Ashes, Images, and Memories argues that the institution of public burial for the war dead and images of the deceased in civic and sacred spaces fundamentally changed how people conceived of military casualties in fifth-century Athens. In a period characterized by war and the threat of civil strife, the nascent democracy claimed the fallen for the city and commemorated them with rituals and images that shaped a civic ideology of struggle and self-sacrifice on behalf of a unified community. While most studies of Athenian public burial have focused on discrete aspects of the institution, such as the funeral oration, this book broadens the scope. It examines the presence of the war dead in cemeteries, civic and sacred spaces, the home, and the mind, and underscores the role of material culture - from casualty lists to white-ground lekythoi-in mediating that presence. This approach reveals that public rites and monuments shaped memories of the war dead at the collective and individual levels, spurring private commemorations that both engaged with and critiqued the new ideals and the city's claims to the body of the warrior. Faced with a collective notion of "the fallen" families asserted the qualities, virtues, and family links of the individual deceased, and sought to recover opportunities for private commemoration and personal remembrance. Contestation over the presence and memory of the dead often followed class lines, with the elite claiming service and leadership to the community while at the same time reviving Archaic and aristocratic commemorative discourses. Although Classical Greek art tends to be viewed as a monolithic if evolving whole, this book depicts a fragmented and charged visual world.

Pindar's metaphor of the Isthmus as a bridge spanning two seas encapsulates the essence of the place and gives a fitting title for this volume of 17 essays on the history and archaeology of the area. The Isthmus, best known for the panhellenic Sanctuary of Poseidon, attracted travelers both before and after Pausanias's visit in the 2nd century A.D., but only toward the end of the 19th century were the ruins investigated and, a half century later, finally systematically excavated. More recently, archaeologists have surveyed the territory beyond the sanctuary, compiling evidence for a varied picture of activity on the wider Isthmus and the eastern Corinthia. The essays in this book celebrate 55 years of research on the Isthmus and provide a comprehensive overview of the state of our knowledge. Topics include an Early Mycenaean habitation site at Kyras Vrysi; the settlement at Kalamianos; the Archaic Temple of Poseidon; domestic architecture of the Rachi settlement; dining vessels from the Sanctuary of Poseidon; the Temple Deposit at Isthmia and the dating of Archaic and Early Classical Greek coins; terracotta figurines from the Sanctuary of Poseidon; the Chigi Painter; arms from the age of Philip and Alexander at Broneer's West Foundation on the road to Corinth; new sculptures from the Isthmian Palaimonion; an inscribed herm from the Gymnasium Area of Corinth; Roman baths at Isthmia and sanctuary baths in Greece; Roman buildings east of the Temple of Poseidon; patterns of settlement and land use on the Roman Isthmus; epigraphy, liturgy, and Imperial policy on the Justinianic Isthmus; and circular lamps in the Late Antique Peloponnese.

The German Ocean examines archaeological and historical evidence for the development of economies and societies around the North Sea from the beginning of the twelfth century until the mid sixteenth century. It draws in material from Scandinavia to Normandy and from Scotland to the Thames estuary. While largely concerned with the North Sea littoral, when necessary it takes account of adjacent areas such as the Baltic or inland hinterlands. The North Sea is often perceived as a great divide, divorcing the British Isles from continental Europe. In cultural terms, however, it has always acted more as a lake, supporting communities around its fringes which have frequently had much in common. This is especially true of the medieval period when trade links, fostered in the two centuries prior to 1100, expanded in the 12th and 13th centuries to ensure the development of maritime societies whose material culture was often more remarkable for its similarity across distance than for its diversity. Geography, access to raw materials and political expediency could nevertheless combine to provide distinctive regional variations. Economies developed more rapidly in some areas than others; local solutions to problems produced urban and rural environments of different aspect; the growth, and sometimes decline, of towns and ports was often dictated by local as much as wider factors. This book explores evidence for this `diverse commonality' through the historic environment of the North Sea region with the intention that it will be of interest not only to historians and archaeologists but to those who live and work within the historic environment. This environment is a common European resource with much to contribute to a sustainable future - the book provides an archaeological contribution to the understanding of that resource.

