Despite what history has taught us about imperialism's destructive effects on colonial societies, many classicists continue to emphasize disproportionately the civilizing and assimilative nature of the Roman Empire and to hold a generally favorable view of Rome's impact on its subject peoples. "Imperialism, Power, and Identity" boldly challenges this view using insights from postcolonial studies of modern empires to offer a more nuanced understanding of Roman imperialism.

Rejecting outdated notions about Romanization, David Mattingly focuses instead on the concept of identity to reveal a Roman society made up of far-flung populations whose experience of empire varied enormously. He examines the nature of power in Rome and the means by which the Roman state exploited the natural, mercantile, and human resources within its frontiers. Mattingly draws on his own archaeological work in Britain, Jordan, and North Africa and covers a broad range of topics, including sexual relations and violence; census-taking and taxation; mining and pollution; land and labor; and art and iconography. He shows how the lives of those under Rome's dominion were challenged, enhanced, or destroyed by the empire's power, and in doing so he redefines the meaning and significance of Rome in today's debates about globalization, power, and empire.

"Imperialism, Power, and Identity" advances a new agenda for classical studies, one that views Roman rule from the perspective of the ruled and not just the rulers.

In a new preface, Mattingly reflects on some of the reactions prompted by the initial publication of the book.

This volume includes: Rachel Zelnick-Abramovitz, "Half Slave, Half Free: Partial Manumission in the Ancient Near East and Beyond"; Chris Eckerman, "I Weave a Variegated Headband: Metaphors for Song and Communication in Pindar's Odes"; Alexander Nikolaev, "Through the Thicket: The Text of Pindar Olympian 6.54 ( ' )"; Tobias Joho, "Alcibiadean Mysteries and Longing for 'Absent' and 'Invisible Things' in Thucydides' Account of the Sicilian Expedition"; Peter Barrios Lech, "Menander and Catullus 8-Revisited: Menander Misoumenos and Catullus Carmen 8"; Katharina Volk, "Varro and the Disorder of Things"; John T. Ramsey, "The Date of the Consular Elections in 63 and the Inception of Catiline's Conspiracy"; Brian D. McPhee, "Erulus and the Moliones: An Iliadic Intertext in Aeneid 8.560-567"; Julia Scarborough, "Eridanus in Elysium: The Underground Poetics of Virgil's Violent River"; Geert Roskam, "Providential Gods and Social Justice: An Ancient Controversy on Theonomous Ethics"; Rafael J. Galle Cejudo, "Progymnasmatic Alteration in the Love Letters of Philostratus"; Moyses Marcos, "Callidior ceteris persecutor: The Emperor Julian and His Place in Christian Historiography"; Valery Berlincourt, "Dea Roma and Mars: Intertext and Structure in Claudian's Panegyric for the Consuls Olybrius and Probinus"; Fabio Stok, "What is the Spangenberg Fragment?"; George M. Hollenback, "Do Not Steal Seed: An Overlooked Double Entendre in Oracula Sibyllina 2.71"; and Paolo Pellegrini, "R. A. B. Mynors and Harvard: An Unpublished Letter to E. K. Rand (10.10.1944)."

The Dodecanese and the Eastern Aegean Islands in Late Antiquity, AD 300-700 is a regional study of the history, archaeology, and religious profile of the Late Antique Dodecanese (the islands of the south-eastern Aegean, centred on Rhodes), exploring how the spread of Christianity altered these communities and how the prosperity of the eastern Roman Empire, and the new capital in Constantinople, affected their life. Incorporating comparative evidence from the rest of the Aegean islands and both the Greek and Turkish mainlands, the volume analyses material from the whole area as part of a wider system of social and economic relations, political history, and culture. Accompanied by an extensive archaeological gazetteer, it presents the administrative and political history of the islands and considers the written and archaeological evidence for the monotheistic communities of the eastern Aegean, offering a closer examination of the late history of pagan temples and the transition to Christianity. It discusses the settlement and economic history of the islands, focusing on the urban history of Rhodes and Kos, but also on the numerous key non-urban sites from the rest of the islands, in particular the extended ruins of a barely known site located in the small island of Saria, north of Karpathos. The final chapter addresses the seventh century-which saw the destruction of so much of what had been built up in the fourth to sixth centuries-when the islands' societies acquired a new role for the State as naval outposts, functioning as a border zone in the course of the Arab-Byzantine wars.

