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Books > Language & Literature > Biography & autobiography > Film, television, music, theatre
The definitive biography of Chuck Berry, legendary performer and inventor of rock and roll.
Best known as the groundbreaking artist behind classics like "Johnny B. Goode," "Maybellene," "You Never Can Tell" and "Roll Over Beethoven," Chuck Berry was a man of wild contradictions, whose motives and motivations were often shrouded in mystery. After all, how did a teenage delinquent come to write so many songs that transformed American culture? And, once he achieved fame and recognition, why did he put his career in danger with a lifetime's worth of reckless personal behaviour? Throughout his life, Berry refused to shed light on either the mastery or the missteps, leaving the complexity that encapsulated his life and underscored his music largely unexplored--until now.
In Chuck Berry, biographer RJ Smith crafts a comprehensive portrait of one of the great American entertainers, guitarists, and lyricists of the 20th century, bringing Chuck Berry to life in vivid detail. Based on interviews, archival research, legal documents, and a deep understanding of Berry's St. Louis (his birthplace, and the place where he died in March 2017), Smith sheds new light on a man few have ever really understood. By placing his life within the context of the American culture he made and eventually withdrew from, we understand how Berry became such a groundbreaking figure in music, erasing racial boundaries, crafting subtle political commentary, and paying a great price for his success. While celebrating his accomplishments, the book also does not shy away from troubling aspects of his public and private life, asking profound questions about how and why we separate the art from the artist.
Berry declined to call himself an artist, shrugging that he was good at what he did. But the man's achievement was the rarest kind, the kind that had social and political resonance, the kind that made America want to get up and dance. At long last, Chuck Berry brings the man and the music together.
NELSON RIDDLE was possibly the greatest; one of the most successful
arrangers in the history of American popular music. He worked with
global icons such as Peggy Lee, Judy Garland and many more. And in
a time of segregation and deep racial tensions in the US, he
collaborated with leading black artists such as Nat King Cole and
Ella Fitzgerald, forming close, personal friendships with both. He
also wrote successful TV themes and Oscar-winning film scores. A
complex and often forlorn genius, he will forever be remembered for
his immortal work with FRANK SINATRA, but like fine wines his later
vintage was just as palatable, if somewhat of a surprise.
Whenever I mention my Frankie Laine association to someone for
the first time, two questions always come up: Why are you
interested in Frankie Laine and his music? and How did you meet
Frankie?
I suppose the first question relates to my age. I was born a
decade after Frankie had recorded That s My Desire in 1946. That
record became Frankie s first to sell a million copies in 1947.
Furthermore, Frankie was already internationally famous by 1954,
the year my parents were married.
Why did I become interested in Frankie Laine and his music? I
can sum it up in one word "emotion." Frankie, now retired, is an
expressive person. As a true song stylist, Frankie shaped and
phrased the words in a melody, thus creating a style that was all
his own. Indeed, all Frankie Laine fans treasure Frankie s great
ability as a vocalist. However, as far as I am concerned, the
allure of Frankie Laine goes beyond his musical voice. I think
Frankie s immense emotion and profound appreciation for what he
sang, regardless of whether it was a jazzy, up-tempo song or a slow
ballad (or any other type of song), were what always captivated
me.
This book answers the second question detailing the story
associated with the first time I met Frankie Laine. Nonetheless,
when I met Frankie in 1985, our time together was notable in an
unexpected way. I experienced another aspect of Frankie Laine,
which had absolutely nothing to do with music his kindness.
Although I had read stories about what a nice person Frankie always
was, I witnessed, firsthand, how much he truly cherishes his
fans.
Primarily, I had two goals in writing this book. First, I needed
to assemble all my wonderful Frankie Laine adventures and put them
down on paper in an organized fashion before my memories of the
events faded. Therefore, I searched through numerous videotapes,
audiotapes, newspaper articles, letters, photographs, and e-mail
notes within my prized Laine library. Of course, I also utilized my
personal recollections. Second, I aspired to relate to readers how
an ordinary person (me), by sheer determination and action, had
succeeded in his initial quest I "did" meet Frankie Laine.
Additionally, I developed a friendship with this amazing, famous
singer.
Each person has a special dream. Some dreams "do" come
true.
Craig Cronbaugh, 2005
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