Enslaved persons were ubiquitous in the first- and second-century CE Roman Empire, and early Christian texts reflect this fact. Yet the implications of enslaved presence in religious practices are under-examined in early Christian and Roman history. Enslaved Leadership in Early Christianity argues that enslaved persons' roles in civic and religious activities were contested in many religious groups throughout ancient cities, including communities connected with Paul's legacy. This power struggle emerges as the book examines urban spaces, inscriptions, images, and literature from ancient Ephesos and its environs. Enslaved Leadership breaks new ground in analyzing archaeology and texts-asking how each attempts to persuade viewers, readers, and inhabitants of the city. Thus this book paints a complex picture of enslaved life in Asia Minor, a picture that illustrates how enslaved persons enacted roles of religious and civic significance that potentially upended social hierarchies privileging wealthy, slave-holding men. Enslaved persons were religious specialists, priests, and leaders in cultic groups, including early Christian groups. Yet even as the enslaved engaged in such authoritative roles, Roman slavery was not a benign institution nor were all early Christians kinder and more egalitarian to slaves. Both early Christian texts (such as Philemon,1 Timothy, Ignatius' letters) and the archaeological finds from Asia Minor defend, construct, and clarify the hierarchies that kept enslaved persons under the control of their masters. Enslaved Leadership illustrates a historical world in which control of slaves must continually be asserted. Yet this assertion of control raises a question: Why does enslaved subordination need to be so frequently re-established, particularly through violence, the threat of social death, and assertions of subordination?

Anglo-Saxon Studies in Archaeology and History 20. Early Medieval Monasticism in the North Sea Zone: Recent Research and New Perspectives edited by Gabor Thomas and Alexandra Knox. ASSAH 20 is based upon the proceedings of an international conference held to celebrate the results of excavations targeting the Anglo-Saxon royal centre and monastery of Lyminge, Kent, 2008-15. Drawing upon the contributions of leading historians and archaeologists, the volume provides a fresh examination of monasticism in Anglo-Saxon Kent framed within its wider north-west European context, together with a range of complementary perspectives on the interlinked themes of Christianisation, kingdom formation and monastic expansion vividly illuminated through the archaeology of Lyminge.

Hittite is the earliest attested Indo-European language and was the language of a state which flourished in Asia Minor in the second millennium BC. This exciting and accessible introductory course, which can be used in both trimester and semester systems, offers in ten lessons a comprehensive introduction to the grammar of the Hittite language with ample exercises both in transliteration and in cuneiform. It includes a separate section of paradigms, a grammatical index, as well as a list of every cuneiform sign used in the book. A full glossary can be found at the back. The book has been designed so that the cuneiform is not essential and can be left out of any course if so desired. The introduction provides the necessary cultural and historical background, with suggestions for further reading, and explains the principles of the cuneiform writing system.

Crete is famous for its Minoan civilization, which by 1200BC had come to an end. It is far less well known that less than 600 years later, Crete pioneered the idea of the 'city-state' and developed it for longer than anywhere else in the ancient Greek world. Thought by Homer to have numbered up to one hundred, even the whereabouts of many of the cities at the heart of these tiny states is now unknown. This original book describes 65 sites from the Classical (500-330 BC) and Hellenistic (330-67 BC) periods and argues that the achievements of the city-states should be more adequately recognized. If codes of law existed elsewhere at an earlier date, none developed the rule of law before Cretan city-states. While ancient Athens famously developed a form of democracy, Cretan city-states created constitutions and elected assemblies that gave rise to another variant of democracy. Although the Greeks did not invent coinage, it was adopted with great enthusiasm in Crete and by the late fourth century BC the island possessed more than forty mints producing interchangeable coins. Aristotle recognized that Crete was ideally sited to exploit trading opportunities, and this book provocatively argues that the rule of law, representative democracy and a monetary system enabled it to do so. The wealth this trading generated attracted the interest of Rome whose invasions between 69 and 67 BC brought an end to the island s independence. Written for the general reader with an interest in Mediterranean civilizations, archaeology, classics or ancient history, the text includes a unique gazetteer summarizing the literature on 65 archaeological sites, together with appropriate maps and coordinates.

