world of the fairy tale." -Marina Warner "The inimitable Maria Tatar offers us a maze of mothers and daughters and within that glorious tangle an archetype with far more meaning than we imagine when we say 'Snow White.'" -Honor Moore "Shocking yet familiar, these stories...retain the secret whisper of storytelling. This is a properly magical, erudite book." -Literary Review

In Cultures, Citizenship and Human Rights the combined analytical efforts of the fields of human rights law, conflict studies, anthropology, history, media studies, gender studies, and critical race and postcolonial studies raise a comprehensive understanding of the discursive and visual mediation of migration and manifestations of belonging and citizenship. More insight into the convergence - but also the tensions - between the cultural and the legal foundations of citizenship, has proven to be vital to the understanding of societies past and present, especially to assess processes of inclusion and exclusion. Citizenship is more than a collection of rights and privileges held by the individual members of a state but involves cultural and historical interpretations, legal contestation and regulation, as well as an active engagement with national, regional, and local state and other institutions about the boundaries of those (implicitly gendered and raced) rights and privileges. Highlighting and assessing the transformations of what citizenship entails today is crucially important to the future of Europe, which both as an idea and as a practical project faces challenges that range from the crisis of legitimacy to the problems posed by mass migration. Many of the issues addressed in this book, however, also play out in other parts of the world, as several of the chapters reflect. This book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

The strength of Professor Varisco's work lies in his combination of ethnographic fieldwork among highland Yemeni farmers with an extensive study of medieval Arabic manuscripts on folk astronomy and agriculture. The opening articles discuss the astronomical concept of the 'lunar stations' in pre-Islamic Arabia and as developed in Arab astronomy and almanac lore; subsequent ones expand on the significance of this for an agricultural society, and examine a unique corpus of Yemeni agricultural almanacs, dating from the Rasulid period (13th-15th centuries) to the present. A further theme is that of traditional Yemeni agriculture, with studies on irrigation practices, plough cultivation, sorghum production, and indigenous plant protection methods, as well as the use of star calendars for seasonal markers.

Focusing on political and religious conformity, this work considers how the languages of dress in the Middle East connect with other social practices. Treating cases as diverse as practices of veiling in Oman and dress reform laws in Turkey, these thenographic studies extend from Malta, across the Middle East, to Iran and countries of the Caucasus.

Imagine a new critical theory that bases its literary value on fashion. In this theory exists a community that explores and interrogates conventionality, and in American literature of the 20th century, it includes fashion and home decoration, two paths to achieving white femininity, a prized component of many novels written by and for women. Drawing on cultural materialism and its connection to the cultural forms of objects, including apparel, Making it Work: 20th Century American Fiction and Fashion provides readers a new understanding of the aims of American writers, and the desires of their readers.

From the late eighteenth century to the present day, public exhibitions featuring displays of human anatomy have proven popular with a wide range of audiences, successfully marketed as educational facilities for medical professionals as well as improving entertainments for the general public. Partly a product of the public sanitation and health reform movements that began in the eighteenth century, partly a form of popular spectacle, early public anatomical exhibitions drew on two apparently distinct cultural developments: firstly, the professionalisation of medicine from the mid 1700s and the increasingly central role of practical anatomy within it; secondly, the rise of a culture of public spectacles such as world fairs, public museums, circuses and side shows, and the use of new visual technologies these spaces pioneered. Such spectacles often drew on medical discourses as a way of lending legitimacy to their displays of human bodies, while their popularity also helped make the then-contentious practice of anatomy publicly acceptable.
This book examines the cultural work performed by such exhibitions and their role in (re)producing new ways of seeing and knowing the body over the modern era. While public anatomical exhibitions might seem to occupy a marginal position in the history of popular culture and that of medicine, their distinctive intermixing of the medical and the spectacular has made them an influential and intensely productive cultural space, an important site of emergence for new ideas about bodily health and care. This book traces the influential role of such exhibitions in popularising a distinctly modern idea of the body as something requiring constant work and careful self-cultivation-an idea which continues to play a central role in the contemporary fascination with practices and possibilities of self-improvement. Through a series of representative case studies-including eighteenth-century exhibitions of anatomical Venuses, nineteenth-century anatomical museums "for men only" that served as quack clinics for sexual disorders, traditional and contemporary freak shows, and the recent public display of real human remains in Body Worlds and other such exhibitions-Anatomy as Spectacle traces how these exhibitions taught their spectators to see their bodies as something requiring constant self-monitoring and management, constructing an embodied modern subject who is always responsible, productive, temperate, and focused on self-improvement.

Originally published between 1920-70, the "History of Civilization" was published at a formative time within the social sciences, and during a period of decisive historical discovery. The aim of the general editor, C.K. Ogden, was to summarize the most up to date findings and theories of historians, anthropologists, archaeologists and sociologists. This reprinted material is available as a set or in the following groupings: "Prehistory and Historical Ethnography" set of 12 (0-415-15611-4, u800); "Greek Civilization" set of 7 (0-415-15612-2, u450); "Roman Civilization" set of 6 (0-415-15613-0, u400); "Eastern Civilizations" set of 10 (0-415-15614-9, u650); "Judaeo-Christian Civilization" set of 4 (0-415-15615-7, u250); "European Civilization" set of 11 (0-415-15616-5, u700).

