An extraordinarily visceral collection of posters that represent the progressive protest movements of the twentieth Century. Two of the most recognizable images of twentieth-century art are Pablo Picasso's "Guernica" and the rather modest mass-produced poster by an unassuming illustrator, Lorraine Schneider "War is Not Healthy for Children and Other Living Things." From Picasso's masterpiece to a humble piece of poster art, artists have used their talents to express dissent and to protest against injustice and immorality. As the face of many political movements, posters are essential for fueling recruitment, spreading propaganda, and sustaining morale. Disseminated by governments, political parties, labor unions and other organizations, political posters transcend time and span the entire spectrum of political affiliations and philosophies. Drawing on the celebrated collection in the Tamiment Library's Poster and Broadside Collection at New York University, Ralph Young has compiled an extraordinarily visceral collection of posters that represent the progressive protest movements of the twentieth Century: labor, civil rights, the Vietnam War, LGBT rights, feminism and other minority rights. Make Art Not War can be enjoyed on aesthetic grounds alone, and also offers fascinating and revealing insights into twentieth century cultural, social and political history.

For 30 years illy has entrusted its iconic coffee cups to the hand of the protagonists of contemporary art, so that they interpret the white surface, to offer their own customers an experience that involves senses and mind. In these pages it's possible to retrace the history of the illy Art Collections: a collection of unique art objects for everyday use, which since 1992 brings together signed designer cups by over 120 internationally renowned artists. Artists: Marina Abramovic, Neil Aitken, Pedro Almod var, Hannah Anderson, Ron Arad, Felipe Arturo, Atelier Van Lieshout, Matteo Attruia, Felipe Baeza, Ernesto Bautista, Michael Beutler, Francesco Bonami, Louise Bourgeois, Daniel Buren, David Byrne, Waltercio Caldas, Maria Joao Calisto, Maurizio Cargnelli, Giulia Cenci, Paolo Cervi Kervischer, Sandro Chia, Francesco Clemente, Michel Comte, Ross Cooper, Francis Ford Coppola, Antonio Dias, Gillo Dorfles, An Du, Hope Esser, Jan Fabre, Willie Filkowski, Clo'e Floirat, Franco Fontana, Fratelli Fortuna, Cosimo Fusco, Maurizio Galimberti, Giorgio Galli, Anna Gelman Bagaria, Mario Giacomelli, Tatiana Goloviznina, Geni Grabuleda, Mona Hatoum, Jessica Iborra, Ernesto Illy, Francesco Illy, Vittoria Illy, Cameron Jamie, Natasha Jancovich, Anish Kapoor, William Lehmann, Nelson Leirner, Michael Lin, Marco Lodola, Emanuele Luzzati, Susan Mac William, Anna Maria Maiolino, Andrea Manetti, Marino Marini, Lorenzo Mattotti, Simone Meentzen, MentalKLINIK, Gintare Minelgaite, AD Minoliti, Luca Missoni, Soto Montserrat, Alanis Morissette, Marcelo, Moscheta, Ulrike Muller, Hironori Murai, Emmanuel Nassar, Norma J., Precious Okoyomon, Yoko Ono, Nam June Paik, Mimmo Paladino, A.R. Penck, Max Petrone, Esteban Piedra Leon, Roberta Pietrobelli, Alexandra Pirici, Michelangelo Pistoletto, Darryl Pottorf, Emilio Pucci, MarcQuinn, Naufus Ramirez-Figueroa, Robert Rauschenberg, Tobias Rehberger, Peter Roesch, James Rosenquist, Paolo Rossetti, Stefan Sagmeister, Sebastiao Salgado, Beatrice Santiccioli, Aki Sasamoto, Julian Schnabel, Regina Silveira, Elias Sime, Slavs & Tatars, Kiki Smith, Haim Steinbach, Joseph Maria Subirachs, Annamaria Testa, MatteoThun, Padraig Timoney, Dean J. Toumin, Luca Trazzi, Adan Vallecillo, Alfredo Luiz Vasquez, Cecilia Vicuna, Ai Weiwei, Liu Wei, Rufus Willis, Robert Wilson, Shizuka Yokomizo, Olimpia Zagnoli, Elisabeth Zawada. Text in English and Italian.

