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Books > Language & Literature > Biography & autobiography > Film, television, music, theatre
From Josh Brolin, a unique and decidedly un-celebrity memoir, by turns
affecting, funny, uncanny, and unforgettable. A remarkable and an
unforgettable read.
Weaving a latticework of different strands, moving back and forth
through time, Josh Brolin captures a life marked by curiosity, pain,
devotion, kindness, humor. He recounts an unconventional childhood far
from Hollywood. Raised on a ranch in Paso Robles, California, he was
surrounded as a child by the wolves, cougars and other wild animals
gathered by his fearless and explosive mother, Jane Agee Brolin. Her
tragic, early death haunts this book, and the force of her
unforgettable personality is felt throughout.
Brolin also brings to life his career in the film industry —from his
breakout role in The Goonies to the set of No Country for Old Men—and
the professional and personal ups and downs in between and since. With
unflinching honesty but also great humor, he shares insights into
relationships, addiction, love and fatherhood, while letting the white
space in between words speak for itself. Grappling with the mysteries
of life and death in a way that will catch readers by surprise, From
Under the Truck is an audacious and riveting memoir from a born writer.
From his early Liverpool days, through the historic decade of The
Beatles, to Wings and his long solo career, The Lyrics pairs the
definitive texts of 154 songs by Paul McCartney with first-person
commentaries on his life and music. Spanning two alphabetically
arranged volumes, these commentaries reveal how the songs came to
be and the people who inspired them: his devoted parents, Mary and
Jim; his songwriting partner, John Lennon; his "Golden Earth Girl",
Linda Eastman; his wife, Nancy McCartney; and even Queen Elizabeth
II, amongst many others. Here are the origins of "Let It Be",
"Lovely Rita", "Yesterday", and "Mull of Kintyre", as well as
McCartney's literary influences, including Shakespeare, Lewis
Carroll and Alan Durband, his secondary school English teacher.
With images from McCartney's personal archives-handwritten texts,
paintings and photographs, hundreds previously unseen-The Lyrics,
spanning sixty-four years, is the definitive literary and visual
record of one of the greatest songwriters of all time.
Pursuing a dream instilled by early David Attenborough television adventures, a young man from the industrial northwest of England is advised at school to become a veterinary surgeon as a first step towards a career working with wild animals in Africa.
His misgivings about the values and justification of domestic veterinary practice are contrasted with a passion for wilderness and wildlife conservation. Early experiences in the vivid Uganda of Idi Amin are juxtaposed with life in a grey Pennines veterinary practice.
Eventually arriving as a veterinary officer in newly independent Botswana he finds adventure with wild animals as a veterinarian and later as an ecologist, survey pilot, game capture operator and even a safari hunter, becoming a passionate conservationist... all while starting the first veterinary practice in the country.
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Female Force
- Selena
(Hardcover)
Michael Frizell; Contributions by Ramon Salas; Cover design or artwork by Dave Ryan
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R528
Discovery Miles 5 280
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Ships in 18 - 22 working days
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In 'Pom-Poms Up , From Puberty to the Pythons and beyond, the
British born, American raised and RADA trained actress reveals her
life, loves and laughs as the 'Glamorous PYTHON GIRL' who famously
kept her cool and a straight face in the heat of the humour
generated by Cleese, Palin, Jones, Gilliam and the late Chapman,
The 'MONTY' Pythons.
Elia Kazan's varied life and career is related here in his
autobiography. He reveals his working relationships with his many
collabourators, including Harold Clurman, Lee Strasberg, Clifford
Odets, Arthur Miller, Tennessee Williams, Marilyn Monroe, Marlon
Brando, James Dean, John Steinbeck and Darryl Zanuck, and describes
his directing "style" as he sees it, in terms of position,
movement, pace, rhythm and his own limitations. Kazan also retraces
his own decision to inform for the House Un-American Activities
Committee, illuminating much of what may be obscured in McCarthy
literature.
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