Explore a broad variety of digital imagery, the most contemporary fine art. "Every generation invents a new artistic technique or medium to create new ways to express the concepts, thoughts and feelings of the age. The painter's brush is an extension of her hand, just as the computer is the extension of the creative mind." Gloria King Merritt, Digital Artist

Against Ambience diagnoses - in order to cure - the art world's recent turn toward ambience. Over the course of three short months - June to September, 2013 - the four most prestigious museums in New York indulged the ambience of sound and light: James Turrell at the Guggenheim, Soundings at MoMA, Robert Irwin at the Whitney, and Janet Cardiff at the Met. In addition, two notable shows at smaller galleries indicate that this is not simply a major-donor movement. Collectively, these shows constitute a proposal about what we wanted from art in 2013. While we're in the soft embrace of light, the NSA and Facebook are still collecting our data, the money in our bank accounts is still being used to fund who-knows-what without our knowledge or consent, the government we elected is still imprisoning and targeting people with whom we have no beef. We deserve an art that is the equal of our information age. Not one that parrots the age's self-assertions or modes of dissemination, but an art that is hyper-aware, vigilant, active, engaged, and informed. We are now one hundred years clear of Duchamp's first readymades. So why should we find ourselves so thoroughly in thrall to ambience? Against Ambience argues for an art that acknowledges its own methods and intentions; its own position in the structures of cultural power and persuasion. Rather than the warm glow of light or the soothing wash of sound, Against Ambience proposes an art that cracks the surface of our prevailing patterns of encounter, initiating productive disruptions and deconstructions.

An intense, thrilling action screenplay When the post-apocalyptic world, weary from the long fight, was struggling to get back on its feet, those who remained longed for the fear and chaos to end. Unfortunately this led to the rise of Tyrants. A time where they and their soldiers controlled their City-States with brutality and hate. The worst of these Warlords is Police Mayor Syron and his City-State of Sideon. With so much uncertainty and hopelessness from Syron's ironclad rule, how can the people know the revolution will happen? Because Roman, a former soldier and ex mercenary, is returning to Sideon to start it.