Poiesis brings together archaeological finds, ancient texts and inscriptions, recent scholarly analysis, and the expertise of modern craftsmen to investigate every known facet of Athens' manufacturing activities. Despite the fact that Athenians consumed great quantities of manufactured goods, and around half of the residents of classical Athens can be shown to have been dependent for survival on manufacturing in some form, the subject has been almost completely neglected by historians. The book draws on the analytical techniques of contemporary business economics-supply and demand, competition theory, and risk-return analysis-to explain events and choices. Manufacturing operations are classified in an original framework that explains why certain segments were suited to the sole craftsman and others to teams of slaves, and deduces earnings potential based upon barriers to entry and competitive differentiation. The result is a new and refreshing angle on how Athenian society operated that complements political, military, and literary perspectives, with important and often surprising implications. Among other insights the analysis shows how fragmented industry structures were fundamental to the workings of Athenian democracy by enabling citizens to supplement their income through casual manufacturing activity.

The Tabulae Iliacae (Iliac tablets) are a collection of twenty-two miniature marble reliefs from the early Roman Empire; all of them are inscribed in Greek, and most depict the panoramic vistas of Greek Epic. This book brings the tablets to life as never before, revealing the unassuming fragments as among the most sophisticated objects to survive from the ancient Mediterranean world. The Iliad in a Nutshell is not only the first monograph on this material in English (accompanied by a host of new photographs, diagrams, and reconstructions), it also examines the larger cultural and intellectual stakes-both in classical antiquity and beyond. Where modern scholars have usually dismissed the Tabulae Iliacae as secondary 'illustrations' and 'tawdry gewgaws', Michael Squire advances a diametrically opposite thesis: that these epigrammatic tablets synthesize ancient ideas about visual-verbal interaction on the one-hand, and about the art and poetics of scale on the other. By reassessing the artistic and poetic aesthetics of the miniature, Squire's radical new appraisal shows how the tiny tablets encapsulate antiquity's grandest theories of originality, fiction, and replication. The book will be essential reading not just for classical philologists, art historians, and archaeologists, but for anyone interested in the intellectual history of western representation.

Spectacle and Display: A Modern History of Britain's Roman Mosaic Pavements is the first narrative to explore responses and attitudes to mosaics, not just at the point of discovery but during their subsequent history. It is a field which has received scant attention in the literature and provides a compelling insight into the agency of these spectacular remains. Analysis shows how mosaics have influenced and have been instrumental in the commodification of the past, the development of conservation practice and promoting the rise of the archaeologist. 'The most spectacular remains of Roman Britain' is a familiar description applied to the discovery of mosaics floors. They are exceptional symbols of Roman life in the province of Britannia and each new discovery is eagerly reported in the press. Yet one estimate suggested that 75% of all known mosaics from Britain have been lost, and they are commonly displayed out of context, wall mounted as artwork in museums and exhibitions and far from their role as floors. This is a contested narrative in which spectacle and survival, conservation and fine art, ownership and curation provide the discourse and texts of contemporary attitudes.

In Destinations in Mind, Kimberly Cassibry asks how objects depicting different sites helped Romans understand their vast empire. At a time when many cities were written about but only a few were represented in art, four distinct sets of artifacts circulated new information. Engraved silver cups list all the stops from Spanish Cadiz to Rome, while resembling the milestones that helped travelers track their progress. Vivid glass cups represent famous charioteers and gladiators competing in circuses and amphitheaters, and offered virtual experiences of spectacles that were new to many regions. Bronze bowls commemorate forts along Hadrian's Wall with colorful enameling typical of Celtic craftsmanship. Glass bottles display labeled cityscapes of Baiae, a notorious resort, and Puteoli, a busy port, both in the Bay of Naples. These artifacts and their journeys reveal an empire divided not into center and periphery, but connected by roads that did not all lead to Rome. They bear witness to a shared visual culture that was divided not into high and low art, but united by extraordinary craftsmanship. New aspects of globalization are apparent in the multi-lingual placenames that the vessels bear, in the transformed places that they visualize, and in the enriched understanding of the empire's landmarks that they impart. With in-depth case studies, Cassibry argues that the best way to comprehend the Roman Empire is to look closely at objects depicting its fascinating places.