A landmark in the study of ancient glass from Greece, this volume presents 404 vessels, mostly fragmentary, excavated in the Athenian Agora. Fragments of almost every type of glass known from antiquity were found: 37 pieces date to the Classical and Hellenistic periods, when the Agora as civil center of the city was at its height, and 15 are assigned to the ninth to eighteenth centuries. The bulk of the material belongs to the Roman Empire and Late Antiquity. In these periods, glass was a common material in the market place and household, and it was used side b side with ceramics and metals with which it competed as tableware and as containers. Excavated to exacting scientific standards, much of the material comes from independently datable contexts. The glass offers a significant contribution to our assessment of the trade and economy of Athens after the city had lost its status of foremost city in Greece but was still an important industrial center. The volume provides an overview of the history of glass manufacturing techniques as evidenced within the city of Athens followed by a discussion of the contexts in which the objects were deposited. the catalogue entries proper. Figures, plates (some in color), an extensive bibliography, deposit summaries, concordances, and indices complete the book. The first excavation monograph from Greece to present the glass from all periods of the history of one site, this volume will be an essential reference work for archaeologists and glass historians alike.

incAn original, authoritative survey of the archaeology and history of Roman London. London in the Roman World draws on the results of latest archaeological discoveries to describe London's Roman origins. It presents a wealth of new information from one of the world's richest and most intensively studied archaeological sites, and a host of original ideas concerning its economic and political history. This original study follows a narrative approach, setting archaeological data firmly within its historical context. London was perhaps converted from a fort built at the time of the Roman conquest, where the emperor Claudius arrived to celebrate his victory in AD 43, to become the commanding city from which Rome supported its military occupation of Britain. London grew to support Rome's campaigning forces, and the book makes a close study of the political and economic consequences of London's role as a supply base. Rapid growth generated a new urban landscape, and this study provides a comprehensive guide to the industry and architecture of the city. The story, traced from new archaeological research, shows how the city was twice destroyed in war, and suffered more lastingly from plagues of the second and third centuries. These events had a critical bearing on the reforms of late antiquity, from which London emerged as a defended administrative enclave only to be deserted when Rome failed to maintain political control. This ground-breaking study brings new information and arguments to our study of the way in which Rome ruled, and how the empire failed.

How do we interpret ancient art created before written texts? Scholars usually put ancient art into conversation with ancient texts in order to interpret its meaning. But for earlier periods without texts, such as in the Bronze Age Aegean, this method is redundant. Using cutting-edge theory from art history, archaeology, and anthropology, Carl Knappett offers a new approach to this problem by identifying distinct actions - such as modelling, combining, and imprinting - whereby meaning is scaffolded through the materials themselves. By showing how these actions work in the context of specific bodies of material, Knappett brings to life the fascinating art of Minoan Crete and surrounding areas in novel ways. With a special focus on how creativity manifests itself in these processes, he makes an argument for not just how creativity emerges through specific material engagements but also why creativity might be especially valued at particular moments.

Rome, Ostia, Pompeii: Movement and Space demonstrates how studies of the Roman city are shifting focus from static architecture to activities and motion within urban spaces. This volume provides detailed case studies from the three best-known cities from Roman Italy, revealing how movement contributes to our understanding of the ways different elements of society interacted in space, and how the movement of people and materials shaped urban development. The chapters in this book examine the impressions left by the movement of people and vehicles as indentations in the archaeological and historical record, and as impressions upon the Roman urban consciousness. Through a broad range of historical issues, this volume studies movement as it is found at the city gate, in public squares and on the street, and as it is represented in texts. Its broad objective is to make movement meaningful for understanding the economic, cultural, political, religious, and infrastructural behaviours that produced different types and rhythms of interaction in the Roman city. This volume's interdisciplinary approach will inform the understanding of the city in classics, ancient history, archaeology and architectural history, as well as cultural studies, town planning, urban geography, and sociology.

In A History of Science in Society, Ede and Cormack trace the history of the changing place of science in society and explore the link between the pursuit of knowledge and the desire to make that knowledge useful. The fourth edition of this bestselling textbook brings the narrative right up to the present day by incorporating the COVID-19 pandemic. The edition also adds content on Indigenous and non-western science as well as five new "Connections" case study features, including one on the scientist and poet Omar Khayyam. The text is accompanied by 100 images and maps and a colour insert showing off key moments in the history of science. Essay questions, chapter timelines, a further readings section, and an index provide additional support for students.

