The Roman world was diverse and complex. And so were religious understandings and practices as mirrored in the enormous variety presented by archaeological, iconographic, and epigraphic evidence. Conventional approaches principally focus on the political role of civic cults as a means of social cohesion, often considered to be instrumentalised by elites. But by doing so, religious diversity is frequently overlooked, marginalising ‘deviating’ cult activities that do not fit the Classical canon, as well as the multitude of funerary practices and other religious activities that were all part of everyday life. In the Roman Empire, a person’s religious experiences were shaped by many and sometimes seemingly incompatible cult practices, whereby the ‘civic’ and ‘imperial’ cults might have had the least impact of all. The authors rethink these methodologies, arguing for a more dynamic image of religion that takes into account the varied and often contradictory choices and actions of individual, which reflects the discrepant religious experiences in the Roman world. Is it possible to ‘poke into the mind’ of an individual in Roman times, whatever his/her status and ethnicity, and try to understand the individual’s diverse experiences in such a complex, interconnected empire, exploring the choices that were open to an individual? This also raises the question whether the concept of individuality is valid for Roman times. In some periods, the impact of individual actions can be more momentous: the very first adoption of Roman-style sculpture, cult practices or Latin theonyms for indigenous deities can set in motion long-term processes that will significantly influence people’s perceptions of local deities, their characteristics, and functions. Do individual choices and preferences prevail over collective identities in the Roman Empire compared to pre-Roman times? To examine these questions, this volume presents case studies that analyse individual actions in the religious sphere.

There has long been controversy about the nature and pace of the transformation from Roman Britain to Saxon England. Some scholars argue that there were few instances of major conflict and that the transition took place relatively peacefully over a long period of time. Others argue that the Romano-Britains and the early Anglo-Saxon invaders lived side by side for a century or more with little contact.

This book, based largely on archaeological evidence, presents an interpretive history of the transition period and demonstrates how Roman Britain evolved into Anglo-Saxon England over the fourth and fifth centuries. The emphasis is on the archaeological evidence because this is the physical and material legacy of man s activities and, unlike the scanty written sources, is not a reflection of political events. The author argues that much of the past uncertainty about this crucial period stems from the sharply conflicting interpretations of the chronicles."

The Dioscuri first appeared at the Battle of Lake Regillus in 496 BC to save the new Republic. Receiving a temple in the Forum in gratitude, the gods continued to play an important role in Roman life for centuries and took on new responsibilities as the needs of the society evolved. Protectors of elite horsemen, boxers and sailors, they also served as guarantors of the Republic's continuation and, eventually, as models for potential future emperors. Over the course of centuries, the cult and its temples underwent many changes. In this book, Amber Gartrell explores the evolution of the cult. Drawing on a range of methodological approaches and a wide range of ancient evidence, she focuses on four key aspects: the gods' two temples in Rome, their epiphanies, their protection of varied groups, and their role as divine parallels for imperial heirs, revealing how religion, politics and society interacted and influenced each other.

Bringing together philologists, historians, and archaeologists, Rome, Empire of Plunder bridges disciplinary divides in pursuit of an interdisciplinary understanding of Roman cultural appropriation - approached not as a set of distinct practices but as a hydra-headed phenomenon through which Rome made and remade itself, as a Republic and as an Empire, on Italian soil and abroad. The studies gathered in this volume range from the literary thefts of the first Latin comic poets to the grand-scale spoliation of Egyptian obelisks by a succession of emperors, and from Hispania to Pergamon to Qasr Ibrim. Applying a range of theoretical perspectives on cultural appropriation, contributors probe the violent interactions and chance contingencies that sent cargo of all sorts into circulation around the Roman Mediterranean, causing recurrent distortions in their individual and aggregate meanings. The result is an innovative and nuanced investigation of Roman cultural appropriation and imperial power.