Robert Lehman, one of the foremost art collectors of his generation, embraced both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at the Metropolitan Museum. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests.

The catalogue opens with outstanding paintings by Ingres, Theodore Rousseau, and Corot among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist canvases by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cezanne, and Gauguin. Twentieth-century masters include Bonnard, Matisse, Rouault, Dali, and Balthus. Newly researched modern works are represented by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (DIZI).

From Robert Lehman's studied and conventional taste for nineteenth-century French academic practitioners to his intuitive eye for emerging young artists of his own time, all are documented and discussed here. Some three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes."

Cahiers d Art refers at once to a publishing house, a gallery, and to a revue founded in 1926 by Christian Zervos at 14 rue du Dragon in the heart of Saint-Germain des-Pres. Cahiers d Art was entirely unique: a journal of contemporary art defined by its combination of striking typography and layout, abundant photography, and juxtaposition of ancient and modern art, including original works by Picasso, Miro, Giacometti, Duchamp, and Man Ray, where writers like Paul Eluard, Ernest Hemingway, and Samuel Beckett often replaced the usual art critics.

This is the first issue of the Cahiers d art revue to be published since 1960. The first issue contains an extensive article of 70 pages dedicated to a defining artist of our time, Ellsworth Kelly; texts from renowned architects, art historians, and critics; as well as portfolios of previously unpublished material by Cyprien Gaillard, Sarah Morris, and Adrian Villar Rojas.

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Whether pizza is served as high-end cuisine or a poor man's food, this global product transcends the boundaries of culture and social class. The circular piece of dough has long become an established superfood. It is so much more than just something we eat. Aside from culinary considerations, the preparation, consumption and ubiquity of pizza involves at least as many social aspects. These must be taken into account in order to understand the entirety of this phenomenon. For instance, in sociology the "pizza effect" refers to reciprocal processes of reception and exchange and thus to the constant transformation of cultures. Only recently did the UNESCO in Paris allow Italy to formally register the preparation of pizza as an intangible cultural heritage of humanity. That's iconic! The collection "Pizza is God" accompanies the eponymous international group exhibition. Situating a cultural phenomenon in the world of contemporary art, the exhibition will be staged by NRW-Forum Dusseldorf in 2018. This feast for the eyes, which combines painting, photography, net art, as well as video and performance, is complemented in the book by texts and essays written by renowned experts from the fields of food history, culture and science. Text in English and German.

Showcasing the greatest talents to emerge from the world of ceramics over the last 25 years, 4 sites in the city of Vallauris, France, will be opening up their spaces to artists who will redefine the very concept of the Biennale. The Musee Magnelli de la Ceramique, Eden, and the Maison des Quartiers, as well as Espace Grandjean, will in turn exhibit the latest trends in the field. Their fascinating exhibitions enhance this artistic vein, which is sparking renewed interest. Creative and innovative, the present edition of the Biennale highlights the emergence of new ways of creating with an orientation towards current technologies. Exemplary porcelains are presented here for the first time, next to the best of contemporary international ceramic creation.

It's All About Freedom presents a comprehensive cross-section through nine decades of Tomi Ungerer's artistic work for the first time-from drawings from the nineteen-thirties to objects from the two thousand-tens. The exhibits selected shed new light on Ungerer's oeuvre by making it possible to comprehend the artistic dimension of the political and stylistic lines and breaks in his oeuvre as a 'freewheeling artist'. His passion for experimenting across genres and the interplay between drawing, collage, and assemblage through which he searched for identity and humanity is thus shown in his work again and again. Developed by the Deichtorhallen Hamburg / Sammlung Falckenberg in cooperation with the Tomi Ungerer Estate and the Musee Tomi Ungerer in Strasbourg, the volume brings together contributions on Tomi Ungerer's life's work by Thomas David, Belinda Grace Gardner, Aria Ungerer, and Therese Willer, with a foreword by Dirk Luckow and Harald Falckenberg.

