Keith Haring (1958 -1990) is widely recognised for his colourful paintings, drawings, sculptures and murals. Haring exploded onto the early 1980s New York art scene with his vivid graffiti-inspired drawings, many of which found exposure in the public realm, such as the Times Square billboard broadcast of his famous Radiant Child in 1982. Haring's instantly recognisable `cartoon-like' imagery not only drew on the iconography of contemporary pop and club culture but also looked back to the patterns and rhythms of Islamic and Japanese art, and primitive wall-paintings,. Furthermore his work also reflected a profound commitment to social justice and activism, and raised numerous issues that remain relevant today, including the AIDS crisis, the Cold War and fear of nuclear attack, racism, the excesses of capitalism and environmental degradation. Featuring around fifty works supported by rarely seen photography, film and archival documents from the Keith Haring Foundation, this accessible book will not only introduce Haring to a new audience but also throw fresh light on an artist whose work remains symptomatic of the subcultural and creative energy of 1980s New York. Three short texts exploring various aspects of Haring's practice will be interspersed with illustrations of his works and a rolling time-line featuring key social and political events of the 1980s (from the election of Reagan in 1980 and the explosion of hip hop from underground movement to global phenomenon to the fall of the Berlin Wall in 1989) and Haring's responses to them. The publication also aims to include select and unpublished reminiscences from those who collaborated and interacted with Haring, including performers such as Madonna and Grace Jones and artists Jenny Holzer and Yoko Ono.

Scholars and enthusiasts alike will revel in this ambitious two-volume catalogue raisonne of Thomas Gainsborough's portraits and copies of Old Master works. The catalogue contains approximately 1,100 paintings, including nearly 200 works newly attributed to the British master, as well as updated information about his subjects and specially commissioned photography. Each portrait entry includes the biography of the sitter-including several newly identified-the painting's provenance, and exhibitions in which each work was shown. Gainsborough's copies after Old Masters, painted in admiration and used to assimilate their style of painting into his own work, are documented here as well. Research includes in-depth analysis of newspaper archives and other printed material to establish the date of a painting's production, chart the development of the artist's style, and assess the impression the work made within the context of its time. Published in association with the Paul Mellon Centre for Studies in British Art

Fly-fishing is a multifaceted sport that will absorb you in its reality, taking you to places of exceptional beauty, to explore and to revel in the solitude. It is so often spoken of as an art form while fly-tying, inextricably linked to fly-fishing, is in its own right a form of artistry.

South African Fishing Flies is a celebration of this artistry – the innovation, the talents of the originators and their vision of imagination, masters of the craft – and of all the fly-tyers of South Africa. It is not an exhaustive reference to all South African flies, but is rather an anthology of those that by virtue of their innovation in design, materials used and tying techniques have helped shape and, in some cases, change the thinking on fly-tying in this country.

It is also a visual celebration of these flies, the waters we fish, an introduction to some of the individuals in our fly-fishing community, and creators of South African flies.

The Julie and Robert Breckman Print Fund has enabled purchases by such art world stars as Damien Hirst, Julian Opie, Chris Ofili, Grayson Perry and Rachel Whiteread to name but a few. The collection is also home of a wide range of other print acquisitions that encompass everything from topographical prints, fashion plates, wallpapers and caricatures to posters, packaging and playing cards, as well as prints by street artists, and often challenging contemporary prints and multiples. This book includes an illustrated introduction that gives the background of the collection and describes the rationale behind the collecting - as well as highlighting the important contributions that the Breckman Fund acquisitions have made to the V&A's programme of exhibitions, displays and galleries.

Twenty years after the fall of the Berlin Wall, "The Promises of the Past" examines the former opposition between Eastern and Western Europe by reinterpreting the history of the Communist Bloc countries through art. Challenging the idea that art history is somehow linear and continuous, this transnational and multigenerational project features works by more than 50 artists, many of them from Central and Eastern Europe, including: Marina Abramovic, Yael Bartana, Dimitrije Basicevic (Mangelos), Tacita Dean, Liam Gillick, Sanja Ivekovic, Julius Koller, Jiri Kovanda, Edward Krasinski, David Maljkovic, Marjetica Potrc and Monika Sosnowska. Accompanying an exhibition at the Centre Pompidou in Paris, this publication features previously unpublished archival documentation, as well as historic essays by Slavoj Zizek, Igor Zabel and others.

