Dan Klein and Alan J. Poole began collecting in the late 1970s and over the subsequent thirty years assembled on the most comprehensive collections of modern British and Irish glass. The book includes work by over one hundred makers at the very cutting edge of their art. This dazzling collection was gifted to National Museums Scotland in 2009.

The COVID-19 pandemic has made the fragility of the human body painfully perceptible. Through essays and contributions of international artists and activists, this anthology poses the question of how and by whom a body is defined as healthy or sick. At the intersection of ecology, economics and technology, Kingdom of the Ill investigates a shift in the relationship between health and illness, contamination and purity, care and neglect. How are climate change and pollution affecting our well-being? Given the collective state of exhaustion, looming economic hardships, public healthcare cuts, and the dissolution of the boundaries between online and offline, how can one actually stay healthy and well? Following Techno Globalization Pandemic, Kingdom of the Ill - curated by Sara Cluggish and Pavel S. Pys - is the second chapter in the long-term research program TECHNO HUMANITIES launched in 2021 by Museion Bozen's Director Bart van der Heide.

In 2009, the revered Swiss art publication and editions publisher, "Parkett," celebrates its quarter-centenary with a comprehensive retrospective collecting all 200 of the artists editions it has produced since 1984. (They include Tomma Abts, Maurizio Cattelan, John Currin, Peter Fischli/David Weiss, Nan Goldin, Dan Graham, Wade Guyton, Zoe Leonard, Paul McCarthy, Marilyn Minter, Cady Noland, Raymond Pettibon, Richard Prince, Charles Ray, Gerhard Richter, Pipilotti Rist, Ed Ruscha, Dana Schutz, Hiroshi Sugimoto and Christopher Wool, to name just a few.) Originating at the celebrated SANAA-designed 21st Century Museum of Contemporary Art in Kanazawa, Japan, the exhibition builds on previous retrospectives held at Kunsthaus Zurich (2005), the Irish Museum of Modern Art (2002), The Museum of Modern Art, New York (2001), and Whitechapel Art Gallery, London (2001). "Commissioned by "Parkett," the most important artists of our time have created editions that represent the essence of their art or reveal an unexpected dimension... the works cover every possible medium including painting, photographs, drawings, prints, sculptures, videos, DVDs, and sound pieces," wrote Whitechapel's Iwona Blazwick in 2001.
Weighing in at more than 450 pages, this super-collectible catalogue raisonne, produced in conjunction with the 21st Century Museum of Contemporary Art, is the most comprehensive catalogue ever produced on "Parkett"'s fabled editions. As such, it is a unique document of today's art.

An unprecedented survey of modern lighting design foregrounding its materials, innovators, and far-reaching influence Offering the first comprehensive history of lighting design from the 20th and 21st centuries, Electrifying Design: A Century of Lighting explores how lighting has been integral to the development of modern design both in terms of aesthetics and technological advances. This fascinating book outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time periods and geographic locations and feature the work of significant figures, including Poul Henningsen, Ingo Maurer, and Gino Sarfatti. With over 130 illustrations of functional and sometimes fantastical designs, a historical timeline, and comprehensive artist biographies, this handsome volume expands our understanding of an understudied but influential art form and demonstrates lighting's central role as both an expression of and a catalyst for innovations in modern and contemporary design. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (February 21-May 16, 2021) High Museum of Art, Atlanta (July 2-September 26, 2021)

Longlisted for the 2021 NSW Premier's History Awards for Australian History. "The patterns and designs were laid down on the country and in the minds of Yolnu by the ancestral beings at the time of creation. They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are." -- Djambawa Marawili AM Djalkiri are "footprints" -- ancestral imprints on the landscape that provide the Yolnu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolnu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolnu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolnu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolnu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories. Featuring over 300 colour images, Djalkiri is published in conjunction with a largescale exhibition of Yolnu art and culture at the University of Sydney's new Chau Chak Wing Museum, opening in November 2020. Spanning almost 100 years of our shared history, these collections can expand our understanding of the past and help us to shape the future.

The most comprehensive and best-illustrated history of watercolour painting ever published. The term watercolour calls to mind atmosphere, luminosity, and immediacy - qualities that derive directly from the quick-drying, translucent nature of water-based pigments. In Watercolor: A History, Louvre curator Marie-Pierre Sale provides an authoritative and beautifully illustrated account of this versatile and widely beloved artistic medium. Sale's incisive text traces the development of watercolour from the 13th to the 20th century in Europe and the United States, encompassing every type of work - from plein-air sketches to finished studio pieces - and a wide variety of artists. Here are Durer's detailed animal studies, Turner's landscapes, Cezanne's tireless explorations, Sargent's light-dappled sketches, O'Keeffe's pioneering abstractions. This handsome volume features more than 300 full-colour illustrations, specially printed on Munken paper to capture the vibrancy and texture of the original works. It is sure to be welcomed by art historians and art lovers alike.