Spirit in the Land, which accompanies the art exhibition of the same name, examines today's urgent ecological concerns from a fresh perspective. Through their artwork and writing, the artists show how cultural identity and traditions are deeply rooted in our relationship with the land, illustrate the restorative need to return to nature, and exemplify how biodiversity and cultural diversity are essential to our survival. The exhibition and catalogue center the voices of underrepresented artists, approaching ecological awareness and environmental, social, and racial justice from the perspectives of the marginalized communities most negatively affected by today's crises. Acting as environmental stewards, the artists reveal nature to be a repository of cultural memory, a place of sanctuary, a contested site of resistance, and a source of spiritual nourishment. As land and water provide a sense of place and community, the exhibition aims to reconnect people to the natural world, illustrating our interdependence with all life on Earth. Spirit in the Land speaks to the urgency of today and projects a hopeful path for our future, where nature is cared for by humans, so that in turn nature may heal humanity. Artists: Terry Adkins, Firelei Baez, Radcliffe Bailey, Rina Banerjee, Christi Belcourt, Maria Berrio, Mel Chin, Andrea Chung, Sonya Clark, Maia Cruz Palileo, Annalee Davis, Tamika Galanis, Allison Janae Hamilton, Barkley L. Hendricks, Alexa Kleinbard, Hung Liu, Hew Locke, Meryl McMaster, Wangechi Mutu, Dario Robleto, Jim Roche, Kathleen Ryan, Sheldon Scott, Renee Stout, Monique Verdin, Stacy Lynn Waddell, Charmaine Watkiss, Marie Watt, Carrie Mae Weems, Peter Williams The exhibition will be on view at the Nasher Museum of Art at Duke University from February 16 to July 9, 2023. Publication of the Nasher Museum of Art at Duke University

Since its foundation in 1857, there have always been members of the Alpine Club who have carried sketch-books into the mountains, keeping a record of their endeavours and the peaks they had climbed. Descriptions of these artists form the principal part of the text of this Dictionary, together with many illustrations of their work. In 1895, the Alpine Club's move to Savile Row, with its generous accommodation, enabled exhibitions of scale and scope to be held and the beginnings of a collection to form. The subsequent move to South Audley Street, shortly before the Second World War, enabled members' exhibitions to continue, together with displays of mountain paintings from external galleries and dealers. In 1991, the move was made to the present premises at Charlotte Road. Throughout these many changes the Club's collection has grown, almost exclusively by virtue of gifts from members, families and friends. In recent years, the exhibition tradition has continued. As well as displays from permanent collection, including works by John Ruskin, ET Compton and TH Somervell, there have been individual shows by modern artists such as Julian Cooper, Jim Curran and John Dugger, and even group exhibitions of conceptual art. Members have been offered a changing and varied diet which is reflected in the pages of this book. This is the second edition which now includes an Addendum showing new material added to this collection. The first edition was published in 2007. This edition is compiled and written by Peter Mallalieu, Keeper of Pictures at the Alpine Club. The book shows over 150 mainly full page, full colour drawings and paintings, with accompanying descriptions and background to the artist.

