Valeri presents an overview of Hawaiian religious culture, in which hierarchies of social beings and their actions are mirrored by the cosmological hierarchy of the gods. As the sacrifice is performed, the worshipper is incorporated into the god of his class. Thus he draws on divine power to sustain the social order of which his action is a part, and in which his own place is determined by the degree of his resemblance to his god. The key to Hawaiian society--and a central focus for Valeri--is the complex and encompassing sacrificial ritual that is the responsibility of the king, for it displays in concrete actions all the concepts of pre-Western Hawaiian society. By interpreting and understanding this ritual cycle, Valeri contends, we can interpret all of Hawaiian religious culture.

India is a highly diverse country, home to a wide array of languages, religions, and cultural traditions. Analyzing the dynamic religious traditions of this democratic nation sheds light on the complex evolution from India's past to today's modern culture. Written by leading experts in the field, Religions of India provides students with an introduction to India's vibrant religious faiths. To understand its heritage and core values, the beginning chapters introduce the indigenous Dharmic traditions of Hinduism, Jainism, Buddhism, and Sikhism, while the later chapters examine the outside influences of Zoroastrianism, Judaism, Christianity, and Islam. These chapters are designed for cross-religious comparison, with the history, practices, values, and worldviews of each belief system explained. The final chapter helps students relate what they have learnt to religious theory, preparing the way for future study. This thoroughly revised second edition combines solid scholarship with clear and lively writing to provide students with an accessible and comprehensive introduction to religion in India. This is the ideal textbook for students approaching religion in Asia, South Asia, or India for the first time. Features to aid study include: discussion questions at the end of each chapter, images, a glossary, suggestions for further reading, and an Companion Website with additional links for students to further their study.

Walter E. A. van Beek draws on over four decades of extensive fieldwork to offer an in-depth study of the religion of the Kapsiki/Higi, who live in the Mandara Mountains on the border between North Cameroon and Northeast Nigeria. Concentrating on ritual as the core of traditional religion, van Beek shows how Kapsiki/Higi practices have endured through the long and turbulent history of the region. Kapsiki rituals reveal a focus on two fundamental concepts: dwelling and belonging. Van Beek examines their sacrificial practices, through which the Kapsiki show a complex and pervasive connection with the Mandara Mountains, as well as the character of their relationships among themselves and with outsiders. Van Beek also explores their rituals of belonging, rites of passage which take place from birth through initiation and marriage - and even death, with the tradition of the ''dancing dead,'' when a fully decorated corpse on the shoulders of a smith ''dances'' with his mourning kinsmen. The Dancing Dead is the result of the author's lifelong study of the Kapsiki/Higi. It gives a unique description of the rituals in an African traditional religion based not upon ancestors, but on a completely relational thought system, where in the end all rituals are integrated into one major cycle.

This account of an East African religion as it was during the 1950s discusses a variety of issues in the study of religion, within the context of case materials and other field data. The Taita people of southern Kenya called their religion Butasi after its central act which combined utterance with spraying-out of liquid from the mouth. Taking up the central theme of mystical anger, Dr Harris explores the social and cultural aspects of doctrines and rituals. She shows that the interpretation and shaping of the experience of misfortune occurred in religious interaction: between living humans having mystical attributes, and between them and person-like mystical agencies. Many of the concepts, practices, themes and elements discussed have been reported for other African religions, often with little comment or analysis. Here they are brought together, explored, and related to one another. The result is a many-sided, yet integrated picture of a single religion. Presented in clear and non-technical language, the study serves to illuminate many religions throughout the world.

Across the world from personal relationships to global politics, differences-cultural, religious, racial, gender, age, ability-are at the heart of the most disruptive and disturbing concerns. While it is laudable to nurture an environment promoting the tolerance of difference, Creative Encounters, Appreciating Difference argues for the higher goal of actually appreciating difference as essential to creativity and innovation, even if often experienced as stressful and complex. Even encounters that are apparently harmful and negatively valued (arguments, conflict, war, oppression) usually heighten the potential for creativity, innovation, movement, action, and identity. Drawing on classic encounters that have played a significant role in the founding of the academic study of religion and the social sciences, this book explores in some depth the dynamics of encounter to reveal both its problematic and creative aspects and to develop perspectives and strategies to assure encounters both include the appreciation of difference and also are recognized as creative and innovative. The two examples most extensively considered show that the academic study of the peoples indigenous to North America and to Australia involved creative constructions (concoctions) of primary examples in order to establish and give authority to academic theories and definitions. Rather than damning these examples as "bad scholarship," this book considers them to be encounters engendering creative constructions that are distinctive to academia, yet their potential for harm must be understood. Most important to the book is a persistent development of perspectives and strategies for understanding and approaching encounters in order to assure the appreciation of difference is accompanied by the potential for creativity and innovation. Specific perspectives and strategies are related to naming, moving, gesture, and play and, particularly relevant to religion, the development of an aesthetic of impossibles. Since these historical examples engage highly relevant present concerns -the distinction of real and fake, truth and lie, map and territory-the threading essays show how these more or less classic examples might contribute to appreciating these contemporary concerns that are generated in the presence of difference.