The first-ever monograph on Reynaud-Dewar, one of today’s most celebrated multimedia artists

French artist Lili Reynaud-Dewar creates environments and situations in which she uses her own body to examine the dual experience of vulnerability and empowerment that results from acts of exposing oneself to the world. Evolving through a range of media such as performance, video, installation, sound, and literature, her work considers the fluid border between public and private space, challenging conventions related to the body, sexuality, power relations, and institutional spaces. This is the first book to document her remarkable career.

A groundbreaking introduction to the photographic work of an iconic modern artist The pathbreaking artist Georgia O'Keeffe (1887-1986) is revered for her iconic paintings of flowers, skyscrapers, animal skulls, and Southwestern landscapes. Her photographic work, however, has not been explored in depth until now. After the death of her husband, the photographer Alfred Stieglitz, in 1946, photography indeed became an important part of O'Keeffe's artistic production. She trained alongside the photographer Todd Webb, revisiting subjects that she had painted years before-landforms of the Southwest, the black door in her courtyard, the road outside her window, and flowers. O'Keeffe's carefully composed photographs are not studies of detail or decisive moments; rather, they focus on the arrangement of forms. This is the first major investigation of O'Keeffe's photography and traces the artist's thirty-year exploration of the medium, including a complete catalogue of her photographic work. Essays by leading scholars address O'Keeffe's photographic approach and style and situate photography within the artist's overall practice. This richly illustrated volume significantly broadens our understanding of one of the most innovative artists of the twentieth century. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (October 17, 2021-January 17, 2022) Addison Gallery of American Art, Phillips Academy, Andover, MA (February 26-June 12, 2022) Denver Art Museum (July 3-November 6, 2022) Cincinnati Art Museum (February 3-May 7, 2023)

A completely new way of looking at and understanding Surrealism, with a focus on the worldwide sweep of the movement "The variety of discoveries, detailed with exceptional scholarship in a ravishing keeper of a catalogue, defeat generalization."-Peter Schjeldahl, New Yorker This groundbreaking book challenges conventional narratives of Surrealism, tracing its impact and legacy from the 1920s to the late 1970s in places as diverse as Colombia, Czechoslovakia, Egypt, Japan, Mexico, the Philippines, Romania, Syria, Thailand, and Turkey. In doing so, it presents a more inclusive and accurate understanding of the fundamentally international character and lasting significance of the revolutionary artistic, literary, and philosophical movement. Vibrantly illustrated with more than 300 works of art by both well-known figures-including Dali, Ernst, Kahlo, Magritte, and Miro-and numerous underrepresented artists, this expansive book pushes beyond the borders of history, geography, and nationality to provocatively redraw the map of the Surrealist movement, investigating how its visual languages, ideals, theories, and practices were framed or reframed in contexts far from its Parisian origins. Contributions from more than 40 distinguished international scholars explore themes such as the channels used to transmit ideas; artists' responses to the challenges of political oppression, social unrest, and the effects of colonialism; and experiences of displacement and exile in the twentieth century. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (October 4, 2021-January 30, 2022) Tate Modern, London (February 25-August 29, 2022)

The term 'jar' refers to any man-made shape with the capacity to enclose something. Few objects are as universal and multi-functional as a jar - regardless of whether they contain food or drink, matter or a void, life-giving medicine or the ashes of the deceased. As ubiquitous as they may seem, such containers, storage vessels and urns are, as this book demonstrates, highly significant cultural and historical artefacts that mediate between content and environment, exterior worlds and interior enclosures, local and global, this-worldly and otherworldly realms. The contributors to this volume understand jars not only as household utensils or evidence of human civilizations, but also as artefacts in their own right. Asian jars are culturally and aesthetically defined crafted goods and as objects charged with spiritual meanings and ritual significance. Transformative Jars situates Asian jars in a global context and focuses on relationships between the filling, emptying and re-filling of jars with a variety of contents and meanings through time and throughout space. Transformative Jars brings together an interdisciplinary team of scholars with backgrounds in curating, art history and anthropology to offer perspectives that go beyond archaeological approaches with detailed analyses of a broad range of objects. By looking at jars as things in the hands of makers, users and collectors, this book presents these objects as agents of change in cultures of craftsmanship and consumption.

Iconoclasm and the Museum addresses the museum's historic tendency to be silent about destruction through an exploration of institutional attitudes to iconoclasm, or image breaking, and the concept's place in public display. Presenting a selection of focused case studies, Boldrick examines long-standing desires to deface, dismantle, obscure or destroy works of art and historic artefacts, as well as motivations to protect and display broken objects. Considering the effects of iconoclastic practices on artworks and cultural artefacts and how those practices are addressed in institutions, the book examines changing attitudes to the intentional destruction of powerful artworks in the past and present. It ends with an analysis of creative destruction in contemporary art making and proposes that we are entering a new phase for museums, in which they acknowledge the critical roles destruction and loss play in the lives of objects and in contemporary political life. Iconoclasm and the Museum will be important reading for academics and students in fields such as museum and gallery studies, archaeology, art history, arts management, curatorial studies, cultural studies, history, heritage and religious studies. The book should also be of great interest to museum professionals, curators and collections management specialists, and artists.

