William Martin Leake (1777 1860) was a British military officer and classical scholar specialising in reconstructing the topography of ancient cities. He was a founding member of the Royal Geographical Society and was elected a Fellow of the Royal Society in 1815. After his retirement in 1815, he devoted the rest of his life to topographical and classical studies. These volumes, first published in 1830, contain Leake's authoritative topographical survey of the Peloponnese. Written in the form of a travelogue describing two journeys Leake undertook in the Peloponnese in 1805 and 1806, these volumes provide detailed descriptions of the ancient archaeological sites and the historical geography of the region. Leake was the first scholar to identify many ancient sites in the Peloponnese, and his precise observations led to these volumes becoming authoritative for the classical archaeological sites of the region. Volume 3 contains the conclusion of his second journey.

This book explores how art and material culture were used to construct age, gender and social identity in the Greek Early Iron Age, 1100-700 BCE. Coming between the collapse of the Bronze Age palaces and the creation of Archaic city-states, these four centuries witnessed fundamental cultural developments and political realignments. Whereas previous archaeological research has emphasized class-based aspects of change, this study offers a more comprehensive view of early Greece by recognizing the place of children and women in a warrior-focused society. Combining iconographic analysis, gender theory, mortuary analysis, typological study and object biography, Susan Langdon explores how early figural art was used to mediate critical stages in the life-course of men and women. She shows how an understanding of the artistic and material contexts of social change clarifies the emergence of distinctive gender and class asymmetries that laid the basis for classical Greek society.

Sir William Gell (1777-1836) was a British archaeologist well known for his drawings of sites and objects of classical interest. Gell published this new, two-volume edition of his Pompeiana in 1832, in an effort to describe the latest archaeological discoveries in the Roman city destroyed by an eruption of Mount Vesuvius in 79 CE. Concerned 'that time will incalculably diminish the freshness of those objects ... stripped of their external coats by the rains of winter or the burning suns of summer', he made it his task to describe what he had seen both through description and through his own numerous illustrations. In this first volume, Gell focuses on sites including the forum, baths, and the temple of Fortune. Pompeiana reveals both the history of the excavations, the individual finds, and the processes of field archaeology itself during a more romantic age.

Sir William Gell (1777-1836) was a British archaeologist well known for his drawings of sites and objects of classical interest. Gell published this new, two-volume edition of his Pompeiana in 1832, in an effort to describe the latest archaeological discoveries in the Roman city destroyed by an eruption of Mount Vesuvius in 79 CE. Concerned 'that time will incalculably diminish the freshness of those objects ... stripped of their external coats by the rains of winter or the burning suns of summer', he made it his task to describe what he had seen both through description and through his own numerous illustrations. In this second volume, Gell focuses on two Pompeiian homes and provides a commentary on the illustrative plates interspersed throughout the book. Pompeiana reveals both the history of the excavations, the individual finds, and the processes of field archaeology itself during a more romantic age.

William Martin Leake (1777 1860) was a British military officer and classical scholar specialising in reconstructing the topography of ancient cities. He was a founding member of the Royal Geographical Society and was elected a Fellow of the Royal Society in 1815. After his retirement in 1815 he devoted the rest of his life to topographical and classical studies. This volume, first published in 1824, contains Leake's descriptions and reconstruction of the classical topography in a region of modern Turkey reaching from the Gulf of Izmit to the Mediterranean. Using information gained during his travels in the region between 1799 and 1800 together with ancient accounts of the area, Leake correlates existing geography and ancient ruins with classical accounts to identify ancient sites. Leake's precise observations and detailed descriptions were influential in shaping the study of classical topography and continue to provide valuable information for ancient sites of the region.

William Martin Leake (1777 1860) was a British military officer and classical scholar specialising in reconstructing the topography of ancient cities. He was a founding member of the Royal Geographical Society and was elected a Fellow of the Royal Society in 1815. First published in 1846, this volume was originally intended as a supplement to Leake's authoritative topographical survey of the Peloponnese, Travels in the Morea, also reissued in this series. The book is organised as a series of articles referencing historical sites, providing detailed descriptions of artefacts, sites and geographical features mentioned in Travels in the Morea, using information from the French Commission of Geography, Natural History and Archaeology which visited the area between 1829 and 1831. Leake was the first scholar to identify many ancient sites in the Peloponnese, and his precise observations led to his publications becoming authoritative for the classical archaeological sites of the region.