The Living Inca Town presents a rich case study of tourism in Ollantaytambo, a rapidly developing destination in the southern Peruvian Andes and the starting point for many popular treks to Machu Picchu. Tourism is generally welcomed in Ollantaytambo, as it provides a steady stream of work for local businesses, particularly those run by women. However, the obvious material inequalities between locals and tourists affect many interactions and have contributed to conflict and aggression throughout the tourist zones. Based on a number of research visits over the course of fifteen years, The Living Inca Town examines the experiences and interactions of locals, visitors, and tourism brokers. The book makes room for unique perspectives and uses innovative visual methods, including photovoice images and pen and ink drawings, to represent different viewpoints of day-to-day tourist encounters. The Living Inca Town vividly illustrates how tourism can perpetuate gendered and global inequalities, while also exploring new avenues to challenge and renegotiate these roles.

The third century BC was a particularly troubled period of ancient Greek history, when the Aegean sea became the main stage for power struggles between various royal circles and dynasties, including the Antigonids and the Ptolemies. This volume addresses the history of interaction in the Aegean world during this time by focusing on the island of Delos, which housed one of its most important regional sanctuaries. It draws on contemporary network theory and approaches to regionalism, as well as thorough investigation of the Delian epigraphic and material evidence, to explore how and to what degree the islands of the southern Aegean formed active networks of political, religious, and cultural interaction. Four case studies examine different types of networks on and around Delos, covering the federal organisation of islands into the so-called 'Islanders' League', the participation of Delian and other agents in the processes of monumentalisation of the Delian landscape, the network of honours of the Delian community, and the social dynamics of dedication through the record of dedicants in the Delian inventories. They reveal not only that these kinds of regional interaction in the southern Aegean were pervasive, but also that they had a significant impact on the creation of a regional identity; one that persisted despite the political changes of the age.

Velleius Paterculus' short work is the earliest surviving attempt on the part of a post-Augustan historian to survey the history of the res publica from its origins to his own times. In a period from which no other contemporary historical narrative survives in more than meagre fragments, Velleius' work is uniquely important. It is a critical counter to the later accounts of Tacitus, Suetonius and Cassius Dio, not simply because it offers a different view of Tiberius, but because Velleius saw continuity where later authors saw only radical change which destroyed the Republic and put monarchy in its place. For other reasons, too, Velleius occupies a unique position in Roman historiography. This collection of papers, by a distinguished cast of scholars, represents a wide-ranging re-examination of Velleius' work, of its place within, and contribution to, Roman historiography and the intellectual history of the early Principate.

Architecture and Politics in Republican Rome is the first book to explore the intersection between Roman Republican building practices and politics (c.509-44 BCE). At the start of the period, architectural commissions were carefully controlled by the political system; by the end, buildings were so widely exploited and so rhetorically powerful that Cassius Dio cited abuse of visual culture among the reasons that propelled Julius Caesar's colleagues to murder him in order to safeguard the Republic. In an engaging and wide-ranging text, Penelope J. E. Davies traces the journey between these two points, as politicians developed strategies to manoeuver within the system's constraints. She also explores the urban development and image of Rome, setting out formal aspects of different types of architecture and technological advances such as the mastery of concrete. Elucidating a rich corpus of buildings that have been poorly understand, Davies demonstrates that Republican architecture was much more than a formal precursor to that of imperial Rome.

Knossos is one of the most important sites in the ancient Mediterranean. It remained amongst the largest settlements on the island of Crete from the Neolithic until the late Roman times, but aside from its size it held a place of particular significance in the mythological imagination of Greece and Rome as the seat of King Minos, the location of the Labyrinth and the home of the Minotaur. Sir Arthur Evans’ discovery of ‘the Palace of Minos’ has indelibly associated Knossos in the modern mind with the ‘lost’ civilisation of Bronze Age Crete. The allure of this ‘lost civilisation’, together with the considerable achievements of ‘Minoan’ artists and craftspeople, remain a major attraction both to scholars and to others outside the academic world as a bastion of a romantic approach to the past. In this volume, James Whitley provides an up-to-date guide to the site and its function from the Neolithic until the present day. This study includes a re-appraisal Bronze Age palatial society, as well as an exploration of the history of Knossos in the archaeological imagination. In doing so he takes a critical look at the guiding assumptions of Evans and others, reconstructing how and why the received view of this ancient settlement has evolved from the Iron Age up to the modern era.

