A groundbreaking introduction to the photographic work of an iconic modern artist The pathbreaking artist Georgia O'Keeffe (1887-1986) is revered for her iconic paintings of flowers, skyscrapers, animal skulls, and Southwestern landscapes. Her photographic work, however, has not been explored in depth until now. After the death of her husband, the photographer Alfred Stieglitz, in 1946, photography indeed became an important part of O'Keeffe's artistic production. She trained alongside the photographer Todd Webb, revisiting subjects that she had painted years before-landforms of the Southwest, the black door in her courtyard, the road outside her window, and flowers. O'Keeffe's carefully composed photographs are not studies of detail or decisive moments; rather, they focus on the arrangement of forms. This is the first major investigation of O'Keeffe's photography and traces the artist's thirty-year exploration of the medium, including a complete catalogue of her photographic work. Essays by leading scholars address O'Keeffe's photographic approach and style and situate photography within the artist's overall practice. This richly illustrated volume significantly broadens our understanding of one of the most innovative artists of the twentieth century. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (October 17, 2021-January 17, 2022) Addison Gallery of American Art, Phillips Academy, Andover, MA (February 26-June 12, 2022) Denver Art Museum (July 3-November 6, 2022) Cincinnati Art Museum (February 3-May 7, 2023)

This richly illustrated publication explores the lasting influence of Gainsborough's Blue Boy on British art and culture Marking the return of Gainsborough's Blue Boy to the UK exactly 100 years since it left for the United States, this richly illustrated publication will explore the lasting influence of this iconic painting on British art and culture. During the nineteenth century, the painting's fame grew and full-length portraits by Gainsborough and his contemporaries became much sought after by wealthy American collectors. The sale of The Blue Boy to the American railroad magnate and collector Henry E. Huntington in 1921 was unsurprisingly viewed as a national tragedy-emblematic of a shift in economic and cultural power. However, its afterlife, as a permanent ambassador for British art, has undoubtedly fed into ideas of Britain and Britishness-its history, society, culture and character-that still resonate today. Including a select group of paintings that demonstrate the profound influence of Sir Anthony van Dyck and the old master tradition on Gainsborough's practice and identity, Gainsborough's Blue Boy will examine this masterpiece within the context of the National Gallery's collection. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London January 25-May 15, 2022

Tibetan Buddhist art is not only rich in figural icons but also extremely diverse in its symbols and ritual objects. This first systematic review is an abundantly illustrated reference book on Tibetan ritual art that aids our understanding of its different types and forms, its sacred meanings and ceremonial functions. Eighteen chapters, several hundred different implements are documented in detail, in many cases for the first time and often in their various styles and iconographic forms: altar utensils and amulets, masks and mirrors, magic daggers and mandalas, torma sculptures and prayer objects, vajras and votive tablets, sacrificial vessels and oracle crowns, stupas and spirit traps, ritual vases, textiles, furniture, and symbolic emblems. These are accompanied by many historical and modern text sources, as well as rare recorded oral material from high-ranking Tibetan masters. This long-awaited handbook is a must-have for all those with an interest in Buddhist art and religion.

Embroideries from the Greek islands dazzle with their bright colours and charming motifs. This publication reveals little-known pieces from the Ashmolean Museum at the University of Oxford, newly photographed and published here for the first time. The embroideries include fragments of pillowcases, bed valances, tents and curtains, as well as items of dress. As with all collections of textiles, the story of the Ashmolean holdings is chiefly about their makers and their ingenuity. Once forming the bulk of bridal trousseaux, Greek embroidered textiles were produced and maintained by young and old women for themselves and the house using locally produced materials. A mark of their worth and a platform for self-expression, embroidered textiles also helped Greek women to negotiate their place in the community, signalling status and affiliation.

Modernism, referring to the period dating roughly from the late 19th century to 1970, is regarded as a crucial moment in the history of American art. Although Modernist artists adopted a wide range of styles, they were linked by a desire to interpret a rapidly changing society and to cast aside the conventions of representational art. Some, such as Stuart Davis and Joseph Stella, responded to consumerism, urbanism and industrial technology; others, such as Arthur Dove and Georgia O'Keeffe, found inspiration in nature and the Native American culture of the Southwest. This magnificent new book presents the works of the Vilcek Collection, an unparalleled private collection of American Modernist paintings, drawings and sculpture. Art historian Lewis Kachur explores almost 100 rarely seen works by 20 leading artists active during the first half of the last century, while William C. Agee contributes an incisive introduction. Lavishly illustrated throughout, Masterpieces of American Modernism provides an outstanding overview of the radical shift in art driven by this major aesthetic movement.