This volume explores the pervasive influence exerted by some prehistoric monuments on European social life over thousands of years, and reveals how they can act as a node linking people through time, possessing huge ideological and political significance. Through the advancement of theoretical approaches and scientific methodologies, archaeologists have been able to investigate how some of these monuments provide resources to negotiate memories, identities, and power and social relations throughout European history. The essays in this collection examine the life-histories of carefully chosen megalithic monuments, stelae and statue-menhirs, and rock art sites of various European and Mediterranean regions during the Iron Age and Roman and Medieval times. By focusing on the concrete interaction between people, monuments, and places, the volume offers an innovative outlook on a variety of debated issues. Prominent among these is the role of ancient remains in the creation, institutionalization, contestation, and negotiation of social identities and memories, as well as their relationship with political economy in early historic European societies. By contributing to current theoretical debates on materiality, landscape, and place-making, The Lives of Prehistoric Monuments in Iron Age, Roman, and Medieval Europe seeks to overcome disciplinary boundaries between prehistory and history, and highlight the long-term, genealogical nature of our engagement with the world.

The Danubian provinces represent one of the largest macro-units within the Roman Empire, with a large and rich heritage of Roman material evidence. Although the notion itself is a modern 18th-century creation, this region represents a unique area, where the dominant, pre-Roman cultures (Celtic, Illyrian, Hellenistic, Thracian) are interconnected within the new administrative, economic and cultural units of Roman cities, provinces and extra-provincial networks. This book presents the material evidence of Roman religion in the Danubian provinces through a new, paradigmatic methodology, focusing not only on the traditional urban and provincial units of the Roman Empire, but on a new space taxonomy. Roman religion and its sacralised places are presented in macro-, meso- and micro-spaces of a dynamic empire, which shaped Roman religion in the 1st-3rd centuries AD and created a large number of religious glocalizations and appropriations in Raetia, Noricum, Pannonia Superior, Pannonia Inferior, Moesia Superior, Moesia Inferior and Dacia. Combining the methodological approaches of Roman provincial archaeology and religious studies, this work intends to provoke a dialogue between disciplines rarely used together in central-east Europe and beyond. The material evidence of Roman religion is interpreted here as a dynamic agent in religious communication, shaped by macro-spaces, extra-provincial routes, commercial networks, but also by the formation and constant dynamics of small group religions interconnected within this region through human and material mobilities. The book also presents for the first time a comprehensive list of sacralised spaces and divinities in the Danubian provinces.

War lay at the heart of life in the classical world, from conflicts between tribes or states to internal or civil wars. Battles were resolved by violent face-to-face encounters: war was a very personal experience. At the same time, warfare and its conduct often had significant and wide-reaching economic, social, or political consequences. The Oxford Handbook of Warfare in the Classical World offers a critical examination of war and organized violence. The volume's introduction begins with the ancient sources for the writing of war, preceded by broad surveys of warfare in ancient Greece and Rome. Also included herein are chapters analyzing new finds in battlefield archaeology and how the environment affected the ancient practice of war. A second section is comprised of broad narratives of classical societies at war, covering the expanse from classical Greece through to the later Roman Empire. Part III contains thematic discussions that examine closely the nature of battle: what soldiers experienced as they fought; the challenges of conducting war at sea; how the wounded were treated. A final section offers six exemplary case studies, including analyses of the Peloponnesian War, the Second Punic War, and Rome's war with Sasanid Persia. The handbook closes with an epilogue that explores the legacy of classical warfare. Authored by experts in classics, ancient history, and archaeology, this handbook presents a vibrant map of the field of classical warfare studies.

