Nazi-Looted Art and Its Legacies (Paperback)

This issue examines the legacy of Nazi-looted art in light of the 2012 discovery of the famous Hildebrand Gurlitt collection of stolen artwork in Germany. When the German government declassified the case almost two years later, the resulting scandal raised fundamental questions about the role of art dealers in the Third Reich, the mechanics of the Nazi black market for artwork, the shortcomings of postwar denazification, the failure of courts and governments to adjudicate stolen artwork claims, and the unwillingness of museums to determine the provenance of thousands of looted pieces of art. The contributors to this issue explore the continuities of art dealerships and auction houses from the Nazi period to the Federal Republic and take stock of the present political and cultural debate over the handling of this artwork. Special topic contributors. Konstantin Akinsha, Meike Hoffmann, Andreas Huyssen, Lawrence M. Kaye, Olaf Peters, Jonathan Petropoulos, Anson Rabinbach, Avinoam Shalem, Julia Voss, Amy Walsh

General

Imprint:	Duke University Press
Country of origin:	United States
Release date:	February 2017
First published:	2017
Editors:	Andreas Huyssen • Anson Rabinbach • Avinoam Shalem
Dimensions:	152 x 228 x 13mm (L x W x T)
Format:	Paperback - Trade
Pages:	216
ISBN-13:	978-0-8223-6864-9
Categories:	Books > Arts & Architecture > History of art / art & design styles > From 1900 > General Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Exhibition catalogues and specific collections Promotions
LSN:	0-8223-6864-1
Barcode:	9780822368649

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