Starting with Helmar Lerski's outstanding photo series Metamorphose - Verwandlungen durch Licht from 1935/36, the magnificent volume Faces - The Power of the Human Visage presents portraits from the era of the Weimar Republic. The photographs taken by the photographers of the 1920s and 1930s achieved a radical renewal of portrait photography. Portrait photos traditionally served to depict the personality of an individual. The photographers of the interwar years saw the face as material to be presented in accordance with their own ideas. Through the photograph of a face they explored aesthetic considerations as well as the politicalchanges that took place during the Weimar Republic. Modernist experiments, the elationship between individual and type, feminist roles and political ideologies collided and hence expanded the concept of portrait photography.

This book reveals the wealth of British and European miniatures preserved in Scottish private collections, most of which are not normally on show to the public. Some of these intimate and private works are new discoveries, published here for the first time. These works are drawn from some of the notable private collections in Scotland, led by the most famous of all, that of the Duke of Buccleuch & Queensberry. The protagonists of the Stuart cause are well represented in portraits of Prince James and his sons Prince Charles Edward and Prince Henry Benedict, taken from the collection of one of the most significant Jacobite families, that of the Dukes of Perth. The book illustrates some of the most personal portraits of the leading figures among the great families of Scotland from the early seventeenth to the mid-nineteenth century. Twenty of the key works are illustrated in colour, with extended captions, and a complete catalogue of the collection is also included.

From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedia of Harlem Renaissance website.

A New York Times best art book of 2021 "[A] gold mine of a book . . . Funny, biting, morbid, it's a page-turner for sure."-Holland Cotter, New York Times Ray Johnson (1927-1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the New York Correspondence School. Drawing on the vast collection of Johnson's work at the Art Institute of Chicago, this volume gives new shape to our understanding of his artistic practice and features hundreds of pieces that include artist's books, collages, drawings, mail art, and performance documentation. In keeping with Johnson's democratic, rhizomatic, and antihierarchical ethos, this indispensable resource on the artist's oeuvre contains 700 illustrations, many of them never before published, and twenty-one short essays by various contributors that allow readers to dip into and out of the book in a nonlinear manner. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (November 26, 2021-March 21, 2022)

An exploration of the artistic and cultural influences that shaped writer and illustrator Edward Gorey The illustrator, designer, and writer Edward Gorey (1925-2000) is beloved for his droll, surreal, and slightly sinister drawings. While he is perhaps best known for his fanciful, macabre books, such as The Doubtful Guest and The Gashlycrumb Tinies, his instantly recognizable imagery can be seen everywhere from the New Yorker to the opening title sequence of the television series Mystery! on PBS. Gorey's Worlds delves into the numerous and surprising cultural and artistic sources that influenced Gorey's unique visual language. Gorey was an inveterate collector--he called it "accumulating." A variety of objects shaped his artistic mindset, from works of popular culture to the more than twenty-six thousand books he owned and the art pieces in his vast collection. This collection, which Gorey left to the Wadsworth Atheneum Museum of Art upon his death, is diverse in style, subject, and media, and includes prints by Eugene Delacroix, Charles Meryon, Edvard Munch, and Odilon Redon; photographs by Eugene Atget; and drawings by Balthus, Pierre Bonnard, Charles Burchfield, Bill Traylor, and Edouard Vuillard. As this book shows, these artistic pieces present a visual riddle, as the connections between them-to each other and to Gorey's works-are significant and enigmatic. The essays in Gorey's Worlds also examine the artist's consuming passions for animals and ballet. Featuring a sumptuous selection of Gorey's creations alongside his fascinating and diverse collections, Gorey's Worlds reveals the private world that inspired one of the most idiosyncratic artists of the twentieth century. Exhibition Schedule: Wadsworth Atheneum Museum of Art, February 10 - May 6, 2018

A lively look at an underexplored niche in the history of American ads: pop-ups. Drawing from Ellen G. K. Rubin's extensive collection of more than 7,000 pop-up books and related ephemera, Animated Advertising demonstrates how animated and dimensional paper devices have been used throughout US history to promote products, art, entertainment, and ideas. The book displays the creativity of advertisers in food, fashion, tobacco, pharmaceuticals, travel, music, politics, and more. Rubin's diverse examples of historical paper pop-ups show how they leaped from the pack of standard marketing materials to catch the eye and inform patrons and clientele about the items being sold. Illustrated with two hundred and fifty color images, and published to coincide with a Winter 2023 exhibition at the Grolier Club's New York headquarters, Animated Advertising is a lively look at an underexplored niche in the history of American marketing, graphic design, and paper engineering.