Herod: King of the Jews and Friend of the Romans examines the life, work, and influence of this controversial figure, who remains the most highly visible of the Roman client kings under Augustus. Herod's rule shaped the world in which Christianity arose and his influence can still be seen today. In this expanded second edition, additions to the original text include discussion of the archaeological evidence of Herod's activity, his building program, numismatic evidence, and consideration of the roles and activities of other client kings in relation to Herod. This volume includes new maps and numerous photographs, and these coupled with the new additions to the text make this a valuable tool for those interested in the wider Roman world of the late first century BCE at both under- and postgraduate levels. Herod remains the definitive study of the life and activities of the king known traditionally as Herod the Great.

The 2000-year story of Babylon sees it moving from a city-state to the centre of a great empire of the ancient world. It remained a centre of kingship under the empires of Assyria, Nebuchadnezzar, Darius, Alexander the Great, the Seleucids and the Parthians. Its city walls were declared to be a Wonder of the World while its ziggurat won fame as the Tower of Babel. Visitors to Berlin can admire its Ishtar Gate, and the supposed location of its elusive Hanging Garden is explained. Worship of its patron god Marduk spread widely while its well-trained scholars communicated legal, administrative and literary works throughout the ancient world, some of which provide a backdrop to Old Testament and Hittite texts. Its science also laid the foundations for Greek and Arab astronomy through a millennium of continuous astronomical observations. This accessible and up-to-date account is by one of the world's leading authorities.

Along with Mesopotamia, Egypt, and the Levant, Minoan Crete was one of the primary cultures of the prehistoric Mediterranean world. In this book, L. Vance Watrous offers an up-to-date overview of this important ancient society. Using archaeological evidence from palaces, houses, surveys, caves, and mountain shrines, he describes and traces the development of Minoan Crete from the Neolithic era through the Late Bronze Age. Watrous also presents and interprets Minoan art works in a range of media, including fresco paintings, pottery, and seals, and explains how Minoan Crete affected the culture of classical Greece. Aimed at undergraduate and graduate students, this book can be used in courses on the ancient Mediterranean world and classical archaeology.

In this book, Catherine E. Pratt explores how oil and wine became increasingly entangled in Greek culture, from the Late Bronze Age to the Archaic period. Using ceramic, architectural, and archaeobotanical data, she argues that Bronze Age exchange practices initiated a strong network of dependency between oil and wine production, and the people who produced, exchanged, and used them. After the palatial collapse, these prehistoric connections intensified during the Iron Age and evolved into the large-scale industries of the Classical period. Pratt argues that oil and wine in pre-Classical Greece should be considered 'cultural commodities', products that become indispensable for proper social and economic exchanges well beyond economic advantage. Offering a detailed diachronic account of the changing roles of surplus oil and wine in the economies of pre-classical Greek societies, her book contributes to a broader understanding of the complex interconnections between agriculture, commerce, and culture in the ancient Mediterranean.

The narrative of Roman history has been largely shaped by the surviving literary sources, augmented in places by material culture. The numerous surviving coins can, however, provide new information on the distant past. This accessible but authoritative guide introduces the student of ancient history to the various ways in which they can help us understand the history of the Roman republic, with fresh insights on early Roman-Italian relations, Roman imperialism, urban politics, constitutional history, the rise of powerful generals and much more. The text is accompanied by over 200 illustrations of coins, with detailed captions, as well as maps and diagrams so that it also functions as a sourcebook of the key coins every student of the period should know. Throughout, it demystifies the more technical aspects of the field of numismatics and ends with a how-to guide for further research for non-specialists.

Tenderness is not a notion commonly associated with the Romans, whose mythical origin was attributed to brutal rape. Yet, as Herica Valladares argues in this ground-breaking study, in the second half of the first century BCE Roman poets, artists, and their audience became increasingly interested in describing, depicting, and visualizing the more sentimental aspects of amatory experience. During this period, we see two important and simultaneous developments: Latin love elegy crystallizes as a poetic genre, while a new style in Roman wall painting emerges. Valladares' book is the first to correlate these two phenomena properly, showing that they are deeply intertwined. Rather than postulating a direct correspondence between images and texts, she offers a series of mutually reinforcing readings of painting and poetry that ultimately locate the invention of a new romantic ideal within early imperial debates about domesticity and the role of citizens in Roman society.