Ancient Sardis, the capital of Lydia, was of outstanding importance: in the Lydian period it held the residence of the kings and subsequently, under Persian rule, the satraps. Throughout antiquity it remained an administrative center. Travelers of modern times and archaeological excavations have revealed, from the city site and its surroundings, inscriptions written mostly in Greek, some in Latin. Their texts deal with all kinds of subjects: decrees, public honors, civil and sacred laws, letters, epitaphs, and more. In the corpus "Sardis VII 1" (1932) W. H. Buckler and D. M. Robinson published all inscriptions (228 items) known up to 1922, after which year excavation at Sardis came to a halt because of the Greek-Turkish war. Since excavation resumed in 1958, a portion of the Greek and Latin inscriptions has been published in various, widely scattered places; another portion, containing important texts discovered during the last ten years, was until now unpublished. The aim of this monograph is to present in a comprehensive corpus the entire epigraphic harvest (485 items) made in Sardis and its territory since 1958. Each inscription is accompanied by a description of the monument, bibliography, translation, and commentary; indices, concordances, photographs, and maps complement the collection.

Figured Tombstones from Macedonia, Fifth-First Century BC brings together for the first time a substantial body of material from ancient Macedonia, comprising stone funerary monuments, be they statues, stelai, or reliefs, which feature figured representations. The volume's geographical focus encompasses what can be referred to as the national territory of the ancient Macedonians, as established largely from the reign of Philip II until the last Antigonids, and extending from the range of Mount Pindos and Lake Lychnitis in the west as far as the Strymon valley and Mount Pangaion in the east. Its broad chronological scope stretches back to prehistoric times, when stone funerary monuments seem to have first appeared in the area, and into the first century AD, when significant changes in the modes which shaped (self-) representation in a funerary context can be traced. However, the volume takes as its main focus the Classical and Hellenistic periods, describing and unravelling the codes which moulded the representation of the dead on tombstones dating from the fifth to the first century BC. Paying close attention to the wealth of information that can be gained through morphological, typological, iconographical, and epigraphic analysis, the volume goes beyond artistic evaluation to consider social history: social and gender roles, social status, cultural identity, regionalism or consciously constructed cosmopolitanism, shifts in religious behaviour, and attitudes towards death and a possible afterlife are all addressed, revealing the ideas that shaped aesthetic predilections and the choice of (self-)representation.

Since 1985, Spanish archaeology has radically improved its organisation and effectiveness, supported by law and the transfer of powers to deal with archaeology from central to regional governments. There have been many excavations on development sites in towns and the countryside, but also new studies of rural landscapes and monuments. As in other European countries, this has produced a mountain of as yet undigested information about the history and archaeology of this fascinating country over four centuries. Now two Spanish archaeologists, aided by a large number of colleagues in Spain, France, Germany and Britain, have produced the first survey in either English or Spanish of the last 30 years of investigations, new discoveries and new theories. Chapters deal with the rural and urban habitat, daily life, trade and technology, castles and fortifications, the display of secular power and all three religions of medieval Spain: Islam, Christianity and Judaism. This is a major contribution to the archaeology of medieval Europe and a handbook for archaeologists and travellers.

The recycling and reuse of materials and objects were extensive in the past, but have rarely been embedded into models of the economy; even more rarely has any attempt been made to address the scale of these practices. Recent developments, including the use of large datasets, computational modelling, and high-resolution analytical chemistry are increasingly offering the means to reconstruct recycling and reuse, and even to approach the thorny issue of quantification. This volume is the first to bring together these new approaches, and the first to present a consideration of recycling and reuse in the Roman economy, taking into account a range of materials and using a variety of methodological approaches. It presents integrated, cross-referential evidence for the recycling and reuse of textiles, papyrus, statuary and building materials, amphorae, metals, and glass, and examines significant questions about organization, value, and the social meaning of recycling.

