The catalogue Spatial Affairs aims to investigate the relation and interdependence of physical and digital presence via Modern, Conceptual and Contemporary works of art and manifestos.

Accrochage brings together about seventy works from the Pinault Collection produced by thirty artists since the 1970s. The works-never shown before in the Venetian venues of the collection-are the outcome of minimal gestures and artistic research focused on the theme of the void. Fabio Mauri, Pier Paolo Calzolari, Sol LeWitt, Charles Ray, Roman Opalka, Bernd Lohaus, Thomas Schutte, Goshka Macuga, and Niele Toroni are only some of the artists taking part in a show that becomes a place of meeting, rela- tions, questions, and comparison between different ways of practicing art.

To celebrate the 25th anniversary of La Luz de Jesus, mastermind Billy Shire hasorganized a monumental group show featuring around 300 artists, each of whom havecontributed one new piece and a written anecdote about their experience with thegallery. In 25 years of groundbreaking exhibitions, this is La Luz's first published survey, featuring three generations of the most important artists working today. The book, acompanion to the show, chronicles the rich legacy of La Luz de Jesus and the thrivingart movements it helped launch.Involved in the La Luz de Jesus 25th Anniversary project is a who's-who of art, includingRobert Williams, Joe Coleman, Glenn Barr, Elizabeth McGrath, the Clayton Brothers, Gary Panter, Mark Mothersbaugh, Lou Beach, Hudson Marquez, AaronSmith, Owen Smith, Frank Kozik, Manuel Ocampo, Don Ed Hardy, Jeff Soto, DaveCooper, Daniel Martin Diaz, Scott Musgrove, Bari Kumar, Tim Biskup, Joe Sorren, ChrisMars, Jessica Joslin, The Pizz, Coop, Shag, Gary Baseman, Bob Dob, and many morewho haven't confirmed at this writing.

George and Maida Abrams amassed perhaps the finest private collection of Dutch Old Master drawings in the world. This catalogue presents a selection of these superb works, and explores the role of drawing in the creative process in Rembrandt's studio and wider circle. The artists featured include Ferdinand Bol, Govert Flinck, Samuel van Hoogstraten, Jan Lievens, and Nicolas Maes: the key figures in Rembrandt's circle, who at times were deeply influenced by his remarkable style and on other occasions explored different approaches. Their works range from figure studies to landscapes, from narrative and biblical scenes to lively genre scenes. At the heart of the catalogue are ten exceptional drawings by Rembrandt, including two highly finished landscape drawings and a variety of figure studies. The accompanying text is written by two leading scholars of Dutch art, both of whom have worked closely with the Abrams collection. Published in association with the Bruce Museum Exhibition Schedule: Bruce Museum, Greenwich, CT (09/24/11-01/08/12)

A compelling examination of French sculptor Auguste Rodin from the perspective of his enthusiastic American audience This exhibition catalogue explores the American reception of French artist Auguste Rodin (1840-1917), from 1893, when his first work entered a US museum, to the present. Its trajectory reaches from the collecting frenzy of the early twentieth century-promoted by philanthropist Katherine Seney Simpson and performer Loie Fuller-to important museum acquisitions of the 1920s and 1930s. From there, it traverses the 1950s, when Rodin's reputation flagged, through to the artist's revival and recognition in the 1980s. Rodin's promoters include a dynamic cast of characters, each of whom played a crucial role in cementing his status. The book traces this story through approximately 50 sculptures and 20 drawings that cover Rodin's most iconic subjects and themes. They demonstrate his dexterity across media-his virtuosity in plaster, terracotta, bronze, and marble-as well as his expressive, colorful drawings, some of them relatively unknown, sparking new appreciation for his work and delight for readers. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute, Williamstown, MA (June 18-September 18, 2022) High Museum of Art, Atlanta (October 21, 2022-January 15, 2023)

