Decades after Michael Ventris deciphered Linear B and showed that its language was Greek, nearly one-sixth of its syllabic signs' sound-values are still unknown. This book offers a new approach to establishing these undeciphered signs' possible values. Analysis of Linear B's structure and usage not only establishes these signs' most likely sound-values - providing the best possible basis for future decipherments - but also sheds light on the writing system as a whole. The undeciphered signs are also used to explore the evidence provided by palaeography for the chronology of the Linear B documents and the activities of the Mycenaean scribes. The conclusions presented in this book therefore deepen our understanding not only of the undeciphered signs but also of the Linear B writing system as a whole, the texts it was used to write, and the insight these documents bring us into the world of the Mycenaean palaces. A colour version of figures 5.1-5.4 of chapter 5 can be found under the 'Resources' tab.

Antioch in Syria critically reassesses this ancient city from its Seleucid foundation into Late Antiquity. Although Antioch's prominence is famous, Kristina M. Neumann newly exposes the gradations of imperial power and local agency mediated within its walls through a comprehensive study of the coins minted there and excavated throughout the Mediterranean and Middle East. Patterns revealed through digital mapping and Exploratory Data Analysis serve as a significant index of spatial politics and the policies of the different authorities making use of the city. Evaluating the coins against other historical material reveals that Antioch's status was not fixed, nor the people passive pawns for external powers. Instead, as imperial governments capitalised upon Antioch's location and amenities, the citizens developed in their own distinct identities and agency. Antioch of the Antiochians must therefore be elevated from traditional narratives and static characterisations, being studied and celebrated for the dynamic polis it was.

The story of the Agora did not end in A.D. 267, when the Herulians invaded the city. From ornate Early Christian carving to the colorful green and brown glazed pottery that distinguished the city, this booklet shows how medieval Athens was a lively, bustling town with a rich artistic tradition. Finds and architecture from the private houses that covered over the remains of the classical city are discussed, and the book ends with a survey of the Church of the Holy Apostles, the 11th-century A. D. church that stands at the southeast corner of the Agora.

In this new edition of Greek and Roman Technology, the authors translate and annotate key passages from ancient texts to provide a history and analysis of the origins and development of technology in the classical world. Sherwood and Nikolic, with Humphrey and Oleson, provide a comprehensive and accessible collection of rich and varied sources to illustrate and elucidate the beginnings of technology. Among the topics covered are energy, basic mechanical devices, hydraulic engineering, household industry, medicine and health, transport and trade, and military technology. This fully revised Sourcebook collects more than 1,300 passages from over 200 ancient sources and a diverse range of literary genres, such as the encyclopaedic Natural History of Pliny the Elder, the poetry of Homer and Hesiod, the philosophies of Plato, Aristotle, and Lucretius, the agricultural treatises of Varro, Columella, and Cato, the military texts of Philo of Byzantium and Aeneas Tacticus, as well as the medical texts of Galen, Celsus, and the Hippocratic Corpus. Almost 100 line drawings, indexes of authors and subjects, introductions outlining the general significance of the evidence, notes to explain the specific details, and current bibliographies are included. This new and revised edition of Greek and Roman Technology will remain an important and vital resource for students of technology in the ancient world, as well as those studying the impact of technological change on classical society.

This is an up-to-date survey of Aegean archaeology at the beginning of the Iron Age (late eleventh and tenth centuries BC). There are chapters on pottery, metal finds, burial customs, architectural remains (and how to use them to understand the social and political structure of the society), cult practices, and developments towards state formation. The book will be useful to field archaeologists, historians of ancient Greece, and students.

The excavation of settlements has transformed our understanding of life in north-west Europe during the early Middle Ages, a period for which written sources are scarce. This is the first overview and synthesis of the extensive and rapidly growing body of archaeological evidence for early medieval buildings, settlements, farming, craft production, and trade among the rural communities of this region. Helena Hamerow places the archaeological findings in their historical context and examines their significance for Anglo-Saxon England.

In this volume, ten leading international historians and archaeologists provide a fresh and dynamic picture of Italy's history from the end of the Roman Western Empire in 476 to the end of the tenth century. Recent archaeological findings, which have so greatly changed our perceptions and understanding of the period, have been fully integrated into the eleven thematic chapters, which provide a fully rounded overview of the entire Italian peninsula in the early middle ages. The chapters consider such themes as regional diversities, rural and urban landscapes, the organisation of public and private power, the role and structure of ecclesiastical institutions, the production of manuscripts, inscriptions, and private charters

Incorporating all of the latest archaeological and historical discoveries, ten leading international historians and archaeologists provide a fresh and dynamic picture of Italy's history from the end of the Roman Western Empire in 476 to the end of the tenth century.