With The Assembled Human the Museum Folkwang inquires into the ambivalent relationship between humans and machines. It's a conflicted relationship, fluctuating between utopia and nightmare, and it still influences our present time. From the conveyor belt to cybernetics and today's digital revolution, from Cubism, Futurism, and Constructivism into the recent present with Ed Atkins, Jon Rafman, Avery Singer, or Anna Uddenberg, the show traces the transformation of technology, presenting a wide panorama of artistic visual worlds: human beings as hybrid creatures, blended with their own self-made machines. Featuring 200 works by 100 artists as well as prolific essays, this extensive catalogue goes in-depth into this highly current issue. Artists: Walter Heinz Allner, Bettina von Arnim, Gerd Arntz, Ed Atkins, Giacomo Balla, Joachim Bandau, Lenora de Barros, Willi Baumeister, Thomas Bayrle, Rudolf Belling, Ella Bergmann-Michel, Renato Bertelli, Umberto Boccioni, Wilhelm Braune, John Cage, Helen Chadwick, Computer Technique Group (CTG), Charles A. Csuri, Mariechen Danz, Fortunato Depero, Walter Dexel, Otto Dix, Marcel Duchamp, Raymond Duchamp-Villon, Charles & Ray Eames, Max Ernst, Alexandra Exter, OEyvind Fahlstroem, Harun Farocki, William Allan Fetter, Otto Fischer, Herbert W. Franke, Carl Grossberg, George Grosz, Richard Hamilton, Barbara Hammer, Sidsel Meineche Hansen, Raoul Hausmann, John Heartfield, Lynn Hershman Leeson, Eva Hesse, Lewis Wickes Hine, Heinrich Hoerle, Rebecca Horn, Vilmos Huszar, Boris Ignatowitsch, Fritz Kahn, Wassily Kandinsky, Anne-Mie van Kerckhoven, Friedrich Kiesler, Konrad Klapheck, Jurgen Klauke, Paul Klee, Heinrich Kley, Josh Kline, Iwan Kljun, Gustavs Klucis, Alexander Kluge, Kiki Kogelnik, Germaine Krull, Boris Kudojarow, Helmuth Kurth, Jurgen van Kranenbrock, Maria Lassnig, Fernand Leger, Alice Lex-Nerlinger, Roy Lichtenstein, El Lissitzky, Hilary Lloyd, Goshka Macuga, Rene Magritte, Kasimir Malewitsch, Man Ray, Etienne-Jules Marey, Remy Markowitsch, Caroline Mesquita, Laszlo Moholy-Nagy, Johannes Molzahn, Alexei Morgunow, Martin Munkacsi, Eadweard Muybridge, Otto Neurath, Katja Novitskova, ORLAN, Tony Oursler, Trevor Paglen, Nam June Paik, Eduardo Paolozzi, Georgi Petrusow, Antoine Pevsner, Walter Pichler, Jon Rafman, Robert Rauschenberg, Timm Rautert, Alexander Rodtschenko, Thomas Ruff, Walter Ruttmann, James Shaffer, Arkadi Schaichet, Xanti Schawinsky, Helmut Schenk, Oskar Schlemmer, Nicolas Schoeffer, Franz Wilhelm Seiwert, Avery Singer, Stelarc, Friedemann von Stockhausen, Thayaht, Paul Thek, Jean Tinguely, Patrick Tresset, Anna Uddenberg, Andor Weininger, Erwin Wendt, Hugo von Werden, George Widener. Text in English and German.

The recent work of Belgian abstract artist Yves Zurstrassen is explored in depth in this handsome volume, designed in close collaboration with the artist himself The decade of work produced between 2010 and 2019 by Belgian abstract painter Yves Zurstrassen (b. 1956) is the focus of this beautifully designed and illustrated book. Although he originally studied graphic art, Zurstrassen was inspired by Abstract Expressionists such as Jackson Pollock and Willem de Kooning to pursue painting. The book's essays delve into the artist's process and offer a critical analysis of the work. Also included are a detailed biography and insightful, informal conversations with the artist. Featuring full-page illustrations of Zurstrassen's recent work, the book situates the artist both within abstract art and the broader context of contemporary painting. Distributed for Mercatorfonds Exhibition Schedule: Centre for Fine Arts, Brussels (September 1-December 31, 2019)