A rich vein of the artist's mature work, depicting the foundations of landscape and place From the mid-1860s until shortly before his death, Paul Cezanne (1839-1906) created 27 canvases that take rock formations as their principal subjects. This is the first publication to focus exclusively on these extraordinary works. It illustrates all of Cezanne's mature paintings of rock formations, including scenes of the terrain of the forest of Fontainebleau, the Mediterranean coastal village of L'Estaque, and the area around Aix-en-Provence, alongside examples of his watercolors of these subjects. An introductory essay by John Elderfield assesses these paintings in terms of their character, development, and relationship to Cezanne's other works; their critical interpretations; and their geological and corporeal associations. Faya Causey's essay examines the Provencal context of Cezanne's rock and quarry paintings, as well as the status of geology in France during the second half of the 19th century. The catalogue section, introduced by Anna Swinbourne, chronicles the sites, presenting details of where specifically the paintings were made and of the features that they represent, together with technical aspects of particular works. Distributed for the Princeton University Art Museum Exhibition Schedule: Princeton University Art Museum

From one of the leading Maori scholars of his generation and one of our greatest photographers comes this beautifully illustrated work that serves as a fine overview of leadership and challenges for Maori today. After a general introduction to Maori history, Te Ara focuses on the stories of iwi in five regions -- Hokianga, Peowhairangi (Bay of Islands) Tamaki Makaurau (Auckland), Waiariki (Rotorua-Taupo) and Murihiku (Otago-Southland). This trilingual publication -- in Maori, English and German -- will be of value for general readers, visitors, students of Maori and exhibition goers.

The extraordinary life of a captivating American artist, beautifully illustrated with his dreamlike drawings Much of Joseph Elmer Yoakum's story comes from the artist himself-and is almost too fantastic to believe. At a young age, Yoakum (1891-1972) traveled the globe with numerous circuses; he later served in a segregated noncombat regiment during World War I before settling in Chicago. There, inspired by a dream, he began his artistic career at age seventy-one, producing some two thousand drawings over a decade. How did Yoakum gain representation in major museum collections in Chicago and New York? What fueled his process, which he described as a "spiritual unfoldment"? This volume delves into the friendships Yoakum forged with the Chicago Imagists that secured his place in art history, explores the religious outlook that may have helped him cope with a racially fractured city, and examines his complicated relationship to African American and Native American identities. With hundreds of beautiful color reproductions of his dreamlike drawings, it offers the most comprehensive study of the artist's work, illuminating his vivid and imaginative creativity and giving definition and dimension to his remarkable biography. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago (June 12-October 18, 2021) Museum of Modern Art, New York (November 28, 2021-March 18, 2022) Menil Collection, Houston (April 22-August 7, 2022)

The 4th Marquess of Hertford and Sir Richard Wallace were both passionate collectors of miniatures, exquisite small paintings in watercolor or enamel, generally made for private contemplation and one of the most popular mediums of portraiture in an age before the advent of photography. This book features over seventy of the finest miniatures in the Wallace Collection, all of them reproduced in color, most for the first time. The volume spans the period from the mid-16th to the late-19th centuries. The entries include much new information on the miniatures and are accompanied by images of related works in the Wallace Collection and elsewhere. There are introductory essays on the history of the collection and on French eighteenth-century miniatures, a particular highlight of the collection.

Exceptional among English-language publications in its focus on French miniatures, this book offers a fascinating and tantalizing glimpse into the magical world of the miniature.

Scotland has produced an astonishingly high number of men and women whose lives have inspired and changed the world. This book, illustrating just over forty portraits, represents only a few of them, but with Robert Burns and Walter Scott, Eric Liddell and Alex Ferguson, Bonnie Prince Charlie and Queen Victoria, it represents the flavour of the collection at the Scottish National Portrait Gallery.

TEXTURES synthesises research in history, fashion, art, and visual culture to reassess the "hair story" of peoples of African descent. A fraught topic for African-Americans and others in the Diaspora, artists, barbers, and activists address the topic of Black hair,both the historical perceptions and its ramifications for self and society today. TEXTURES explores the breadth of Black artists' perspectives on hair vis-a-vis beauty, pride, and politics. Barbers and activists address Black hair, from historical perceptions to its challenges today. Combs, products, and implements from the collection of hair pioneer Willie Morrow are paired with masterworks from artists like David Hammons, Sonya Clark, Lorna Simpson, Mickalene Thomas, and Alison Saar. The exhibition & catalogue are inspired by Drs. Ellington and Underwood who research preferential treatment of straight hair, the social hierarchies of skin, and the power and politics of display.

In 1949 Georgia O'Keeffe chose the National Gallery of Art as the custodian of nearly 1,600 photographs by Alfred Stieglitz - the Key Set, as it has become known. With the formation in 1990 of the Gallery's department of photographs under Sarah Greenough, the collection has grown to 14,000 works of art, an assemblage that both charts the development of the medium and reveals the beauty and dynamic versatility of photography over its course of more than 175 years. This elegant book presents some of the most significant and compelling photographs acquired over the years, ranging from experimental photographs made in the earliest years of the medium's history to key works by major twentieth-century figures and contemporary pieces that reset the ways in which photography shapes our experience of the modern world. The guides on this enlightening walk through the history of the medium are members of the extraordinary curatorial team that established the National Gallery's international reputation for photography exhibitions and publications over the past twenty-five years, ever advancing the recognition of photography as a fine art.

