Named for a goddess, epicenter of the first democracy, birthplace of tragic and comic theatre, locus of the major philosophical schools, artistically in the vanguard for centuries, ancient Athens looms large in contemporary study of the ancient world. This Companion is a comprehensive introduction the city, its topography and monuments, inhabitants and cultural institutions, religious rituals and politics. Chapters link the religious, cultural, and political institutions of Athens to the physical locales in which they took place. Discussion of the urban plan, with its streets, gates, walls, and public and private buildings, provides readers with a thorough understanding of how the city operated and what people saw, heard, smelled, and tasted as they flowed through it. Drawing on the latest scholarship, as well as excavation discoveries at the Agora, sanctuaries, and cemeteries, the Companion explores how the city was planned, how it functioned, and how it was transformed from a democratic polis into a Roman city.

The kilns at Morgantina, site of the well-known excavations in central Sicily, are an outstanding example of multiple potters' workshops in use during the late Hellenistic period. In fully documenting these ten kilns, excavated between 1955 and 1963, Ninina Cuomo di Caprio offers both a representative cross-section of the physical setting of ceramic production in this ancient Greek city and evidence for its daily industrial activity. She includes detailed plans and section drawings of each kiln and formulates hypotheses on its operation in light of modern thermodynamics. The text, which is in Italian, is preceded by an English-language summary. Cuomo di Caprio's archaeological study of the kiln structures and their ceramic products is supplemented by such diagnostic tools as thermoluminescence analysis, neutron activation analysis, X-ray diffraction, and optical examination by polarizing microscope. Opening an entirely new window into the everyday working practices of the Morgantina potters, this study demonstrates that they operated at a very sophisticated level: selecting and purifying specific clays, and adding certain materials to manipulate their working and firing characteristics. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This luxuriously illustrated book surveys Greek archaeology from the collapse of the Mycenaean palaces to the subordination of the last Hellenistic kingdoms to Rome. Its aim is to study Greek art through the material record, and against its cultural and social backdrop. It takes the reader on a tour of ancient Greece along the most important period in its history, the 1st millennium BC. Architecture, city planning, sculpture, painting, pottery, metallurgy, jewellery, and numismatics are some of the areas covered. With concise, systematic coverage of the main categories of classical monuments, the book caters for the non-specialist looking for the essential in ancient Greece, students of Greek archaeology and art, as well as anyone interested in Greek art and culture. The text is divided into accessible, user-friendly sections including case studies, terminology, charts, maps, a timeline and full index. This is the first English language edition of the original Greek edition and was thoroughly revised and expanded by Dimitris Plantzos before translation by the British archaeologist Nicola Wardle. 592 colour illustrations.

In this book, Philip Kiernan explores how cult images functioned in Roman temples from the Iron Age to Late Antiquity in the Roman west. He demonstrates how and why a temple's idols, were more important to ritual than other images such as votive offerings and decorative sculpture. These idols were seen by many to be divine and possessed of agency. They were, thus, the primary focus of worship. Aided by cross-cultural comparative material, Kiernan's study brings a biographical approach to explore the 'lives' of idols and cult images - how they were created, housed in temples, used and worshipped, and eventually destroyed or buried. He also shows how the status of cult images could change, how new idols and other cult images were being continuously created, and how, in each phase of their lives, we find evidence for the significant power of idols.

While there have been many studies devoted to the major heroes and heroines of Homeric epic, among them Achilles, Odysseus, and Helen, the figure of Menelaus has remained notably overlooked in this strand of scholarship. Menelaus in the Archaic Period is the first book-length study of the Homeric character, taking a multidisciplinary approach to his depiction in archaic Greek poetry, art, and cult through detailed analysis of ancient literary, visual, and material evidence. The volume is divided into two parts, the first of which examines the portrayal of Menelaus in the Homeric poems as a unique 'personality' with an integral role to play in each narrative, as depicted through typical patterns of speech and action and through intertextual allusion. The second part explores his representation both in other poetry of the archaic period - including lyric poetry and Simonides' 'Plataea elegy ' - and also archaic art and local Sparta cult, drawing on the literary, archaeological, and inscriptional evidence for the cult of Menelaus with Helen at Therapne. The depiction of Menelaus in archaic art is a particular focal point: Chapter 4 provides a methodology for the interpretation of heroic narrative on archaic Greek vases through iconography and inscriptions and establishes his conventional visual 'identity' on black figure Athenian vases, while an annotated catalogue of images details those that fall outside the 'norm'. Menelaus emerges from this comprehensive study as a unique and likeable character whose relationship with Helen was a popular theme in both epic poetry and vase painting, but one whose portrayal evinced a significant narrative range, with an array of continuities and differences in how he was represented by the Greeks, not only within the archaic period but also in comparison to classical Athens.