This book, first published in 1997, examines the influence of angelology on the christology of the Apocalypse of John. In the Apocalypse, Jesus appears in glorious form reminiscent of angels in Jewish and Christian literature in the period between 200 BCE and 200 CE. Dr Carrell asks what significance this has for the christology of the Apocalypse. He concludes that by portraying Jesus in such a way that he has the form and function of an angel, and yet is also divine, the Apocalypse both upholds monotheism and at the same time provides a means for Jesus to be presented in visible, glorious form to his Church.

Known in the Dominican Republic and Togo as Vodu, in Benin as Vodun, and in Haiti as Vodou, West African religion has, for hundreds of years, served as a repository of sacred knowledge while simultaneously evolving in response to human experience and globalization. Spirit Service: Vodun and Vodou in the African Atlantic World explores this dynamic religion, its mobility, and its place in the modern world. By examining the systems-ritual practices, community-based spirit veneration, and spiritual means of securing opportunity and well-being-alongside the individuals who worship, this rich collection offers the first comprehensive ethnographic study of West African spirit service on a broad scale. Contributors consider social encounters between African/Haitian practitioners and European / North American spiritual seekers, economies and histories, funerary rites and spirit possessions, and examinations of gender and materiality. Offering much-needed perspective on this historically disparaged religion, Spirit Service reminds us all that the gods are growing, assimilating, and demanding recognition and respect.

This study surveys systematically the full scope of Melanesian religion, from traditional beliefs and practices to the development of strong indigenous Christian churches and theology. Garry Trompf writes from extensive knowledge of the social and religious aspects and from his own experience living and working in Papua New Guinea. Melanesian Religion provides an invaluable guide and analysis to pressing issues of religious and social change in the Pacific. It provides a useful overview for readers with general interests in the South Pacific region, and in the formulation of indigenous responses to external institutions, beliefs and value systems. The Melanesian peoples of the south-west Pacific form about one-quarter of the world's cultures - cultures in which a deep sense of spiritual consciousness has engendered rich diversity of religious experience. Professor Trompf argues that, to be complete, any interpretation of the social and economic patterns of Melanesian life, past and present, must take proper account of this religious context.

Medicine Bundle Indian Sacred Performance and American Literature, 1824-1932 Joshua David Bellin "An excellent book about the way in which performance constitutes (rather than merely reflects) cultural differences between and among Native American and Anglo-American peoples."--Joseph Roach, Yale University "Bellin's important book challenges readers to rethink questions of colonization and acculturation. . . . Highly recommended. "--"Choice" From the 1820s to the 1930s, Christian missionaries and federal agents launched a continent-wide assault against Indian sacred dance, song, ceremony, and healing ritual in an attempt to transform Indian peoples into American citizens. In spite of this century-long religious persecution, Native peoples continued to perform their sacred traditions and resist the foreign religions imposed on them, as well as to develop new practices that partook of both. At the same time, some whites began to explore Indian performance with interest, and even to promote Indian sacred traditions as a source of power for their own society. The varieties of Indian performance played a formative role in American culture and identity during a critical phase in the nation's development. In "Medicine Bundle," Joshua David Bellin examines the complex issues surrounding Indian sacred performance in its manifold and intimate relationships with texts and images by both Indians and whites. From the paintings of George Catlin, the traveling showman who exploited Indian ceremonies for the entertainment of white audiences, to the autobiography of Black Elk, the Lakota holy man whose long life included stints as a dancer in Buffalo Bill's Wild West show, a supplicant in the Ghost Dance movement, and a catechist in the Catholic Church, Bellin reframes American literature, culture, and identity as products of encounter with diverse performance traditions. Like the traditional medicine bundle of sacred objects bound together for ritual purposes, Indian performance and the performance of Indianness by whites and Indians alike are joined in a powerful intercultural knot. Joshua David Bellin is a member of the faculty of La Roche College and the author of "The Demon of the Continent: Indians and the Shaping of American Literature," also available from the University of Pennsylvania Press. 2007 272 pages 6 x 9 ISBN 978-0-8122-4034-4 Cloth $59.95s 39.00 World Rights Literature, Native American Studies, Cultural Studies Short copy: Joshua David Bellin examines the complex issues surrounding Indian sacred performance in its manifold and intimate relationships with texts and images by both Indians and whites.