This is the first full study of Roman strigillated sarcophagi, which are the largest group of decorated marble sarcophagi to survive in the city of Rome. Characterized by panels of carved fluting - hence the description 'strigillated', after the curved strigil used by Roman bathers to scrape off oil - and limited figure scenes, they were produced from the mid-second to the early fifth century AD, and thus cover a critical period in Rome, from empire to early Christianity. Roman Strigillated Sarcophagi focuses on their rich potential as an historical source for exploring the social and cultural life of the city in the later empire. The first part of the volume examines aspects of their manufacture, use, and viewing, emphasizing distinctive features. The second part looks at the figured representations carved on the sarcophagi, and at their social significance and creativity, concentrating on how their various arrangements allowed viewers to develop their own interpretations. The subjects represented by the figures and the flexibility with which they might be read, provide invaluable insights into how Romans thought about life and death during these changing times. The final part of the volume surveys how later societies responded to Roman strigillated sarcophagi. From as early as the fifth century AD their distinctive decoration and allusions to the Roman past made them especially attractive for reuse in particular contemporary contexts, notably for elite burials and the decoration of prominent buildings. The motif of curved fluting was also adopted and adapted: it decorated neo-classical memorials to Captain Cook, Napoleon's sister-in-law Christine Boyer, and Penelope Boothby, and its use continues into this century, well over one and a half millennia since it first decorated Roman sarcophagi.

This innovative look at ancient Greek painting combines the most complete survey to date of the painted monuments of classical antiquity with an in-depth exploration of the ways in which the people of Ancient Greece appreciated this demanding art. Plantzos looks at techniques, styles, themes and masters as well as their admirers, clients, and critics. At the same time, he discusses recent breakthroughs in archaeology, cultural studies, and art history. The book is unique in its reflections of new, multidisciplinary approaches to the material record which it combines with a more traditional, art-historical exploration; it draws on a wide range of ancient authorities - from Plato and Xenophon to Cicero, Pliny, Lucian, and Philostratus. The book covers painting in Bronze-Age Greece (Cyclades, Crete, Santorini, Mycenaean Greece); painting of the Archaic, the Classical, and the Hellenistic periods, and ends with a study of Graeco-Roman painting in the 2nd-3rd c. AD. Dimitris Plantzos is the author of Greek Art and Archaeology, 1200-30 BC (Kapon Editions, 2016).

Explanation of the success and failure of the Roman economy is one of the most important problems in economic history. As an economic system capable of sustaining high production and consumption levels, it was unparalleled until the early modern period. This volume focuses on how the institutional structure of the Roman Empire affected economic performance both positively and negatively. An international range of contributors offers a variety of approaches that together enhance our understanding of how different ownership rights and various modes of organization and exploitation facilitated or prevented the use of land and natural resources in the production process. Relying on a large array of resources - literary, legal, epigraphic, papyrological, numismatic, and archaeological - chapters address key questions regarding the foundations of the Roman Empire's economic system. Questions of growth, concentration and legal status of property (private, public, or imperial), the role of the state, content and limitations of rights of ownership, water rights and management, exploitation of indigenous populations, and many more receive new and original analyses that make this book a significant step forward to understanding what made the economic achievements of the Roman empire possible.

Colonial Geopolitics and Local Cultures in the Hellenistic and Roman East (3rd century BC - 3rd century AD) presents contributions taken in the main from a panel held during the Celtic Conference in Classics 2014 (Edinburgh, Scotland, June 25-28th 2014), but also incorporates a number of papers given previously at another panel which convened at Mamaia (Romania, September 23-27th, 2012). What changes in the material culture can we observe, when a state is overwhelming a local population with soldiers, katoikoi, and civil officials or merchants? One of the main concerns of local geopolitics was the central question of how agricultural land was distributed to the Greek or Roman colonists after it had been seized from the native population? In what way did the state watch over and administer the colonised territories? What were the exact social, legal, cultural and political relationships between the natives and the newcomers? Did the language of the colonists dominate the local vernacular language or not, and in what way? Did onomastics change or not in particular regions over centuries? What were the mutual influences between native and colonial cultures? This collection addresses these questions, focusing on the Hellenistic and Roman East.

This book provides an introduction to Roman dress accessories - defined here as what would today be called costume jewellery (non-precious metal jewellery). Items such as bracelets and pins are widely found in the Roman period in copper alloy, bone, glass, jet, shale and other materials. Completely new objects were introduced by the Romans, spread rapidly in each area of the Empire and were adopted by local populations. Different styles of Roman object became popular in each succeeding century, as dress fashions changed. Using new evidence from finds, production areas, distribution patterns and the locations of workshops are examined. The interpretation of dress accessories is introduced, with reference to the depiction of objects in Roman art. Brooches, bracelets, beads, necklaces, rings, earrings, pins and belt sets are explained in detail, and the most popular types are described and illustrated, enabling the reader to identify common objects that might be found on an archaeological site or in a museum.