A groundbreaking examination of Mel Bochner's inventive drawing practice produced collaboratively with the artist Encompassing both works on paper and oversized wall drawings made from the 1960s to the present, this handsomely designed volume documents the first-ever museum retrospective of drawings by Mel Bochner (b. 1940). Drawing has long been critical to the work of this pioneering conceptual artist, and essayists explore the theoretical framework and playful experimentation of his decades-long practice. The book, conceived and designed in close collaboration with the artist, features his own writings about his philosophy of wall drawings and reflections on significant exhibitions of his work. Bochner was a key figure of the Minimalist and Conceptual Art movements whose first exhibition in 1966 is now recognized as seminal. Today the artist is known for works in a range of media that explore the conventions of language and visual art as well as the relationships between them; his experimental works on paper, canvas, and wall-all of which are celebrated here-are a foundational facet of his practice and a critical influence on contemporary art. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (April 23-August 22, 2022)

An exploration of the artistic and cultural influences that shaped writer and illustrator Edward Gorey The illustrator, designer, and writer Edward Gorey (1925-2000) is beloved for his droll, surreal, and slightly sinister drawings. While he is perhaps best known for his fanciful, macabre books, such as The Doubtful Guest and The Gashlycrumb Tinies, his instantly recognizable imagery can be seen everywhere from the New Yorker to the opening title sequence of the television series Mystery! on PBS. Gorey's Worlds delves into the numerous and surprising cultural and artistic sources that influenced Gorey's unique visual language. Gorey was an inveterate collector--he called it "accumulating." A variety of objects shaped his artistic mindset, from works of popular culture to the more than twenty-six thousand books he owned and the art pieces in his vast collection. This collection, which Gorey left to the Wadsworth Atheneum Museum of Art upon his death, is diverse in style, subject, and media, and includes prints by Eugene Delacroix, Charles Meryon, Edvard Munch, and Odilon Redon; photographs by Eugene Atget; and drawings by Balthus, Pierre Bonnard, Charles Burchfield, Bill Traylor, and Edouard Vuillard. As this book shows, these artistic pieces present a visual riddle, as the connections between them-to each other and to Gorey's works-are significant and enigmatic. The essays in Gorey's Worlds also examine the artist's consuming passions for animals and ballet. Featuring a sumptuous selection of Gorey's creations alongside his fascinating and diverse collections, Gorey's Worlds reveals the private world that inspired one of the most idiosyncratic artists of the twentieth century. Exhibition Schedule: Wadsworth Atheneum Museum of Art, February 10 - May 6, 2018

A timely exploration of the allusive, sculptural fiber work of an important contemporary South African artist The book presents an early career survey of the work of Cape Town-based artist Igshaan Adams (b. 1982), showcasing his multimedia practice since 2009. In addition to exploring recurring motifs in his work-Arabic calligraphy, the rose, the (self-)portrait, Sufi symbols, and pathways literal and metaphorical-the publication highlights some of Adams's material concerns, including his sculptural applications of weaving, his embrace of recycled materials related to black South African domesticity and interiority, and his use of the gallery wall and floor in installations. Hendrik Folkerts surveys the artist's recent work, addressing its engagement with presence, absence, and the trace.. Adams himself offers a visual essay enabling readers to see details they would be imperceptible in a gallery setting. In shorter essays and poetic texts, the other authors focus on the South African historical and political context, specific artworks, and particular creative strategies, materialities, and narratives. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (April 2-August 1, 2022)

Celebrated British painter Rose Wylie-whose works are at once tactile, cerebral, and humorous-often draws her influence from a wide range of popular culture. Here her newest body of work references memories from her own life and mimics the way memories evolve and change over time. Wylie's source material is culled from the vast visual world around her, ranging from sixteenth-century British estates to Serena Williams and the French Open. While initially these may seem random or aesthetically simplistic, through the nuanced use of humor, language, and compositional structure, Wylie creates wittily observed and subtly sophisticated meditations on the nature of memory, and visual representation itself, in line with the paintings she has become known for over the course of her career. A new essay by art critic Michael Glover explores the remarkable painter whose work has "spark, assurance, brash humor, an extraordinary, freewheeling eclecticism that seems to be just as ready to suck in references to the art of Ptolemaic Egypt and Roman portraiture as to pay homage to the films of Quentin Tarantino and the late paintings of Philip Guston." Part of David Zwirner Books's Spotlight Series, this book features Wylie's newest paintings and drawings and is published on the occasion of the artist's 2020 solo exhibition of these works at David Zwirner Hong Kong.

An exploration of Durer's career and legacy as an international traveling artist The visual legacy of Durer's travels extends far beyond his lifetime and throughout Europe, and the documents illuminating them offer unique insights into the distinctive ways Durer conducted and managed his career, making him an intriguing-and even controversial-figure. This generously illustrated book examines the career of preeminent Renaissance artist Albrecht Durer (1471-1528) as an international traveler, addressing his relations with artists from Italy to the Low Countries, including Giovanni Bellini, Joos van Cleve, Jan Gossaert, Lucas van Leyden, Quentin Massys, and Bernard van Orley. Bringing together paintings, drawings and prints, the book examines Durer as an artist-entrepreneur, explorer, and innovator of artistic theory. Durer's treatises and letters, and his detailed journal documenting his journey to the Low Countries in 1520-1, offer insights into his artistic practices and encounters with artists and patrons, as well as the nature of travel in the early 16th century. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London March 6, 2021 - June 13, 2021 Suermondt-Ludwig Museum, Aachen July 18, 2021 - October 24, 2021