An in-depth exploration of how the iconic artist created his works over the course of his full career Among the most celebrated figures of modern art, Amedeo Modigliani (1884-1920) has been the subject of many exhibitions and publications, but none until now has examined in depth how the artist created his paintings and sculptures. Drawing on research using the latest scientific techniques, the authors explore the artist's reuse of materials in his early years; his pivot from artistic trends such as Cubism to engage with a stylized form of figuration; the timeline of his evocative sculptures; and the evolution of his approach from heavily worked canvases to more ethereal paintings. The richly illustrated book also looks at the role of Albert C. Barnes, an early collector of Modigliani's work, in shaping the Italian artist's critical reception in the United States. The Barnes Foundation today owns one of the most important groups of Modigliani works in the world. These, together with some forty other paintings and sculptures from public and private collections worldwide, are interpreted through the lens of new studies carried out by leading international museums. Distributed for the Barnes Foundation Exhibition Schedule: The Barnes Foundation, Philadelphia (October 16, 2022-January 29, 2023)

Intimate photo essays of thirty-eight important writers, including Margaret Atwood, Gabriel Garcia Marquez, Zadie Smith, and Colm Toibin "We've all seen writers on the dust jackets of their books. These portraits, it seemed to me, generally failed to convey either character or personality. Writers deserve better. I wanted to make compelling pictures that would stick in the mind's eye."-Laura Wilson Inspired by the classic photo essays that once appeared in Life magazine, renowned photographer Laura Wilson presents dynamic portraits of thirty-eight internationally acclaimed writers. Through her photos and accompanying texts, she gives us vivid, revealing glimpses into the everyday lives of such luminaries as Rachel Cusk, Edwidge Danticat, David McCullough, Haruki Murakami, and the late Carlos Fuentes and Seamus Heaney, among others. Margaret Atwood works in her garden. Tim O'Brien performs magic tricks for his family. And Louise Erdrich, who contributes an introduction, speaks with customers in her Minneapolis bookstore. At once inviting and poignant, the book reflects on writing and photography's shared concerns with invention, transformation, memory, and preservation. With 220 duotone images, The Writers: Portraits will appeal to fans of literature and photography alike. Published in association with the Harry Ransom Center at The University of Texas at Austin Exhibition Schedule: Harry Ransom Center at The University of Texas at Austin August 26, 2022-January 1, 2023

"Chanel fans rejoice. . . . As glamorous and chic as you'd expect."--The Observer (on the first edition) A comprehensive and captivating overview of all of Karl Lagerfeld's Chanel collections, showcasing his creations through original catwalk photography This fully revised edition of the first overview of Karl Lagerfeld's (1933-2019) Chanel creations maintains every exceptional detail of the first edition. Images of key looks and short informative texts bring to life each season--now with 22 new collections, including Lagerfeld's final show for the house and the work of his successor, Virginie Viard. Beautifully produced, this book will stand as the ultimate reference on Lagerfeld's iconic Chanel looks and serve as a lasting tribute to one of the most talented and influential fashion designers in history. Opening with an introductory essay about Lagerfeld and his vision for Chanel, the book explores the collections chronologically, revealing the designer's inspired reinvention of classic Chanel style elements from season to season. Each collection is illustrated with a curated selection of catwalk images (filled with photos of top fashion models, including Cara Delevingne, Linda Evangelista, Kate Moss, and Claudia Schiffer), showcasing hundreds of spectacular clothes, from luxurious haute couture to trendsetting ready-to-wear, accessories, beauty looks, and set designs.

The Hispanic Society of America in New York is the vision of Archer M. Huntington (1870-1955). From an early age, Huntington developed an abiding love both of Hispanic culture and of museums and libraries. He resolved to devote his considerable fortune to combining these two passions, and carried out his project so resourcefully that the collections he assembled remain exceptional for their depth and richness, displaying the culture of Spain and Latin America in the broadest sense. Their scope ranges from the prehistoric era to the early 20th century, including antiquities, decorative arts, Islamic works, manuscripts and rare books as well as superb canvases by Old Masters such as El Greco, Velazquez and Goya. This handsome new publication features an introduction to Archer M. Huntington and the Hispanic Society by Patrick Lenaghan, the Society's archivist, and plates and authoritative catalogue entries on some of its greatest treasures by the Society's curators.