Named for a goddess, epicenter of the first democracy, birthplace of tragic and comic theatre, locus of the major philosophical schools, artistically in the vanguard for centuries, ancient Athens looms large in contemporary study of the ancient world. This Companion is a comprehensive introduction the city, its topography and monuments, inhabitants and cultural institutions, religious rituals and politics. Chapters link the religious, cultural, and political institutions of Athens to the physical locales in which they took place. Discussion of the urban plan, with its streets, gates, walls, and public and private buildings, provides readers with a thorough understanding of how the city operated and what people saw, heard, smelled, and tasted as they flowed through it. Drawing on the latest scholarship, as well as excavation discoveries at the Agora, sanctuaries, and cemeteries, the Companion explores how the city was planned, how it functioned, and how it was transformed from a democratic polis into a Roman city.

The island of Crete was an important place for cultural and economic exchanges between Greeks and Near Easterners in the Aegean during the 1st millennium BC. Kommos and its temple provided materials that attest the connections between different populations, such as Greeks and Phoenicians. An examination of these objects and those from other Cretan sites such as Knossos, the Idaean Cave and Eleutherna is presented in this book. Moreover, the case of Kommos is compared to other Aegean cult structures with similar characteristics, such as the Sanctuary of Apollo in Eretria, the Heraion of Samos, the temple of Kition in Cyprus and the Temple of Vroulia in Southern Rhodes. These appear to be not just religious spaces but also economic and social meeting points, integrated into networks of commercial districts connected by land and sea routes. The book aims to understand the Phoenician presence and trade in Aegean temples, as well as how Crete shaped its role within the context of Mediterranean trade routes from the East to the West.

This book investigates the working mechanisms of public opinion in Late Republican Rome as a part of informal politics. It explores the political interaction (and sometimes opposition) between the elite and the people through various means, such as rumours, gossip, political literature, popular verses and graffiti. It also proposes the existence of a public sphere in Late Republican Rome and analyses public opinion in that time as a system of control. By applying the spatial turn to politics, it becomes possible to study sociability and informal meetings where public opinion circulated. What emerges is a wider concept of the political participation of the people, not just restricted to voting or participating in the assemblies.

In this book, an international team of experts draws upon a rich range of Latin and Greek texts to explore the roles played by individuals at ports in activities and institutions that were central to the maritime commerce of the Roman Mediterranean. In particular, they focus upon some of the interpretative issues that arise in dealing with this kind of epigraphic evidence, the archaeological contexts of the texts, social institutions and social groups in ports, legal issues relating to harbours, case studies relating to specific ports, and mercantile connections and shippers. While much attention is inevitably focused upon the richer epigraphic collections of Ostia and Ephesos, the papers draw upon inscriptions from a very wide range of ports across the Mediterranean. The volume will be invaluable for all scholars and students of Roman history.

In terms of design, scale, and blending of ecologicical and aesthetic function, Amsterdam's seventeenth-century Canal District is a European marvel. Its survival for four centuries is a testament to its ingenuity, reflected in its designation as a UNESCO World Heritage Site in 2010. The Canal District today is an extraordinary example of resilient historic design and cultural heritage in a living city, but it is not without present-day challenges: in recent years, its urban ecology has become subject to severe pressures of global tourism and supergentrification. This edited volume brings together seventeen reputable scholars to debate questions about the origins, evolution, and future of the Canal District. With these differing approaches and perspectives on the Canal District the contributions render a collection where the whole is much more than the sum of the parts. The book breaks new ground in our understanding of the District's historic design, its evolution over four hundred years, and the fundamental issues in future-facing strategies and policies. While the main focus is clearly on Amsterdam, the discussions in this collection have an important bearing on broader questions of urban historic preservation elsewhere, and on questions about enduring urban design.

Coinage played a central role in the history of the Athenian naval empire of the fifth century BC. It made possible the rise of the empire itself, which was financed through tribute in coinage collected annually from the empire's approximately 200 cities. The empire's downfall was brought about by the wealth in Persian coinage that financed its enemies. This book surveys and illustrates, with nearly 200 examples, the extraordinary variety of silver and gold coinages that were employed in the history of the period, minted by cities within the empire and by those cities and rulers that came into contact with it. It also examines how coins supplement the literary sources and even attest to developments in the monetary history of the period that would otherwise be unknown. This is an accessible introduction to both the history of the Athenian empire and to the use of coins as evidence.