In the Greek Classical period, the symposium-the social gathering at which male citizens gathered to drink wine and engage in conversation-was held in a room called the andron. From couches set up around the perimeter, symposiasts looked inward to the room's center, which often was decorated with a pebble mosaic floor. These mosaics provided visual treats for the guests, presenting them with images of mythological scenes, exotic flora, dangerous beasts, hunting parties, or the spectre of Dionysos: the god of wine, riding in his chariot or on the back of a panther. In The World Underfoot, Hallie M. Franks takes as her subject these mosaics and the context of their viewing. Relying on discourses in the sociology and anthropology of space, she presents an innovative new interpretation of the mosaic imagery as an active contributor to the symposium as a metaphorical experience. Franks argues that the images on mosaic floors, combined with the ritualized circling of the wine cup and the physiological reaction to wine during the symposium, would have called to mind other images, spaces, or experiences, and in doing so, prompted drinkers to reimagine the symposium as another kind of event-a nautical voyage, a journey to a foreign land, the circling heavens or a choral dance, or the luxury of an abundant past. Such spatial metaphors helped to forge the intimate bonds of friendship that are the ideal result of the symposium and that make up the political and social fabric of the Greek polis.

The Roman world was diverse and complex. And so were religious understandings and practices as mirrored in the enormous variety presented by archaeological, iconographic, and epigraphic evidence. Conventional approaches principally focus on the political role of civic cults as a means of social cohesion, often considered to be instrumentalised by elites. But by doing so, religious diversity is frequently overlooked, marginalising ‘deviating’ cult activities that do not fit the Classical canon, as well as the multitude of funerary practices and other religious activities that were all part of everyday life. In the Roman Empire, a person’s religious experiences were shaped by many and sometimes seemingly incompatible cult practices, whereby the ‘civic’ and ‘imperial’ cults might have had the least impact of all. The authors rethink these methodologies, arguing for a more dynamic image of religion that takes into account the varied and often contradictory choices and actions of individual, which reflects the discrepant religious experiences in the Roman world. Is it possible to ‘poke into the mind’ of an individual in Roman times, whatever his/her status and ethnicity, and try to understand the individual’s diverse experiences in such a complex, interconnected empire, exploring the choices that were open to an individual? This also raises the question whether the concept of individuality is valid for Roman times. In some periods, the impact of individual actions can be more momentous: the very first adoption of Roman-style sculpture, cult practices or Latin theonyms for indigenous deities can set in motion long-term processes that will significantly influence people’s perceptions of local deities, their characteristics, and functions. Do individual choices and preferences prevail over collective identities in the Roman Empire compared to pre-Roman times? To examine these questions, this volume presents case studies that analyse individual actions in the religious sphere.

Rome's Capitoline Hill was the smallest of the Seven Hills of Rome. Yet in the long history of the Roman state it was the empire's holy mountain. The hill was the setting of many of Rome's most beloved stories, involving Aeneas, Romulus, Tarpeia, and Manlius. It also held significant monuments, including the Temple of Jupiter Optimus Maximus, a location that marked the spot where Jupiter made the hill his earthly home in the age before humanity. This is the first book that follows the history of the Capitoline Hill into late antiquity and the early middle ages, asking what happened to a holy mountain as the empire that deemed it thus became a Christian republic. This is not a history of the hill's tonnage of marble and gold bedecked monuments, but rather an investigation into how the hill was used, imagined, and known from the third to the seventh centuries CE. During this time, the imperial triumph and other processions to the top of the hill were no longer enacted. But the hill persisted as a densely populated urban zone and continued to supply a bridge to fragmented memories of an increasingly remote past through its toponyms. This book is also about a series of Christian engagements with the Capitoline Hill's different registers of memory, the transmission and dissection of anecdotes, and the invention of alternate understandings of the hill's role in Roman history. What lingered long after the state's disintegration in the fifth century were the hill's associations with the raw power of Rome's empire.

How do we interpret ancient art created before written texts? Scholars usually put ancient art into conversation with ancient texts in order to interpret its meaning. But for earlier periods without texts, such as in the Bronze Age Aegean, this method is redundant. Using cutting-edge theory from art history, archaeology, and anthropology, Carl Knappett offers a new approach to this problem by identifying distinct actions - such as modelling, combining, and imprinting - whereby meaning is scaffolded through the materials themselves. By showing how these actions work in the context of specific bodies of material, Knappett brings to life the fascinating art of Minoan Crete and surrounding areas in novel ways. With a special focus on how creativity manifests itself in these processes, he makes an argument for not just how creativity emerges through specific material engagements but also why creativity might be especially valued at particular moments.

