The languages of the ancient world and the mysterious scripts, long undeciphered, in which they were encoded have represented one of the most intriguing problems of classical archaeology in modern times. This celebrated account of the decipherment of Linear B in the 1950s by Michael Ventris was written by his close collaborator in the momentous discovery. In revealing the secrets of Linear B it offers a valuable survey of late Minoan and Mycenaean archaeology, uncovering fascinating details of the religion and economic history of an ancient civilisation.

Slavery in ancient Greece was commonplace. In this book Sara Forsdyke uncovers the wide range of experiences of slaves and focuses on their own perspectives, rather than those of their owners, giving a voice to a group that is often rendered silent by the historical record. By reading ancient sources 'against the grain,' and through careful deployment of comparative evidence from more recent slave-owning societies, she demonstrates that slaves engaged in a variety of strategies to deal with their conditions of enslavement, ranging from calculated accommodation to full-scale rebellion. Along the way, she establishes that slaves made a vital contribution to almost all aspects of Greek society. Above all, despite their often brutal treatment, they sometimes displayed great ingenuity in exploiting the tensions and contradictions within the system of slavery.

Over his long and illustrious career as Lecturer, Reader and Professor in Edinburgh University (1961-1976), Lawrence Professor of Classical Archaeology at Cambridge (1976-2001) and currently Fellow of the McDonald Institute of Archaeology at Cambridge, Anthony Snodgrass has influenced and been associated with a long series of eminent classical archaeologists, historians and linguists. In acknowledgement of his immense academic achievement, this collection of essays by a range of international scholars reflects his wide-ranging research interests: Greek prehistory, the Greek Iron Age and Archaic era, Greek texts and Archaeology, Classical Art History, societies on the fringes of the Greek and Roman world, and Regional Field Survey. Not only do they celebrate his achievements but they also represent new avenues of research which will have a broad appeal.

This all embracing survey of Pompeii provides the most comprehensive survey of the region available. With contributions by well-known experts in the field, this book studies not only Pompeii, but also - for the first time - the buried surrounding cities of Campania. The World of Pompeii includes the latest understanding of the region, based on the up-to-date findings of recent archaeological work. Accompanied by a CD with the most detailed map of Pompeii so far, this book is instrumental in studying the city in the ancient world and is an excellent source book for students of this fascinating and tragic geographic region.

Much like our own time, the ancient Greek world was constantly expanding and becoming more connected to global networks. The landscape was shaped by an ecology of city-states, local formations that were stitched into the wider Mediterranean world. While the local is often seen as less significant than the global stage of politics, religion, and culture, localism, argues historian Hans Beck has had a pervasive influence on communal experience in a world of fast-paced change. Far from existing as outliers, citizens in these communities were deeply concerned with maintaining local identity, commercial freedom, distinct religious cults, and much more. Beyond these cultural identifiers, there lay a deeper concept of the local that guided polis societies in their contact with a rapidly expanding world. Drawing on a staggering range of materials----including texts by both known and obscure writers, numismatics, pottery analysis, and archeological records--Beck develops fine-grained case studies that illustrate the significance of the local experience. Localism and the Ancient Greek City-State builds bridges across disciplines and ideas within the humanities and shows how looking back at the history of Greek localism is important not only in the archaeology of the ancient Mediterranean, but also in today's conversations about globalism, networks, and migration.

Rome's Capitoline Hill was the smallest of the Seven Hills of Rome. Yet in the long history of the Roman state it was the empire's holy mountain. The hill was the setting of many of Rome's most beloved stories, involving Aeneas, Romulus, Tarpeia, and Manlius. It also held significant monuments, including the Temple of Jupiter Optimus Maximus, a location that marked the spot where Jupiter made the hill his earthly home in the age before humanity. This is the first book that follows the history of the Capitoline Hill into late antiquity and the early middle ages, asking what happened to a holy mountain as the empire that deemed it thus became a Christian republic. This is not a history of the hill's tonnage of marble and gold bedecked monuments, but rather an investigation into how the hill was used, imagined, and known from the third to the seventh centuries CE. During this time, the imperial triumph and other processions to the top of the hill were no longer enacted. But the hill persisted as a densely populated urban zone and continued to supply a bridge to fragmented memories of an increasingly remote past through its toponyms. This book is also about a series of Christian engagements with the Capitoline Hill's different registers of memory, the transmission and dissection of anecdotes, and the invention of alternate understandings of the hill's role in Roman history. What lingered long after the state's disintegration in the fifth century were the hill's associations with the raw power of Rome's empire.