Adolf Furtw ngler (1853 1907) was a prominent German archaeologist and art historian specialising in classical art. He was appointed assistant Director of the K nigliche Museen zu Berlin in 1880, a position he held until 1894 when he was appointed professor of Classical Archaeology in Munich. He is best known for developing the Kopienkritik approach to studying Roman sculpture, which he introduces in this volume first published in 1885 and translated into English by Eugenie Strong in 1895. Kopienkritik is a methodology which assumes that Roman sculptures are copies of Greek originals, and that by studying the Roman copies the original Greek sculpture can be reconstructed. This approach dominated the study of classical sculpture in the twentieth century and remains influential despite repeated criticism. Furtw ngler compares the styles of known classical Greek sculptors with Roman statues to uncover the original sculptor in this defining example of the Kopienkritic approach.

C. T. Newton (1816 1894) was a British archaeologist whose great interest was in Greek and Roman artefacts. He studied at Christ Church, Oxford, before joining the British Museum as an assistant in the Antiquities Department. Newton left the Museum in 1852 to explore the coasts and islands of Asia Minor, returning in 1861 as Keeper of the Department of Greek and Roman Antiquities. First published in 1865, these volumes contain an account of his travels and archaeological investigations around the Aegean and the coast of Turkey between 1852 and 1859. Using a series of letters written during his travels, Newton describes his archaeological discoveries together with valuable observations on contemporary Greek and Turkish culture. He also provides an account of his excavation of the tomb of Mausolus of Halicarnassus, one of the Seven Wonders of the ancient world. Volume 1, covering 1852 1855, contains descriptions of Athens and the Aegean.

C. T. Newton (1816 1894) was a British archaeologist whose great interest was in Greek and Roman artefacts. He studied at Christ Church, Oxford, before joining the British Museum as an assistant in the Antiquities Department. Newton left the Museum in 1852 to explore the coasts and islands of Asia Minor, returning in 1861 as Keeper of the Department of Greek and Roman Antiquities. First published in 1865, these volumes contain an account of his travels and archaeological investigations around the Aegean and the coast of Turkey between 1852 and 1859. Using a series of letters written during his travels, Newton describes his archaeological discoveries together with valuable observations on contemporary Greek and Turkish culture. He also provides an account of his excavation of the tomb of Mausolus of Halicarnassus, one of the Seven Wonders of the ancient world. Volume 2 describes his discovery and excavation of this legendary building.

William Martin Leake (1777-1860) was a British military officer and classical scholar specialising in reconstructing the topography of ancient cities. He was a founding member of the Royal Geographical Society and was elected a Fellow of the Royal Society in 1815. After his retirement in 1815 he devoted the rest of his life to topographical and classical studies. First published in 1821, this pioneering volume contains Leake's reconstruction of ancient Athens. Leake analyses and compares ancient descriptions of the city with the archaeological remains as they existed at the time of publication, identifying ancient structures and suggesting where the remains of other buildings may be found by excavation. This book was regarded as authoritative for the structures of ancient Athens for most of the nineteenth century, with Leake's work being influential in shaping perceptions of classical archaeology and historical topography into the twentieth century.

Heinrich Schliemann (1822 1890) published Mycenae, an account of his archaeological excavations of the ancient Greek cities of Mycenae and Tiryns, in 1878. Schliemann's astonishing finds revealed that the cities had a historical reality outside Homeric epic. His excavations uncovered many priceless treasures, most famously the 'death mask of Agamemnon' and the shaft graves, filled with pottery, carved stones, skeletons, gold, jewellery and weaponry. He also uncovered much about the layout and architecture of the two lost cities. The volume is generously illustrated with images of artefacts, maps and charts. It is introduced by W. E. Gladstone, who gave Schliemann the political assistance necessary for the excavations to take place. Schliemann's discoveries were met with wild enthusiasm, and while today his methods of excavation are deplored and many of his conclusions thought to be ill-founded, he is rightly credited with the discovery of the lost and ancient Mycenaean civilisation.