Across the nine thematic chapters of Experiencing Medieval Art, renowned art historian Herbert L. Kessler considers functional objects as well as paintings and sculptures; the circumstances, processes, and materials of production; the conflictual relationship between art objects and notions of an ineffable deity; the context surrounding medieval art; and questions of apprehension, aesthetics, and modern presentation. He also introduces the exciting discoveries and revelations that have revolutionized contemporary understanding of medieval art and identifies the vexing challenges that still remain. With 16 color plates and 81 images in all-including the stained glass of Chartres Cathedral, the mosaics of San Marco, and the Utrecht Psalter, as well as newly discovered works such as the frescoes in Rome's aula gotica and a twelfth-century aquamanile in Hildesheim-Experiencing Medieval Art makes the complex history of medieval art accessible for students of art history and scholars of medieval history, theology, and literature.

Second Edition

"MacKendrick writes so enthusiastically that all laymen who have a serious interest in scholarship and antiquity will delight in following his story." —New York Times Book Review

"An intelligible, well-told tale that recounts . . . what excavators and scholars using the full repertory of modern skills and techniques have in recent years discovered about the remains of an ancient civilization in Italy and what the discoveries mean." —C. H. Kraeling

The Roman Empire is widely admired as a model of civilisation. In this compelling new study Neil Faulkner argues that in fact, it was nothing more than a ruthless system of robbery and violence. War was used to enrich the state, the imperial ruling classes and favoured client groups. In the process millions of people were killed or enslaved.

Within the empire the landowning elite creamed off the wealth of the countryside to pay taxes to the state and fund the towns and villas where they lived. The masses of people - slaves, serfs and poor peasants - were victims of a grand exploitation that made the empire possible. This system, riddled with tension and latent conflict, contained the seeds of its own eventual collapse.

This volume presents a systematic and fresh interpretation of a mid-second-century AD papyrus - the so-called Muziris papyrus - which preserves on its two sides fragments of a unique pair of documents: on one side, a loan agreement to finance a commercial enterprise to South India and, on the other, an assessment of the fiscal value of a South Indian cargo imported on a ship named the Hermapollon. The two texts, whose informative potential has long been underexploited, clarify several aspects of the early Roman Empire's trade with South India, including transport logistics, financial and legal elements in the loan agreement funding the commercial enterprise, the trade goods included in the South Indian cargo, and the technicalities of calculating and collecting Roman customs duties on the Indian imports. This study also considers imperial fiscal policy as it related to the South Indian trade, the overall evolution of Rome's trade relations with South India, the structure and organization of South Indian trade stakeholders, and the role played by private tax-collectors. The in-depth analysis sheds new light on this important sector of the Roman economy during the first two centuries AD in two innovative ways: through a balanced consideration of South Indian sources and data, and by drawing comparisons with the pepper trade from late antiquity, the Middle Ages, and early modernity, resulting in a longue duree perspective on the western trade in South Indian pepper.

This is the last of five volumes presenting inscriptions discovered in the Athenian Agora between 1931 and 1967. Published here are inscriptions on monuments commemorating events or victories, on statues or other representations erected to honor individuals and deities, and on votive offerings to divinities. Most are dated to between the 4th century B.C. and the 2nd century A.D., but a few survive from the Archaic and Late Roman periods. A final section contains monuments that are potentially, but not certainly, dedicatory in character, and a small number of grave markers omitted from Agora XVII. Each of the 773 catalogue entries includes a description of the object inscribed, bibliography, a transcription of the Greek text, and commentary. There are photographs of each piece of which no adequate illustration has yet been published, including newly joined fragments. The volume concludes with concordances, bibliography, and an index of persons named in the inscriptions.

Germania was one of the most important and complex zones of cultural interaction and conflict between Rome and neighbouring societies. A vast region, it became divided into urbanised provinces with elaborate military frontiers and the northern part of the continental 'Barbaricum'. Recent decades have seen a major effort by German archaeologists, ancient historians, epigraphers, numismatists, and other specialists to explore the Roman era in their own territory, with rich and often surprising new knowledge. This Handbook aims to make the results of this great effort of modern German and overwhelmingly German-language scholarship more widely available to Anglophone scholarship on the empire. Archaeology and ancient history are international enterprises characterised by specific national scholarly traditions; this is notably true of the study of Roman-era Germania. This volume compromises a collection of essays in English by leading scholars working in Germany, presenting the latest developments in current research as well as situating their work within wider international scholarship through a series of critical responses from other, very different, national perspectives. In doing so, this book aims to reveal the riches of the archaeology of Roman Germany, promote the achievements of German scholars in the area, and help facilitate continued English and German language discourses on the Roman era.

