From the asparas of Hindu myth to the swan maidens of European fairy tales, tales of flying women-some with wings, others with clouds, rainbows, floating scarves, or flying horses-reveal both fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of flying women as it appears in a wide variety of cultures and historical periods, expressed in legends, myths, rituals, sacred narratives, and artistic productions. She covers a wide range of themes, including supernatural women, like the Valkyries, who transport men to immortality; winged goddesses like Iris and the Greek goddess Nike; figures of terror like the Furies, witches, and succubi; the relationship of marriage and freedom; the connections between women, death, and rebirth; dreams about flying and shamanistic journeys; airborne Christian mystics; and wayward women like Lilith and Morgan le Fay. Young also looks at the mythology surrounding real-life female aviators like Amelia Earhart and Hanna Reitsch. Throughout these examples of flying women, Young demonstrates that female power has been inextricably linked with female sexuality and that the desire to control it was and continues to be a pervasive theme in these stories. The relationship between sex and power is most vividly portrayed in the 12th-century Niebelungenlied, in which the proud warrior-queen Brunnhilde loses her great physical strength when she is tricked into losing her virginity. But even in the 20th century the same idea is reflected in the exploits of the comic book character Wonder Woman, who, posits Young, retains her physical strength only because her love for fellow aviator Steve Trevor goes unrequited. The first book to systematically chronicle the figure of the flying woman in myth, literature, and art, Women Who Fly sheds new light on the ways in which women have both influenced and been understood by society and religious traditions around the world.

Tikim: Essays on Philippine Food and Culture by Doreen G. Fernandez is a groundbreaking work that introduces readers to the wondrous history of Filipino foodways. First published by Anvil in 1994, Tikim explores the local and global nuances of Philippine cuisine through its people, places, feasts, and flavors. Doreen Gamboa Fernandez (1934-2002) was a cultural historian, professor, author, and columnist. Her food writing educated and inspired generations of chefs and food enthusiasts in the Philippines and throughout the world. This Brill volume honors and preserves Fernandez's legacy with a reprinting of Tikim, a foreword by chef and educator Aileen Suzara, and an editor's preface by historian Catherine Ceniza Choy.

The Irish do death differently. Funeral attendance is a solemn duty - but it can also be a big day out, requiring sophisticated crowd control, creative parking solutions and a high-end sound system. Despite having the same basic end-of-life infrastructure as other Western countries, Irish culture handles death with a unique blend of dignified ritual and warm sociability. In Sorry for Your Trouble, Ann Marie Hourihane holds up a mirror to the Irish way of death: the funny bits, the sad bits, and the hard-to-explain bits that tell us so much about who we are. She follows the last weeks of a woman's life in hospice; she witnesses an embalming; she attends inquests; she talks to people working to prevent suicide; she follows the team of specialists working to locate the remains of people 'disappeared' by the IRA; and she visits some of Ireland's most contested graves. She also explores the strange and sometimes surprising histories of Irish death practices, from the traditional wake and ritual lamentations to the busy commerce between anatomists and bodysnatchers. And she goes to funerals, of ordinary and extraordinary people all over the country - including that of her own father. 'I had joined a club,' she writes, 'the club of people who have lost someone very close to them.' And then, with her family, she sets about planning a funeral in the middle of a pandemic. Sorry for Your Trouble sheds fresh, wise and witty light on a key pillar of Irish culture: a vast but strangely underexplored subject. Rich, sparkling and eye-opening, it is one of the best books ever written about Irish life. ___________________________ 'A beautiful, insightful reflection on a very, very peculiar country's approach to the oddest experience of them all' RYAN TUBRIDY 'Hugely moving and illuminating. All of life, somehow, is here' TANYA SWEENEY, IRISH INDEPENDENT 'Moving, comforting and funny' BUSINESS POST

The Cinema of Sofia Coppola provides the first comprehensive analysis of Coppola's oeuvre that situates her work broadly in relation to contemporary artistic, social and cultural currents. Suzanne Ferriss considers the central role of fashion - in its various manifestations - to Coppola's films, exploring fashion's primacy in every cinematic dimension: in film narrative; production, costume and sound design; cinematography; marketing, distribution and auteur branding. She also explores the theme of celebrity, including Coppola's own director-star persona, and argues that Coppola's auteur status rests on an original and distinct visual style, derived from the filmmaker's complex engagement with photography and painting. Ferriss analyzes each of Coppola's six films, categorizing them in two groups: films where fashion commands attention (Marie Antoinette, The Beguiled and The Bling Ring) and those where clothing and material goods do not stand out ostentatiously, but are essential in establishing characters' identities and relationships (The Virgin Suicides, Lost in Translation and Somewhere). Throughout, Ferriss draws on approaches from scholarship on fashion, film, visual culture, art history, celebrity and material culture to capture the complexities of Coppola's engagement with fashion, culture and celebrity. The Cinema of Sofia Coppola is beautifully illustrated with color images from her films, as well as artworks and advertising artefacts.