This expansive catalogue illuminates the social and cultural roots-and global importance-of iconic Filipino American artist and educator Carlos Villa's artwork and career. Carlos Villa has been described as the preeminent Filipino American artist-a legend in artistic circles for his groundbreaking approaches and his influence on countless artists-but he remains little known to many fans and scholars of modern and contemporary art. Carlos Villa: Worlds in Collision is the first museum retrospective of his work, presented at the San Francisco Art Institute and the Asian Art Museum of San Francisco. Villa was trained at the San Francisco Art Institute in the 1950s as an abstract expressionist, and over time he transformed his practice to address issues of ethnic and cultural diversity. He concurrently assumed a leadership role in "Third World" and "multicultural" international art movements, and his large-scale works reference non-Western traditions, including tattoo, scarification, ritual, and ceremony. He was also an important theorist, curator, and organizer of public forums that he called "actions." This book traces the arc of his career from 1969 until his death in 2013, with emphasis on his feathered works from the 1970s, as well as later works that address aspects of the history of Filipinos in the United States. It illuminates the social and cultural roots-and global importance-of Villa's art and teaching career as he sought to forge a new kind of art-world inclusion that reflected his own experience, commitment to diversity, and boundary-bending imagination. Published in association with the San Francisco Art Institute. Exhibition dates: Newark Museum of Art: February 8, 2022-May 8, 2022 San Francisco Art Institute & Asian Art Museum: June 17, 2022-Fall 2022

The third volume in the 'Car Racing' collection, 1967 bears witness to the gradual appearance of colour. Photographers henceforth juggled rolls of both black & white and colour film as they ventured as close as possible to the drivers and throngs entranced with speed and competition. Industries and automobile marques understood the full import of the tremendous platform motorsport offered them, and became ever more enthusiastic to share their stories and victories with the public. Many are mentioned in these pages, including Ford's extraordinary epic with the Cosworth engine and triumph at Le Mans. This volume also showcases portraits of drivers from Francois Cevert to Bruce McLaren, and touches on the careers of legendary designers such as Jean Redele, Colin Chapman and Jim Hall... In their lively commentary, Johnny Rives and Manou Zurini take evident pleasure in recalling old acquaintances from the pitched fever of the track, joyfully sharing their knowledge through anecdotes and memories. Text in English and French.

Have you ever wondered who your favourite artists admire and who they want to shine a spotlight on? Wonder no longer. In this first volume of Accolades, a wide range of musicians, composers, and songwriters praise and present their treasured gems. Contributors from Steve Albini to "Weird Al" Yankovic, from Julien Baker to Margo Price, present accolades to cherished colleagues, to amazing actors and authors, to admired activists and athletes, to precious poets and esteemed engineers. Belgian-based illustrator Tom De Geeter thoughtfully curated this line-up of contributors. He interviewed close to 200 artists and asked them just these two questions: who do you want to honour and why? De Geeter's vivid, bold yet delicate line drawings accompany their answers in style and make Accolades a more than exceptional project for you to dive right into. Close to 200 contributions by musicians like Steve Albini, Julien Baker, Jehnny Beth, Dan Deacon, Feist, Steve Gunn, Tim Heidecker, Page Hamilton, Joan As Police Woman, Lambchop, Larkin Poe, Ian MacKaye, Mark Mothersbaugh, Margo Price, Mauro, Sun Kil Moon, Mike Watt, "Weird Al" Yankovic, but also from members of bands like Amenra, Bad Company, Bauhaus, Efterklang, Fleet Foxes, Godspeed! You Black Emperor, Grandaddy, Grizzly Bear, Guided by Voices, The Hold Steady, Khruangbin, Royal Trux, Unsane, Xiu Xiu, and many more.

The publication Zusammen / Together is a comprehensive recollection of the exhibition highlights of the years 2015 to 2022 at Museum Haus Konstruktiv and brings together what is separated in space and time. A series of insightful conversations with the artists Etel Adnan, Claudia Comte, Elisabeth Goldring-Piene, Brigitte Kowanz, Alicja Kwade, Dora Maurer, Amalia Pica, Tomas Saraceno, as well as in-depth texts on Imi Knoebel and William Kentridge are accompanied by numerous exhibition views. Many of the conversations and exhibition views have not been published before; some of the texts reprinted here in slightly modified form are taken from books that have long been out of print today and are given their well-deserved new visibility.