Indigenous and African Diaspora Religions in the Americas explores spirit-based religious traditions across vast geographical and cultural expanses, including Canada, the United States, Haiti, the Dominican Republic, Cuba, Trinidad and Tobago, Mexico, Brazil, and Chile. Using interdisciplinary research methods, this collection of original perspectives breaks new ground by examining these traditions as typologically and historically related. This curated selection of the traditions allows readers to compare and highlight convergences, while the description and comparison of the traditions challenges colonial erasures and expands knowledge about endangered cultures. The inclusion of spirit-based traditions from a broad geographical area emphasizes the typology of religion over ethnic compartmentalization. The individuals and communities studied in this collection serve spirits through ritual, singing, instruments, initiation, embodiment via possession or trance, veneration of nature, and, among some indigenous people, the consumption of ritual psychoactive entheogens. Indigenous and African diaspora practices focused on service to ancestors and spirits reflect ancient substrates of religiosity. The rationale to separate them on disciplinary, ethnic, linguistic, geographical, or historical grounds evaporates in our interconnected world. Shared cultural, historical, and structural features of American indigenous and African diaspora spirit-based traditions mutually deserve our attention since the analyses and dialogues give way to discoveries about deep commonalities and divergences among religions and philosophies. Still struggling against the effects of colonialism, enslavement, and extinction, the practitioners of these spirit-based religious traditions hold on to important but vulnerable parts of humanity's cultural heritage. These readings make possible journeys of recognition as well as discovery.

Indigenous Sustainable Wisdom: First Nation Know-how for Global Flourishing's contributors describe ways of being in the world that reflect a worldview that guided humanity for 99% of human history: They describe the practical traditional wisdom that stems from Nature-based relational cultures that were or are guided by this worldview. Such cultures did not cause the kinds of anti-Nature and de-humanizing or inequitable policies and practices that now pervade our world. Far from romanticizing Indigenous histories, Indigenous Sustainable Wisdom offers facts about how human beings, with our potential for good and evil behaviors, can live in relative harmony again. Contributions cover views from anthropology, psychology, sociology, leadership, native science, native history, and native art.

How have human cultures engaged with and thought about animals, plants, rocks, clouds, and other elements in their natural surroundings? Do animals and other natural objects have a spirit or soul? What is their relationship to humans? In this new study, Graham Harvey explores current and past animistic beliefs and practices of Native Americans, Maori, Aboriginal Australians, and eco-pagans. He considers the varieties of animism found in these cultures as well as their shared desire to live respectfully within larger natural communities. Drawing on his extensive casework, Harvey also considers the linguistic, performative, ecological, and activist implications of these different animisms.

In Afrolatinx religious practices such as Cuban Espiritismo, Puerto Rican Santeria, and Brazilian Candomble, the dead tell stories. Communicating with and through mediums' bodies, they give advice, make requests, and propose future rituals, creating a living archive that is coproduced by the dead. In this book, Solimar Otero explores how Afrolatinx spirits guide collaborative spiritual-scholarly activist work through rituals and the creation of material culture. By examining spirit mediumship through a Caribbean cross-cultural poetics, she shows how divinities and ancestors serve as active agents in shaping the experiences of gender, sexuality, and race. Otero argues that what she calls archives of conjure are produced through residual transcriptions or reverberations of the stories of the dead whose archives are stitched, beaded, smoked, and washed into official and unofficial repositories. She investigates how sites like the ocean, rivers, and institutional archives create connected contexts for unlocking the spatial activation of residual transcriptions. Drawing on over ten years of archival research and fieldwork in Cuba, Otero centers the storytelling practices of Afrolatinx women and LGBTQ spiritual practitioners alongside Caribbean literature and performance. Archives of Conjure offers vital new perspectives on ephemerality, temporality, and material culture, unraveling undertheorized questions about how spirits shape communities of practice, ethnography, literature, and history and revealing the deeply connected nature of art, scholarship, and worship.