The Ptolemaic and Seleucid empires are usually studied separately, or else included in broader examinations of the Hellenistic world. This book provides a systematic comparison of the roles of local elites and local populations in the construction, negotiation, and adaptation of political, economic, military and ideological power within these states in formation. The two states, conceived as multi-ethnic empires, are sufficiently similar to make comparisons valid, while the process of comparison highlights and better explains differences. Regions that were successively incorporated into the Ptolemaic and then Seleucid state receive particular attention, and are understood within the broader picture of the ruling strategies of both empires. The book focusses on forms of communication through coins, inscriptions and visual culture; settlement policies and the relationship between local and immigrant populations; and the forms of collaboration with and resistance of local elites against immigrant populations and government institutions.

The Roman period is where the past of the British Isles is first revealed through substantial written sources as well as aracheology. This book distils recent archeological and documentary discoveries and advances in an accessible, concise manner for anyone interested in finding out more about the Roman Era. A number of key themes are discussed within a chronological framework. The book features chapters contributed by a team of scholars amongst those most closely involved with discovery and analysis.

Scholarship often treats the post-Roman art produced in central and north-western Europe as representative of the pagan identities of the new 'Germanic' rulers of the early medieval world. In this book, Matthias Friedrich offers a critical reevaluation of the ethnic and religious categories of art that still inform our understanding of early medieval art and archaeology. He scrutinises early medieval visual culture by combining archaeological approaches with art historical methods based on contemporary theory. Friedrich examines the transformation of Roman imperial images, together with the contemporary, highly ornamented material culture that is epitomized by 'animal art.' Through a rigorous analysis of a range of objects, he demonstrates how these pathways produced an aesthetic that promoted variety (varietas), a cross-cultural concept that bridged the various ethnic and religious identities of post-Roman Europe and the Mediterranean worlds.

This is the first study in nearly seventy years of one of the largest known hoards of Roman silver plate, found in the House of the Menander, one of the finest houses in the centre of Pompeii, buried in AD 79. It is the only surviving complete Roman dinner service for eight people, belonging to a rich citizen of Pompeii who was probably a local magistrate.

Although they do not survive intact, composite statues of gold and ivory were the most acclaimed art form in classical antiquity. Greek and Roman authors make their religious, social, and political importance clear. This study, the first to address the topic as a whole since 1815, presents not only literary references to lost works, but also representations of them in other media, and more importantly, fragmentary survivals that elucidate the techniques employed in their production and the quality achieved by their creators.

Ceramics are an unparalleled resource for women's lives in ancient Greece, since they show a huge number of female types and activities. Yet it can be difficult to interpret the meanings of these images, especially when they seem to conflict with literary sources. This much-needed study shows that it is vital to see the vases as archaeology as well as art, since context is the key to understanding which images can stand as evidence for the real lives of women, and which should be reassessed.
Sian Lewis considers the full range of female existence in classical Greece - childhood and old age, unfree and foreign status, and the ageless woman characteristic of Athenian red-figure painting.

Late antique Corinth was on the frontline of the radical political, economic and religious transformations that swept across the Mediterranean world from the second to sixth centuries CE. A strategic merchant city, it became a hugely important metropolis in Roman Greece and, later, a key focal point for early Christianity. In late antiquity, Corinthians recognised new Christian authorities; adopted novel rites of civic celebration and decoration; and destroyed, rebuilt and added to the city's ancient landscape and monuments. Drawing on evidence from ancient literary sources, extensive archaeological excavations and historical records, Amelia Brown here surveys this period of urban transformation, from the old Agora and temples to new churches and fortifications. Influenced by the methodological advances of urban studies, Brown demonstrates the many ways Corinthians responded to internal and external pressures by building, demolishing and repurposing urban public space, thus transforming Corinthian society, civic identity and urban infrastructure. In a departure from isolated textual and archaeological studies, she connects this process to broader changes in metropolitan life, contributing to the present understanding of urban experience in the late antique Mediterranean.

During the last few decades, there has been great interest in the problems of defining the extent and nature of kingship in the Mycenaean world. Questions concerning the degree of economic and religious power held by the king have been given special emphasis. This book surveys the conclusions drawn by individual scholars studying the Linear B tablets, contrasts their theories with our knowledge of the Mycenaean kingdoms as derived from the archaeological record, and finally compares this evidence with possible reflections in the oral tradition, specifically in the Iliad and Odyssey. This approach leads to the suggestion that the king in the Mycenaean period had only limited power over the society and its economy. Although the king appears to have controlled a large segment of the economy, it is argued here that other individuals and family groups within the kingdom also had a certain degree of economic independence.