This book accounts for the tumultuous period of the fifth to eleventh centuries from the Fall of Rome and the collapse of the Western Roman Empire through the breakup of the Eastern Roman Empire and loss of pan-Mediterranean rule, until the Turks arrived and seized Anatolia. The volume is divided into a dozen syntheses that each addresses an issue of intrigue for the archaeology of Anatolia, and two dozen case studies on single sites that exemplify its richness. Anatolia was the only major part of the Roman Empire that did not fall in late antiquity; it remained steadfast under Roman rule through the eleventh century. Its personal history stands to elucidate both the emphatic impact of Roman administration in the wake of pan-Mediterranean collapse. Thanks to Byzantine archaeology, we now know that urban decline did not set in before the fifth century, after Anatolia had already be thoroughly Christianized in the course of the fourth century; we know now that urban decline, as it occurred from the fifth century onwards, was paired with rural prosperity, and an increase in the number, size, and quality of rural settlements and in rural population; that this ruralization was halted during the seventh to ninth centuries, when Anatolia was invaded first by the Persians, and then by the Arabs - and the population appears to have sought shelter behind new urban fortifications and in large cathedrals. Further, it elucidates that once the Arab threat had ended in the ninth century, this ruralization set in once more, and most cities seem to have been abandoned or reduced to villages during the ensuing time of seeming tranquility, whilst the countryside experienced renewed prosperity; that this trend was reversed yet again, when the Seljuk Turks appeared on the scene in the eleventh century, devastated the countryside and led to a revival and refortification of the former cities. This dynamic historical thread, traced across its extremes through the lens of Byzantine archaeology, speaks not only to the torrid narrative of Byzantine Anatolia, but to the enigmatic medievalization.

Integrating the techniques of archaeology, history and geography, this book traces the history of human settlement in the Biferno Valley from early prehistory to the present century. It also covers the parallel story of landscape development, showing that the two have to be understood together. It argues for the importance of human settlement, rather than climate (as is often argued) in shaping the Mediterranean landscape. This book provides an interdisciplinary study of a restricted region, but about an important theme: the relationship between people and landscape in the past, and what we can learn from it for the future. A second volume containing the specialist supporting data collected by the archaeological project is also available, entitled "The Biferno Valley: An Archaeological History of a Mediterranean Landscape - the Archaeological and Geomorphical Record". This volume, edited by Graeme Barker, is published in the Leicester Archaeology Monograph series and is available from the School of Archaeological Studies, University of Leicester.

In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.

Blood of the Provinces is the first fully comprehensive study of the largest part of the Roman army, the auxilia. This non-citizen force constituted more than half of Rome's celebrated armies and was often the military presence in some of its territories. Diverse in origins, character, and culture, they played an essential role in building the empire, sustaining the unequal peace celebrated as the pax Romana, and enacting the emperor's writ. Drawing upon the latest historical and archaeological research to examine recruitment, belief, daily routine, language, tactics, and dress, this volume offers an examination of the Empire and its soldiers in a radical new way. Blood of the Provinces demonstrates how the Roman state addressed a crucial and enduring challenge both on and off the battlefield - retaining control of the miscellaneous auxiliaries upon whom its very existence depended. Crucially, this was not simply achieved by pay and punishment, but also by a very particular set of cultural attributes that characterized provincial society under the Roman Empire. Focusing on the soldiers themselves, and encompassing the disparate military communities of which they were a part, it offers a vital source of information on how individuals and communities were incorporated into provincial society under the Empire, and how the character of that society evolved as a result.