A Casual Reconstruction explores open conversation to examine the relationship between language, identity and human connection. Driven by the desire to have an honest discussion about Indigenous identity/mixed identity, artist Nadia Myre invites viewers on an intimate journey to probe the meaning of cultural distinctiveness. The interweaving of video projection and audio narratives serves as an intriguing rumination in understanding the meaning of belonging and the importance of the art of listening.

Around 1505 Goossen Van der Weyden, Rogier's grandson, painted a monumental altarpiece depicting the various phases of Saint Dymphna's insane life. This Irish princess, who fled her incestuous father in the sixth century, was beheaded in the Kempen village of Geel. On account of her tragic end and uncompromising chastity, the princess was venerated from that moment on as the patron saint of the mentally ill. From the late Middle Ages, pilgrims flocked to Geel in large numbers to catch a glimpse of Saint Dymphna. They paid homage to the local celebrity in the hope that she would alleviate their mental problems. To this day, Geel is known for its unique treatment of the mentally ill, who are cared for at home by locals. Goossen Van der Weyden's altarpiece came into being at the height of Dymphna's popularity. The masterpiece was intended for the church of Tongerlo Abbey. Today this work is characterised by a remarkable iconography and an eventful history: a panel was lost and the triptych was even sawn into pieces. It ultimately came into the hands of a team of specialists from Belgium and abroad who subjected the altarpiece to a meticulous conservation over a period of three years, a colossal undertaking during which new techniques were used. This gave the conservators unprecedented insight into the mind, and workshop, of an early 16th century painter. This richly illustrated book is the result of years of research and contains essays by Till-Holger Borchert (Musea Brugge), Stephan Kemperdick (Gemaldegalerie, Staatliche Museen, Berlin), Katharina Van Cauteren (The Phoebus Foundation, Antwerp), Lucinda Timmermans (Rijksmuseum, Amsterdam), Patrick Allegaert (Dr. Guislain Museum, Ghent) and many others.

Presents the best of the collection of African art and artefacts held by the Museum of Fine Arts, Boston

The African art collection at the Museum of Fine Arts, Boston, offers a portal into the life and politics of a large and complex continent with a wealth of history and culture. The highlighted works in this volume have been selected to illuminate different societies and periods, and to offer an introduction to traditions within the wider field of African art. They are presented through the framework of their original contexts: refined bronze sculptures made for royal palaces, spiritual figures powerfully rendered in wood or stone for shrines, vibrant luxury textiles, masks for public celebrations, art made for export, and trenchant contemporary photography intended for global art markets. By examining the places where these objects were first encountered by viewers the palaces of Mangbetu kings, the busy streets of Lagos, or a gallery in London vivid stories emerge about who made, paid for, used and enjoyed these artworks. Taken together, they evoke the brilliance and variety of artistic traditions across a vast continent.

"Pars Pro Toto II" was, like the first volume in 2008, developed in the course of a close dialogue between the German Egyptian artist Susan Hefuna and the editor, Hans Ulrich Obrist. It presents Hefuna's recent body of work.

Susan Hefuna's work has been widely exhibited at such venues as the Louvre, Paris; Townhouse Gallery, Cairo; the House of World Cultures, Berlin; the Third Line Gallery, Dubai; Sharjah Biennial; Albion Gallery, London and New York; the New Museum, New York; and Sevilla Biennial. She has been nominated for the 2009 Jameel Prize by London's Victoria and Albert Museum, and will be included in the Venice Biennial in 2009.

This book presents a personal collection of ancestor sculpture and protective deities, following the ancient migratory and trade routes of the Austronesian, Southeast Asian Bronze Age, and Hindu-Buddhist peoples. The author, Thomas Murray, has spent a lifetime studying this art through his endeavours as a peripatetic dealer, collector, and field researcher. The objects illustrated come from a swath of widely varied cultures from Nepal eastward to Hawaii, with the overwhelming majority from Indonesia and Southeast Asia. Murray's eye is highly informed and based on an unusually large sampling of objects to which his experience and research have exposed him. The artworks documented represent some of the top examples he has acquired and retained over the course of a long career. They are characterised by sculptural balance and a harmony of line, as well as a rare quality of expressiveness. Each ranks high in terms of aesthetics and desirability within its own particular style as perceived by the art market and by other western aficionados.