Creating the V&A tells the definitive story of the formative years of London's world-renowned Victoria and Albert Museum and the gathering of its early collections in the decade between the Great Exhibition of 1851 and the death of Prince Albert in 1861. The story of the V&A's genesis is often centred on the first director and first curator (Henry Cole and J. C. Robinson), and their competing agendas for design reform and connoisseurship. And yet there is an untold story of how the young royal couple for whom it is named were highly instrumental in the establishment of the museum, as public supporters and large-scale lenders before a permanent collection was in place. The book is also full of fascinating and colourful stories of the strategies deployed to harvest treasures on the market as the young museum sought to fill its rapidly expanding buildings and compete with the British Museum and the Crystal Palace. For anyone interested in the history of collecting and curating, and for all fans of this legendary London museum, Creating the V&A explains how the foundational collections established parameters which still inform the museum's collecting policies, role and identity today.

Maria Lai (1919-2003), the influential Sardinian artist whose work draws on the rich history and traditions of her native land, created multimedia works that explore community, religion, and folklore. This book, the catalogue for a show in Sardinia, presents nearly 70 works, most previously unseen, related to the extraordinary Via Crucis (Way of the Cross) series that Maria Lai created in 1981 and which she donated to the parish of Ulassai, her birthplace. Maria Lai's artistic endeavour is strongly defined by a mix of secular and religious spirituality: the work presented in this volume reveal her idea of "making art" as something that must respond to the essential questions of mankind and the meaning of existence.

Early Photography in Vietnam is a fascinating and outstanding pictorial record of photography in Vietnam during the century of French rule. In more than 500 photographs, many published here for the first time, the volume records Vietnam's capture and occupation by the French, the wide-ranging ethnicities and cultures of Vietnam, the country's fierce resistance to foreign rule, leading to the reassertion of its own identity and subsequent independence. This benchmark volume also includes a chronology of photography (1845-1954), an index of more than 240 photographers and studios in the same period, appendixes focusing on postcards, royal photographic portraits, Cartes de Visite and Cabinet Cards, as well as a select bibliography and list of illustrations.

Published on the occasion of Damien Hirst's exhibition at the Wallace Collection, London, in October 2009, this small volume presents 30 colorplates showcasing a selection of blue skull and flower paintings from that show, and three gatefolds. An interview also featured in the larger Wallace Collection catalogue is also included here.

Throughout his entire career, from his debut in the 1860s up to his final works post1900, the Opera formed the focal point of Degas's output. It was his own 'front room'. He explored the theatre's various spaces - auditorium and stage, boxes, foyers and dance studios - and followed those who frequented them: dancers, singers, orchestral musicians, audience members and black-attired patrons lurking in the wings. This closed world presented a microcosm of infinite possibilities, allowing all manner of experimentations: multiple points of view, contrasts of lighting, the study of motion and the precision of movement. This book is the first to consider the Opera as a whole, examining not only Degas' passionate relationship with the House and his musical tastes, but also the limitless resources of this marvellous 'toolbox'. The work of a truly great artist offers us a unique portrait of the Paris Opera in the 19th century.

An innovative retrospective look at the work of one of America's most iconic artists, utilizing the concepts of mirroring and doubling, which have long preoccupied Johns Jasper Johns (b. 1930) is arguably the most influential artist living today. Over the past 65 years, he has produced a radical and varied body of work marked by constant reinvention. Inspired by the artist's long-standing fascination with mirroring and doubles, this book provides an original and exciting perspective on Johns's work and its continued relevance. A diverse group of curators, academics, artists, and writers offer a series of essays-including many paired texts-that consider aspects of the artist's work, such as recurring motifs, explorations of place, and use of a wide array of media. These include Carroll Dunham on nightmares, Ruth Fine on monotypes and working proofs, Michio Hayashi on Japan, Terrance Hayes on flags, and Colm Toibin on dreams, among many others. The various themes are further explored in a series of in-depth plate sections that combine prints, drawings, paintings, and sculptures to draw new connections in Johns's vast output. Accompanying "mirroring" exhibitions held simultaneously at the Whitney Museum of American Art and the Philadelphia Museum of Art, this lavishly illustrated volume features a selection of rarely published works along with never-before-published archival content and is full of revelations that allow us to engage with and understand the artist's rich and varied body of work in new and meaningful ways. Distributed for the Whitney Museum of American Art and the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (September 29, 2021-February 13, 2022) Whitney Museum of American Art, New York (September 29, 2021-February 13, 2022)