This stunning catalogue presents for the first time an outstanding group of modern drawings by European and American masters, assembled by the late Howard Karshan and his wife, Linda, who recently presented the works to The Courtauld. Accompanying their exhibition at The Courtauld Gallery, the catalogue features drawings by renowned artists including Paul Cezanne, Wassily Kandinsky, Paul Klee, Willem de Kooning, Philip Guston, Sam Francis, Cy Twombly, Gerhard Richter and Georg Baselitz. The Karshan gift is a significant addition to The Courtauld's collection. The works demonstrate Howard and Linda Karshan's sensibility for the expressive power and rich variety of drawing as an art form. The drawings are characterised by innovative mark-making and distinctive use of line. Examples range from radical watercolours by Cezanne and highly expressive finger drawings in ink by Louis Soutter, to abstract compositions made by Henri Michaux whilst experimenting with Mescalin to explore the subconscious, and on to works by Twombly that further broadened the possibilities of draughtsmanship. The 25 drawings of the Karshan gift will be shown at The Courtauld Gallery when it reopens in late 2021, following a major transformation project. This catalogue will include an interview with Linda Karshan, two essays and a fully illustrated catalogue with detailed entries on each work.

memymom is the mother-daughter artistic collaboration of Marilene Coolens and Lisa De Boeck. Their transgenerational project, which first emerged in the 1990s, consists of intimate archives and family photos where Marilene urges her daughter Lisa to express and invent herself by improvising her own theatrical scenes. Since 2004, the protagonists have worked together behind and in front of the lens, simultaneously photographer and model. Over the years, memymom's dreamlike, partly directed portraits have matured into a conversation about metamorphosis, personal identity, potential, as well as a plea for sensual analysis and tragic romanticism, as irrefutably illustrated in their latest series Somewhere Under the Rainbow. In this book, which is the culmination and prolongation of their recent work, the two artists disclose the way in which their themes and visual language have remained constant over the past 30 years, while simultaneously evolving fascinatingly in terms of aesthetics and content, through recurring references and reflections. This exhibition also provides an opportunity to see how the inclusion of an assorted group of other people, each playing a different role, has always been part of their artistic process. Text in English and French.

This book tells the fascinating story of the rhinoceros Miss Clara, the most famous animal of the eighteenth century. It accompanies the fi rst ever major loan exhibition devoted to Clara and celebrity pachyderms in the UK and will off er a signifi cant contribution to scholarship on the subject. The latest in the Barber's acclaimed objectin-focus series, Miss Clara focuses on a small bronze sculpture of a rhinoceros, and also considers other celebrity beasts, the emergence of menageries and zoos, and the significance of the capture and captivity of these big beasts within wider academic discussions of colonialism and empire. 'Miss Clara' arrived in Europe from the Dutch East Indies in 1741, brought by a retired Dutch East India Company captain, Douwe Mout van der Meer, who then toured her round Europe (including England) to huge acclaim and excitement. Jungfer Clara (so christened while visiting Wu rzburg in 1748) was the fi rst rhino to be seen on mainland Europe since 1579 and the object of great wonder and aff ection. Her fame generated a massive industry in souvenirs and imagery from life-scale paintings by major masters to cheap popular prints; there were even Clara-inspired clocks and hairstyles. This book will look at the phenomenon of Clara but, unlike previous studies of the subject, will focus primarily on sculptural/3D representations of her, within the context of other celebrity pachyderms represented by artists between the 16th and 19th centuries. Miss Clara is one of the most remarkable and best-loved sculptures in the Barber and was praised by the great German art historian and museum director Wilhelm von Bode as 'the fi nest animal bronze of Renaissance' - a telling tribute to its quality, even if he misunderstood its date. The Barber's cast is one of only two known, the other being at the V&A. There are also closely related marble versions. Other celebrity beasts featured will include the elephants Hansken, Chunee and Jumbo; Du rer's and various London rhinos; and the hippo Obaysch, star of London Zoo in the 1850s, and the fi rst to be seen in Europe since the fall of the Roman Empire. The publication will consist of entries for the thirty exhibits - included extended texts by Dr Helen Cowie (York University) on images of Chunee and Obaysch - preceded by three essays. Robert Wenley, Deputy Director of the Barber Institute, and the curator of the exhibition, will relate the story of Miss Clara (and of other celebrity rhinos), and explore the sculptural representations of her, presenting new research into their attribution and dating. The eminent sculptural historian, Dr Charles Avery, formerly of the V&AMuseum and Christie's, will write a complementary essay about celebrity elephants in Europe between 1500 and 1700. Dr Sam Shaw (Open University), will discuss private menageries and public zoos between about 1760 and 1860 in the UK, and consider celebrity pachyderms as emblems of empire and colonialism.