Over 1,240 beautiful museum quality hats reveal the milliner's ingenuity from the 1790s to the 1970s. Among the styles displayed are ascots, bourrelets, bigonnets, chapeaux rouges, nurses' hats, Pamelas, pillboxes, toreodors, turbans, and wedding hats. They are made with materials including felts, furs (real and imitation), and feathers, and are adorned with beads, flowers, sequins, and much more! Among the milliners whose hats are shown are John B. Stetson, Tress & Co., Elsa Schiaparelli, Lilly DachA (c), Christian Dior, Laddie Northridge, Frank Olive, and Hattie Carnegie. The meticulously researched text provides an engaging retrospective of the millinery business. A precise glossary of terms is very useful to today's collectors and researchers. Prices reflecting the hat market today are in the captions. Vintage clothing collectors, dealers, historians, milliners, and curators all will find this an essential and beguiling reference.

Despite being located on the extreme eastern boundary of Europe, and having been frequently conquered by invading people from Asia, including Arabs, Turks, Persians, Mongols, and more recently Russians, Georgians still regard themselves very much as Europeans and it is to becoming a future member state of the EU that the majority of the people now aspire. As for the traditional folk-tales from the region, one of their main characteristics is that they are packed with action: Whilst a written, 'literary' novel or short story might devote paragraphs to descriptions of people or places, these tales usually settle for an adjective or two; 'a thick impassable forest', 'a handsome stately man', or a formula such as 'not-seen-beneath-the-sun beauty'. Many of the heroes and heroines do not even have names (Hunt, 1999, p.8). Safely cocooned, or so we like to kid ourselves, in our sanitised western urban environment, we tend to take the elements for granted. However, tales from a time when the Earth was new help to jolt us out of our daily lethargy, as do the stories in this collection - a number of which have never been translated from Georgian direct into English before.

From Bauhaus jewellery and West African textiles to contemporary portraiture and sculpture, this unique volume explores the rituals of making that underpin an artist's work. Accompanying an exhibition curated by the groundbreaking Nigerian-born British fashion designer Duro Olowu at Camden Art Centre, London, this book offers the opportunity to re-evaluate art and textiles from the nineteenth-century to the present. Olowu selects material by more than 60 artists from around the world, including rarely seen works by Anni Albers, Wangechi Mutu, Alice Neel, Chris Ofili and Irving Penn, and newer paintings by Lynette Yiadom-Boakye. By setting up unexpected dialogues between historic and contemporary artists working in a myriad of media - textile, painting, sculpture, photography and collage - Olowu reveals a shared preoccupation with themes of gender, race, beauty, sexuality and the body. The volume includes an in-depth conversation between Olowu and artist Glenn Ligon, along with texts by Jennifer Higgie and Shanay Jhaveri, that together highlight the intricate layers of history and place that influence the making of art.

This volume focuses on changing marriage practices and kinship structures in a setting of interaction between the ruling elites and their Chinese subjects. The collection covers three major themes: the unique adaptability of steppe society in the face of threats to its politcal dominance; the way shifts in inheritance procedure (including rights of office) induce a radical shift in attitudes to marriage as well as change in the parameters of kinship solidarity; and the enduring importance of affinal ties (connections through the mother, wife and sister) in Chinese society.

More than 125 years ago, a remarkable group of people came together in Cape Town to write down the language and beliefs of the |xam people, a Bushman group that once lived over much of South Africa. The immensely valuable work of Wilhelm Bleek, Lucy Lloyd and their |xam teachers not only preserved a language now no longer spoken, but also provided fascinating insights into |xam cosmology.

First published in 2004, Customs and Beliefs of the |xam reproduces Dorothea Bleek's selection of |xam narratives from the well-known Bleek and Lloyd Collection that was originally published in the journal Bantu Studies during the 1930s. Collated and edited by Jeremy Hollman, the extracts include detailed notes on each of the narratives, as well as Bleek's 'sketch' of |xam grammar.

This substantially revised second edition integrates new scholarship on the Bleek and Lloyd archive, and restores previously omitted material. The introduction to each narrative has been expanded to contextualise it within the archive as a whole and, where relevant, reference it to the Notebook of which it is a part. This includes meticulous cross-referencing with the Bleek and Lloyd Collection catalogue code and the Notebook number and line reference. Each of the texts has also been critically reassessed, with additional editorial notes and commentaries, in particular with respect to the |xam words themselves and the ways in which they have been translated. A synopsis of each narrative is provided in an appendix, with cross references to the Bleek and Lloyd notebooks.

Customs and Beliefs of the |xam, second edition, is an in-depth, detailed and authoritative resource that will be invaluable to scholars, heritage workers and activists alike.

First published in 1996. The need to write, particularly in pre-technological recording days, in order to preserve and to analyze, lies at the heart of folklore and yet to write means to change the medium in which much folk communication and art actually took and takes place. In Part I of the collection, the contributors address literary constructions of traditional and emergent cultures, those of Leslie Marmon Silko, Sandra Cisneros, Pat Mora, Carmen Tafolla, Julio Cortazar, Milan Kundera, Franz Kafka, Philip Roth, Thomas Hardy, and Dacia Maraini. The contributors to Part II of the collection offer readings of a variety of traditional, vernacular, and local performances.