CAPTIVATING LOVE STORIES CELEBRATED AND RETOLD THE SUNDAY TIMES BESTSELLER AND GLOBAL HIT As seen on BBC2 Between the Covers 'Perfection in short story form. So rarely is love expressed this richly, this vividly, or this artfully.' CANDICE CARTY-WILLIAMS 'Beautifully written and full of joy. Bolu Babalola is a star.' MEG CABOT 'Here is love as freedom, love as deep joy. Romance will never be dead, as long as Bolu is writing it.' JESSIE BURTON __________ Bolu Babalola takes the most beautiful love stories from history and mythology and rewrites them with incredible new detail and vivacity in her debut collection. Focusing on the magical folktales of West Africa, Babalola also reimagines iconic Greek myths, ancient legends from the Middle East, and stories from countries that no longer exist in our world. A high-born Nigerian goddess feels beaten down and unappreciated by her gregarious lover and longs to be truly seen. A young businesswoman attempts to make a great leap in her company, and an even greater one in her love life. A powerful Ghanaian spokeswoman is forced to decide whether to uphold her family's politics, or to be true to her heart. Whether captured in the passion of love at first sight, or realising that self-love takes precedent over the latter, the characters in these vibrant stories try to navigate this most complex human emotion and understand why it holds them hostage. Moving exhilaratingly across perspectives, continents and genres, from the historic to the vividly current, Love in Colour is a celebration of romance in all of its forms. __________ PRAISE FOR LOVE IN COLOUR: 'Captivating.' Vice 'Smart and joyful, witty and heartbreaking.' Stylist 'Epic.' Bustle 'Vibrant.' Refinery29 'Brilliant and beautiful.' Net-a-Porter

Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices. Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff - past and present - in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity. In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N'Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival's institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.

This is an engaging autobiographical account of a young American woman's life in her Samoan husband's native home. Fay Calkins, a descendant of Puritan settlers, met Vai Ala'ilima, a descendant of Samoan chiefs, while working on her doctoral dissertation in the Library of Congress. After an unconventional courtship and a typical American wedding, they set out for Western Samoa, where Fay was to find a way of life totally new and charming, if at times frustrating and confusing. Soon after her arrival in the islands, the bride of a few months found herself with a family of seven boys in a wide range of ages, sent by relatives to live with the new couple. She was stymied by the economics of trying to support numerous guests, relatives, and a growing family, and still contribute to the lavish feasts that were given on any pretext--feasts, where the guests brought baskets in which to take home as much of the largesse as they could carry. Fay tried to introduce American institutions: a credit union, a co-op, a work schedule, and hourly wages on the banana plantation begun by her and her husband. In each instance, she quickly learned that Samoans were unwilling or unable to grasp her Western ideas of input equaling output, of personal property, or of payment received for work done. Despite these frustrations and disappointments, however, life among the people of her Samoan chief was for Fay happy and productive.

Don't just see the sights-get to know the people. Never conquered by foreigners, this proud and ancient land has been shaped by Buddhism, the monarchy, and the military. Today it is a manufacturing powerhouse and a tourist paradise that welcomes more than 30 million visitors a year. Yet despite the veneer of Western modernity, the country and its people remain an enigma for many visitors. Culture Smart! Thailand describes how the Thai people view the world and themselves. It examines the impact of religious beliefs and history on their lives, as well as recent social and political developments. With a wealth of tips on communicating, on socializing, and on navigating the unfamiliar situations that you are likely to encounter, this guide will help you to get the very best out of your time in the Land of Smiles. Have a richer and more meaningful experience abroad through a better understanding of the local culture. Chapters on history, values, attitudes, and traditions will help you to better understand your hosts, while tips on etiquette and communicating will help you to navigate unfamiliar situations and avoid faux pas.

Jan Ken Po, Ai Kono Sho"" ""Junk An'a Po, I Canna Show"" These words to a simple child's game brought from Japan and made local, the property of all of Hawaii's people, symbolize the cultural transformation experienced by Hawaii's Japanese. It is the story of this experience that Dennis Ogawa tells so well here.