Ideal for creative use around the studio or on the go, Jackson's Sketchbooks are an indispensable companion for artists, graphic designers and illustrators. This sketchbook has an elegant Wire-O binding, for added flexibility when working on different page sides.

Featuring acid-free, pH buffered lignin and chlorine-free Alpha cellulose paper, the white matte surface is excellent for all dry media. At 130gsm, it can also be used for water-based markers, light washes and most other techniques. The paper has the same archival qualities as cotton.

This A5 sketchbook has two heavy duty grey binder board covers providing firm support when working. The black wire-o rings provide the option to lay sketchbook pages completely flat.

Ideal for creative use around the studio or on the go, Jackson's Sketchbooks are an indispensable companion for artists, graphic designers and illustrators. This sketchbook has an elegant Wire-O binding, for added flexibility when working on different page sides.

Featuring acid-free, pH buffered lignin and chlorine-free Alpha cellulose paper, the white matte surface is excellent for all dry media. At 160 gsm, it can also be used for water-based markers, light washes and most other techniques. The paper has the same archival qualities as cotton.

This A6 sketchbook has two heavy duty grey binder board covers providing firm support when working. The black wire-o rings provide the option to lay sketchbook pages completely flat.

Ideal for creative use around the studio or on the go, Jackson's Sketchbooks are an indispensable companion for artists, graphic designers and illustrators. This sketchbook has an elegant Wire-O binding, for added flexibility when working on different page sides.

Featuring acid-free, pH buffered lignin and chlorine-free Alpha cellulose paper, the white matte surface is excellent for all dry media. At 160 gsm, it can also be used for water-based markers, light washes and most other techniques. The paper has the same archival qualities as cotton.

This 17 x 17 cm sketchbook has two heavy duty grey binder board covers providing firm support when working. The black wire-o rings provide the option to lay sketchbook pages completely flat.

Khadi Sketchbooks are filled with white rag handmade paper. This paper made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine.The 210gsm paper is trimmed on two of its exposed sides and the third edge has a beautiful deckle edge. The book is bound in sections with stitching. This allows each section to be opened up and the central page to be painted right across. A great travelling companion for any artist. Surface: Smooth Size: 21 x 25cm Pages: 40

Enhanced wet strength suitable for mixed media renderings. Paper shade: Natural white. Surface: Cold press. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces:- Vellum "“ distinctive tooth, suitable for all dry media, and will also accept multiple washes- Cold Press "“ Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork- Smooth "“ Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Stillman & Birn Delta softcover sketchbooks are flexible, yet strong with sewn bindings and are finished with rounded corners to prevent the edges from fraying. Ivory, extra-heavy weight 270gsm paper has a cold-press surface that is suitable for all dry media and ink. The paper also has internal and surface sizing, allowing it to accept light washes, wet media, and watercolor as well. Paper is pH neutral, lignin and chloride free. Sketchbook measures 5. 5 x 8. 5 inches, with 28 sheets and a dark green cover.

Daler-Rowney’s Tracing Paper is highly transparent and offers superb erasability with both erasers and blades. It comes in a range of sizes and two weights to suit all applications. It is designed for use with all types of pencil, drawing pens and inks. A must for designers and architects. This pad contains 50 sheets of 90gsm tracing paper. Size: A3 / 297 x 420 mm / 11.7 x 16.5 in

Daler-Rowney’s Tracing Paper is highly transparent and offers superb erasability with both erasers and blades. It comes in a range of sizes and two weights to suit all applications. It is designed for use with all types of pencil, drawing pens and inks. A must for designers and architects. This pad contains 50 sheets of 60gsm tracing paper. Size: A4 / 210 x 297 mm / 8.3 x 11.7 in

This is a mini sample pad of Yupo Translucent Watercolour Paper available in pads and rolls. It contains 10 sheets of 153gsm translucent paper that measure 6.3 x 9.5cm.

Yupo Translucent Watercolour Paper will help you see colour from a new perspective. Its ultra-smooth surface is a great starting point for a variety of media including watercolour, alcohol ink, acrylic, monotype, offset printing, oil pastel, and graphite.

Yupo Translucent is a non-porous, acid-free, and pH-neutral synthetic paper which is machine-made in the US from 100% polypropylene. It is completely water and stain-proof and has become a unique alternative to traditional art papers due to its strength and durability. This paper resists tearing or buckling and there is no need to stretch or treat the paper before you start work.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.

For all dry media and multiple washes. Paper shade: Ivory. Surface: Vellum. Sheet count: 62 sheets/124 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours

With ribbon marker.Specifications..

Snowdon acid-free cartridge paper, with a matt white surface. Made with wood pulp. Ideal for watercolour, drawing and many printing processes including etching, silkscreen (including water-based silk-screen) and offset lithography. Paper weight: 130 gsm / 62 lbs Size: A3 / 297 x 420 mm / 11.7 x 16.5 in Sheets: 100

Etchr Portrait Sketchbooks are made with 100% cotton and are available in Hot Pressed and Cold Pressed.

These sketchbooks are vegan friendly and use 230gsm for cold press or 220gsm for hot press, acid-free, artist grade 100% cotton paper. Each book has 52 pages. They open flat in portrait format. The paper is ideal for mixed media. The cover is cotton fabric and can be painted on.

Available in B5, A5, A6.

Etchr Portrait Sketchbooks are made with 100% cotton and are available in Hot Pressed and Cold Pressed.

These sketchbooks are vegan friendly and use 230gsm for cold press or 220gsm for hot press, acid-free, artist grade 100% cotton paper. Each book has 52 pages. They open flat in portrait format. The paper is ideal for mixed media. The cover is cotton fabric and can be painted on.

Available in B5, A5, A6.

Etchr Portrait Sketchbooks are made with 100% cotton and are available in Hot Pressed and Cold Pressed.

These sketchbooks are vegan friendly and use 230gsm for cold press or 220gsm for hot press, acid-free, artist grade 100% cotton paper. Each book has 52 pages. They open flat in portrait format. The paper is ideal for mixed media. The cover is cotton fabric and can be painted on.

Available in B5, A5, A6.

Fabriano Black Black Card is a range of acid-free sheets and pads containing uncoated card made with ECF cellulose pulp. The card is characterised by a very deep black colour due to the high quality and lightfast pigments used in its production.Flexible and resistant it is ideal for pastel, colour pencils, markers, passe-partout and portfolio presentations.The pads contain 20 sheets of 300gsm card and are available in a selection of sizes: A4, A3, A2, 20 x 20cm and 24 x 32cm.

Fabriano Sketchbooks contain 60 sheets of 160gsm acid-free natural grain paper. Sewn bound, the black hardcover is washable. Available in landscape and portrait formats. Ideal for pencil, ink, pastel, pen and gouache.

Fabriano Sketchbooks contain 60 sheets of 160gsm acid-free natural grain paper. Sewn bound, the black hardcover is washable. Available in landscape and portrait formats. Ideal for pencil, ink, pastel, pen and gouache.

Jackson’s Black Soft Cover Pads contain 20 sheets of 140gsm bright white paper suitable for drawing and sketching.
The paper is FSC certified and acid-free.