The beautiful minds of six extremely successful women artists in the entertainment industry present Lovely: Ladies of Animation. The history of art in animation has had many female heroes; this elite group is continuing the tradition and building upon it. Featuring the first published personal works by Lorelay Bove, Lisa Keene, and Claire Keane along with the works of previously published Mingjue Helen Chen, Brittney Lee and Victoria Ying, LOVELY is an indispensible addition to the library of anyone interested in animation. With a variety of styles, from graphic works to realistic portraits, these images will inspire and delight the viewer with each turn of the page."

An exploration of Durer's career and legacy as an international traveling artist The visual legacy of Durer's travels extends far beyond his lifetime and throughout Europe, and the documents illuminating them offer unique insights into the distinctive ways Durer conducted and managed his career, making him an intriguing-and even controversial-figure. This generously illustrated book examines the career of preeminent Renaissance artist Albrecht Durer (1471-1528) as an international traveler, addressing his relations with artists from Italy to the Low Countries, including Giovanni Bellini, Joos van Cleve, Jan Gossaert, Lucas van Leyden, Quentin Massys, and Bernard van Orley. Bringing together paintings, drawings and prints, the book examines Durer as an artist-entrepreneur, explorer, and innovator of artistic theory. Durer's treatises and letters, and his detailed journal documenting his journey to the Low Countries in 1520-1, offer insights into his artistic practices and encounters with artists and patrons, as well as the nature of travel in the early 16th century. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London March 6, 2021 - June 13, 2021 Suermondt-Ludwig Museum, Aachen July 18, 2021 - October 24, 2021

Published in association with the Royal Academy of Arts, London Animated by an unprecedented study of its collections, this book tells the story of the Royal Academy of Arts, London, and illuminates the history of art in Britain over the past two and a half centuries. Thousands of paintings, sculptures, drawings, and engravings, as well as silver, furniture, medals, and historic photographs, make up this monumental collection, featured here in stunning illustrations, and including an array of little-studied works of art and other objects of the highest quality. The works of art complement an archive of 600,000 documents and the first library in Britain dedicated to the fine arts. This fresh history reveals the central role of the Royal Academy in British national life, especially during the 19th century. It also explores periods of turmoil in the 20th century, when the Academy sought either to defy or to come to terms with modernism, challenging linear histories and frequently held notions of progress and innovation. Published in association with the Paul Mellon Centre for Studies in British Art and Royal Academy of Arts, London

Jewelry Stories highlights the Museum of Arts and Design's unique, world-class collection of studio and contemporary art jewellery from the US, Europe, Australia, and Asia, a medium that comprises one-third of its permanent collection. Artists working in this field create jewellery rooted in sculptural experimentation and the concept of art as a wearable medium. The pieces featured represent the history of art jewellery as told from a largely US perspective. Jewellery artists are inspired by such subjects as found objects and materials, as well as by politics and pressing social issues, allowing for the development of unique, personal narratives in each piece. Each of the jewellery stories is written by an expert on the artist or subject, thus the book also celebrates the contributions they have made to the field. Published to accompany an exhibition at Museum of Arts and Design, New York (US), on permanent display.

The Museum of Fine Arts in St. Petersburg, Florida, is a hidden gem, housing a well-respected and comprehensive art collection with more than 18,000 objects a place where visitors can see a Monet, Vigee Le Brun, and a Tibetan Buddha from the fourteenth century all in one place. Founded by Margaret Acheson Stuart (1896 1980), the museum reflects her vision of providing outstanding examples of world art in an inviting, elegant setting. More than 200 works of art from all areas of the permanent collection are highlighted here, including examples by Morisot, Rodin, O Keeffe, Kehinde Wiley, and Edward Steichen, as well as ancient Greek and Roman, Asian, African, Mesoamerican, and self-taught art, and decorative arts, including Tiffany glass. A special section is devoted to the photography collection, which is one of the largest and most respected in the Southeast. An introduction about the museum is accompanied by newly researched texts about each featured work, written by members of the museum s curatorial staff and guest authors.

fig-2 brings together material from the eponymous arts programming of 50 projects in 50 consecutive weeks, curated by Fatos Ustek and staged at the Institute of Contemporary Arts throughout 2015. The publication is an embodiment of all the projects, events and activities that fig-2 generated, complemented by specially commissioned essays and conducted interviews that reflect on and respond to the conceptual framework and ambition of fig-2 in capturing the aesthetic and critical currency of our times. Artists whose works are featured in the publication include Laura Eldret, Suzanne Treister, Tom McCarthy, Annika Strom, Oreet Ashery, Broomberg & Chanarin, Eva Rothschild & Joe Moran, Melanie Manchot and Bruce McLean, among many others.

