Maria Lai (1919-2003), the influential Sardinian artist whose work draws on the rich history and traditions of her native land, created multimedia works that explore community, religion, and folklore. This book, the catalogue for a show in Sardinia, presents nearly 70 works, most previously unseen, related to the extraordinary Via Crucis (Way of the Cross) series that Maria Lai created in 1981 and which she donated to the parish of Ulassai, her birthplace. Maria Lai's artistic endeavour is strongly defined by a mix of secular and religious spirituality: the work presented in this volume reveal her idea of "making art" as something that must respond to the essential questions of mankind and the meaning of existence.

Puja and Piety celebrates the complexity of South Asian representation and iconography by examining the relationship between aesthetic expression and the devotional practice, or puja, in the three native religions of the Indian subcontinent. This stunning and authoritative catalogue presents some 150 objects created over the past two millennia for temples, home worship, festivals, and roadside shrines. From monumental painted temple hangings and painted meditation diagrams to portable pictures for pilgrims, from stone sculptures to processional bronzes and wooden chariots, from ancient terracottas to various devotional objects for domestic shrines, this volume provides much-needed context and insight into classical and popular art of India. Featuring an introduction by the eminent art historian and curator Pratapaditya Pal; accessible essays on each religious tradition by Stephen P. Huyler, John E. Cort, and Christian Luczanits; and useful guides to iconography and terms by Debashish Banerji, this richly illustrated catalogue will provide a lasting resource for readers interested in South Asian art and spirituality. Published in association with the Santa Barbara Museum of Art Exhibition organized by Susan S. Tai, Elizabeth Atkins Curator of Asian Art Exhibition dates: Santa Barbara Museum of Art, April 17-July 31, 2016.

Gathie Falk: Revelations, published on the occasion of the retrospective exhibition curated by Sarah Milroy, investigates the career of a legendary Canadian artist. Now in her nineties, Gathie Falk was born in 1928 in Brandon, Manitoba, settling finally in Vancouver, where she established herself as one of Canada's most visionary and experimental artists. Flying horses, rows of potted conifers festooned with blossoms and ribbons, floating cabbages, piles of glossy apples, gentlemen's brogues presented in reliquary style, expanses of water, or burgeoning flower beds exploding with color-these have been the manifestations of Falk's rampant imagination as she has explored the disciplines of painting, ceramic, performance art and installation over the span of a half century. In all her works, effulgence and order are held in a dynamic tension as she works through her generative themes and variations. A trailblazer on all fronts, she has brought a rich sensibility to bear on her observations of the everyday, perceptions often tinged with the surreal and the uncanny. From her fruit piles to the landmark performances of her early career, to her extended pursuit of themes with variations in her painting practice -expanses of water dazzling with light, riotous flower borders set against cement sidewalks, night skies pierced by starlight or obscured by clouds-she finds the wondrous in the routine world around her, pursuing her work with a modesty and diligence that reflects her Russian Mennonite heritage. The publication includes an introduction by McMichael Chief Curator Sarah Milroy, lead essay by Vancouver curator and writer Daina Augaitis (who examines her performance and installation works in a national and international context), and a host of other artists and writers, rising to the occasion of this career-spanning survey. This catalogue summarizes an extraordinary career, with full page images of her artworks and rarely seen archival photos of the artist's studio, performance works, and Falk herself. For more than sixty years, Falk has generated work of extraordinary thematic integrity and material invention. This publication will illuminate those connections across disciplines, while also tracing the artist's journey from youth to old age-from the lushness of the fruit piles, with their sensuous surfaces and dazzling colors, to the sepulchral hush of the night skies. Hers has been an extraordinary voyage, and we look forward to saluting her in her 94th year.

The result of athree-year research project, this highly illustrated scholarlycatalogue provides full details of place and date of production,materials and technique, provenance and exhibition history.The work will become a benchmark for future research andinterpretation of tapestries of the period.

