In Virtual Memory, Homay King traces the concept of the virtual through the philosophical works of Henri Bergson, Gilles Deleuze, and Giorgio Agamben to offer a new framework for thinking about film, video, and time-based contemporary art. Detaching the virtual from its contemporary associations with digitality, technology, simulation, and speed, King shows that using its original meaning-which denotes a potential on the cusp of becoming-provides the means to reveal the "analog" elements in contemporary digital art. Through a queer reading of the life and work of mathematician Alan Turing, and analyses of artists who use digital technologies such as Christian Marclay, Agnes Varda, and Victor Burgin, King destabilizes the analog/digital binary. By treating the virtual as the expression of powers of potential and change and of historical contingency, King explains how these artists transcend distinctions between disembodiment and materiality, abstraction and tangibility, and the unworldly and the earth-bound. In so doing, she shows how their art speaks to durational and limit-bound experience more than contemporary understandings of the virtual and digital would suggest.

"A.S. Eye See It" is a visual wonderland of digital sketches. The images speak for themselves. It includes art drawn with the use of an eyegaze enabled augmentative communication device, as well as hand drawn digital art. The artist is 7 years old and has Quadriplegic Cerebral Palsy. "A.S. Eye See It" transcends physical reality, and projects a brand new digital landscape.

The 0ne Rupee Film Project is an independent and ultra-low-budget crowd-funded feature length docu-fiction out of India. The makers of the film had to go through a 474 day long fundraising campaign. They asked for a minimum contribution of one rupee from everyone they came across. Thus, 2,85,000 Indian rupees could be raised to complete the production and the initial stages of post-production. The film is titled Aashmani Jawaharat aka Diamonds in the Sky but the campaign had been so huge that it is still popularly recognized as the one rupee film. The books of this series contains stories, backgrounds and experiences the makers of the 0ne Rupee Film Project had during this extra-ordinary journey of theirs. If you are interested in what kind of reality the marginal independent filmmakers have to face or what unique face of reality they see everyday, this book will surely amuse you.

The catalog of an exhibition at the Los Angeles Center for Digital Art, November, 2012 consisting of photographs, abstract images, and videos.

A collection of digital art renderings of British Columbia.