Two centuries ago, a teenage genius created a monster that still walks among us. In 1818, Mary Shelley published Frankenstein, and in doing so set forth into the world a scientist and his monster. The daughter of Mary Wollstonecraft, famed women's rights advocate, and William Godwin, radical political thinker and writer, Mary Shelley is considered the mother of the modern genres of horror and science fiction. At its core, however, Shelley's Frankenstein is a contemplation on what it means to be human, what it means to chase perfection, and what it means to fear things suchsuch things as ugliness, loneliness, and rejection. In celebration of the two hundredth anniversary of the publication of Frankenstein, the Lilly Library at Indiana University presents Frankenstein 200: The Birth, Life, and Resurrection of Mary Shelley's Monster. This beautifully illustrated catalog looks closely at Mary Shelley's life and influences, examines the hundreds of reincarnations her book and its characters have enjoyed, and highlights the vast, deep, and eclectic collections of the Lilly Library. This exhibition catalog is a celebration of books, of the monstrousness that exists within us all, and of the genius of Mary Shelley.

This catalogue documents the first exhibition in the Middle East by KAWS (Brian Donnelly, born 1974, USA). The solo show explores his career and vast oeuvre and features paintings and sculptures made over the past 20 years. KAWS' imagery has long possessed a sophisticated, dark humour, revealing the interplay between art and consumerism, referencing both art history and pop culture. Donnelly began his career in street art in the 1990s, becoming synonymous with the name KAWS, a tag that became a staple in his 'sub-vertisments' (modifications of commercial works). In addition to more than 40 major pieces exhibited in the Garage Gallery, examples of commercial collaborations designed by KAWS, among them sneakers, skateboards, and toys are on view in a separate archive above Cafe 999. A massive 5-meter-tall sculpture, COMPANION (PASSING THROUGH) (2013), in the Fire Station courtyard and an inflatable 40-metre public artwork at the Dhow Harbour, HOLIDAY (2019), also serve to highlight the exhibition.

"This year, the Fondation Vuitton strikes again with an exhibition of the Morozov Collection, about 200 French and Russian works bought by two other textile magnates, the brothers Mikhail and Ivan Morozov, who also made multiple Paris shopping trips" - New York Times The Morozov brothers, wealthy Moscow textile merchants Mikhail (1870-1903) and Ivan (1871-1921), played a key role in bringing Impressionist and Post-Impressionist art to Russia in the first decades of the 20th century. Along with Sergei Shchukin, a fellow industrialist and art collector, they created an international audience for French art and had a transformative effect on Russian cultural life. Between the years 1903 and 1914, Ivan Morozov spent more money than any other collector of his time, amassing a stunning collection of works by Matisse, Monet, Picasso, Bonnard, Sisley, Renoir, Signac, Vuillard, Gauguin, Van Gogh, Degas, Pissarro, and, most especially, Cezanne (17 paintings, all of which will be on display). On his bi-annual trips to Paris, he bought from the most discerning dealers, including Paul Durand-Ruel, Ambroise Vollard, and Daniel-Henri Kahnweiler, as well as directly from the artists themselves. His collection comprises 278 paintings, not including 300 paintings by Russian artists (Chagall, Malevich, Serov, Vrubel, Levitan, Larionov, Goncharova) and 28 sculptures. The Morozov collection was nationalised after the October 1917 Revolution, and after World War II it was divided among the Hermitage Museum, the Pushkin State Museum of Fine Arts, and the Tretyakov State Museum. This stunning catalogue has been published for a show of 100 highlights from the Morozov Collection that will run from 22 September 2021 - 22 February 2022 at the Louis Vuitton Foundation in Paris. It is the first time that works from the collection will travel abroad since they were acquired. This landmark exhibition will be the only stop for the show outside of Russia.

