Secret Symphony, Katies fifth studio album, is an exquisite collection of songs that perfectly showcases that unique, instantly recognisable voice. Those songs include All Over The World (Franoise Hardy), Gold In Them Hills (Ron Sexsmith), Nobody Knows You (Jimmie Cox) and Moonshine (Fran Healy). Katies also written her own song Forgetting All My Troubles, and she teams up with manager and producer Mike Batt on Heartstrings & Lone Wolf. Batt also contributes title track Secret Symphony, The Walls Of The World, Better Than A Dream and The Bit That I Dont Get. The result is a collaboration that imbues the songs with a distinct personality that could only be the work of this creative team. The record allows Katies distinctive voice and the songs to truly shine.

Mid-priced, 1996 compilation of this storied easy listening songwriter's greatest compositions. Features instrumental versions of gems like 'Do You Know the Way to San Jose', 'Say a Little Prayer', the Oscar-winning 'Raindrops Keep Fallin' on My Head', plus a vocal version of '(They Long to Be) Close to You' and many more.

Over 4 hours of Hooked On Classics.
Plans are afoot for a Hooked On Classics concert in Bournemouth at Christmas 2011.
Original recordings by The Royal Philharmonic Orchestra conducted by Louis Clark, and the New World Ensemble Conducted by Ettore Stratta.
Also available in the Simply range: Simply Classical Gold, Simply Disco, Simply Rock Moods, Simply Late Night Jazz, Simply Paris Cool and Simply Erotica.
Disc 1: Louis Clark Conducting The Royal Philharmonic Orchestra.
Disc 2: Louis Clark Conducting The Royal Philharmonic Orchestra
Disc 3: Louis Clark Conducting The Royal Philharmonic Orchestra.
Disc 4: The New World Ensemble Conducted By Ettore Stratta

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In a posthumous new album, Leonard Cohen has robbed death of the last word. 'Thanks for the Dance' is not a commemorative collection of B sides and outtakes, but an unexpected harvest of new songs, exciting and vital, a continuation of the master's final work.

Seven months after his father passed, Adam Cohen retreated to a converted garage in his backyard down the street from Leonard's house, to work with his father again, to stay in the company of his voice. From their previous collaboration on 'You Want It Darker' there remained bare musical sketches, at times little more than vocals. Leonard had asked his son to bring these works to completion.

"In composing and arranging the music for his words, we chose his most characteristic musical signatures, in this way keeping him with us" - Adam Cohen