More than four million visitors travel each year to the Wisconsin Dells, making it the most economically significant tourist destination in the state. After the first non-Native settlers arrived in the late 1830s, photographers began capturing images of the region. H. H. Bennett marketed his iconic images, some of which exploited the image and history of the Ho-Chunk tribe living in the region, to travel agents who sold them across the United States, encouraging early tourism in the area focused on the untamed nature of the frontier. In the next century, this continued desire for adventure was built into exotic hotel names, water parks, and amusement rides. This volume provides the first comprehensive photographic history of the Dells, contextualized in essays by celebrated Wisconsin historians. Spanning the earliest extant photos of the area to the works of contemporary photographers, these representations depict the stunning natural landforms, document the development of the area, and explore public perception of the place. Many new and never-before-seen photographs present the interplay of art and tourism that has made the Dells what they are today--sure to delight history enthusiasts and seasonal vacationers alike.

Street corners, guild halls, government offices, and confraternity centers contained paintings that made the city of Florence a visual jewel at precisely the time of its emergence as an international cultural leader. This book considers the paintings that were made specifically for consideration by lay viewers, as well as the way they could have been interpreted by audiences who approached them with specific perspectives. Their belief in the power of images, their understanding of the persuasiveness of pictures, and their acceptance of the utterly vital role that art could play as a propagator of civic, corporate, and individual identity made lay viewers keenly aware of the paintings in their midst. Those pictures affirmed the piety of the people for whom they were made in an age of social and political upheaval, as the city experimented with an imperfect form of republicanism that often failed to adhere to its declared aspirations.

Crusaders for art and design were men and women who were prepared to give their energy, talents, and oftimes money, to encourage young artists and designers to adventure in their chosen fields and generally to raise the status of the 'fine' and 'applied' arts and their creators. Many of these crusaders have largely been forgotten, such as John Gloag, who was here, there, and everywhere in support of the cause. Other Crusaders are remembered but for other reasons, such as Pevsner, the surveyor of British architectural heritage who for some years had been seen as the guru of industrial design. Gordon Russell, celebrated as the Cotswold furniture designer is altogether less known as a Director of the Council of Industrial Design. Whilst in the 'fine' arts Anton Zwemmer, whose Covent Garden shop is now a hairdressers, has largely been erased from memory as when he had been the king bee of a beehive frequented by artists and designers alike coming to find out the latest cultural news from the Continent to be gleaned from his magazines and books. Crusaders of Art and Design aims to restore a number of reputations by recording their contributions to the cause.

"Chanel fans rejoice. . . . As glamorous and chic as you'd expect."--The Observer (on the first edition) A comprehensive and captivating overview of all of Karl Lagerfeld's Chanel collections, showcasing his creations through original catwalk photography This fully revised edition of the first overview of Karl Lagerfeld's (1933-2019) Chanel creations maintains every exceptional detail of the first edition. Images of key looks and short informative texts bring to life each season--now with 22 new collections, including Lagerfeld's final show for the house and the work of his successor, Virginie Viard. Beautifully produced, this book will stand as the ultimate reference on Lagerfeld's iconic Chanel looks and serve as a lasting tribute to one of the most talented and influential fashion designers in history. Opening with an introductory essay about Lagerfeld and his vision for Chanel, the book explores the collections chronologically, revealing the designer's inspired reinvention of classic Chanel style elements from season to season. Each collection is illustrated with a curated selection of catwalk images (filled with photos of top fashion models, including Cara Delevingne, Linda Evangelista, Kate Moss, and Claudia Schiffer), showcasing hundreds of spectacular clothes, from luxurious haute couture to trendsetting ready-to-wear, accessories, beauty looks, and set designs.