The Italian goldsmith of the "Paduan School" Giampaolo Babetto is famous for his jewellery - geometrically distinct shapes arranged into refined entities of extraordinary perfection and beauty. However, the artist's wide-ranging spectrum also includes furniture design, silverwork, sculptures, liturgical utensils, and architecture; even his design drawings possess an autonomous character and artistic value. In addition to Christian iconography, his sources of inspiration include the fresco cycles of Renaissance artist Jacopo da Pontormo but also echo Minimalism, Neoplasticism, Neoconstructivism, and "arte programmata/cinetica." The Entity of Being presents the first overarching survey of the virtuoso Babetto. The comprehensive catalogue section is complemented by four contributions that provide exciting insights into the work of this universal artist. Text in English, German and Italian.

A groundbreaking analysis of one of the most significant collections of African art in the United States The collection of African art at the Virginia Museum of Fine Arts is among the most comprehensive in the United States, featuring works in all media from across the continent dating from antiquity to today. This handsome volume, the product of a groundbreaking collaboration between the museum's curators and conservators, supported by a major grant from the Andrew W. Mellon Foundation, presents highlights from the collection-some never before published-alongside new scientific analysis and imaging. Six chapters detail both the historiographical and technical concerns at play in collecting and conserving African art. The result promises to deepen our understanding of the art in the dynamics of their original communities and as they appear now in a museum context. Distributed for the Virginia Museum of Fine Arts

Accompanying a major large-scale thematic exhibition at Whitechapel Gallery, this extensive catalogue charts the artists' studio through the last century: as a laboratory or stage set; as place of refuge, or a public space; as a site of resistance or an arena for communal activity. Featuring over 80 artists and collectives from around the world, the catalogue will focus in two sections on 'the public studio' and 'the private studio', accompanied by six thematic essays and full colour plate sections of works by Brancusi, Fischli & Weiss, Roni Horn, Bruce Nauman, Cindy Sherman, Andy Warhol, Nikhil Chopra, Gutai Group, Inji Efflatoun, Francesca Woodman, Ai Weiwei, Marisa Merz, Faith Ringgold and Francis Bacon, amongst many others.

The effervescent, creative synergy among Italian artists and designers in the post-war, post-fascist period is the subject of this exhibition catalogue for a show in Paris held at the end of 2019. Forty works of avant-garde art and design highlight the common aspirations and experimental spirit of this visionary generation, featuring artists and works that mirror each other in their approach to the world. Included here are works by Lucio Fontana, Carlo Mollino, Ettore Sottsass, Gaetano Pesce, Carlo Scarpa, Gino Sarfatti, Dadamaino, Alighiero Boetti, Mimmo Rotella, Gio Ponti, and Piero Manzoni, among others. In this show, Italian artists, architects, and designers reveal their exceptional ability to overturn the boundaries between art and design. Their visionary modernism is still influential today.

The first comprehensive study of the most important ceramic innovation of the 19th century Colorful, wildly imaginative, and technically innovative, majolica was functional and aesthetic ceramic ware. Its subject matter reflects a range of 19th-century preoccupations, from botany and zoology to popular humor and the macabre. Majolica Mania examines the medium's considerable impact, from wares used in domestic settings to monumental pieces at the World's Fairs. Essays by international experts address the extensive output of the originators and manufacturers in England-including Minton, Wedgwood, and George Jones-and the migration of English craftsmen to the U.S. New research including information on important American makers in New York, Baltimore, and Philadelphia is also featured. Fully illustrated, the book is enlivened by new photography of pieces from major museums and private collections in the U.S. and Great Britain.

On the centenary of Hantai's birth (1922-2008), the Foundation Louis Vuitton organises a major retrospective exhibition of the artist's work. French of Hungarian origin, the artist received the first prize from the Maeght Foundation in 1967, then the national grand prize for plastic arts in 1980, as well as representing France at the 40th Venice Biennale in 1982. The exhibition will present around 120 works from the years 1957-2000, with mostly unpublished large formats exceptionally loaned by the artist's estate, as well as about 15 works which he donated to public institutions or from large private collections, in France or abroad. Hantai was strongly influenced by Matisse and Pollock. An in-situ intervention by Daniel Buren will be designed as a tribute to the artist. The catalogue by Anne Baldassari, curator of the exhibition, will include contributions from Zsuzsa Hantai, Anna Hantai, Anne Baldassari, Jean- Luc Nancy (), and Georges Didi-Huberman.