Women in Mycenaean Greece is the first book-length study of women in the Linear B tablets from Mycenaean Greece and the only to collect and compile all the references to women in the documents of the two best attested sites of Late Bronze Age Greece - Pylos on the Greek mainland and Knossos on the island of Crete. The book offers a systematic analysis of women's tasks, holdings, and social and economic status in the Linear B tablets dating from the 14th and 13th centuries BCE, identifying how Mycenaean women functioned in the economic institutions where they were best attested - production, property control, land tenure, and cult. Analysing all references to women in the Mycenaean documents, the book focuses on the ways in which the economic institutions of these Bronze Age palace states were gendered and effectively extends the framework for the study of women in Greek antiquity back more than 400 years. Throughout, the book seeks to establish whether gender practices were uniform in the Mycenaean states or differed from site to site and to gauge the relationship of the roles and status of Mycenaean women to their Archaic and Classical counterparts to test if the often-proposed theories of a more egalitarian Bronze Age accurately reflect the textual evidence. The Linear B tablets offer a unique, if under-utilized, point of entry into women's history in ancient Greece, documenting nearly 2000 women performing over fifty task assignments. From their decipherment in 1952 one major gap in the scholarly record remained: a full accounting of the women who inhabited the palace states and their tasks, ranks, and economic contributions. Women in Mycenaean Greece fills that gap recovering how class, rank, and other social markers created status hierarchies among women, how women as a group functioned relative to men, and where different localities conformed or diverged in their gender practices.

Sir William Gell (1777-1836) was a British archaeologist known for his drawings of sites and objects of classical interest. Noting that from the beginning of the excavations at Pompeii in 1748 'to the present day, no [substantial] work has appeared in the English language upon the subject of its domestic antiquities', together with architect and fellow countryman John P. Gandy he first published Pompeiana to help detail important findings that had been made by the excavators in the first two decades of the nineteenth century. To this end they provide historical discussion, analysis, and over 75 plates illustrating various points of archaeological interest including, as their subtitle notes, 'the topography, edifices, and ornaments of Pompeii'. Pompeiana is an important work that helped open the excavations to English readers and created further awareness of the treasures of the doomed city, destroyed by an eruption of Mount Vesuvius in 79 CE.

"It is a rare and happy situation when a 'useful' book is also a pleasure to read. Such is the case with this book . . . which should be required reading for every person with a serious interest in any period of Greek history. . . . The presentation of the story is engaging, leavened throughout with wit and common sense. . . . The gracefully written text is accompanied by numerous maps and superb illustrations." --American Historical Review
"This charming and humane book deserves the attention of all those interested in archaeology in the widest sense of the word and of those keen to understand man's relationship to the natural landscape." --The Times Literary Supplement

Most people think about the sanctuary of Delphi as the seat of the famous oracle and of Olympia as the site of the Olympic games. The oracle and the games, however, were but two of the many activities ongoing at both sites. This book investigates the physical remains of both sanctuaries to show how different visitors interacted with the sacred spaces of Delphi and Olympia in an important variety of ways during the archaic and classical periods. It highlights how this fluid usage impacted upon, and was itself affected by, the development of the sanctuary space and how such usage influenced the place and relationship of these two sites in the wider landscape. As a result, it argues for the re-evaluation of the roles of Delphi and Olympia in the Greek world and for a re-thinking of the usefulness of the term 'panhellenism' in Greek politics, religion and culture.

This book is a companion volume to K. D. White's Agricultural Implements of the Roman World (Cambridge University Press, 1967). He deals here with equipment and instruments which were for the most part used in processing and storage as opposed to cultivation. Each item is described in detail and there are abundant references to sources, literary and archaeological. The volume is amply illustrated. As before, Professor White has unearthed a wealth of information of special value to archaeologists, lexicographers and historians of technology. His discussions of the use made of the articles catalogued have a broader human interest and throw illuminating sidelights on the social and economic life of the Roman world.

The impact of long-distance exchange on the developing cultures of Bronze Age Greece has been a subject of debate since Schliemann s discovery of the Shaft Graves at Mycenae. In Mycenaean Greece, Mediterranean Commerce, and the Formation of Identity, Bryan E. Burns offers a new understanding of the effects of Mediterranean trade on Mycenaean Greece by considering the possibilities represented by the traded objects themselves in their Mycenaean contexts. A range of imported artifacts were distinguished by their precious material, uncommon style, and foreign writing, signaling their status as tangible evidence of connections beyond the Aegean. The consumption of these exotic symbols spread beyond the highest levels of society and functioned as symbols of external power sources. Burns argues that the consumption of exotic items thus enabled the formation of alternate identities and the resistance of palatial power.

Whatever aspect of Athenian culture one examines, whether it be tragedy and comedy, philosophy, vase painting and sculpture, oratory and rhetoric, law and politics, or social and economic life, the picture looks very different after 400 BC from before 400 BC. Scholars who have previously addressed this question have concentrated on particular areas and come up with explanations, often connected with the psychological effect of the Peloponnesian War, which are very unconvincing as explanations for the whole range of change. This book attempts to look at a wide range of evidence for cultural change at Athens and to examine the ways in which the changes may have been coordinated. It is a complement to the examination of the rhetoric of revolution as applied to ancient Greece in Rethinking Revolutions through Ancient Greece (Cambridge, 2006).