Dura-Europos, on the Syrian Euphrates, is one of the best preserved and most extensively excavated sites of the Roman world. A Hellenistic foundation later held by the Parthians and then the Romans, Dura had a Roman military garrison installed within its city walls before it was taken by the Sasanians in the mid-third century. The Inner Lives of Ancient Houses is the first study to consider the houses of the site as a whole. The houses were excavated by a team from Yale and the French Academy of Inscriptions and Letters in the 1920s and 30s, and though a wealth of archaeological and textual material was recovered, most of that relating to housing was never published. Through a combination of archival information held at the Yale University Art Gallery and new fieldwork with the Mission Franco-Syrienne d'Europos-Doura, this study re-evaluates the houses of the site, integrating architecture, artefacts, and textual evidence, and examining ancient daily life and cultural interaction, as well as considering houses which were modified for use by the Roman military.

The Oxford Handbook of Roman Studies is an indispensable guide to the latest scholarship in this area. Over fifty distinguished scholars elucidate the contribution of material as well as literary culture to our understanding of the Roman world. The emphasis is particularly upon the new and exciting links between the various sub-disciplines that make up Roman Studies-for example, between literature and epigraphy, art and philosophy, papyrology and economic history. The Handbook, in fact, aims to establish a field and scholarly practice as much as to describe the current state of play. Connections with disciplines outside classics are also explored, including anthropology, psychoanalysis, gender and reception studies, and the use of new media.

Medieval York provides a comprehensive history of what is now considered England's most famous surviving medieval city, covering nearly a thousand years. The volume examines York from its post-Roman revival as a town (c. 600) to the major changes of the 1530s and 1540s, which in many ways brought an end to the Middle Ages in England. York was one of the leading English towns after London, and in status almost always the 'second city'. Much research and publication has been carried out on various aspects of medieval York, but this volume seeks to cover the field in its entirety. David Palliser offers an up-to-date and broad-based account of the city by employing the evidence of written documents, archaeology (especially on the rich results of recent city centre excavations), urban morphology, numismatics, art, architecture, and literature. Special attention is paid to the city's religious drama and its wealth of surviving stained glass. The story of Medieval York is set in a wide context to make comparisons with other English and Continental towns, to establish how far York's story was distinctive or was typical of other English towns which have been less fortunate in the survival of their medieval fabric. It is essential reading for anyone interested in York's past and in its rich heritage of medieval churches, guildhalls, houses, streets, and city walls - the most complete medieval circuit in England.

Since their discovery in nineteenth-century Russia, Greco-Scythian artefacts have been interpreted as masterpieces by Greek craftsmen working according to the tastes of the Scythian nomads and creating realistic depictions of their barbarian patrons. Drawing on a broad array of evidence from archaeology, art history and epigraphy to contextualize Greco-Scythian metalwork in ancient society, this volume confronts the deep confusion between ancient representation and historical reality in contemporary engagements with classical culture. It argues that the strikingly life-like figure scenes of Greco-Scythian art were integral to the strategies of a cosmopolitan elite who legitimated its economic dominance by asserting an intermediary cultural position between the steppe inland and the urban centres on the shores of the Black Sea. Investigating the reception of this 'Eurasian' self-image in tsarist Russia, Meyer unravels the complex relationship between ancient ideology and modern imperial visions, and its legacy in current conceptions of cultural interaction and identity. With a synthesis of material evidence never yet attempted, this volume breaks significant new ground in explaining the archaeology of Scythia and its ties to inner Asia and classical Greece, the intersection between modern museum display and visual knowledge, and the intellectual history of classics in Russia and the West.