This collection of writings by specialists from many disciplines explores a wide range of topics relating to English painter George Romney (1734-1802). The contributors to the book address not only Romney's personality and artistic practice, but also aspects of the cultural context of his work, such as its relation to theater and its diffusion through prints. Key essays discuss the central themes of the artist's work, his rivalry with Sir Joshua Reynolds, and his painting technique. Alex Kidson offers in the introduction a survey of previous writings about Romney and their impact on the artist's reputation two centuries after his death. Published for the Paul Mellon Centre for Studies in British Art

Books have been treasured for centuries in the Islamic world, as precious objects worthy of royal admiration. This was especially true in Muslim India, where generations of Mughal emperors commissioned and collected volumes of richly illuminated manuscripts and lavishly illustrated folios. They assembled workshops of the leading artists and calligraphers to produce the books that filled their extensive libraries. Today, those works remain a vibrant part of India's cultural and artistic history in the sixteenth and seventeenth centuries. In this revised and expanded edition of his popular 1981 book, Dr Milo Beach presents the superb collection of Mughal painting in the Freer Gallery of Art. He adds many of the outstanding works that entered the collection with the opening of the Arthur M. Sackler Gallery in 1987. Together, the Freer and Sackler Galleries, the Smithsonian's museums of Asian art, have the distinction of being one of the world's leading repositories of Mughal art. An introductory essay examines the Mughal art of the book and traces the contributions of a succession of rulers in Muslim India. Brief artist biographies and an extensive bibliography complete this updated volume.

This book contains more than 350 masterworks of artists such as Hiroshite, Utamaro, Harunobu, Eisen, and Hokusai, all from the collections of the Victoria & Albert Museum.

This catalogue for the 5th Art Brut Biennial at the Collection de l'Art Brut in Lausanne highlights the museum's holdings with a focus on the subject of belief. In a wide range of mediums, the show reveals the particular link between Art Brut and Outsider artists, religion, and the occult. The subjects of these works include deities, saints, religious figures, as well as abstract compositions, symbolist paintings, and ritual objects. With their diverse and original representations of belief, these artists transcend the often difficult conditions of their lives.

Published to accompany the first time the Luigi and Peppino Agrati Collection will be revealed to the public; the collection can be viewed between May and August 2018. During the Festival of Nouveau Realisme (New Realism) in Milan in November 1970, Christo removed the white cloth in which he had wrapped the Monument to Vittorio Emanuele II in the Piazza del Duomo and placed it over the Monument to Leonardo da Vinci in the Piazza della Scala. This is viewed today as a key event in the contemporary art scene in Milan, a moment that Luigi and Peppino Agrati experienced live. They immediately contacted the artist and commissioned him to create works for the garden of their villa. Wealthy entrepreneurs, the Agrati brothers shared subtle and sensitive insights into art that fostered a deep understanding of the images that shaped their era. This show is the first time their collection is being revealed to the public, through a representative selection of Italian and American works of art donated with generosity and foresight by Luigi Agrati to the Intesa Sanpaolo. From a nucleus of sculptures by Melotti to masterpieces by Fontana, Burri, and Klein, the exhibition provides an in-depth examination of Italian 'Nuova Figurazione' painting ('New Figurative Painting'), working its way to the roots of the new 'Arte Povera' ('Poor Art'). The discovery of American art coincides with the Agratis' acquisition of works by the principal exponents of Pop Art - including the iconic Andy Warhol and his monumental Triple Elvis - and by the Minimalists, of which Dan Flavin's large neon work dedicated to Peppino Agrati is emblematic. In a kind of multiple constellation side by side with examples of Italian art, the collection reveals extraordinary works by Robert Rauschenberg (acquired in large numbers from the end of the 1960s to the 1980s), Cy Twombly (the original mediator between American and Italian art), and conceptual artists like Bruce Nauman and Joseph Kosuth, whose experiments with language are displayed in a dialogue with those by Alighiero Boetti and Vincenzo Agnetti.

Spanning six centuries and seven countries, the Middeldorf Collection assembled by the late eminent art historian Ulrich Middeldorf provides an extraordinary overview of major personalities and of political, social, cultural, and religious events as depicted in more than 350 medals and plaquettes. Illustrated in full color and accompanied by extensive documentation are commemorations of kings, queens, emperors, poets, composers, physicians, artists, inventors, popes, cardinals, and bishops. Papal annual and jubilee medals and delightful French reliefs from the Belle Epoque complement medals from the eras of Louis XIV and XV, Napoleon, and the Risorgimento. Highlights of the collection are Italian medals from the 17th century and later periods that until recently have received little scholarly attention."