At the intersection between western culture and Africa, we find the San people of the Kalahari desert. Once called Bushmen, the San have survived many characterizations_from pre-human animals by the early European colonials, to aboriginal conservationists in perfect harmony with nature by recent New Age adherents. Neither caricature does justice to the complex world view of the San. Eminent anthropologists David Lewis-Williams and David Pearce present instead a balanced view of the spiritual life of this much-studied people, examining the interplay of their cosmology, myth, ritual, and art. Integrating archaeological finds, historical accounts, ethnographic information, and interpretation of rock art, the authors discuss San cosmic geography, the role of shamans and mind-altering substances, the ritual of the trance dance, the legends reproduced on stone, and other intriguing accounts of other-worldly experiences. From this, Lewis-Williams and Pearce illuminate the world view of the San, how it plays out in their society, and how it has been challenged and altered by the modern world. For students of anthropology, archaeology, religion, and African studies, this volume will be essential and fascinating reading.

At the intersection between western culture and Africa, we find the San people of the Kalahari desert. Once called Bushmen, the San have survived many characterizations_from pre-human animals by the early European colonials, to aboriginal conservationists in perfect harmony with nature by recent New Age adherents. Neither caricature does justice to the complex world view of the San. Eminent anthropologists David Lewis-Williams and David Pearce present instead a balanced view of the spiritual life of this much-studied people, examining the interplay of their cosmology, myth, ritual, and art. Integrating archaeological finds, historical accounts, ethnographic information, and interpretation of rock art, the authors discuss San cosmic geography, the role of shamans and mind-altering substances, the ritual of the trance dance, the legends reproduced on stone, and other intriguing accounts of other-worldly experiences. From this, Lewis-Williams and Pearce illuminate the world view of the San, how it plays out in their society, and how it has been challenged and altered by the modern world. For students of anthropology, archaeology, religion, and African studies, this volume will be essential and fascinating reading.

Many of the elements ascribed to traditional Aboriginal beliefs and practices are the result of contact with external peoples - Melanesians and Indonesians, as well as Europeans. This controversial and provocative 1993 book is a detailed and continent-wide study of the impact of outsiders on Australian Aboriginal world-views. The author separates out a common core of religious beliefs which reflect the precontact spirituality of Australian Aborigines. This book investigates Aboriginal myth, ritual, cosmology and philosophy, and also examines social organisation, subsistence patterns and cultural change. It will be of great interest to readers in anthropology, religious studies, comparative philosophy and Aboriginal studies.

Notions of the person and of the foundations of bodily and moral experience lie at the heart of this second ethnographic volume devoted to the Uduk-speaking people of Sudan.

In a new introduction Wendy James explains how the Sudan-Ethiopian borderlands were overrun by war in 1987, and how all the villages described in the original edition were destroyed. Having revisited the Uduk for various UN agencies she is able to provide an indication of the way in which they have since been embroiled in the war, and how the survivors have increasingly embraced Christianity in the course of their exile. She draws on her own reports and publications written since 1988 and to the TV documentary on the Uduk and other refugees which she made with Granada in 1993. Reference is also made to other recently published work on the region and to relevant new emphases in anthropology which focus on displacement, violence, and memory.

This innovative work takes a narrative technique (known as "storytracking") practiced by Australian aboriginal peoples and applies it to the academic study of their culture. Gill's purpose is to get as close as possible to the perceptions and beliefs of these indigenous peoples by stripping away the layers of European interpretation and construction. His technique involves comparing the versions of aboriginal texts presented in academic reports with the text versions as they appear in each report's cited sources. The comparison helps reveal the extent to which the text is transformed through its presentation. Gill follows the chain of citations along, uncovering the story, or as he calls it the "storytrack," that interconnects scholar with scholar-independent subject. The storytrack reveals the various academic operations--translations, editing, conflation, interpretation--that serve to build a bridge connecting subject and scholarly report.
Gill begins by examining Mircea Eliade's influential analysis of an Australian myth, "Numbakulla and the Sacred Pole." He goes back to the field notes of the anthropologists who originally collected the story and by following the trail of publications, revisions, and retellings of this tale is able to show that Eliade's version bears almost no relation to the original and that the interpretations Eliade built around it is thus entirely a European construct, motivated largely by preconceptions about the nature of religion. By applying this method to other received texts of aboriginal religion, Gill is able to bring us closer than ever before to the worldview of this vanishing culture. At the same time, his work constitutes an important statement on and critique of the academic study of religion as it has traditionally been practiced.