Perceptions of the Prehistoric in Anglo-Saxon England represents an unparalleled exploration of the place of prehistoric monuments in the Anglo-Saxon psyche, and examines how Anglo-Saxon communities perceived and used these monuments during the period AD 400-1100. Sarah Semple employs archaeological, historical, art historical, and literary sources to study the variety of ways in which the early medieval population of England used the prehistoric legacy in the landscape, exploring it from temporal and geographic perspectives. Key to the arguments and ideas presented is the premise that populations used these remains, intentionally and knowingly, in the articulation and manipulation of their identities: local, regional, political, and religious. They recognized them as ancient features, as human creations from a distant past. They used them as landmarks, battle sites, and estate markers, giving them new Old English names. Before, and even during, the conversion to Christianity, communities buried their dead in and around these monuments. After the conversion, several churches were built in and on these monuments, great assemblies and meetings were held at them, and felons executed and buried within their surrounds. This volume covers the early to late Anglo-Saxon world, touching on funerary ritual, domestic and settlement evidence, ecclesiastical sites, place-names, written sources, and administrative and judicial geographies. Through a thematic and chronologically-structured examination of Anglo-Saxon uses and perceptions of the prehistoric, Semple demonstrates that populations were not only concerned with Romanitas (or Roman-ness), but that a similar curiosity and conscious reference to and use of the prehistoric existed within all strata of society.

Although we often think of friendship today as an indisputable value of human social life, for thinkers and writers across late medieval Christian society friendship raised a number of social and ethical dilemmas that needed to be carefully negotiated. On Amista analyses these dilemmas and looks at how Dante's strategic articulations of friendship evolved across the phases of his literary career as he maneuvered between different social groups and settings. Elizabeth Coggeshall reveals that friendship was not an unequivocal moral good for the writers of late medieval Italy. Instead, it was an ambiguous term to be deployed strategically, describing a wide range of social relationships such as allies, collaborators, servants, patrons, rivals, and enemies. Drawing on the use of the language of friendship in the letters, correspondence poems, dedications, narratives, and treatises composed by Dante and his interlocutors, Coggeshall examines the way they skillfully negotiated around the dilemmas that friendship raised in the spheres of medieval Italian literary society. The book addresses instances of inclusivity and exclusivity, collaboration and self-interest, hierarchy and equality, and alterity and identity. Employing literary, historical, and sociological analysis, On Amista presents a genealogy for the innovative and tactical use of the terms of friendship among the works of late medieval Italian authors.

When the site of Elean Pylos was threatened by the construction of a dam in 1968, a team from the University of Colorado moved in to salvage as much information as possible about the ancient town before it was submerged. This report is divided chronologically: Middle Helladic, Geometric, Archaic, Classical, Roman, Byzantine, and Frankish. Each chapter consists of a brief description of the remains in the field, followed by a catalogue of the finds. While earlier finds are mainly of wells, the Classical settlement was the size of a large village providing everyday finds of bronze, lead, iron, and pottery. Some fragments of terracotta figurines and amber suggest a certain amount of wealth, but the primary character of the whole site is agricultural. Roman and Frankish remains are primarily funerary.

This volume of essays focuses principally on the collection of books of British and Irish antiquarian scholars held in the Gennadius Library. Collectively, the essays are the product of two thematically-linked conferences: the first of these was held in Athens in June 2010, and was organised by the School of Art History and Cultural Policy, University College Dublin, in collaboration with the Gennadius Library, and graciously hosted by the Irish Institute of Hellenic Studies; the second, held in Dublin in June 2011, was organized by the School of Art History and Cultural Policy, and hosted by the Humanities Institute of Ireland. The major premise explored in the paper sessions of those conferences, and in this volume, concerns the work of some of the most pioneering British and Irish 18th and early 19th century antiquarians, artists, and architects who voyaged into the Mediterranean. The publication of their findings in architectural treatises, travelogues and illustrated books came, in turn, to inform international movements of art and architecture; specifically, the Neoclassical and Greek Revival styles. Collectively, these books capture the allure of the broader Mediterranean world for scholars of antiquity - ever expanding beyond the well-traveled boundaries enjoyed by Grand Tourists - exploring issues such as topography, history, cultural mores, dress and, of course, art and architecture. Print and book culture was at the core of the early modern period, not least in the world of architecture, and the conscious effort to gather and disseminate knowledge of the wider classical world through this medium is remarkable. The significant contribution of British and Irish scholarship to this broader European discourse is here viewed through the lens of the extraordinary book collection held in the Gennadius Library.