Andre Tchernia is one of the leading experts on amphorae as a source of economic history, a pioneer of maritime archaeology, and author of a wealth of articles on Roman trade, notably the wine trade. This book brings together the author's previously published essays, updated and revised, with recent notes and prefaced with an entirely new synthesis of his views on Roman commerce with a particular emphasis on the people involved in it. The book is divided into two main parts. The first is a general study of the structure of Roman trade: Landowners and traders, traders' fortunes, the matter of the market, the role of the state, and dispatching what is required. It tackles the recent debates on Roman trade and Roman economy, providing, original and convincing answers. The second part of the book is a selection of 14 of the author's published papers. They range from discussions of general topics such as the ideas of crisis and competition, the approvisioning of Ancient Rome, trade with the East, to more specialized studies, such as the interpretation of the 33 AD crisis. Overall, the book contains a wealth of insights into the workings of ancient trade and expertly combines discussion of the material evidence-especially of amphorae and wrecks-with the prosopographical approach derived from epigraphic, papyrological and historical data.

Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of "style as a concept of expression," an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.

This superb guide brings the work of Filippo Coarelli, one of the most widely published and well-known scholars of Roman topography, archeology and art, to a broad English-language audience. Conveniently organized by walking tours and illustrated throughout with clear maps, drawings, and plans, Rome and Environs: An Archaeological Guide covers all of the major, and an unparalleled number of minor, ancient sites in the city, and, unlike most other guides of Rome, includes major and many minor sites within easy reach of the city, such as Ostia Antica, Palestrina, Tivoli, and the many areas of interest along the ancient Roman roads. An essential resource for tourists interested in a deeper understanding of Rome's classical remains, it is also the ideal book for students and scholars approaching the ancient history of one of the world's most fascinating cities. - Covers all the major sites including the Capitoline, the Roman Forum, the Imperial Fora, the Palatine Hill, the Valley of the Colosseum, the Esquiline, the Caelian, the Quirinal, and the Campus Martius. - Discusses important clusters of sites-one on the area surrounding Circus Maximus and the other in the vicinity of the Trastevere, including the Aventine and the Vatican. - Covers the history and development of the city walls and aqueducts. - Follows major highways leading outside of the city to important and fascinating sites in the periphery of Rome. - Features 189 maps, drawings, and diagrams, and an appendix on building materials and techniques. - Includes an updated and expanded bibliography for students and scholars of Ancient Rome.

Across the nine thematic chapters of Experiencing Medieval Art, renowned art historian Herbert L. Kessler considers functional objects as well as paintings and sculptures; the circumstances, processes, and materials of production; the conflictual relationship between art objects and notions of an ineffable deity; the context surrounding medieval art; and questions of apprehension, aesthetics, and modern presentation. He also introduces the exciting discoveries and revelations that have revolutionized contemporary understanding of medieval art and identifies the vexing challenges that still remain. With 16 color plates and 81 images in all-including the stained glass of Chartres Cathedral, the mosaics of San Marco, and the Utrecht Psalter, as well as newly discovered works such as the frescoes in Rome's aula gotica and a twelfth-century aquamanile in Hildesheim-Experiencing Medieval Art makes the complex history of medieval art accessible for students of art history and scholars of medieval history, theology, and literature.

The Boxford Mosaic has been described as the most spectacular and innovative Roman mosaic ever found in Britain. Yet it lay hidden beneath a Berkshire field for some 1,600 years until it was fully uncovered in the Summer of 2019. Dating from around 350 AD and set amid the ruins of a villa, the mosaic depicts tales of famous heroes from Greek mythology. Hercules slays the half-man, half-horse Centaur. Pelops wins the hand of a king's daughter by sabotaging the wheel linchpin of his racing chariot. And the handsome Bellerophon kills the fire-breathing Chimaera monster with the help of his flying horse Pegasus - a legend that became our very own St George and the Dragon. The full description of this artistic masterpiece and its excavation, by local enthusiasts working under professional supervision, is told here by the three who played key roles in the operation. JOY APPLETON is Chairwoman of the Boxford History Project. MATT NICHOL is a leading archaeologist with Cotswold Archaeology. ANTHONY BEESON is one of the UK's leading authorities on mosaics and Roman and Greek architecture. He is also the archivist of the Association for Roman Archaeology.