Restoring a "perfect painter" to the Cubist canon Juan Gris (1887-1927) was central to the development of Cubism in the early 20th century. Though the writer and art collector Gertrude Stein considered him a "perfect painter," Gris's pivotal role within the movement has often been overshadowed. Cubism in Color: The Still Lifes of Juan Gris reveals the virtuosic range of the artist's short yet prolific career, illuminating his boundary-pushing contributions to Cubism. As a thorough examination of Gris's still lifes, Cubism in Color provides an important reassessment of this underappreciated artist, reestablishing his position as a modernist master. This fully illustrated volume traces the evolution of Gris's aesthetic and approach to still life through a selection of key works. It includes original essays by leading scholars in the field, offering new insights on Gris's elusive artistic process, the history of collecting his work in the United States and his native Spain, and his artistic legacy within modern and contemporary Latin American art. Distributed for the Dallas Museum of Art and The Baltimore Museum of Art Exhibition Schedule: Dallas Museum of Art (March 14-July 25, 2021) The Baltimore Museum of Art (September 12, 2021-January 9, 2022)

With cover artwork specially created by Ruscha, this book documents hundreds of projects and miscellaneous ephemera produced by the artist alongside his main oeuvre-including installations, films, painted book covers, contour gauge profiles, and more Introducing readers to the stunning breadth of Edward Ruscha's (b. 1937) creative output over the course of his entire life, this book includes materials dating back to his childhood and extending to his present-day output. The projects featured here fall outside Ruscha's production of paintings, drawings, prints, and artists' books. Many of these are unknown and most are reproduced here for the first time. Composed of three sections-Projects and Ephemera; Contour Gauge Profiles; and Painted Book Covers-the book offers Ruscha enthusiasts and scholars a hitherto unknown aspect of Ruscha's practice, while also showing how these projects coincide with, and sometimes even prefigure, the artistic work for which he is best known. The approximately 270 painted book covers, begun in 1990, utilize found books as support for small paintings and drawings. The 57 contour gauge profiles are silhouette-like profiles made using a mechanical device for reproducing contours. The largest section, Projects and Ephemera, consists of installations, sculpture and objects, films, book and poster design, utilitarian works, and more. Distributed for Gagosian

Looming large in the cultural imagination as a wild territory to be conquered and the ultimate perimeter of human power, the seemingly untouched landscape of the Arctic has been an inspiration to artists from the Romantic age to the present. "Arctic," published to accompany a major exhibition at the Louisiana Museum of Modern Art in Denmark, brings together a range of artists responding to the terrifying sublime of the Arctic, from Caspar David Friedrich to Sigmar Polke, Sophie Calle, Mark Dion and Joachim Koester. With contributions from geologists, historians, archeaologists and glaciologists, as well as a new essay by Geoff Dyer about the photographs from the nineteenth-century expeditions that provided some of the first glimpses of the region and its inhabitants, this catalogue considers the place of the Arctic in the history and culture of the West at a moment when the region is taking on a new significance as a threatened, vanishing space.

Founded in 1996, the Ars Electronica Futurelab looks back on 25 years of programming. At the interface between art and science, it is a hybrid of studio and laboratory.

An amply illustrated examination of Vincent Geyskens' work exploring of the position of painting in contemporary society Vincent Geyskens examines the position of painting in contemporary society, engaging with abstraction, figuration and a variety of media and styles as the artist probes their possibilities and limits. Complemented by a number of older reference works, this book zooms in on Geyskens' practical work over the past ten years to bring together various series in free-ranging connection with one another. It places the spotlight on the breadth of his experience and gathers together the diverse series and types of work produced over the course of his oeuvre. The links forged between the various approaches he uses lends voice to Geyskens' quest as a painter exploring the status of the image and visual representation in the present day. His painting is a way of turning thoughts into something tangible, translating them into substance in this amply illustrated publication. Distributed for Mercatorfonds Exhibition Schedule: EXPO M Museum Leuven (May 27-September 5, 2021)