This innovative work takes a narrative technique (known as "storytracking") practised by Australian aboriginal peoples and applies it to the academic study of their culture. Gill's purpose is to get as close as possible to the perceptions and beliefs of these indigenous peoples by stripping away the layers of European interpretation and construction. His technique involves comparing the versions of aboriginal texts presented in academic reports with the text versions as they appear in each report's cited sources. The comparison helps reveal the extent to which the text is transformed through its presentation. Gill follows the chain of citations along, uncovering the story, or as he calls it the "storytrack," that interconnects scholar with scholar-independent subject. The storytrack reveals the various academic operations-translations, editing, conflation, interpretation-that serve to build a bridge connecting subject and scholarly report. Gill begins by examining Mircea Eliade's influential analysis of an Australian myth, "Numbakulla and the Sacred Pole". He goes back to the field notes of the anthropologists who originally collected the story and by following the trail of publications, revisions, and retellings of this tale is able to show that Eliade's version bears almost no relation to the original and that the interpretations Eliade built around it is thus entirely a European construct, motivated largely by preconceptions about the nature of religion. By applying this method to other received texts of aboriginal religion, Gill is able to bring us closer than ever before to the worldview of this vanishing culture. At the same time, his work constitutes an important statement on and critique of the academic study of religion as it has traditionally been practised.

This ethnographic study shows how the Ngaju Dyaks, rain forest dwellers of Central Kalimantan (Indonesian Borneo) are responding to modernity. It depicts how they are attempting to fashion a modern identity for themselves, especially by remodelling their indigenous religion.

The first book to address the classic anthropological theme of property through the ethnography of Amazonia, Ownership and Nurture sets new and challenging terms for anthropological debates about the region and about property in general. Property and ownership have special significance and carry specific meanings in Amazonia, which has been portrayed as the antithesis of Western, property-based, civilization. Through carefully constructed studies of land ownership, slavery, shamanism, spirit mastery, aesthetics, and intellectual property, this volume demonstrates that property relations are of central importance in Amazonia, and that the ownership of persons plays an especially significant role in native cosmology.

Amerindian societies have an iconic status in classical political thought. For Montaigne, Hobbes, Locke, Hume and Rousseau, the native American 'state of nature' operates as a foil for the European polity. Challenging this tradition, The Imbalance of Power demonstrates ethnographically that the Carib speaking indigenous societies of the Guiana region of Amazonia do not fit conventional characterizations of 'simple' political units with 'egalitarian' political ideologies and 'harmonious' relationships with nature. Marc Brightman builds a persuasive and original theory of Amerindian politics: far from balanced and egalitarian, Carib societies are rife with tension and difference; but this imbalance conditions social dynamism and a distinctive mode of cohesion. The Imbalance of Power is based on the author's fieldwork in partnership with Vanessa Grotti, who is working on a companion volume entitled Living with the Enemy: First Contacts and the Making of Christian Bodies in Amazonia.

Indigenous Sustainable Wisdom: First Nation Know-how for Global Flourishing's contributors describe ways of being in the world that reflect a worldview that guided humanity for 99% of human history: They describe the practical traditional wisdom that stems from Nature-based relational cultures that were or are guided by this worldview. Such cultures did not cause the kinds of anti-Nature and de-humanizing or inequitable policies and practices that now pervade our world. Far from romanticizing Indigenous histories, Indigenous Sustainable Wisdom offers facts about how human beings, with our potential for good and evil behaviors, can live in relative harmony again. Contributions cover views from anthropology, psychology, sociology, leadership, native science, native history, and native art.

Much previous literature on sacred natural sites has been written from a non-indigenous perspective. In contrast, this book facilitates a greater self-expression of indigenous perspectives regarding treatment of the sacred and its protection and governance in the face of threats from various forms of natural resource exploitation and development. It provides indigenous custodians the opportunity to explain how they view and treat the sacred through a written account that is available to a global audience. It thus illuminates similarities and differences of both definitions, interpretations and governance approaches regarding sacred natural phenomena and their conservation. The volume presents an international range of case studies, from the recent controversy of pipeline construction at Standing Rock, a sacred site for the Sioux people spanning North and South Dakota, to others located in Australia, Canada, East Timor, Hawaii, India, Mexico, Myanmar, Nigeria and the Philippines. Each chapter includes an analytical introduction and conclusion written by the editors to identify common themes, unique insights and key messages. The book is therefore a valuable teaching resource for students of indigenous studies, anthropology, religion, heritage, human rights and law, nature conservation and environmental protection. It will also be of great interest to professionals and NGOs concerned with nature and heritage conservation.

Concentrating on the Caribbean Basin and the coastal area of northeast South America, Yvonne Daniel considers three African-derived religious systems that rely heavily on dance behavior--Haitian Vodou, Cuban Yoruba, and Bahamian Candomble. Combining her background in dance and anthropology to parallel the participant/scholar dichotomy inherent to dancing's "embodied knowledge," Daniel examines these misunderstood and oppressed performative dances in terms of physiology, psychology, philosophy, mathematics, ethics, and aesthetics.