A majestic biography of two young geniuses who merged their talents to create one of the greatest bodies of music in history.

John & Paul begins in 1957, when two teenagers in suburban Liverpool meet and decide to play rock n'roll together. It ends twenty-three years later, when one of them is murdered. In between, we see them become global stars, create countless indelible songs, and play a central role in shaping the modern world.

Lennon and McCartney were more than friends, rivals or collaborators. They were intimates who both had the fabric of their world ruptured at a young age, and who longed to make emotional connections; with each other, and with audiences. The pop song was a vessel into which they poured feelings of grief and euphoria and everything in between. When they couldn't speak what they felt, they sang it. After the break-up of their group, they maintained a musical dialogue at a distance, in songs full of recrimination, regret, and affection.

Ian Leslie traces the twists and turns of their relationship through the music it produced and offers rich insights into the nature of creativity, collaboration and human connection. Drawing on recently released footage and recordings, this is a startlingly fresh take on two of the greatest icons in music history.

Leslie's majestic and wildly enjoyable biography will make us see and hear Lennon and McCartney anew.

Most unusually among major painters, Vincent van Gogh (1853-90) was also an accomplished writer. His letters provide both a unique self-portrait and a vivid picture of the contemporary cultural scene. Van Gogh emerges as a complex but captivating personality, struggling with utter integrity to fulfil his artistic destiny. This major new edition, which is based on an entirely new translation, reinstating a large number of passages omitted from earlier editions, is expressly designed to reveal his inner journey as much as the outward facts of his life. It includes complete letters wherever possible, linked with brief passages of connecting narrative and showing all the pen-and-ink sketches that originally went with them. Despite the familiar image of Van Gogh as an antisocial madman who died a martyr to his art, his troubled life was rich in friendships and generous passions. In his letters we discover the humanitarian and religious causes he embraced, his fascination with the French Revolution, his striving for God and for ethical ideals, his desperate courtship of his cousin, Kee Vos, and his largely unsuccessful search for love. All of this, suggests De Leeuw, demolishes some of the myths surrounding Van Gogh and his career but brings hint before us as a flesh-and-blood human being, an individual of immense pathos and spiritual depth. Perhaps even more moving, these letters illuminate his constant conflicts as a painter, torn between realism, symbolism and abstraction; between landscape and portraiture; between his desire to depict peasant life and the exciting diversions of the city; between his uncanny versatility as a sketcher and his ideal of the full-scale finished tableau. SinceVan Gogh received little feedback from the public, he wrote at length to friends, fellow artists and his family, above all to his brother Theo, the Parisian art dealer, who was his confidant and mainstay. Along with his intense powers of visual imagination, Vincent brought to the

A hilarious, poignant memoir from comedian Todd Glass about his decision at age forty-eight to finally live openly as a gay man--and the reactions and support from his comedy pals, from Louis CK to Sarah Silverman.
Growing up in a Philadelphia suburb in the 1970s was an easy life. Well, easy as long as you didn't have dyslexia or ADD, or were a Jew. And once you added gay into the mix, life became more difficult. So Todd Glass decided to hide the gay part, no matter how comic, tragic, or comically tragic the results.
It might have been a lot easier had he chosen a profession other than stand-up comedy. By age eighteen, Todd was opening for big musical acts like George Jones and Patti LaBelle. His career carried him through the Los Angeles comedy heyday in the 1980s, its decline in the 1990s, and its rebirth via the alternative comedy scene and the explosion in podcasting. But the harder he worked at his craft, the more difficult it became to manage his "situation." There were the years of abstinence and half-hearted attempts to "cure" himself. The fake girlfriends so that he could tell relationship jokes onstage. The staged sexual encounters to burnish his reputation offstage. It took a brush with death to cause him to rethink the way he was living his life; a rash of suicides among gay teens to convince him that it was finally time to come out to the world.
Now, Todd has written an open, honest, and hilarious memoir in an effort to help everyone--young and old, gay and straight--breathe a little more freely. Peppered with anecdotes from his life among comedy's greatest headliners and tales of the occasionally insane lengths Todd went through to keep a secret that--let's face it--he probably didn't have to keep for as long as he did, "The Todd Glass Situation" is a front-row seat to the last thirty plus years of comedy history and a deeply personal story about one man's search for acceptance.