The kilns at Morgantina, site of the well-known excavations in central Sicily, are an outstanding example of multiple potters' workshops in use during the late Hellenistic period. In fully documenting these ten kilns, excavated between 1955 and 1963, Ninina Cuomo di Caprio offers both a representative cross-section of the physical setting of ceramic production in this ancient Greek city and evidence for its daily industrial activity. She includes detailed plans and section drawings of each kiln and formulates hypotheses on its operation in light of modern thermodynamics. The text, which is in Italian, is preceded by an English-language summary. Cuomo di Caprio's archaeological study of the kiln structures and their ceramic products is supplemented by such diagnostic tools as thermoluminescence analysis, neutron activation analysis, X-ray diffraction, and optical examination by polarizing microscope. Opening an entirely new window into the everyday working practices of the Morgantina potters, this study demonstrates that they operated at a very sophisticated level: selecting and purifying specific clays, and adding certain materials to manipulate their working and firing characteristics. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This luxuriously illustrated book surveys Greek archaeology from the collapse of the Mycenaean palaces to the subordination of the last Hellenistic kingdoms to Rome. Its aim is to study Greek art through the material record, and against its cultural and social backdrop. It takes the reader on a tour of ancient Greece along the most important period in its history, the 1st millennium BC. Architecture, city planning, sculpture, painting, pottery, metallurgy, jewellery, and numismatics are some of the areas covered. With concise, systematic coverage of the main categories of classical monuments, the book caters for the non-specialist looking for the essential in ancient Greece, students of Greek archaeology and art, as well as anyone interested in Greek art and culture. The text is divided into accessible, user-friendly sections including case studies, terminology, charts, maps, a timeline and full index. This is the first English language edition of the original Greek edition and was thoroughly revised and expanded by Dimitris Plantzos before translation by the British archaeologist Nicola Wardle. 592 colour illustrations.

Second Edition

"MacKendrick writes so enthusiastically that all laymen who have a serious interest in scholarship and antiquity will delight in following his story." —New York Times Book Review

"An intelligible, well-told tale that recounts . . . what excavators and scholars using the full repertory of modern skills and techniques have in recent years discovered about the remains of an ancient civilization in Italy and what the discoveries mean." —C. H. Kraeling

The Roman Empire is widely admired as a model of civilisation. In this compelling new study Neil Faulkner argues that in fact, it was nothing more than a ruthless system of robbery and violence. War was used to enrich the state, the imperial ruling classes and favoured client groups. In the process millions of people were killed or enslaved.

Within the empire the landowning elite creamed off the wealth of the countryside to pay taxes to the state and fund the towns and villas where they lived. The masses of people - slaves, serfs and poor peasants - were victims of a grand exploitation that made the empire possible. This system, riddled with tension and latent conflict, contained the seeds of its own eventual collapse.

This volume presents a systematic and fresh interpretation of a mid-second-century AD papyrus - the so-called Muziris papyrus - which preserves on its two sides fragments of a unique pair of documents: on one side, a loan agreement to finance a commercial enterprise to South India and, on the other, an assessment of the fiscal value of a South Indian cargo imported on a ship named the Hermapollon. The two texts, whose informative potential has long been underexploited, clarify several aspects of the early Roman Empire's trade with South India, including transport logistics, financial and legal elements in the loan agreement funding the commercial enterprise, the trade goods included in the South Indian cargo, and the technicalities of calculating and collecting Roman customs duties on the Indian imports. This study also considers imperial fiscal policy as it related to the South Indian trade, the overall evolution of Rome's trade relations with South India, the structure and organization of South Indian trade stakeholders, and the role played by private tax-collectors. The in-depth analysis sheds new light on this important sector of the Roman economy during the first two centuries AD in two innovative ways: through a balanced consideration of South Indian sources and data, and by drawing comparisons with the pepper trade from late antiquity, the Middle Ages, and early modernity, resulting in a longue duree perspective on the western trade in South Indian pepper.

Across the nine thematic chapters of Experiencing Medieval Art, renowned art historian Herbert L. Kessler considers functional objects as well as paintings and sculptures; the circumstances, processes, and materials of production; the conflictual relationship between art objects and notions of an ineffable deity; the context surrounding medieval art; and questions of apprehension, aesthetics, and modern presentation. He also introduces the exciting discoveries and revelations that have revolutionized contemporary understanding of medieval art and identifies the vexing challenges that still remain. With 16 color plates and 81 images in all-including the stained glass of Chartres Cathedral, the mosaics of San Marco, and the Utrecht Psalter, as well as newly discovered works such as the frescoes in Rome's aula gotica and a twelfth-century aquamanile in Hildesheim-Experiencing Medieval Art makes the complex history of medieval art accessible for students of art history and scholars of medieval history, theology, and literature.

In A History of Science in Society, Ede and Cormack trace the history of the changing place of science in society and explore the link between the pursuit of knowledge and the desire to make that knowledge useful. The fourth edition of this bestselling textbook brings the narrative right up to the present day by incorporating the COVID-19 pandemic. The edition also adds content on Indigenous and non-western science as well as five new "Connections" case study features, including one on the scientist and poet Omar Khayyam. The text is accompanied by 100 images and maps and a colour insert showing off key moments in the history of science. Essay questions, chapter timelines, a further readings section, and an index provide additional support for students.