A comprehensive and richly illustrated history of one of the most important athletic, religious, and political sites in the ancient Greek and Roman world The memory of ancient Olympia lives on in the form of the modern Olympic Games. But in the ancient era, Olympia was renowned for far more than its athletic contests. In Olympia, Judith Barringer provides a comprehensive and richly illustrated history of one of the most important sites in the ancient Greek and Roman world, where athletic competitions took place alongside-and were closely connected with-crucial religious and political activities. Barringer describes the development of the Altis, the most sacred area of Olympia, where monuments to athletes successful in the games joined those erected to the gods and battlefield victories. Rival city-states and rulers built monuments to establish eminence, tout alliances, and join this illustrious company in a rich intergenerational dialogue. The political importance of Olympia was matched by its place as the largest sanctuary dedicated to Zeus, king of the gods. Befitting Zeus's role as god of warfare, the Olympian oracle was consulted to ensure good omens for war, and the athletic games embodied the fierce competition of battle. Other gods and heroes were worshipped at Olympia too, Hera, Artemis, and Herakles among them. Drawing on a comprehensive knowledge of the archaeological record, Barringer describes the full span of Olympia's history, from the first monumental building around 600 BC to the site's gradual eclipse in the late Christianized Roman empire. Extensively illustrated with maps and diagrams, Olympia brings the development of Olympia vividly to life for modern readers.

In A History of Science in Society, Ede and Cormack trace the history of the changing place of science in society and explore the link between the pursuit of knowledge and the desire to make that knowledge useful. The fourth edition of this bestselling textbook brings the narrative right up to the present day by incorporating the COVID-19 pandemic. The edition also adds content on Indigenous and non-western science as well as five new "Connections" case study features, including one on the scientist and poet Omar Khayyam. The text is accompanied by 100 images and maps and a colour insert showing off key moments in the history of science. Essay questions, chapter timelines, a further readings section, and an index provide additional support for students.

Anglo-Saxon farming made England so wealthy by the eleventh century that it attracted two full-scale invasions. In Anglo-Saxon Farms and Farming, Debby Banham and Rosamond Faith explore how Anglo-Saxon farmers produced the food and other crops and animal products that sustained England's economy, society, and culture before the Norman Conquest. The volume is made up of two complementary sections: the first examines written and pictorial sources, archaeological evidence, place-names, and the history of the English language to discover what kind of crops and livestock people raised, and what tools and techniques they used in producing them. The second part assembles a series of local landscape studies to explore how these techniques were combined into working agricultural regimes in different environments. These perspectives allow the authors to take new approaches to the chronology and development of open-field farming, to the changing relationship between livestock husbandry and arable cultivation, and to the values and social relationships which under-pinned rural life. The elite are not ignored, but peasant famers are represented as agents, making decisions about the way they managed their resources and working lives. A picture emerges of an agriculture that changed from an essentially prehistoric state in the sub-Roman period to what was, by the time of the Conquest, recognizably the beginning of a tradition that only ended in the modern period. Anglo-Saxon farming was not only sustainable, but infinitely adaptable to different soils and geology, and to a climate changing as unpredictably as it is today.

This book, built around the study of the representation of age and identity in 23,000 Latin funerary epitaphs from the Western Mediterranean in the Roman era, sets out how the use of age in inscriptions, and in turn, time, varied across this region. Discrepancies between the use of time to represent identity in death allow readers to begin to understand the differences between the cultures of Roman Italy and contemporary societies in North Africa, Spain, and southern Gaul. The analysis focuses on the timescapes of cemeteries, a key urban phenomenon, in relation to other markers of time, including the Roman invention of the birthday, the revering of the dead at the Parentalia and the topoi of life's stages. In doing so, the book contributes to our understanding of gender, the city, the family, the role of the military, freed slaves, and cultural change during this period. The concept of the timescape is seen to have varied geographically across the Mediterranean, bringing into question claims of cultural unity for the Western Mediterranean as a region. Mediterranean Timescapes is of interest to students and scholars of Roman history and archaeology, particularly that of the Western Mediterranean, and ancient social history.