The Bodleian Library is one of the few libraries outside Germany with a substantial number of medieval manuscripts from the German-speaking lands. These manuscripts, most of which were acquired by Archbishop Laud in the 1630s, during the Thirty Years' War, mainly consist of major groups of codices from ecclesiastical houses in the Rhine-Main area, that is Wurzburg, Mainz, and Eberbach. Their potential contribution to the religious and intellectual history of these foundations and to the study of German medieval culture as a whole is immeasurable. This book contains descriptions of over one hundred medieval, manuscripts, mostly Latin, from the Charterhouse St Michael at Mainz, founded in the early 1320s. Dating from the tenth to the fifteenth centuries, they reflect the spirituality and literary interest of the Carthusian order. This is the first major publication on the Mainz Charterhouse manuscript collection. Published in two volumes, it provides authoritative and superbly detailed descriptions, including information about the physical characteristics, decoration, binding, and provenance of the manuscripts. Each manuscript is illustrated.

In this study of American art, time and motion are fragmented, mechanized, slowed down and sped up so that the last century flies by. Works range from Joseph Stella's "Battle of Lights, Coney Island" (1915-18) to Shirley Shor's real-time projection "Landslide" (2004).

A richly illustrated companion to selected works from the collections at M+. At the heart of Hong Kong's new museum of visual culture are the M+ Collections - the result of a carefully considered programme of collection-building that began with the inception of M+ in 2011. The first of their kind in Asia, the collections comprise four different holdings: the M+ Collection, made up of 6,000-plus works and objects from the worlds of visual art, moving image, and design and architecture, the museum's core areas of interest; the M+ Sigg Collection, consisting of 1,510 works of contemporary Chinese art; the M+ Collection Archives, composed of over 45,000 items; and the M+ Library Special Collection, with 400-plus items. Together, the holdings serve to embody the bold and ambitious mission with which M+ was founded: to become a multidisciplinary museum of contemporary visual culture, rooted in Hong Kong and Asia but with an international outlook. M+ Collections: Highlights presents the work of more than 300 artists, designers, film-makers, photographers and architects specially selected to represent the collections as a whole, from Zhang Peili and Charlotte Perriand to Nam June Paik, Zaha Hadid, and Shigeru Ban. Organized into seven chapters, each encompassing a different decade of the collections' span - from the 1950s to the 2010s - the book consists of individual entries on the featured makers composed of one or more of their works and an insightful analysis by an M+ curator. Interspersed among these entries are 24 thematic essays intended to illuminate some of the movements, tendencies and ideas around which the collections have grown, including modernism in Asian art and the future of painting in a digital world. Full of unexpected connections and new perspectives, M+ Collections: Highlights represents not only an invaluable introduction to M+'s unrivalled storehouse of visual culture but also an indispensable work of reference.

To celebrate its fiftieth birthday, this comprehensive new catalogue records the breadth of art held in the international Hiscox Collection, as seen through the eyes of two celebrated contemporary artists. Edited by Whitney Hintz and Laura Smith. Global insurer Hiscox have been collecting modern and contemporary art for fifty years, and their significant collection comprises 1000 works by international artists at the forefront of contemporary practice. Including work by Etel Adnan, Nan Goldin, David Hockney, Joan Miro, Eduardo Paolozzi and Pablo Picasso, the collection will be on public view for the first time in two consecutive displays at Whitechapel Gallery: the first curated by British painter Gary Hume (b.1962) and the second by Berlin-based Venezualean artist Sol Calero (b.1982 ). The catalogue will include contributions by both artistcurators, as well as colour illustrations of every work in the collection.