Every day Roman urbanites took to the street for myriad tasks, from hawking vegetables and worshipping local deities to simply loitering and socializing. Hartnett takes readers into this thicket of activity as he repopulates Roman streets with their full range of sensations, participants, and events that stretched far beyond simple movement. As everyone from slave to senator met in this communal space, city dwellers found unparalleled opportunities for self-aggrandizing display and the negotiation of social and political tensions. Hartnett charts how Romans preened and paraded in the street, and how they exploited the street's collective space to lob insults and respond to personal rebukes. Combining textual evidence, comparative historical material, and contemporary urban theory with architectural and art historical analysis, The Roman Street offers a social and cultural history of urban spaces that restores them to their rightful place as primary venues for social performance in the ancient world.

Classical literature is full of humans, gods, and animals in impressive motion. The specific features of this motion are expressive; it is closely intertwined with decisions, emotions, and character. However, although the importance of space has recently been realized with the advent of the 'spatial turn' in the humanities, motion has yet to receive such attention, for all its prominence in literature and its interest to ancient philosophy. This volume begins with an exploration of motion in particular works of visual art, and continues by examining the characteristics of literary depiction. Seven works are then used as case-studies: Homer's Iliad, Ovid's Metamorphoses, Tacitus' Annals, Sophocles' Philoctetes and Oedipus at Colonus, Parmenides' On Nature, and Seneca's Natural Questions. The two narrative poems diverge rewardingly, as do the philosophical poetry and prose. Important in the philosophical poem and the prose history are metaphorical motion and the absence of motion; the dramas scrutinize motion verbally and visually. Each study first pursues the general roles of motion in the particular work and provides detail on its language of motion. It then engages in close analysis of particular passages, to show how much emerges when motion is scrutinized. Among the aspects which emerge as important are speed, scale, and shape of movement; motion and fixity; the movement of one person and a group; motion willed and imposed; motion in images and in unrealized possibilities. The conclusion looks at these aspects across the works, and at differences of genre and period. This new and stimulating approach opens up extensive areas for interpretation; it can also be productively applied to the literature of successive eras.

MOLA (Museum of London Archaeology) undertook excavations over 2003-4 at the former St Martin's churchyard, Wallingford, Oxfordshire. St Martin's, one of perhaps eight churches of late Saxon Wallingford, was located in a prominent position in the centre of the burh. No middle Saxon activity was found and the earliest remains consisted of a layer sealing the natural subsoil which contained a probable late Saxon lead cross. Earliest use of the churchyard has been dated to the late 10th to early 11th century by radiocarbon dating, and burials continued until the end of the 14th century, serving a dwindling parish population, before the cemetery rapidly fell out of use thereafter. No burials post-date 1412. Part of the cemetery has not been disturbed by the present development. The unexcavated areas and previous post-medieval and modern disturbances has meant the original size of the cemetery remains unknown. A late Saxon mortar mixer found on the site has added to a growing number of this distinctive early constructional feature. While its presence indicates the vicinity of the late Saxon church, no foundations of St Martin's church appear to have survived cellar digging and quarrying for gravel that occurred in the early 18th century. Osteological analysis of 187 of the 211 excavated skeletons of the cemetery has depicted a lay population which was almost equally split between males and females, with only a slight bias towards males. Their distribution showed no observable cluster within the churchyard by age or gender. A high proportion of children is notable but newborns and very young children were comparatively rare. The significance of this is unclear since so many disarticulated remains were also present due to later disturbance. Both degenerative pathologies and inherited conditions affecting bone were noted, as were a high frequency of trauma, some of it violent. Generally the population could be shown to have led healthy early lives compared to other urban assemblages, although evidence of tuberculosis and iron deficiency suggest that living conditions and diet at the heart of medieval Wallingford were far from ideal. Within the excavated area of the cemetery, a number of the burials demonstrated known pre-Conquest burial rites and there are some aspects which may be peculiar to the area, suggesting local variations to common rites. Eight pre-Conquest burials had their heads supported mostly by stones, but one had his head supported by two disarticulated skulls. One 30-40 year old male was buried wearing a pierce scallop-shell, presumably a pilgrim badge from Santiago de Compostella. Four burials were interred in stone-built cists and these ranged from a c1 year old to adults of both sexes. A further six burials lay in stone-built cists without a cover. All post-Conquest burials were earth-cut examples.