Among many other treasures, the Oriental Department of the Wellcome Library houses a small, but important, collection of Islamic calligraphy. Unlike many modern catalogues on Islamic calligraphy, which primarily comprises of illustrations and their physical description, this volume includes full details of each item described. The diversity of topics, languages and styles of calligraphy represented in the Wellcome collection, together with the contributions by various scholars, will make this volume an important reference on Islamic calligraphy for many years to come.

In July 1897, in a flourish of publicity, Sir Benjamin Stone - Birmingham industrialist, Member of Parliament and passionate, almost obsessive collector, announced the formation of the National Photographic Record Association. Its prime objective was to make a record of England for future generations, to foster "a national pride in the historical associations of the country, or neighbourhood, in family traditions, or in personal associations." Over the next 13 years, Stone and his amateur supporters deposited their photographs at the British Museum. In 2000, these were moved to the V&A. This book examines Stone's central role in the project and presents over 100 of his photographs, many of which have never been published before. It also charts the history of the NPRA and points to its legacies within photography. What is especially striking is the resonance of these pictures in our own age.

LONG LISTED FOR THE WILLIAM MB BERGER PRIZE FOR BRITISH ART HISTORY 2022. A major survey of Dame Laura Knight, first female Royal Academician and popular British artist of the 20th century. Laura Knight (1877-1970) was one of the most famous and popular English artists of the twentieth century. She was the first woman to have a solo exhibition at the Royal Academy of Arts, in 1965. In the following decades her realist style of painting fell out of fashion and her work become largely overlooked. A new generation has rediscovered her work, finding a contemporary resonance in her depictions of women at work, of people from marginalized communities and her contributions as a war artist. This beautifully illustrated book, which accompanies a major exhibition at MK Gallery, provides an overview of Knight's illustrious career: from her training at Nottingham Art School at the age of 13 and her time in North Yorkshire and Cornwall, to her visits to traveller communities and a segregated American hospital. It also features her circus, ballet and theatre scenes, paintings of women during the war and her late paintings of nature. The selection of over 160 works combines celebrated paintings with less known graphic and design works, including ceramics, jewellery and costumes that reflect the artist's enduring interest in the everyday activities of people from all walks of life.

In May 2010, Glasgow-based sculptor Claire Barclay made an installation titled "Shadow Spans" for the Whitechapel Gallery in London. Barclay attached clothes, birdcages and other objects to frames recalling windows and doors, suggesting a collapsed interior, which several dancers use as a set throughout the work's year-long installation. This volume records the occasion.

The VanhaerentsArtCollection is a unique and comprehensive collection of contemporary art, assembled by Walter Vanhaerents and his children Els and Joost. It enjoys the individual approach to collecting of its founders, as well as their shared passion for new and provocative art. The origins of the Vanhaerents Art Collection date back to the 1970s. Both established and emerging artists are represented in its holdings, with works in various media. Artists whose work plays a key role in the collection are Bruce Nauman, James Lee Byars, Christopher Wool, Jeff Koons, Takashi Murakami, Paul McCarthy, Bill Viola, Cindy Sherman, Ugo Rondinone... The publication Looking Ahead celebrates the Vanhaerents Art Collections 50th anniversary.