Trade before Civilization explores the role that long-distance exchange played in the establishment and/or maintenance of social complexity, and its role in the transformation of societies from egalitarian to non-egalitarian. Bringing together research by an international and methodologically diverse team of scholars, it analyses the relationship between long-distance trade and the rise of inequality. The volume illustrates how elites used exotic prestige goods to enhance and maintain their elevated social positions in society. Global in scope, it offers case studies of early societies and sites in Europe, Asia, Oceania, North America, and Mesoamerica. Deploying a range of inter-disciplinary and cutting-edge theoretical approaches from a cross-cultural framework, the volume offers new insights and enhances our understanding of socio-political evolution. It will appeal to archaeologists, cultural anthropologists, conflict theorists, and ethnohistorians, as well as economists seeking to understand the nexus between imported luxury items and cultural evolution.

The discoveries in Crete, Greece, and the Aegean islands that began a century ago were nothing less than stunning, and seemed to give shape and substance to tales of the Minotaur and the Labyrinth, of Theseus and Ariadne, of Minos and Icarus. Ancient Aegean Art is the first comprehensive historical introduction to the art and architecture Crete, mainland Greece, and the Cycladic islands in the Aegean, beginning with the Neolithic period, before 3000 BCE, and ending at the close of the Bronze Age and the transition to the Iron Age of Hellenic Greece (c.1000 BCE).

Covering a broad range of objects and artefacts, from sealstones to pots to buildings and settlements, Preziosi and Hitchcock discuss both the historiography of the field of ancient art history and explain the artefacts original intentions and functions. In chronologically organized chapters, the authors emphasize the more widely known images and structures, with a glimpse at the lesser-known but important discoveries, explaining their design, uses, meanings, and formal developments. Ancient Aegean Art incorporates the latest archeological discoveries and theoretical and methodological developments, in the only volume to examine both Crete and the mainland.

This book presents a fresh overview of the Vikings from both conceptual and material perspectives. The prevailing image of a Viking is frequently that of a fierce male, associated with military expansion and a distinctive material culture. In an engaging survey, Saebjorg Walaker Nordeide and Kevin J. Edwards analyse Viking religion, economic life and material culture in and beyond the Scandic homelands. Although there is a conventional Viking Age timeframe of ca. AD 800 to 1050 (the Scandinavians are usually associated with hit-and-run attacks beginning with the raid on the Abbey of Lindisfarne in 797), their military expeditions actually started earlier and were directed eastwards. Scandinavians moved beyond the Baltic coast to Constantinople. To the south and west, France, Iberia, and the islands of Great Britain and Ireland witnessed, variously, trade, invasion, and settlement. The essentially unpopulated islands of the North Atlantic Ocean were subjected to a Norse-led diaspora with the Scandinavian settlers perhaps over-reaching themselves in Newfoundland and ultimately abandoning their Greenlandic colonies. The Vikings have maintained a resonance in the popular imagination to the present day.

This edited collection focuses on how the ancient past of the city of Naples has been invented, shaped, transmitted, and received in literature, art, and material culture since the time of the city's foundation. Adopting a chronological approach, chapters examine important moments in Naples' reception history from the Roman period (when the city was already several centuries old) to the present day. Among the topics covered are representations of the city's early history and mythology in texts and temples of the Roman period; later uses of Roman spolia (marble sculptures and architectural elements) in Christian churches; the importance of antiquity to the rulers of the Angevin and Swabian periods; the appropriation of the city's classical heritage by Renaissance humanists; the image of the 'local' poets Virgil and Statius in later eras; humanist images of the ancient aqueducts and catacombs that ran beneath the city; representations of classical monuments in early modern city guides; images of ancient ruins in contemporary Catholic nativity scenes; and the archaeology and philosophy of the city's Metro system. Featuring contributions from an interdisciplinary range of scholars, this comprehensive volume provides a highly accessible point of entry into the vast bibliography on ancient Naples.