By far the largest single source of new information about the ancient Greek and Roman world is provided by the flow of newly discovered inscriptions, which presents both a challenge and an opportunity. In order to interpret any inscription we need to be able to apply the knowledge that we already have. On the other hand, inscriptions present the opportunity to gain new knowledge about virtually every aspect of the mix of cultures and societies which we call Graeco-Roman antiquity. This book therefore emphasises the importance of the two-way connections and contributions which link epigraphic studies with the historical sciences as a whole. Epigraphic information is helping to reshape and extend our knowledge of the religious life, the languages, the populations, the governmental systems, and the economies of the Graeco-Roman world. New techniques and technologies are helping to make epigraphically based information more accessible, whether in terms of public display or in terms of the ever-widening possibilities of information technology. The act of looking at the Graeco-Roman world through the window provided by the epigraphic record offers a distinctive gaze of unique and exceptional value.

Bringing together a team of international experts from different subject areas - including law, history, archaeology and anthropology - this book re-evaluates the traditional narratives surrounding the origins of Roman law before the enactment of the Twelve Tables. Much is now known about the archaic period, relevant evidence from later periods continues to emerge and new methodologies bring the promise of interpretive inroads. This book explores whether, in light of recent developments in these fields, the earliest history of Roman law should be reconsidered. Drawing on the critical axioms of contemporary sociological and anthropological theory, the contributors yield new insights and offer new perspectives on Rome's early legal history. In doing so, they seek to revise our understanding of Roman legal history as well as to enrich our appreciation of its culture as a whole.

The Greek Bronze Age, roughly 3000 to 1000 BC, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four sections, the handbook begins with Background and Definitions, which contains articles establishing the discipline in its historical, geographical, and chronological settings and in its relation to other disciplines. The second section, Chronology and Geography, contains articles examining the Bronze Age Aegean by chronological period (Early Bronze Age, Middle Bronze Age, Late Bronze Age). Each of the periods are further subdivided geographically, so that individual articles are concerned with Mainland Greece during the Early Bronze Age, Crete during the Early Bronze Age, the Cycladic Islands during the Early Bronze Age, and the same for the Middle Bronze Age, followed by the Late Bronze Age. The third section, Thematic and Specific Topics, includes articles examining thematic topics that cannot be done justice in a strictly chronological/geographical treatment, including religion, state and society, trade, warfare, pottery, writing, and burial customs, as well as specific events, such as the eruption of Santorini and the Trojan War. The fourth section, Specific Sites and Areas, contains articles examining the most important regions and sites in the Bronze Age Aegean, including Mycenae, Tiryns, Pylos, Knossos, Kommos, Rhodes, the northern Aegean, and the Uluburun shipwreck, as well as adjacent areas such as the Levant, Egypt, and the western Mediterranean. Containing new work by an international team of experts, The Oxford Handbook of the Bronze Age Aegean represents the most comprehensive, authoritative, and up-to-date single-volume survey of the field. It will be indispensable for scholars and advanced students alike.

The Iliad in a Nutshell has two objectives: first, it advances a new critical interpretation of the miniature Iliac tablets, or Tabulae Iliacae; second, it signals their relevance within much bigger issues facing the study of Graeco-Roman art and literature in the twenty-first century. By re-assessing the visual and verbal aesthetics of the miniature, Michael Squire shows how a group of early Imperial Roman objects relate to grander discourses about size, ecphrasis, and representation. The conclusions will be of critical importance not only to students of Graeco-Roman literary and visual culture, but to anyone interested in the cultural history of scale, replication, and visual-verbal relations. The volume is generously illustrated, in both black and white and colour.

This book offers a new and surprising perspective on the evolution of cities across the Roman Empire in late antiquity and the early Middle Ages (third to ninth centuries AD). It suggests that the tenacious persistence of leading cities across most of the Roman world is due, far more than previously thought, to the persistent inclination of kings, emperors, caliphs, bishops, and their leading subordinates to manifest the glory of their offices on an urban stage, before crowds of city dwellers. Long after the dissolution of the Roman Empire in the fifth century, these communal leaders continued to maintain and embellish monumental architectural corridors established in late antiquity, the narrow but grandiose urban itineraries, essentially processional ways, in which their parades and solemn public appearances consistently unfolded. Hendrik W. Dey's approach selectively integrates urban topography with the actors who unceasingly strove to animate it for many centuries.