An expanded edition of the definitive book on Ruth Asawa's fascinating life and her lasting contributions to American art. The work of American artist Ruth Asawa (1926-2013) is brought into brilliant focus in this definitive book, originally published to accompany the first complete retrospective of Asawa's career, organized by the Fine Arts Museums of San Francisco in 2006. This new edition features an expanded collection of essays and a detailed illustrated chronology that explore Asawa's fascinating life and her lasting contributions to American art. Beginning with her earliest works-drawings and paintings created in the 1940s while she was studying at Black Mountain College-this beautiful volume traces Asawa's flourishing career in San Francisco and her trajectory as a pioneering modernist sculptor who is recognized internationally for her innovative wire sculptures, public commissions, and activism on behalf of public arts education. Through her lifelong experimentations with wire, especially its capacity to balance open and closed forms, Asawa invented a powerful vocabulary that contributed a unique perspective to the field of twentieth-century abstract sculpture. Working in a variety of nontraditional media, Asawa performed a series of remarkable metamorphoses, leading viewers into a deeper awareness of natural forms by revealing their structural properties. Through her art, Asawa transfigured the commonplace into metaphors for life processes themselves. The Sculpture of Ruth Asawa establishes the importance of Asawa's work within a larger cultural context of artists who redefined art as a way of thinking and acting in the world, rather than as merely a stylistic practice. This updated edition includes a new introduction and more than fifty new images, as well as original essays that reflect on the impact of American political history on Asawa's artistic vision, her experience with printmaking, and her friendship with photographer Imogen Cunningham. Contributors include Susan Ehrens, Mary Emma Harris, Karin Higa, Jacqueline Hoefer, Emily K. Doman Jennings, Paul J. Karlstrom, John Kreidler, Susan Stauter, Colleen Terry, and Sally B. Woodbridge. Published in association with the Fine Arts Museums of San Francisco (FAMSF).

This expansive catalogue illuminates the social and cultural roots-and global importance-of iconic Filipino American artist and educator Carlos Villa's artwork and career. Carlos Villa has been described as the preeminent Filipino American artist-a legend in artistic circles for his groundbreaking approaches and his influence on countless artists-but he remains little known to many fans and scholars of modern and contemporary art. Carlos Villa: Worlds in Collision is the first museum retrospective of his work, presented at the San Francisco Art Institute and the Asian Art Museum of San Francisco. Villa was trained at the San Francisco Art Institute in the 1950s as an abstract expressionist, and over time he transformed his practice to address issues of ethnic and cultural diversity. He concurrently assumed a leadership role in "Third World" and "multicultural" international art movements, and his large-scale works reference non-Western traditions, including tattoo, scarification, ritual, and ceremony. He was also an important theorist, curator, and organizer of public forums that he called "actions." This book traces the arc of his career from 1969 until his death in 2013, with emphasis on his feathered works from the 1970s, as well as later works that address aspects of the history of Filipinos in the United States. It illuminates the social and cultural roots-and global importance-of Villa's art and teaching career as he sought to forge a new kind of art-world inclusion that reflected his own experience, commitment to diversity, and boundary-bending imagination. Published in association with the San Francisco Art Institute. Exhibition dates: Newark Museum of Art: February 8, 2022-May 8, 2022 San Francisco Art Institute & Asian Art Museum: June 17, 2022-Fall 2022

Lumen, a survey of the four-decade career of British-Indian artist Sutapa Biswas, accompanies two solo exhibitions of the artist's work held in 2021-22. Biswas emigrated from India to the UK with her family in the 1960s. Taking the long histories of colonialism together with personal memories, Biswas's art meditates on questions of migration, identity and belonging. Her practice has consistently interrogated Western tradition and discourse, pushing past absences, exclusions and limited representations to make evident the entwined histories of culture and politics. This publication details Biswas's career from its origins in the Black Arts Movement in the 1980s to her important photographic installations of the 1990s and her subsequent major moving-image works, including her newly commissioned film Lumen. The first substantial publication on the artist in over 17 years, it features two new conversations with the artist and two commissioned essays. It also includes a republication of Griselda Pollock's important text on Biswas's work, along with a postface reflecting on their relationship in the decades since the essay's original publication. Published on the occasion of the exhibition: Sutapa Biswas: Lumen BALTIC Centre for Contemporary Art, Gateshead (26 June 2021-22 March 2022) and Kettle's Yard, University of Cambridge (16 October 2021-30 January 2022).