Winners of the annual international Graphis Poster Awards Posters have an astonishing impact on our culture, and this book delivers the ultimate tribute to some of the best international talents in poster design. Graphis Poster 2023 is an illuminated journey of regional influence and creative excellence, topics range from concerts, festivals and film to theater, arts, dance, exhibitions, and more. Anyone who appreciates the art of poster design will find this book a valuable asset -- from Designers, Art directors, Art/Illustrators, Design firms, Advertising agencies, Professors, and Students, to those who appreciate the fine art of poster design.This book presents an extraordinary look at the minds of creatives worldwide. Displaying a legion of absolutely stunning posters, Graphis Poster Awards 2023, inspires and captivates attention internationally. Featuring fine art quality print, full-page images of Platinum and Gold Award-winning work, Silver Award-winning work and Honorable Mentions are also presented.

We hurtle together into the future at ever-increasing speed - or so it seems to the collective psyche. Every day and every hour, human civilization expands, evolves and mutates. While we frequently lapse into celebrating the individual at the expense of the group, in science and art, at work and at play, at home and in transit, we increasingly live the collective life. Civilization shows how contemporary photography, notably art photography, is fascinated by, and attempts to decode and communicate, the way we live today. This landmark publication is accompanied by an internationally touring exhibition produced by the Foundation for the Exhibition of Photography - a global cultural event for a global subject. Civilization is presented through eight thematic chapters, each led by breathtaking imagery and accompanied by essays, quotes, commentaries and captions to provide a deeper understanding of its theme. Visually epic and ambitiously popular in approach, it will reach out beyond the boundaries of the photography world to connect with audiences worldwide.

After Glow documents the New Nordic Porcelain Forum, a project which focuses on the Nordic tradition of porcelain production. The focal point is the collaborative work of 13 ceramic artists from the Scandinavian regions, who gathered for a residency in Denmark in 2019 and in 2021 for a two-week stay in various workshops associated with porcelain production in Norway, Sweden, Denmark, and Finland. This publication not only serves as an exhibition catalogue, it offers insights into the important industrial and design histories of northern Europe, as well as into today's use of porcelain as an artistic medium. In doing so, it is hoped that the production of Nordic contemporary ceramics will advance to a new collaborative practice in order to transform and therefore preserve this important cultural heritage.

This publication is the fourth volume of an important catalogue raisonne of the work of Francis Picabia This publication, the fourth volume of an important catalogue raisonne of the work of Francis Picabia (1879-1953), includes paintings and selected drawings dating from 1940 into 1952. During the war years, while still residing in the south of France, Picabia was primarily occupied by figural subjects -multi-figure allegories, female nudes, and glamorous female "portraits" -painted in bold illusionistic relief. Notorious even in his lifetime, most of these works are now known to have adapted photographic illustrations in older "girly" magazines and other popular media. Upon his return to Paris in the post-war period, Picabia renewed his earlier interests in abstract and sometimes non-objective art, still often drawing upon published sources ranging from prehistoric art to Nietzsche, and pursued frequent exhibition of his distinctive, constantly mutating responses to critical currents of the day. These included a series of severely reductive, subtly effective "point" or dot paintings beginning in 1949-three years before ill-health effectively ended Picabia's half-century of artistic provocation. Distributed for Mercatorfonds

This book, which accompanies an exhibition at the Fondation Baur, explores the intriguing story of porcelain glaze at the end of the 18th century in China, in the 19th century in France, and in the work of two 20th century ceramic artists. Part one investigates the development of opaque glazes for use on porcelain and copper during the 18th century in work from three collections: Alfred Baur's vast collection of imperial ceramics; the Canton glazes of the Zubov Foundation; and export porcelain from the Ariana Museum in Geneva. The second part begins in France, in the 19th century, at the Sevres factory, tracing the various journeys to China to bring back samples of colour, analyse them chemically, and tirelessly attempt to reproduce them. The catalogue ends in the present, with the experiments conducted by the American-born artist Fance Franck (1927-2008) on "sacrificial red" and the work on colour carried out by the Austrian ceramist Thomas Bohle. Text in English and French.