Six-time Emmy Award-winning funny man Tim Conway, best known for his roles on "The Carol Burnett Show," offers a straight-shooting and hilarious memoir about his life on stage and off as an actor and comedian.
In the annals of TV history, few entertainers have captured as many hearts, tickled as many funny bones, and brought as many families together in living rooms across America as Tim Conway. In "What's So Funny?" he brings his hilarious hijinks from the screen to the page.
Conway's often-improvised humor, razor-sharp timing, and hilarious characters have made him one of the funniest and most authentic performers to grace the stage and studio. As Carol Burnett has said, "there's no one funnier" than Tim Conway. Now, Conway takes us on a seventy-year, rags-to-riches journey that is touchingly comical and ultimately inspiring, from his pranks in small Ohio classrooms during the Great Depression to his pitch-perfect performances on national TV and in major motion pictures. Along the way, Conway shares hilarious and often moving accounts of the glory days of "The Carol Burnett Show"; his famous partnerships with entertainment greats like Harvey Korman, Don Knotts, and Dick Van Dyke; and his friendships with stars like Betty White, Bob Newhart, and, of course, Carol Burnett, who also provides an intimate foreword to the book.
As Conway continues to tour the country giving live comedy performances that enchant his always eager audiences, "What's So Funny?" brings his warmth, humor, and heart to delight and inspire fans everywhere.

De Vos ken die kunste, en die mense agter die kunste, so hy kan heerlik spot met die hogere dinge in die lewe. Die bundel bevat ’n hele vertellings oor bekende figure uit die kunstewereld, soos die Karel Schoeman. Kop op 'n blok is vlymskerp geskryf en die humor (wat dikwels selfspot insluit) is werklik snaaks. Inderwaarheid vorm die teks 'n soort outobiografie van een van die mees geliefde skrywers in Afrikaans.

The Clangers memorably spoke in a language played on swannee whistles. No one expected them to have scripts. But they did. Within an ancient barn nestled in the heart of the Kent countryside, Smallfilms founders Oliver Postgate and Peter Firmin created one of the most beloved BBC children's series of the twentieth century: Clangers. Clangers: The Complete Scripts 1969-1974 is the ultimate compendium of scripts from the original two series of the show in one lavishly illustrated volume. These previously unseen scripts sit alongside original writing from Daniel Postgate - son of the original creator Oliver Postgate - exploring the inspiration for and lasting cultural impact of the show, new and historical photographs, Peter's original illustrations, Oliver's handwritten musical notations and more. The joyful revelation that the Clangers' often colourful words were scripted in English brings an exciting new dimension to the Smallfilms legacy.

In Rural Hours, Harriet Baker tells the story of three very different women, each of whom moved to the countryside and was forever changed by it. We encounter them at quiet moments – pausing to look at an insect on the windowsill; jotting down a recipe; or digging for potatoes, dirt beneath their nails. Slowly, we start to see transformations unfold: Virginia Woolf, Sylvia Townsend Warner, and Rosamond Lehmann emerge before us as the passionate, visionary writers we know them to be.

Following long periods of creative uncertainty and private disappointment, each of Baker's subjects is invigorated by new landscapes, and the daily trials and small pleasures of making a home; slowly, they embark on new experiments in form, in feeling and in living that would resonate throughout the rest of their lives. In the country, each woman finds her path: to convalescence and recovery; to sexual and political awakening; and, above all, to personal freedom and creative flourishing.

In graceful, fluid prose, Baker vividly recreates these overlooked episodes, revealing how ‘rural hours’ defined the lives of three pioneering writers. In the end, she shows, their example is an invitation to us all: to recognize the radical and creative potential of rural places, and find new enchantment in the rituals of each day.

After an international modeling career, Hollywood fame, and eight marriages, Jennifer O'Neill finally found out what she had always been looking for - a true love affair with Jesus Christ. She candidly discusses her own trials as a lost soul looking for satisfaction in the things of this world. Jennifer's passion in life and the purpose of this book is to share with women the awesome depths of God's grace and challenge them to truly make Jesus Christ Lord of their lives.