A captivating look at Parisian fashions of the 1960s and how the ready-to-wear revolution influenced haute couture The 1960s was one of the most exciting periods in fashion history, as shifting cultural paradigms were embraced by a generation of designers that challenged conventions and reinvented the fashion industry. This compelling volume focuses on the important but too often dismissed fashions that were created in Paris during this time. From the early couture designs of Yves Saint Laurent that initiated a trend toward a more relaxed and youthful style, to the popularity of ready-to-wear fashions by Emmanuelle Khanh - part of a new group known as the stylists - this book traces the development of Parisian fashion during the 1960s and its continuing legacy. Colleen Hill features eye-catching images from Elle and Vogue, as well as stunning examples of fashion from The Museum at FIT's world-class collection. She provides an in-depth look at the combined influences of French haute couture, ready-to-wear, and popular culture during this era. In doing so, she describes how the dominance of haute couture was challenged by the ready-to-wear movement, resulting in the rise of a vibrant, youthful, and modern aesthetic in Parisian fashion. Published in association with The Fashion Institute of Technology, New York Exhibition Schedule: The Museum at the Fashion Institute of Technology, New York (February-April 2017)

A deep look at a contemporary artist whose work highlights how the rise of technology and corporate capitalism have disrupted our lives and polarized society One of the most thought-provoking artists of his generation, Josh Kline (b. 1979) creates installations, sculptures, videos, and photographs that address the ways new technologies affect how people live and work. Engaging with a range of concerns that impact the entire labor force, from essential workers to the creative class, Kline demonstrates how climate change, automation, disease, and politics have shaped our identities. At a time when so many aspects of life are under threat, Kline takes an unflinching look at how we got here and boldly imagines a more equitable and empathetic future. Kline's art demonstrates the ways technology has widened and reinforced the gap of inequity in America, while also carrying the potential to make a fairer world. "As an artist who's thinking about the consequences of technological innovation," Kline has said, "I think there's an obligation to raise questions about who benefits." His ongoing cycle of installations (Freedom, 2014-16; Unemployment, 2015-16, Civil War, 2016-19; Climate Change, 2019- ) that imagine the next hundred years of society are featured in this book, along with his earlier bodies of work, Creative Labor (2009- ) and Blue Collars (2014- ) and production images and concept sketches for his newest works that are published here for the first time. Distributed for the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art, New York (April 19-August 13, 2023)

An essential new look at the design philosophy that interrogated modern living against the turbulent political landscape of 1960s Italy In the mid-1960s, reacting to contemporary social and political upheaval, young Italian architects and designers began developing a new style that openly challenged Modernism. Known as "Radical design," this movement probed possibilities for visually transforming the urban environment. Radical design's proponents also applied it to items such as furniture and lighting, utilizing alternative materials and an innovative formal vocabulary. Radical: Italian Design 1965-1985 surveys the work of these pioneering designers through nearly 70 objects and architectural models-including rare prototypes and limited-production pieces. Cindi Strauss insightfully explores the aesthetic inspiration and changing cultural mores that informed the movement, and her research is complemented by an essay from Germano Celant, the acclaimed author and curator who coined the term "Radical design." Importantly, the book includes seven interviews with Radical designers and architects, offering fresh insights into the individuals who were at the vanguard of this groundbreaking movement. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (February 14-April 26, 2020) Yale School of Architecture Gallery (September 3-November 20, 2021)

This volume catalogs more than four hundred decorative objects in the Robert Lehman Collection at The Metropolitan Museum of Art, including painted enamels, snuffboxes, porcelain, pottery, ceramics, jewelry, furniture, cast metal, and textiles from throughout Europe and Asia, with the majority dating from the late seventh century to the twentieth century. Highlights include a a superb seventeenth-century oval-shaped watch decorated with enamels by the master Susanne de Court of Limoges; a dazzling domed cup supported by a carved alabaster figure of a bearded Turk, replete with jewels and precious stones, crafted in early eighteenth-century Germany; and a French secretaire from the 1780s set with painted enamels from the famed Sevres Manufactory. Provenance information, exhibition histories, and references are provided, and selected comparative illustrations are incorporated. The volume also includes a bibliography and an index."

The catalogue Spatial Affairs aims to investigate the relation and interdependence of physical and digital presence via Modern, Conceptual and Contemporary works of art and manifestos.