This comparative analysis argues that there were four or, more likely, five major turning points of world history, whose lasting effects are being felt to this day. These turning points show striking resemblances to each other: An apparently coherent community of shared convictions and a shared way of life splits unexpectedly in two, with one section swerving off on the road to a radically new set of values. This has probably been true of the rise of monotheism in opposition to the existing polytheistic norms of Oriental cultures. It has been true of the primitive Christian Church breaking away from Judaism. It was true of the Protestants breaking away from Rome. It also has been true for two secular revolutions: the independence of the United States of America inventing the republican order of representative democracy, and the Russian Revolution, when the revolutionaries decided to give up on peaceful socialism and resort to violence.

For the last 150 years the historiography of the Crusades has been dominated by nationalist and colonialist discourses in Europe and the Levant. These modern histories have interpreted the Crusades in terms of dichotomous camps, Frankish and Muslim. In this revisionist study, Ronnie Ellenblum presents an interpretation of Crusader historiography that instead defines military and architectural relations between the Franks, local Christians, Muslims and Turks in terms of continuous dialogue and mutual influence. Through close analysis of siege tactics, defensive strategies and the structure and distribution of Crusader castles, Ellenblum relates patterns of crusader settlement to their environment and demonstrates the influence of opposing cultures on tactics and fortifications. He argues that fortifications were often built according to economic and geographic considerations rather than for strategic reasons or to protect illusory 'frontiers', and that Crusader castles are the most evident expression of a cultural dialogue between east and west.

An unparalleled assemblage of Archaic black-figure painted pinakes (plaques) was uncovered near Penteskouphia, a village west of ancient Corinth, over a century ago. The pinakes - represented by over 1,200 fragments - and their depictions of gods, warriors, animals, and the potters themselves, provide a uniquely rich source of information about Greek art, technology, and society. In this volume, the findspot of the pinakes is identified in a contribution by Ioulia Tzonou and James Herbst, and the assemblage as a whole is fully contextualized within the Archaic world. Then, by focusing specifically on the images of potters at work, the author illuminates the relationship between Corinthian and Athenian art, the technology used in ancient pottery production, and religious anxiety in the 6th century B.C. The first comprehensive register of all known Penteskouphia pinakes complements the well-illustrated discussion.

Much of our understanding of the origins and early development of the Greek architectural order is based on the writings of ancient authors, such as Virtruvius, and those of modern interpreters. Traditionally, the archaeological evidence has been viewed secondarily and often made to fit within a literary context, despite contradictions that occur. Barbara Barletta s study examines both forms of evidence in an effort to reconcile the two sources, as well as to offer a coherent reconstruction of the origins and early development of the Greek architectural orders. Beginning with the pre-canonical material, she demonstrates that the relatively late emergence of the Doric and Ionic orders arose from contributions of separate regions of the Greek world, rather than a single center. Barletta s reinterpretations of the evidence also assigns greater importance to the often overlooked contributions of Western Greece and the Cycladic Islands."

Recent studies have highlighted the diversity, complexity, and plurality of identities in the ancient world. At the same time, scholars have acknowledged the dynamic role of material culture, not simply in reflecting those identities but their role in creating and transforming them. This volume explores and compares two influential approaches to the study of social and cultural identities, the model of globalization and theories of hybrid cultural development. In a series of case studies, an international team of archaeologists and art historians considers how various aspects of material culture can be used to explore complex global and local identity structures across the geographical and chronological span of antiquity. The essays examine the civilizations of the Greeks, Romans, Etruscans, Persians, Phoenicians, and Celts. Reflecting on the current state of our understanding of cultural interaction and antiquity, they also dwell on contemporary thoughts of identity, cultural globalization, and resistance that shape and are shaped by academic discourses on the cultural empires of Greece and Rome.

The Oxford Handbook of Roman Studies is an indispensable guide to the latest scholarship in this area. Over fifty distinguished scholars elucidate the contribution of material as well as literary culture to our understanding of the Roman world. The emphasis is particularly upon the new and exciting links between the various sub-disciplines that make up Roman Studies - for example, between literature and epigraphy, art and philosophy, papyrology and economic history. The Handbook, in fact, aims to establish a field and scholarly practice as much as to describe the current state of play. Connections with disciplines outside classics are also explored, including anthropology, psychoanalysis, gender and reception studies, and the use of new media.