How do you write a history of a group that has been written out of history? In The Accidental Archives of the Royal Chicano Air Force, world-famous archaeologist La Stef and the clandestine Con Sapos Archaeological Collective track down the "facts" about the elusive RCAF, the Rebel Chicano Art Front that, through an understandable mix-up with the Royal Canadian Air Force, became the Royal Chicano Air Force. La Stef and her fellow archaeologists document the plight and locura que cura of the RCAF, a group renowned for its fleet of adobe airplanes, ongoing subversive performance stance, and key role as poster makers for the United Farm Workers Union during the height of the Chicano civil rights movement. As the Con Sapos team uncovers tensions between fact and fiction in historical consciousness and public memory, they abandon didactic instruction and strive instead to offer a historiography in which various cultural paradigms already intersect seamlessly and on equal ground. That they often fail to navigate the blurred lines between "objective" Western archival sciences and Indigenous/Chicana/o cosmologies reflects the very human predicament of documenting the histories of complicated New Worlds everywhere. Uniquely blending art history, oral history, cultural studies, and anthropology, The Accidental Archives of the Royal Chicano Air Force suspends historical realities and leaps through epochs and between conversations with various historical figures, both dead and alive, to offer readers an intimate experience of RCAF history.

In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa, Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthology-a thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practices-represents a timely and significant contribution to the literature on censorship.

When architecture is the subject of an exhibition, there is almost always a dilemma: architecture can only be represented through drawings, models, and photographs; the physicality of architecture per se is missing. The abstraction of architecture for exhibition and the absence of architectural experience in architectural exhibition are in fact two sides of the same coin: The problem of the lack of an architectural reality. In this book, Yong He Chang traces the history of architectural intervention in exhibitions and answers the above questions through more than forty exhibition designs made by Chang and Atelier FCJZ. The book showcases his original approach to construction and shares his thoughts on the relationship between architecture and the timeless aspects of 'exhibition'. It also includes a discussion of a series of issues Yong He Chang and his team have encountered in designing exhibitions and installations, and the responses they came up with.

For 40 years, the Cold War dominated the world stage. East and West Germany stood at the frontlines of the global confrontation, symbolized by the infamous Berlin Wall, which separated lovers, friends, families, coworkers, and compatriots. The Wende Museum in Los Angeles, California, is named after the period of change immediately following the wall's destruction. It was established in 2002 to study the visual and material culture of the former Eastern Bloc, and, with physical and psychic distance, to foster multiple perspectives on this multilayered history that continues to shape our world. This encyclopedic volume features around 2,000 items from its extraordinary collections. Based on our XL-sized volume, this edition includes a full spectrum of art, archives, and artifacts from socialist East Germany: official symbols and dissident expressions, the spectacular and the routine, the mass-produced and the handmade, the funny and the tragic. Accompanying these remnants of a now-vanished world are texts from scholars and specialists from across Europe, Canada, and the United States, with themes ranging from the secret police to sexuality, from monuments to mental-mapping. More than 800 pages, featuring around 2,000 objects. A smaller, more accessible version of our XL-sized volume, the most comprehensive overview of GDR visual and material culture to date. Several dozen images of everyday life and public events from the most famous GDR photographers. Special two-language edition featuring texts both in English and German. From November 18, 2017, visit the Wende Musem at its expanded campus in Culver City's Armory Building, a site originally created in preparation for World War III but re-designed by Michael Boyd, Christian Kienapfel, and Benedikt Taschen to welcome its 100,000+ collection of artifacts.

Cosmos: Silence and Infinite offers new approaches on the stunning art works of Eduardo Terrazas's (1936) art works. Four well known authors present a multidisciplinary vision on the artists ongoing series Possibilities of a Structure. Which suggests at once a curiosity in the fabric of our universe and a profoundly human hope for an underlying rationality behind the chaos of the world. Eduardo Terrazas's has explored a lifetime's worth of questions about the nature of the universe through the microcosm of his images. He derives his visual reflections with a basic geometric structure and a technique that is inspired by the Huichol "tablas" from Mexican indigenous tribes. His highly colourful and playful series Possibilities of a Structure - of which Cosmos is a subseries - is ongoing since 1974 and holds over 650 works until today: an artistic exploration of the boundaries of the infinite.