Considering how culturally indispensable digital technology is today, it is ironic that computer-generated art was attacked when it burst onto the scene in the early 1960s. In fact, no other twentieth-century art form has elicited such a negative and hostile response. When the Machine Made Art examines the cultural and critical response to computer art, or what we refer to today as digital art. Tracing the heated debates between art and science, the societal anxiety over nascent computer technology, and the myths and philosophies surrounding digital computation, Taylor is able to identify the destabilizing forces that shape and eventually fragment the computer art movement.

"A.S. Eye See It" is a visual wonderland of digital sketches. The images speak for themselves. It includes art drawn with the use of an eyegaze enabled augmentative communication device, as well as hand drawn digital art. The artist is 7 years old and has Quadriplegic Cerebral Palsy. "A.S. Eye See It" transcends physical reality, and projects a brand new digital landscape.

A fully bilingual catalogue (English/Japanese) for an exhibition of the Japanese video/film artist Yu Araki, at The Container, Tokyo. The catalogue explores in writings and images Araki's practice and the exhibition "Wrong Translation," featuring a video installation inspired by Araki's recent residency in Santander, Spain, summer 2013. The video installation, entitled "ANGELO LIVES," makes references to Shusaku Endo's novel "Silence" (1966), and fictitiously narrated by Anjiro, a Japanese convicted murderer who fled Japan to the Malaysian state Malacca in the 16th century, returning later back to Japan with Saint Francis Xavier and two additional Jesuits, as an interpreter, in what is documented as the first Jesuit mission to Japan. The installation also forges false connections between the spread of Christianity to the new world and the export of olive oil. The Container, as the name suggests, is no more than a constructed shipping container (485x180x177cm) in Nakameguro, Tokyo. The exhibition space, the brainchild of Tokyo-based curator Shai Ohayon, invites Japanese and international artists to make site-specific installations four times a year. Each installation remains on view to the public for two-and-a-half months. www.the-container.com

Composer and cellist Kathy McTavish writes about her music and experimental film. This book features sequences of black and white photo images from the film "birdland," photographs of cello performance and includes a long poem, or score, for her unique fusion form. McTavish has received Jerome Foundation, American Composers Forum commissions and several awards from the Arrowhead Regional Arts Council.

In *Video-Graphic Alchemy: Transforming "Dear Diary,"* Elayne Zalis explores personal and cultural memories of life in the United States during the second half of the twentieth century. Blending fact and fiction, the retrospective brings together artistic, multimedia, and literary texts from her repertoire. A childhood diary that Zalis kept in the mid-1960s inspired these transmedia experiments. The book includes reproductions of more than twenty color and black-and-white images. For additional background, see www.TheMemoryChannel.com.

The 0ne Rupee Film Project is an independent and ultra-low-budget crowd-funded feature length docu-fiction out of India. The makers of the film had to go through a 474 day long fundraising campaign. They asked for a minimum contribution of one rupee from everyone they came across. Thus, 2,85,000 Indian rupees could be raised to complete the production and the initial stages of post-production. The film is titled Aashmani Jawaharat aka Diamonds in the Sky but the campaign had been so huge that it is still popularly recognized as the one rupee film. The books of this series contains stories, backgrounds and experiences the makers of the 0ne Rupee Film Project had during this extra-ordinary journey of theirs. If you are interested in what kind of reality the marginal independent filmmakers have to face or what unique face of reality they see everyday, this book will surely amuse you.

The catalog of an exhibition at the Los Angeles Center for Digital Art, November, 2012 consisting of photographs, abstract images, and videos.

A collection of digital art renderings of British Columbia.

A fabulous, vivid and spectacular display of full color artistic renderings by Jewels Gold. From Outer-Space to "Out-of-Place" geometric designs, these may-day modern marvels will brighten your day and please your palette for the new and unconventional Superb stylish variety Enjoy this large sampling of the graphic art you will enjoy for ages to come, many other editions coming soon All of these graphic renderings were created on the best loved drawing App of the year: Trippin Fest

What's Hollywood like behind the scenes? How does real life compare to reel life? Do the stars create more drama off-screen than on? Is the local social network really full of desperate housewives? How can an English writer find work?

Setting up home in Los Angeles involved some real shocks, several of which registered really high on the Richter scale. Only in California would an entire school be taken outside on Halloween to dance to "Ghostbusters." Only in LA would an 8 year-old know that the man at the carwash had three teardrops tattooed beneath his eye because he'd killed three rival gangmembers. Only in Hollywood would a woman have a sign at the end of her drive saying, "Honk if you've had me." Only in this crazy city would they make it illegal for dogs to mate within 500 yards of a church.

In this refreshingly frank memoir, English screenwriter Tim John reveals how his family survived their seven year adventure living and working in LA-LA land.

Shoot Me Now - Making Videos to Boost Business, outlines what's happening in the online world of video and how to make videos that engage your audience. The easy to read structure of this book allows you to jump to the section most relevant for you. In 2012, video accounted for 34% of internet traffic. In 2017 it will be 69%. This book outlines how to make videos that stand out from the noise and what types of productions are most suited to you and your business. Online video is here to stay and if you are serious about being in business you need to be watched and be watchable. With online video you only have a few seconds to grab the attention of your audience. And once you have their attention how do you maintain it and convert that interest into business for you? Shoot Me Now covers how to prepare and plan your video, how to efficiently produce it, the traps to avoid, what types of videos are best suited for your needs, how to distribute your video and how to look like a million dollars without spending it.

By 1937, Cary Grant had invented a man-of-the-world, the epitome of sophistication, class, and refinement. In his words, "I pretended to be somebody I wanted to be and I finally became that person. Or he became me. Or we met at some point."This fizzy cocktail of a book lifts the veil off the debonair screen persona to reveal a real-life man full of inconsistencies and incongruities. It provides an unvarnished portrait of someone constantly in conflict - antic, serious, funny, poised, and a romantic who struggled in his own love life. You get a little history and a bit of sociology. But the most fun comes from an abundant helping of bon mots. His contemporaries as well as subsequent observers have plenty to say about the man who became Cary Grant. And his own undisguised words provide a sublime, truthful, and candid portrait of a curiously uncommon character.

Why embodied approaches to cognition are better able to address the performative dimensions of art than the dualistic conceptions fundamental to theories of digital computing. In Making Sense, Simon Penny proposes that internalist conceptions of cognition have minimal purchase on embodied cognitive practices. Much of the cognition involved in arts practices remains invisible under such a paradigm. Penny argues that the mind-body dualism of Western humanist philosophy is inadequate for addressing performative practices. Ideas of cognition as embodied and embedded provide a basis for the development of new ways of speaking about the embodied and situated intelligences of the arts. Penny argues this perspective is particularly relevant to media arts practices. Penny takes a radically interdisciplinary approach, drawing on philosophy, biology, psychology, cognitive science, neuroscience, cybernetics, artificial intelligence, critical theory, and other fields. He argues that computationalist cognitive rhetoric, with its assumption of mind-body (and software-hardware) dualism, cannot account for the quintessentially performative qualities of arts practices. He reviews post-cognitivist paradigms including situated, distributed, embodied, and enactive, and relates these to discussions of arts and cultural practices in general. Penny emphasizes the way real time computing facilitates new modalities of dynamical, generative and interactive arts practices. He proposes that conventional aesthetics (of the plastic arts) cannot address these new forms and argues for a new "performative aesthetics." Viewing these practices from embodied, enactive, and situated perspectives allows us to recognize the embodied and performative qualities of the "intelligences of the arts."