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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore
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Demoniality
(Hardcover)
Ludovico Maria Sinistrari, Montague Summers
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R484
Discovery Miles 4 840
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Ships in 10 - 15 working days
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A Companion to Folklore presents an original and comprehensive
collection of essays from international experts in the field of
folklore studies. Unprecedented in depth and scope, this
state-of-the-art collection uniquely displays the vitality of
folklore research across the globe. * An unprecedented collection
of original, state of the art essays on folklore authored by
international experts * Examines the practices and theoretical
approaches developed to understand the phenomena of folklore *
Considers folklore in the context of multi-disciplinary topics that
include poetics, performance, religious practice, myth, ritual and
symbol, oral textuality, history, law, politics and power as well
as the social base of folklore * Selected by Choice as a 2013
Outstanding Academic Title
The iconic bags, the instantly recognizable packaging, the
celebrity fans - Hermes is the last word in luxurious accessories.
Through the generations, Hermes have created innovative and
exquisite accessories for the most glamorous customers. From their
nineteenth-century saddlery workshop to 1960s Paris and beyond,
Hermes has graced the arms and wardrobes of style icons from Grace
Kelly and Jane Birkin to Victoria Beckham and Kim Kardashian.
Little Book of Hermes tells the story of the evolution of the House
of Hermes, through beautiful illustrations of the most coveted
items and authoritative text by fashion historian Karen Homer.
Numerous tastemakers exist in and between fashion production and
consumption, from designers and stylists to trend forecasters,
buyers, and journalists. How and why are each of these players
bound up in the creation and dispersion of trends? In what ways are
consumers' relations to trends constructed by these individuals and
organizations? This book explores the social significance of trends
in the global fashion industry through interviews with these
'fashion intermediaries', offering new insights into their
influential roles in the setting and shaping of trends. The
Trendmakers contains exclusive interviews with financial analysts,
creative directors from high street stores like H&M to designer
brands such as Erdem, trend forecasters at WGSN, buyers from Harvey
Nichols, and major fashion names like The Telegraph fashion critic
Hilary Alexander. In contrast to existing research, Lantz offers an
international understanding of the trend landscape, engaging with
industry professionals from fashion capitals like London, Paris,
and New York, as well as BRIC countries and the new, emerging
fashion nations. The fashion media may have declared that 'trends
are dead' in the light of digital dissemination, but Lantz argues
that trends still not only serve as a significant organizing
principle for the fashion industry as a whole but also as a source
for legitimacy. Engaging with classic fashion thinkers like Veblen,
Simmel, and Bourdieu, as well as contemporary scholars like
Entwistle and Steele, this book considers trends from an economic
and cultural perspective to add to our knowledge of the
complexities of the business of fashion.
The 1720 Imperial Circumcision Celebrations in Istanbul offers the
first holistic examination of an Ottoman public festival through an
in-depth inquiry into different components of the 1720 event.
Through a critical and combined analysis of the hitherto unknown
archival sources along with the textual and pictorial narratives on
the topic, the book vividly illustrates the festival's
organizational details and preparations, its complex rites (related
to consumption, exchange, competition), and its representation in
court-commissioned illustrated festival books (surnames). To
analyze all these phases in a holistic manner, the book employs an
interdisciplinary approach by using the methodological tools of
history, art history, and performance studies and thus, provides a
new methodological and conceptual framework for the study of
Ottoman celebrations.
- What is an Apollo knot? - Who wore a Welch wig? - When were
Zouave jackets the height of fashion? This new edition of The
Dictionary of Fashion History further updates the landmark work of
C. Willett Cunnington, Phillis Cunnington and Charles Beard.
Featuring over 60 new and revised entries on diverse topics such as
the Onesie, Brothel Creepers and the Birkin Bag, this edition is
even more comprehensive and brings this costume historian's bible
fully up to date. With many more images to accompany the text and
illustrate key fashions - including cartoons, prints and lavish
color photographs of surviving garments - this version of the
dictionary brings dazzling and unusual garments to life for
researchers, students, costume designers and everyone interested in
the subject. Clear, concise, and meticulous in detail, this
essential reference work answers countless questions relating to
the history of dress and adornment and will continue to be the
definitive guide for many years to come.
This study of clothing during British colonial America examines
items worn by the well-to-do as well as the working poor, the
enslaved, and Native Americans, reconstructing their wardrobes
across social, economic, racial, and geographic boundaries.
Clothing through American History: The British Colonial Era
presents, in six chapters, a description of all aspects of dress in
British colonial America, including the social and historical
background of British America, and covering men's, women's, and
children's garments. The book shows how dress reflected and evolved
with life in British colonial America as primitive settlements gave
way to the growth of towns, cities, and manufacturing of the
pre-Industrial Revolution. Readers will discover that just as in
the present day, what people wore in colonial times represented an
immediate, visual form of communication that often conveyed
information about the real or intended social, economic, legal,
ethnic, and religious status of the wearer. The authors have
gleaned invaluable information from a wide breadth of primary
source materials for all of the colonies: court documents and
colonial legislation; diaries, personal journals, and business
ledgers; wills and probate inventories; newspaper advertisements;
paintings, prints, and drawings; and surviving authentic clothing
worn in the colonies.
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