For four centuries Britain was an integral part of the Roman Empire, a political system stretching from Turkey to Portugal and from the Red Sea to the Tyne and beyond. Its involvement with Rome started long before the Conquest launched by the Emperor Claudius in 43 AD, and it continued to be a part of the Roman world for some time after the final break with Roman rule. Bringing together archaeological investigation and historical scholarship, Peter Salway explores some of the key issues arising from this period in Britain's history, discussing the question of identity at this time and analysing the importance of widespread literacy in Roman Britain. Covering the period from Julius Caesar's first forays into Britain and Claudius' subsequent conquest, as well as Britain under the later Roman Empire, Salway outlines the key events of this time period, providing a focus on society in Roman Britain, and offering a thoughtful consideration of the aftermath of Roman rule. In the new edition of this Very Short Introduction, Peter Salway makes a number of essential updates in light of recent research in the area. He looks at issues of ethnicity, 'Britishness', and post-colonialism, provides alternative theories to the end of the Roman period in Britain, and draws parallels between the history of Roman Britain and a wide range of other periods, territories, and themes, including the modern experience of empires and national stereotypes. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

A comprehensive study of domestic buildings in London from about 1200 to the Great Fire in 1666. John Schofield describes houses and such related buildings as almshouses, taverns, inns, shops and livery company halls, drawing on evidence from surviving buildings, archaeological excavations, documents, panoramas, drawn surveys and plans, contemporary descriptions, and later engravings and photographs. Schofield presents an overview of the topography of the medieval city, reconstructing its streets, defences, many religious houses and fine civic buildings. He then provides details about the mediaeval and Tudor London house: its plan, individual rooms and spaces and their functions, the roofs, floors and windows, the materials of construction and decoration, and the internal fittings and furniture. Throughout the text he discusses what this evidence tells us about the special restrictions or pleasures of living in the capital; how certain innovations of plan and construction first occurred in London before spreading to other towns; and how notions of privacy developed. The text is illustrated and accompanied by a selective gazetteer of 201 sites in the City of London and its immediate

This volume provides a new perspective on the emergence of the modern study of antiquity, Altertumswissenschaft, in eighteenth-century Germany through an exploration of debates that arose over the work of the art historian Johann Joachim Winckelmann between his death in 1768 and the end of the century. Winckelmann's eloquent articulation of the cultural and aesthetic value of studying the ancient Greeks, his adumbration of a new method for studying ancient artworks, and his provision of a model of cultural-historical development in terms of a succession of period styles, influenced both the public and intra-disciplinary self-image of classics long into the twentieth century. Yet this area of Winckelmann's Nachleben has received relatively little attention compared with the proliferation of studies concerning his importance for late eighteenth-century German art and literature, for historians of sexuality, and his traditional status as a 'founder figure' within the academic disciplines of classical archaeology and the history of art. Harloe restores the figure of Winckelmann to classicists' understanding of the history of their own discipline and uses debates between important figures, such as Christian Gottlob Heyne, Friedrich August Wolf, and Johann Gottfried Herder, to cast fresh light upon the emergence of the modern paradigm of classics as Altertumswissenschaft: the multi-disciplinary, comprehensive, and historicizing study of the ancient world.

Why say thank you with a portrait statue? This book combines two different and quite specialized fields, archaeology and epigraphy, to explore the phenomenon of portraits in ancient art within the historical and anthropological context of city-states honouring worthy individuals through erecting statues, and the development of families imitating this practice. This transaction tells us a lot about the history of these cities and how ancient art worked as a construction of relations during the Hellenistic period (c. 350 BC- c. AD 1), which is marked by a political culture of civic devotion, common decision making, and publicness. As honorific statues were considered public art, the volume also investigates the workings of images, representations, memory, and the monumental public form of permanent inscription, to see what stories the Hellenistic city-states can reveal about themselves.

