'A captivating tale of love and loss and finding connection in the most unexpected places' Nikki Marmery, author of On Wilder Seas A lyrical and atmospheric homage to the strange and extraordinary, perfect for fans of Angela Carter and Erin Morgenstern. This is the story of The Greatest Funambulist Who Ever Lived... Born into a post-war circus family, our nameless star was unwanted and forgotten, abandoned in the shadows of the big top. Until the bright light of Serendipity Wilson threw her into focus. Now an adult, haunted by an incident in which a child was lost from the circus, our narrator, a tightrope artiste, weaves together her spellbinding tales of circus legends, earthy magic and folklore, all in the hope of finding the child... But will her story be enough to bring the pair together again? Beautiful and intoxicating, A Girl Made of Air brings the circus to life in all of its grime and glory; Marina, Manu, Serendipity Wilson, Fausto, Big Gen and Mouse will live long in the hearts of readers. As will this story of loss and reconciliation, of storytelling and truth.

The Irish do death differently. Funeral attendance is a solemn duty - but it can also be a big day out, requiring sophisticated crowd control, creative parking solutions and a high-end sound system. Despite having the same basic end-of-life infrastructure as other Western countries, Irish culture handles death with a unique blend of dignified ritual and warm sociability. In Sorry for Your Trouble, Ann Marie Hourihane holds up a mirror to the Irish way of death: the funny bits, the sad bits, and the hard-to-explain bits that tell us so much about who we are. She follows the last weeks of a woman's life in hospice; she witnesses an embalming; she attends inquests; she talks to people working to prevent suicide; she follows the team of specialists working to locate the remains of people 'disappeared' by the IRA; and she visits some of Ireland's most contested graves. She also explores the strange and sometimes surprising histories of Irish death practices, from the traditional wake and ritual lamentations to the busy commerce between anatomists and bodysnatchers. And she goes to funerals, of ordinary and extraordinary people all over the country - including that of her own father. 'I had joined a club,' she writes, 'the club of people who have lost someone very close to them.' And then, with her family, she sets about planning a funeral in the middle of a pandemic. Sorry for Your Trouble sheds fresh, wise and witty light on a key pillar of Irish culture: a vast but strangely underexplored subject. Rich, sparkling and eye-opening, it is one of the best books ever written about Irish life. ___________________________ 'A beautiful, insightful reflection on a very, very peculiar country's approach to the oddest experience of them all' RYAN TUBRIDY 'Hugely moving and illuminating. All of life, somehow, is here' TANYA SWEENEY, IRISH INDEPENDENT 'Moving, comforting and funny' BUSINESS POST

In this dazzling history of the imagination, Patrick Harpur links together fields as far apart as Greek philosophy and depth psychology, Renaissance magic and tribal ritual, Romantic poetry and modern models of the Universe, to trace how myths have been used to make sense of the world. In so doing he uncovers that tradition which alchemists imagined as a Golden Chain of initiates, who passed their mysterious 'secret fire' down through the ages. As this inspiring book shows, the secret of this perennial wisdom is of an imaginative insight: a simple way of seeing that re-enchants our existence and restores us to our own true selves..."His flame-like knowledge is central to the urgent seriousness of this book; buy a copy before it vanishes." THE LONDON MAGAZINE ..."It would be hard to overestimate the value of Harpur's book or to praise it too highly." RESURGENCE MAGAZINE ..."Once we believed that truth was 'out there', now we hold that it's 'in here', but if Harpur is right then it lies in the line of vision between the two" THE INDEPENDENT ON SUNDAY ..."Mr. Harpur links together fields as far apart as Greek philosophy and depth psychology, Renaissance magic and tribal ritual, Romantic poetry and the ecstasy of the shaman, to trace how societies over time have used myths to make sense of the world. Harpur leads us through history's secret chambers with such grace of language and insight that we forget the hour. I would make Harpur's book required reading for every student of philosophy, depth psychology, and history." DIANNE SKAFTE

For the contributors to In Fashion: Culture, Commerce, Craft, and Identity being "in fashion" is about self-presentation; defining how fashion is presented in the visual, written, and performing arts; and about design, craft, manufacturing, packaging, marketing and archives. The book's international cast of authors engage "in" fashion from various disciplinary, professional, and creative perspectives; i.e., anthropology, archaeology, art history, cultural studies, design, environmental studies, fashion studies, history, international relations, literature, marketing, philosophy, sociology, technology, and theatre. In Fashion has five sections: * Fashioning Representations: Texts, Images, and Performances; * Fashionable: Shopping, Luxury, and Vintage; * Fashion's Materials: Craft, Industry, and Innovation; * Museum Worthy: Fashion and the Archive; * Fashioning Cultural Identities: Case Studies.

Tikim: Essays on Philippine Food and Culture by Doreen G. Fernandez is a groundbreaking work that introduces readers to the wondrous history of Filipino foodways. First published by Anvil in 1994, Tikim explores the local and global nuances of Philippine cuisine through its people, places, feasts, and flavors. Doreen Gamboa Fernandez (1934-2002) was a cultural historian, professor, author, and columnist. Her food writing educated and inspired generations of chefs and food enthusiasts in the Philippines and throughout the world. This Brill volume honors and preserves Fernandez's legacy with a reprinting of Tikim, a foreword by chef and educator Aileen Suzara, and an editor's preface by historian Catherine Ceniza Choy.