How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek culture Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see--or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world.

Greek artists and architects were important social agents who played significant roles in the social, cultural, and economic life of the ancient Greek world. In Artists and Artistic Production in Ancient Greece, art historians, archaeologists, and historians explore the roles and impacts of artists and craftsmen in ancient Greek society. The contributing authors draw upon artistic, architectural, literary, epigraphical, and historical evidence to discuss a range of artists, architects, artistic media, and regions. They refer to historiography and modern theory, taking stock of the past while offering some new directions for future research. Incorporating a variety of methodological approaches and making use of often-neglected evidence, Artists and Artistic Production in Ancient Greece re-examines many long-held ideas and provides a deeper understanding of particular artists and architects, their works, and their social agency.

Using all available evidence - literary, epigraphic, numismatic, and archaeological - this study offers a new analysis of the early Hellenistic Peloponnese. The conventional picture of the Macedonian kings as oppressors, and of the Peloponnese as ruined by warfare and tyranny, must be revised. The kings did not suppress freedom or exploit the peninsula economically, but generally presented themselves as patrons of Greek identity. Most of the regimes characterised as 'tyrannies' were probably, in reality, civic governorships, and the Macedonians did not seek to overturn tradition or build a new imperial order. Contrary to previous analyses, the evidence of field survey and architectural remains points to an active, even thriving civic culture and a healthy trading economy under elite patronage. Despite the rise of federalism, particularly in the form of the Achaean league, regional identity was never as strong as loyalty to one's city-state (polis).

This book explores the spoliation of architectural and sculptural materials during the Roman empire. Examining a wide range of materials, including imperial portraits, statues associated with master craftsmen, architectural moldings and fixtures, tombs and sarcophagi, arches and gateways, it demonstrates that secondary intervention was common well before Late Antiquity, in fact, centuries earlier than has been previously acknowledged. The essays in this volume, written by a team of international experts, collectively argue that reuse was a natural feature of human manipulation of the physical environment, rather than a sign of social pressure. Reuse often reflected appreciation for the function, form, and design of the material culture of earlier eras. Political, social, religious, and economic factors also contributed to the practice. A comprehensive overview of spoliation and reuse, this volume examines the phenomenon in Rome and throughout the Mediterranean world.

This book studies the processes conventionally termed "Romanization" through an analysis of the experience of Roman rule over the Gallic province of the empire in the period 200 BC-AD 300. It examines how and why Gallo-Roman civilization emerged from the confrontation between the iron-age cultures of Gaul and the civilization we call classical. It develops an original synthesis and argument that will form a bridge between the disciplines of classics and archaeology and will be of interest to all students of cultural change.

The interactions of the Celtic-speaking communities of Southern Gaul with the Mediterranean world have intrigued commentators since antiquity. This book combines sociolinguistics and archaeology to bring to life the multilingualism and multiple identities of the region from the foundation of the Greek colony of Massalia in 600 BC to the final phases of Roman Imperial power. It builds on the interest generated by the application of modern bilingualism theory to ancient evidence by modelling language contact and community dynamics, and adopting an innovative interdisciplinary approach. This produces insights into the entanglements and evolving configurations of a dynamic zone of cultural contact. Key foci of contact-induced change are exposed and new interpretations of cultural phenomena highlight complex origins and influences from the entire Mediterranean koine. Southern Gaul reveals itself to be fertile ground for considering the major themes of multilingualism, ethnolinguistic vitality, multiple identities, colonialism and Mediterraneanization.