While the study of networks has grown exponentially in the past decade and is now having an impact on how archaeologists study ancient societies, its emergence in the field has been dislocated. This volume provides a coherent framework on network analysis in current archaeological practice by pulling together its main themes and approaches to show how it is changing the way archaeologists face the key questions of regional interaction. Working with the term 'network' as a collection of nodes and links, as used in network science and social network analysis, it juxtaposes a range of case studies and investigates the positives and negatives of network analysis. With contributions by leading experts in the field, the volume covers a broad range: from Japan to America, from the Palaeolithic to the Precolumbian.

Modern Liverpool Street was once on the margins of London: the story of its development - from the medieval marsh of Moorfields to municipal, non-parochial, burial ground and later suburb - is illustrated by archaeological investigations undertaken as part of the Crossrail Central development. Excavation also recovered a wealth of well-preserved artefactual evidence for the local inhabitants, from the 16th century to the 19th-century households of Brokers Row. The New Churchyard, or 'Bethlem' as it was later known, was established after the severe plague of 1563 and was in use from 1569 to 1739; archaeological evidence suggests c 25,000 people in total were buried here. Contemporary accounts and parish registers, combined with tombstones and detailed osteological analysis of one quarter of the 3354 burials excavated, enable the reconstruction of some of their lives, and their deaths. They included migrants, many of the city's poor and those on the fringes of society. Some were the victims of recurrent epidemics and outbreaks of plague - confirmed by the identification of the plague pathogen in five skeletons - when mass, but orderly, graves were dug

This book undertakes to answer questions relating to the creation of deity assimilation statues for young boys, a common mode of commemoration for the Romans. In addition, it demonstrates that many statues traditionally understood to represent youthful divinities actually possess portraits, even and especially if the faces appear joyful. It also proposes that these deity assimilation statues were commissioned primarily as posthumous commemorations. As such, the sculptural examples should be recognized as belonging to and constituting an important class of funerary sculpture; a class which has been, to this point, overlooked. It is also suggested that despite the fact that they were posthumous commemorations, deity assimilation statues of young boys were not necessarily placed in a sepulchral context, rather, it is maintained that images of children assimilated to divinities primarily served a sentimental purpose, and that, in that capacity, they may have been intended for and regularly kept in a domestic context, close to the surviving family.

This book discusses how Greek and South Italian vase paintings of the musical contest between Apollo and Marsyas became the model for Etruscan representations of Cacus ambushed by the Vibennae brothers, two Etruscan heroes of the sixth century B.C. The study demonstrates that the Etruscans knowingly adapted Greek iconographic forms to represent their own legends.

Originally published in 1982.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Reconstructing the lost monuments of Antiquity became, after 1800, a complement to Europe's colonial imagination. Countless archaeologists and architects travelled to the East, excavated extinct cities, and shipped their finds to Europe for display in imperial museums. Antiquity on Display is a critical biography of Berlin's Pergamon Museum and its popular architectural displays: the Great Altar of Pergamon, the Market Gate of Miletus, and the Ishtar Gate of Babylon. In this volume, Bilsel argues that the museum has produced a modern decor, an iconic image, which has replaced the lost antique originals, rather than creating an explicitly hypothetical representation of Antiquity. Addressing the dilemmas raised by the continuing presence of these displays, which embody the distinctive traits of the artistic and ideological programs of the last two centuries, Bilsel questions what the process of reproduction and authentication of Antiquity in the museum tells us about our changing perceptions of historic monuments. Documenting the process through which these imaginative reproductions of architecture were conceived, staged, and came to be perceived as authentic monuments, this volume offers an insight into the history of Berlin's Museum Island and the shifting regimes of the authentic in museum displays from the nineteenth century to the present.