The Roman world was diverse and complex. And so were religious understandings and practices as mirrored in the enormous variety presented by archaeological, iconographic, and epigraphic evidence. Conventional approaches principally focus on the political role of civic cults as a means of social cohesion, often considered to be instrumentalised by elites. But by doing so, religious diversity is frequently overlooked, marginalising ‘deviating’ cult activities that do not fit the Classical canon, as well as the multitude of funerary practices and other religious activities that were all part of everyday life. In the Roman Empire, a person’s religious experiences were shaped by many and sometimes seemingly incompatible cult practices, whereby the ‘civic’ and ‘imperial’ cults might have had the least impact of all. The authors rethink these methodologies, arguing for a more dynamic image of religion that takes into account the varied and often contradictory choices and actions of individual, which reflects the discrepant religious experiences in the Roman world. Is it possible to ‘poke into the mind’ of an individual in Roman times, whatever his/her status and ethnicity, and try to understand the individual’s diverse experiences in such a complex, interconnected empire, exploring the choices that were open to an individual? This also raises the question whether the concept of individuality is valid for Roman times. In some periods, the impact of individual actions can be more momentous: the very first adoption of Roman-style sculpture, cult practices or Latin theonyms for indigenous deities can set in motion long-term processes that will significantly influence people’s perceptions of local deities, their characteristics, and functions. Do individual choices and preferences prevail over collective identities in the Roman Empire compared to pre-Roman times? To examine these questions, this volume presents case studies that analyse individual actions in the religious sphere.

Anglo-Saxon farming made England so wealthy by the eleventh century that it attracted two full-scale invasions. In Anglo-Saxon Farms and Farming, Debby Banham and Rosamond Faith explore how Anglo-Saxon farmers produced the food and other crops and animal products that sustained England's economy, society, and culture before the Norman Conquest. The volume is made up of two complementary sections: the first examines written and pictorial sources, archaeological evidence, place-names, and the history of the English language to discover what kind of crops and livestock people raised, and what tools and techniques they used in producing them. The second part assembles a series of local landscape studies to explore how these techniques were combined into working agricultural regimes in different environments. These perspectives allow the authors to take new approaches to the chronology and development of open-field farming, to the changing relationship between livestock husbandry and arable cultivation, and to the values and social relationships which under-pinned rural life. The elite are not ignored, but peasant famers are represented as agents, making decisions about the way they managed their resources and working lives. A picture emerges of an agriculture that changed from an essentially prehistoric state in the sub-Roman period to what was, by the time of the Conquest, recognizably the beginning of a tradition that only ended in the modern period. Anglo-Saxon farming was not only sustainable, but infinitely adaptable to different soils and geology, and to a climate changing as unpredictably as it is today.

This book, built around the study of the representation of age and identity in 23,000 Latin funerary epitaphs from the Western Mediterranean in the Roman era, sets out how the use of age in inscriptions, and in turn, time, varied across this region. Discrepancies between the use of time to represent identity in death allow readers to begin to understand the differences between the cultures of Roman Italy and contemporary societies in North Africa, Spain, and southern Gaul. The analysis focuses on the timescapes of cemeteries, a key urban phenomenon, in relation to other markers of time, including the Roman invention of the birthday, the revering of the dead at the Parentalia and the topoi of life's stages. In doing so, the book contributes to our understanding of gender, the city, the family, the role of the military, freed slaves, and cultural change during this period. The concept of the timescape is seen to have varied geographically across the Mediterranean, bringing into question claims of cultural unity for the Western Mediterranean as a region. Mediterranean Timescapes is of interest to students and scholars of Roman history and archaeology, particularly that of the Western Mediterranean, and ancient social history.

Classica et Mediaevalia is an international periodical with articles written by Danish and foreign scholars. They are mainly published in English, but sometimes in French and German as well. From a philological point of view, the periodical deals with Classical Antiquity in general and topics such as history of law, philosophy, and medieval ecclesiastic history. It covers the period from Greek-Roman Antiquity until the Late Middle Ages. Contents include: 'Reflecting (In)Justice' in the Republic's Line and Cave: Thrasymachus and Plato's Level of eikasia * Quorum in the People's Assembly in Classical Athens * Nektanebo in the Vita Aesopi and in Other Narratives * Chalcidian Politicians and Rome between 208 and 168 BC * Rewriting Dido: Ovid, Vergil and the Epistula Didonis ad Aeneam (AL 71 SB) * Seneca on Platonic Apatheia * Octavia and Renaissance Tragedy from Trissino to Shakespeare * A Dramatic Afterlife: The Byzantines on Ancient Drama and Its Authors * Nine Unidentified Verses in the

In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With "Knossos and the Prophets of Modernism," Cathy Gere relates the fascinating story of Evans's excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth--pacifist and matriarchal, pagan and cosmic--seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle.

Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.

Explores the issues and the use of best practice interpretation principles in bringing the Roman world to life for visitors and educational users. Issues in the public presentation and interpretation of the archaeology of Hadrian's Wall and other frontiers of the Roman Empire are explored and addressed here. A central theme is the need for interpretation to be people-focussed, and for visitors to be engaged through narratives and approaches which help them connect with figures in the past: daily life, relationships, craft skills, communications, resonances with modern frontiers and modern issues allprovide means of helping an audience to connect, delivering a greater understanding, better visitor experiences, increased visiting and spend, and an enhanced awareness of the need to protect and conserve our heritage. Topics covered include re-enactment, virtual and physical reconstruction, multi-media, smartphones, interpretation planning and design; while new evidence from audience research is also presented to show how visitors respond to different strategies of engagement. Nigel Mills is Director, World Heritage and Access, The Hadrian's Wall Trust. Contributors: Genevieve Adkins, M.C. Bishop, Lucie Branczik, David J. Breeze, Mike Corbishley, Jim Devine,Erik Dobat, Matthias Fluck, Christof Flugel, Snezana Golubovic, Susan Greaney, Tom Hazenberg, Don Henson, Richard Hingley, Nicky Holmes, Martin Kemkes, Miomir Korac, Michaela Kronberger, Nigel Mills, Jurgen Obmann, Tim Padley, John Scott, R. Michael Spearman, Jurgen Trumm, Sandra Walkshofer, Christopher Young,

This volume includes: Daniel Koelligen, " , The Watchdog"; Richard L. Phillips, "Invisibility and Sight in Homer: Some Aspects of A. S. Pease Reconsidered"; Antonio Tibiletti, "Pondering Pindaric Superlatives in Context"; Matthew Hiscock, " : A 'Mot Fort' in the Discourse of Classical Athens"; James T. Clark, "Off-Stage Cries? The Performance of Sophocles' Philoctetes 201-218, Trachiniae 863-870, and Euripides' Electra 747-760"; Giuseppe Pezzini, "Terence and the Speculum Vitae: 'Realism' and (Roman) Comedy"; Neil O'Sullivan, "Quotations from Epicurean Philosophy and Greek Tragedy in Three Letters of Cicero"; Ernesto Paparazzo, "A Study of Varro's Account of Roman Civil Theology in the Antiquitates Rerum Divinarum and Its Reception by Augustine and Modern Readers"; Joseph P. Dexter and Pramit Chaudhuri, "Dardanio Anchisae: Hiatus, Homer, and Intermetricality in the Aeneid"; Michael A. Tueller, "Dido the Author: Epigram and the Aeneid"; Benjamin Victor, Nancy Duval, and Isabelle Chouinard, "Subordinating si and ni in Virgil: Some Characteristic Uses, with Remarks on Aeneid 6.882-883"; Richard Gaskin, "On Being Pessimistic about the End of the Aeneid"; Gregory R. Mellen, "Num Delenda est Karthago? Metrical Wordplay and the Text of Horace Odes 4.8"; Kyle Gervais, "Dominoque legere superstes? Epic and Empire at the End of the Thebaid"; D. Clint Burnett, "Temple Sharing and Throne Sharing: A Reconsideration of and in the Hellenistic and Roman Periods"; Charles H. Cosgrove, "Semi-Lyrical Reading of Greek Poetry in Late Antiquity"; Byron MacDougall, "Better Recognize: Anagnorisis in Gregory of Nazianzus's First Invective against Julian"; Alan Cameron, "Jerome and the Historia Augusta"; Jessica H. Clark, "Adfirmare and Appeals to Authority in Servius Danielis"; and Jarrett T. Welsh, "Nonius Marcellus and the Source Called 'Gloss. i.'"

"The Legend of Alexander the Great on Greek and Roman Coins" will for the first time collect, present and examine the portraits and representations of Alexander the Great on ancient coins of the Greek and Roman periods (c.320 BC to AD 400). It offers a firsthand insight into the posthumous appreciation of his legend by Hellenistic kings, Greek cities, and Roman Emperors. Dahmen combines an introduction to the historical background and basic information on the coins with a comprehensive study of Alexander's numismatic iconography. He also discusses in detail examples of coins with Alexander's portrait. Which are part of a selective presentation of representative coin types in the second part of the study (in which an image and discussion is combined with a characteristic quotation of a source from ancient historiography and a short bibliographical reference).
The numismatic material presented, although representative, will exceed any previously published work on the subject. This book will be useful for classicists, archaeologists, historians and art historians and students.