Classica et Mediaevalia is an international periodical with articles written by Danish and foreign scholars. They are mainly published in English, but sometimes in French and German as well. From a philological point of view, the periodical deals with Classical Antiquity in general and topics such as history of law, philosophy, and medieval ecclesiastic history. It covers the period from Greek-Roman Antiquity until the Late Middle Ages. Contents include: 'Reflecting (In)Justice' in the Republic's Line and Cave: Thrasymachus and Plato's Level of eikasia * Quorum in the People's Assembly in Classical Athens * Nektanebo in the Vita Aesopi and in Other Narratives * Chalcidian Politicians and Rome between 208 and 168 BC * Rewriting Dido: Ovid, Vergil and the Epistula Didonis ad Aeneam (AL 71 SB) * Seneca on Platonic Apatheia * Octavia and Renaissance Tragedy from Trissino to Shakespeare * A Dramatic Afterlife: The Byzantines on Ancient Drama and Its Authors * Nine Unidentified Verses in the

In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With "Knossos and the Prophets of Modernism," Cathy Gere relates the fascinating story of Evans's excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth--pacifist and matriarchal, pagan and cosmic--seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle.

Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.

Explores the issues and the use of best practice interpretation principles in bringing the Roman world to life for visitors and educational users. Issues in the public presentation and interpretation of the archaeology of Hadrian's Wall and other frontiers of the Roman Empire are explored and addressed here. A central theme is the need for interpretation to be people-focussed, and for visitors to be engaged through narratives and approaches which help them connect with figures in the past: daily life, relationships, craft skills, communications, resonances with modern frontiers and modern issues allprovide means of helping an audience to connect, delivering a greater understanding, better visitor experiences, increased visiting and spend, and an enhanced awareness of the need to protect and conserve our heritage. Topics covered include re-enactment, virtual and physical reconstruction, multi-media, smartphones, interpretation planning and design; while new evidence from audience research is also presented to show how visitors respond to different strategies of engagement. Nigel Mills is Director, World Heritage and Access, The Hadrian's Wall Trust. Contributors: Genevieve Adkins, M.C. Bishop, Lucie Branczik, David J. Breeze, Mike Corbishley, Jim Devine,Erik Dobat, Matthias Fluck, Christof Flugel, Snezana Golubovic, Susan Greaney, Tom Hazenberg, Don Henson, Richard Hingley, Nicky Holmes, Martin Kemkes, Miomir Korac, Michaela Kronberger, Nigel Mills, Jurgen Obmann, Tim Padley, John Scott, R. Michael Spearman, Jurgen Trumm, Sandra Walkshofer, Christopher Young,

This volume includes: Daniel Koelligen, " , The Watchdog"; Richard L. Phillips, "Invisibility and Sight in Homer: Some Aspects of A. S. Pease Reconsidered"; Antonio Tibiletti, "Pondering Pindaric Superlatives in Context"; Matthew Hiscock, " : A 'Mot Fort' in the Discourse of Classical Athens"; James T. Clark, "Off-Stage Cries? The Performance of Sophocles' Philoctetes 201-218, Trachiniae 863-870, and Euripides' Electra 747-760"; Giuseppe Pezzini, "Terence and the Speculum Vitae: 'Realism' and (Roman) Comedy"; Neil O'Sullivan, "Quotations from Epicurean Philosophy and Greek Tragedy in Three Letters of Cicero"; Ernesto Paparazzo, "A Study of Varro's Account of Roman Civil Theology in the Antiquitates Rerum Divinarum and Its Reception by Augustine and Modern Readers"; Joseph P. Dexter and Pramit Chaudhuri, "Dardanio Anchisae: Hiatus, Homer, and Intermetricality in the Aeneid"; Michael A. Tueller, "Dido the Author: Epigram and the Aeneid"; Benjamin Victor, Nancy Duval, and Isabelle Chouinard, "Subordinating si and ni in Virgil: Some Characteristic Uses, with Remarks on Aeneid 6.882-883"; Richard Gaskin, "On Being Pessimistic about the End of the Aeneid"; Gregory R. Mellen, "Num Delenda est Karthago? Metrical Wordplay and the Text of Horace Odes 4.8"; Kyle Gervais, "Dominoque legere superstes? Epic and Empire at the End of the Thebaid"; D. Clint Burnett, "Temple Sharing and Throne Sharing: A Reconsideration of and in the Hellenistic and Roman Periods"; Charles H. Cosgrove, "Semi-Lyrical Reading of Greek Poetry in Late Antiquity"; Byron MacDougall, "Better Recognize: Anagnorisis in Gregory of Nazianzus's First Invective against Julian"; Alan Cameron, "Jerome and the Historia Augusta"; Jessica H. Clark, "Adfirmare and Appeals to Authority in Servius Danielis"; and Jarrett T. Welsh, "Nonius Marcellus and the Source Called 'Gloss. i.'"