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Books > Philosophy > Topics in philosophy > Ethics & moral philosophy
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The Art of Life
(Hardcover)
Marie Alphonse Ren Maulde La Claviere, George Herbert 1866-1958 Ely, Carrie Chapman 1859-1947 Catt
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R972
Discovery Miles 9 720
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Ships in 12 - 19 working days
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In Morality and Ethics of War, which includes a foreword by Major
General Susan Coyle, ethicist Deane-Peter Baker goes beyond
existing treatments of military ethics to address a fundamental
problem: the yawning gap between the diverse moral frameworks
defining personal identity on the one hand, and the professional
military ethic on the other. Baker argues that overcoming this
chasm is essential to minimising the ethical risks that can lead to
operational and strategic failure for military forces engaged in
today's complex conflict environment. He contends that spanning the
gap is vital in preventing moral injury from befalling the nation's
uniformed servants. Drawing on a revised account of what he calls
'the Just War Continuum', Baker develops a bridging framework that
combines conceptual clarity and rigour with insights from cutting
edge psychological research and creates a practical means for
military leaders to negotiate the moral chasm in military affairs.
In a world riven with conflict, violence and war, this book
proposes a philosophical defense of pacifism. It argues that there
is a moral presumption against war and unless that presumption is
defeated, war is unjustified. Leading philosopher of nonviolence
Robert Holmes contends that neither just war theory nor the
rationales for recent wars (Vietnam, the Gulf War, the Iraq and
Afghanistan Wars) defeat that presumption, hence that war in the
modern world is morally unjustified. A detailed, comprehensive and
elegantly argued text which guides both students and scholars
through the main debates (Just War Theory and double effect to name
a few) clearly but without oversimplifying the complexities of the
issues or historical examples.
For many individuals, pornography is a troubling and problematic
issue. Regardless of how the public views this topic, one thing is
clear: Pornography is as prevalent and accessible as smartphones
and laptop computers. Indeed, beyond traditional hardcore material,
a pornographic sensibility can be seen permeating all aspects of
culture from tween and young teen fashions to television and
commercially successful films. In fact, pornography is so
widespread that more often than not it is taken as a given in our
modern social space. We assume all people look at or know about
pornography, but to some, the thought of engaging in intellectual
discussions about the topic strikes many particularly scholars as
beneath them. And yet something this impactful, this definitive of
modern culture, needs to be laid open to scrutiny. In The
Philosophy of Pornography: Contemporary Perspectives, Lindsay
Coleman and Jacob M. Held offer a collection of essays covering a
wide range of viewpoints from issues of free speech and porn s role
in discrimination to the impact of porn on sexuality. These essays
investigate the philosophical implications of pornography as a part
of how we now seek to conceive and express our sexuality in
contemporary life. Contributors to this volume discuss:
.pornography as a component of gender and sexual socialization
.ecological understandings of sexually explicit media
.subordination, sexualization, and speech .feminism and pornography
.pornography s depiction of love and friendship .black women and
pornography .playfulness, creativity, and porn s possibilities
Because its subject matter sex, gender, interpersonal
relationships, and even love is reflective of who we are and what
kind of society we want to create, pornography demands serious
treatment. So whether one chooses to accept pornography as a fact
of modern culture or not, this collection of timely essays
represents a variety of voices in the ongoing debate. As such, The
Philosophy of Pornography will be of interest to not only those who
are engaged in porn studies but also to an audience educated in and
conversant with recent trends in philosophy."
Ethical discourse is commonly not a priority in a conventional
finance syllabus. Moral sentiments often take a back seat to market
sentiments, even in shaping the direction of ethical finance
business. This anomaly persists despite growing interest in ethical
finance. Taking an interdisciplinary and diverse perspective, this
book enriches the evolving definition and scope of ethical finance
literature by focusing on actors, products and regulation that
shape markets. Considering the gap between theory and practice,
this book bridges academic and professional knowledge in unpacking
ethical and governance issues in the financial industry. In an
effort to include as many viewpoints as possible, regardless of
popularity or who holds them, the book editors gathered thoughts
from diverse fields, including accounting, economics, ethics,
finance, governance, law, management, philosophy and religion.
Appealing to academic and non-academic stakeholders with an
interest in ethics and finance, this book is the result of and a
testament to a distinct educational and public engagement project
that included different generations and communities, for future
reference.
While large bodies of scholarship exist on the plays of Shakespeare
and the philosophy of Heidegger, this book is the first to read
these two influential figures alongside one another, and to reveal
how they can help us develop a creative and contemplative sense of
ethics, or an 'ethical imagination'. Following the increased
interest in reading Shakespeare philosophically, it seems only
fitting that an encounter take place between the English language's
most prominent poet and the philosopher widely considered to be
central to continental philosophy. Interpreting the plays of
Shakespeare through the writings of Heidegger and vice versa, each
chapter pairs a select play with a select work of philosophy. In
these pairings the themes, events, and arguments of each work are
first carefully unpacked, and then key passages and concepts are
taken up and read against and through one another. As these
hermeneutic engagements and cross-readings unfold we find that the
words and deeds of Shakespeare's characters uniquely illuminate,
and are uniquely illuminated by, Heidegger's phenomenological
analyses of being, language, and art.
Labeling a person, institution or particular behavior as "corrupt"
signals both political and moral disapproval and, in a functioning
democracy, should stimulate inquiry, discussion, and, if the charge
is well-founded, reform. This book argues, in a set of closely
related chapters, that the political community and scholars alike
have underestimated the extent of corruption in the United States
and elsewhere and thus, awareness of wrong-doing is limited and
discussion of necessary reform is stunted. In fact, there is a
class of behaviors and institutions that are legal, but corrupt.
They are accepted as legitimate by statute and practice, but they
inflict very real social, economic, and political damage. This book
explains why it is important to identify legally accepted
corruption and provides a series of examples of corruption using
this perspective.
Physician assisted suicide occurs when a terminally ill patient
takes the decision to end their life with the help of their doctor.
In this book the authors argue clearly and forcefully for the
legalization of physician assisted suicide.
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Ethics
(Paperback, New edition)
Benedict Spinoza; Translated by W.H. White, A. K. Stirling; Introduction by Don Garrett; Series edited by Tom Griffith
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R162
R132
Discovery Miles 1 320
Save R30 (19%)
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Ships in 9 - 17 working days
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Translated by W.H.White and A.K.Stirling. With an Introduction by
Don Garrett. Benedict de Spinoza lived a life of blameless
simplicity as a lens-grinder in Holland. And yet in his lifetime he
was expelled from the Jewish community in Amsterdam as a heretic,
and after his death his works were first banned by the Christian
authorities as atheistic, then hailed by humanists as the gospel of
Pantheism. His Ethics Demonstrated in Geometrical Order shows us
the reality behind this enigmatic figure. First published by his
friends after his premature death at the age of forty-four, the
Ethics uses the methods of Euclid to describe a single entity,
properly called both 'God' and 'Nature', of which mind and matter
are two manifestations. From this follow, in ways that are
strikingly modern, the identity of mind and body, the necessary
causation of events and actions, and the illusory nature of free
will.
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