Featuring art from the collections of the J. Paul Getty Museum at the Getty Center, this small book is sure to provoke the surprise and delight of discovering similarities among works in different media and from different periods. Illustrated with details of artworks from the collection, one pairing juxtaposes a woman's up-raised hands from an illuminated manuscript, while the facing page shows a close-up from a black-and-white photograph of the hands of a woman clutching her chest. In another a painting of two women sitting on a red and gold daybed is shown next to a similar piece of furniture in the Museum's galleries. Drawn from every curatorial department represented at the Center--Paintings, Drawings, Sculpture and Decorative Arts, Manuscripts, and Photography--the works included here span hundreds of years of art history.
The reader will enjoy leafing through this virtual tour and may notice familiar works that can be examined anew, and all readers will enjoy this compact and thought- provoking gem of a book.

This Handbook illustrates a selection of drawings of flowers from the collection at the Fitzwilliam Museum. The book is arranged chronologically and ranges from the fifteenth century to the present day. Beginning with illustrations from the borders and backgrounds of illuminated manuscripts, the selection traces the form through attempts at accurate delineation of form during the Renaissance to the more scientific approach of the later seventeenth and early eighteenth centuries. It concludes with several contemporary examples of flower drawings to show that the tradition continues. The illustrations bring out the stunning detail and colour characteristic of the art-form.

Frames often catch the eye and arouse the curiosity of visitors to galleries and museums, yet labels and catalogues rarely comment on them. Nicholas Penny conveys his interest in the history of frames, the design and techniques of frame-making, what frames do for paintings, and the part they play in the decoration and often the architecture of an interior. The emphasis is on the changing function and varied purpose of frames as well as the different styles of ornament, materials, finishes, and techniques used. This Closer Look guide is illustrated by frames from the National Gallery's magnificent collection. Published by National Gallery Company/Distributed by Yale University Press

Shuvinai Ashoona (born 1961) is a third-generation Inuit artist based in Kinngait, Nunavut, Canada. Best known for her highly personal and imaginative iconography, Shuvinai's imagery ranges from closely observed naturalistic scenes of her Arctic home to monstrous and fantastical visions. Her drawings imagine the past and present fused into a prophetic future. Existing somewhere between dystopic and utopic, Shuvinai's brightly coloured drawings teem with life. Her earthly and extraterrestrial worlds exist within a kind intergalactic future. The book provides insight into Shuvinai's practice, with essays from Canadian and international authors, reflections on specific drawings, a select exhibition history and large-format illustrations, including installation images from The Power Plant Contemporary Art Gallery, Toronto, Canada.

A journey through the groundbreaking works of Bruce Nauman, one of the most restlessly inventive contemporary artists of today. Since the late 1960s Bruce Nauman has established a completely new understanding of contemporary art, and has been acknowledged as one of the most relevant artists of the twentieth century. Both the last modern artist and because of his ceaseless experimental approach to new media - the very first contemporary artist, Nauman has is recognised for his landmark conceptual approach against which much contemporary art of today can be measured. Focusing in particular on his experiments with sound, the moving image and immersive installations, this book features explorations of Nauman's video works of the 1980s and 1990s, as well as on his studio practice and more recent work, along with a revealing in-depth conversation between the artist and Andrea Lissoni and Nicholas Serota. This essential book reveals Bruce Nauman as an artist who has uniquely blazed a trail in both the twentieth and twenty-first centuries.

Staging an exhibition as choreography, as drama, as opera, as a place where reality, politics, aesthetics, art, film, and music can address the issues of our day through documentaries, dialogues, science, activism, and creativity: This is the dream, the idea, and the mission of the "refaire le monde" exhibition trilogy at Helmhaus Zurich. The exhibition involves some eighty different authorial voices, bringing diverse attitudes and actions into the safe space of the museum. This book is both a documentation of these new values and new worlds and a guide to them. It is people-focused, positing the arts as the model for a new human reality. Refaire le monde features many artists, including: Ursula Biemann, Pascale Birchler, Corina Gamma, Vincent Glanzmann, Fabrice Gygi, A. C. Kupper, Asia Andrzejka Merlin, Gianni Motti, Tanja Roscic, Heidi Specogna, Bertold Stallmach, and many more, as well as all those who participated in various parallel events.