The artifacts and monuments of the Athenian Agora provide our best evidence for the workings of ancient democracy. As a concise introduction to these physical traces, this book has been a bestseller since it was first published almost 20 years ago. Showing how tribal identity was central to all aspects of civic life, the text guides the reader through the duties of citizenship; as soldier in times of war and as juror during the peace. The checks and balances that protected Athenian society from tyrants, such as legal assassination and ostracism, are described. Selected inscriptions are illustrated and discussed, as are ingenious devices such as allotment machines and water clocks, which ensured fairness in the courts. The book ends with some of the lasting products of classical administration; the silver coins accepted around the known world, and the standard weights and measures that continue to protect the consumer from unscrupulous merchants. Now illustrated entirely in color, with updates and revisions by the current director of excavations at the Agora, this new edition of an acknowledged classic will inform and fascinate visitors and students for many years to come.

This book comprises a significant contribution to our understanding of Graeco-Egyptian relations during the seventh and sixth centuries BC and also demonstrates that Polanyian economic theory can play an invaluable role in the ongoing debate about the concepts best employed to analyse the ancient Greek economy. Dr Moeller employs different approaches from archaeology, history, epigraphy, Egyptology, and comparative economic theory to create the first thorough account of the archaeology and archaic history of Naukratis.

Multi-disciplinary approaches shed fresh light on the Frisian people and their changing cultures. Frisian is a name that came to be identified with one of the territorially expansive, Germanic-speaking peoples of the Early Middle Ages, occupying coastal lands south and south-east of the North Sea. Highly varied manifestations of Frisian-ness can be traced in and around the north-western corner of the European continent in cultural, linguistic, ethnic and political forms across two thousand years to the present day. The thematic studies in this volume foreground how diverse "Frisians" in different places and contexts could be. They draw on a range of multi-disciplinary sources and methodologies to explore a comprehensive range of social, economic and ideological aspects of early Frisian culture, from the Dutch province of Zeeland in the south-west to the North Frisian region in the north-east. Chronologically, there is an emphasis on the crucial developments of the seventh and eighth centuries AD, alongside demonstrations of how later evidence can retrospectively clarify long-term processes of group formation.The essays here thus add substantial new evidence to our understanding of a crucial stage in the evolution of an identity which had to develop and adapt to changing influences and pressures.

This volume follows the development of Greek gem engraving from Alexander to Augustus. Hellenistic gems are studied in their archaeological context with an assessment of the evidence of their use, significance, and value. The book focuses on subject-matter, technique, and style, as well as problems of chronology and distribution.

Multi-disciplinary investigation of Anglo-Saxon funerary traditions. Burial evidence provides the richest record we possess for the centuries following the retreat of Roman authority. The locations and manner in which communities chose to bury their dead, within the constraints of the environmentaland social milieu, reveal much about this transformational era. This book offers a pioneering exploration of the ways in which the cultural and physical environment influenced funerary traditions during the period c. AD 450-850, in the region which came to form the leading Anglo-Saxon kingdom of Wessex. This was a diverse landscape rich in ancient remains, in the form of imposing earthworks, enigmatic megaliths and vestiges of Roman occupation. Employing archaeological evidence, complemented by toponymic and documentary sources and elucidated through landscape analysis, the author argues that particular man-made and natural features were consciously selected as foci for funerary events and ritual practice, becoming integral to manifestations of identity and power in early medieval society. Kate Mees is a British Academy Postdoctoral Fellow in the Department of Archaeology, Durham University.

This authoritative account of the Greek family supersedes the only existing study in English by W. K. Lacey (published in 1968) and provides the first comprehensive survey of the subject. Sarah Pomeroy offers a highly original account of the Greek family as a productive and reproductive social unit in Athens and elsewhere during the classical and Hellenistic periods, taking account of a mass of literary, inscriptional, archaeological, anthropological, and art-historical evidence.

Spectacular archaeological discoveries were made during the 1970s and 1980s in Bulgaria and North Aegean Greece which sparked international interest in the forgotten Odrysian kingdom of Thrace. Here, for the first time, these and earlier discoveries are presented in their archaeological and historical context. The Thracians were the fabulously wealthy and populous neighbours of the ancient Greeks, whose golden age began in the fifth century BC when an inter-tribal state was created by the ruling dynasty of the tribe - the Odrysians. A vogue in the Greek world for Orpheus the Thracian coincided with the period of the Odrysians's greatest prominence. Not only does this book analyse the fascinating cultural amalgam of native, Persian, and Greek elements by the Odrysian governing elite, it also provides new data on the external relations of Athens, Thasos, and Macedon in the classical and early Hellenistic periods.

In this book the author explores the work of the fifth-century BC Athenian vase-painter, Sotades, one of the most familiar names in vase painting. Previous scholarship has dealt mainly with questions of attribution, style, and iconographic interpretation, but Dr Hoffman concentrates on inherent meaning: what does the imagery of these decorated vases really signify? He argues that, contrary to widely held conceptions, there is an underlying unity of meaning in Greek vases and their imagery, a unity rooted in the religious beliefs and ritual practices of the society from which they spring. Each chapter discusses a specific aspect of the artist's iconology, placing it in the context of fifth-century BC Greek philosophical and religious thought.