The first detailed discussion of the greatest timepieces from the exceptional collection of The Metropolitan Museum of Art Among the world's great technological and imaginative achievements is the invention and development of the timepiece. Examining for the first time the Metropolitan Museum's unparalleled collection of European clocks and watches created from the early middle ages through the 19th century, this fascinating book enriches our understanding of the origins and evolution of these ingenious works. It showcases 54 extraordinary clocks, watches, and other timekeeping devices, each represented with an in-depth description and new photography showing the exterior as well as the inner mechanisms. Included are an ornate celestial timepiece that accurately predicts the trajectory of the sun, moon, and stars and a longcase clock by David Roentgen that shows the time in the ten most important cities of the day. These works, created by clockmakers, scientists, and artists in England, Germany, France, Italy, and the Netherlands, have been selected for their artistic beauty and design excellence, as well as for their sophisticated and awe-inspiring mechanics. Built upon decades of expert research, this publication is a long-overdue survey of these stunning visual and technological marvels. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (10/26/15-05/22/16)

An expanded edition of the definitive book on Ruth Asawa's fascinating life and her lasting contributions to American art. The work of American artist Ruth Asawa (1926-2013) is brought into brilliant focus in this definitive book, originally published to accompany the first complete retrospective of Asawa's career, organized by the Fine Arts Museums of San Francisco in 2006. This new edition features an expanded collection of essays and a detailed illustrated chronology that explore Asawa's fascinating life and her lasting contributions to American art. Beginning with her earliest works-drawings and paintings created in the 1940s while she was studying at Black Mountain College-this beautiful volume traces Asawa's flourishing career in San Francisco and her trajectory as a pioneering modernist sculptor who is recognized internationally for her innovative wire sculptures, public commissions, and activism on behalf of public arts education. Through her lifelong experimentations with wire, especially its capacity to balance open and closed forms, Asawa invented a powerful vocabulary that contributed a unique perspective to the field of twentieth-century abstract sculpture. Working in a variety of nontraditional media, Asawa performed a series of remarkable metamorphoses, leading viewers into a deeper awareness of natural forms by revealing their structural properties. Through her art, Asawa transfigured the commonplace into metaphors for life processes themselves. The Sculpture of Ruth Asawa establishes the importance of Asawa's work within a larger cultural context of artists who redefined art as a way of thinking and acting in the world, rather than as merely a stylistic practice. This updated edition includes a new introduction and more than fifty new images, as well as original essays that reflect on the impact of American political history on Asawa's artistic vision, her experience with printmaking, and her friendship with photographer Imogen Cunningham. Contributors include Susan Ehrens, Mary Emma Harris, Karin Higa, Jacqueline Hoefer, Emily K. Doman Jennings, Paul J. Karlstrom, John Kreidler, Susan Stauter, Colleen Terry, and Sally B. Woodbridge. Published in association with the Fine Arts Museums of San Francisco (FAMSF).

From the reviews of the hardcover edition:

... This conference ... to celebrate the centennial of the birth of Escher] resulted in an immensely interesting collection of articles ... Although Escher himself is no longer among us, M.C.Escher's Legacy, like a garden of continually blooming flowers, allows us to appreciate his heritage anew.

Notices of the AMS April 2003

... It is a handsome volume, and contains articles from 41 people, which cover a wide range of artistic and analytical endeavour. ... A quick dip into each section produces small gems. ... there is enough here to provide rich pickings for any interested party, no matter what their particular discipline is. Embedded in the various articles are even snippets which illuminate Escher's intentions, and his relationships with his mathematician friends ... Even though short, these are rewarding to read.

... the CD-ROM ... is an excellent addition to the book, and contains much more material, including "video" excerpts from some of the lectures."

Australian Math. Soc. GAZETTE May 2003

This book offers the first-ever survey of Swiss artist Nicolas Party's entire body of work. Born in 1980 in Lausanne, Party now lives and works in New York and has established himself as one of the most important figures of international contemporary art. Nicolas Party-Rovine (Italian for ruins) features pastels and sculptures that Party has created since 2013. The book focuses on the core genres of painting: still life, landscape, and portrait. Party's works stand out in these genres due to his use of wild, anti-naturalistic colours, as well as through his extremely precise rendering of the subjects. The artist explains his fascination for each of these genres in accompanying texts. The book also shows a large-format wall painting and a sculpture created especially for Party's major solo exhibition at MASI Lugano in the summer 2021. Contributions by the art critic and curator Michele Robecchi and by MASI Lugano's director Tobia Bezzola supplement this beautiful volume. Text in English, German and Italian.