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Books > Language & Literature > Biography & autobiography > Film, television, music, theatre
A new, updated edition of Christopher Sandford's classic biography
of the band, The Rolling Stones is a gripping account of the band's
remarkable 60 years at the top of the rock industry. In 1962 Mick
Jagger was a bright, well-scrubbed boy (planning a career in the
civil service), while Keith Richards was learning how to smoke and
to swivel a six-shooter. Add the mercurial Brian Jones (who'd been
effectively run out of Cheltenham for theft, multiple impregnations
and playing blues guitar), the wryly opinionated Bill Wyman and
drummer Charlie Watts, and the potential was obvious. During the
1960s and 70s the Rolling Stones were the polarising figures in
Britain, admired in some quarters for their flamboyance, creativity
and salacious lifestyles, and reviled elsewhere for the same
reasons. Confidently expected never to reach 30, the band is now
celebrating 60 years together with a European tour, Sixty, to mark
the occasion. Of the original line-up, only Jagger and Richards
remain, along with 'new boy' Ronnie Wood, who joined the band in
1975. In The Rolling Stones, Christopher Sandford tells the human
drama at the centre of the Rolling Stones story. Sandford has
carried out interviews with those close to the Stones, family
members (including Mick's parents), the group's fans and
contemporaries - even examined their previously unreleased FBI
files. Like no other book before The Rolling Stones makes sense of
the rich brew of clever invention and opportunism, of talent, good
fortune, insecurity, self-destructiveness, and of drugs, sex and
other excess, that made the Stones who they are.
A biography of a legendary singer and song-writer, written with his
co-operation, this is the life behind the award-winning and
bestselling albums of Steve Earle, rebel, rocker and Nashville
legend. Steve Earle is the musicians' idol - "my hero" to Emmylou
Harris - who has said of his life "If I'd known I was going to live
this long I'd have taken better care of myself". He was taking
heroin at 13, and by the age of 40 was mired in a seemingly
permanent "vacation in the ghetto" as he described his life then.
In and out of jail for a variety of offences, Earle seemed
determined to make good on his boast that when the end of the world
came (and it seemed pretty close at times) only he, Keith Richards
and the cockroaches would be left standing. He has been married six
times, twice to the same woman, and amazingly forgiven by almost
all of the ex-wives. In moments of consciousness he has, through
sheer musical ability, shared a stage with, among others, Bruce
Springsteen, Neil Young, Sheryl Crow, the Pogues and Bob Dylan.
My Voyage in Art includes 197 colour images of paintings,
watercolours, sculptures and people over a 60 year period
accompanied by a detailed essay. Encounters with Roy Lichtenstein,
Jim Morrison, Andy Warhol and others illuminate.
This is a true life story account of Len Garry's childhood memories
of his childhood days spent with John Lennon and Paul McCartney and
the forming of the band The Quarrymen. Also the day John Lennon met
Paul McCartney for the very first time at St. Peter's Church fete
on 6th July 1957, this book is a first hand account of what took
place on that day plus more stories.
This second updated edition of Notes from a Jazz Life includes
Digby Fairweather's career since the year 2000 as a jazz cornetist,
band leader, educator and broadcaster, working with George Melly
and leading his band the Half-Dozen. The book has much to offer to
people who are even marginally interested in jazz in all its wide
variety of forms as well as providing insights for regular jazz
readers. The author provides revealing reflections on the personal
life and career of a musician and, with a wealth of warm, hilarious
anecdotes, he writes honestly about all the challenges,
frustrations and rich rewards of being part of the jazz world.
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Washington, Dc, Jazz
(Paperback)
Regennia N Williams, Sandra Butler-truesdale; Foreword by Willard Jenkins
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R641
R528
Discovery Miles 5 280
Save R113 (18%)
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Ships in 10 - 15 working days
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Joni
- The Anthology
(Paperback)
Barney Hoskyns; Introduction by Barney Hoskyns; Barney Hoskyns
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R448
R372
Discovery Miles 3 720
Save R76 (17%)
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Ships in 10 - 15 working days
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In The Eyeline of Furtherance, charts John Howard's rise from 70's
pop idol to a career in A & R and marketing. The '90s opened up
new vistas, ever bigger and better opportunities, working with
Elkie Brooks, Madness, Barry Manilow and rock 'n' roll heroes
Lonnie Donegan and The Crickets. As John puts it, "I was propelled
onwards and upwards, not this time by my own ambition, but by the
plans of others who had clearly decided that I was going places in
a direction I would never have imagined twenty years earlier." John
Howard's first book, Incidents Crowded With Life, followed the
ambitions of a young gay singer-songwriter in London in the '70s
which were realised after being signed by CBS Records and recording
his debut LP at Abbey Road studios. En route, he wrote the theme
song for a Peter Fonda movie and was heralded as The Next Big
Thing. And all the while navigating a series of disastrous personal
events, not least when he broke his back in 1976.
Elia Kazan's varied life and career is related here in his
autobiography. He reveals his working relationships with his many
collabourators, including Harold Clurman, Lee Strasberg, Clifford
Odets, Arthur Miller, Tennessee Williams, Marilyn Monroe, Marlon
Brando, James Dean, John Steinbeck and Darryl Zanuck, and describes
his directing "style" as he sees it, in terms of position,
movement, pace, rhythm and his own limitations. Kazan also retraces
his own decision to inform for the House Un-American Activities
Committee, illuminating much of what may be obscured in McCarthy
literature.
In this the third of our Music Series, and the first on Pop music
we present our giant hard covered picture book on the careers of
the biggest names in Pop. Pop is an abbreviation of the word
popular, it doesn't mean good or tasteful, it just means popular.
Pop Music is a reflection of it's time... if contemporary society
deems to crown a suburban mime artist as reigning Queen of Pop then
so be it. Pop has come a long way since it's early bleating's, from
the anthemic teen angst of the early sixties, to the languid
internalization of Coldplay and the airbrushed soul of Beyonce .
Pop is now blurred into red carpet supermarket magazines, slotted
betweenweight loss and divorces. It's hard work staying there,
staying on top, as Michael Jackson was to find, from his troubled
child stardom with the Jackson Five, to his emperor's new clothes
period, culminating in his eventual death by media. That he managed
to survive for over thirty years on top is an accomplishment in
anyone's eyes. One could ask the question, will Justin Bieber
exist, after, or even before I finish writing this introduction?
Although Britney Spears, ex Disney child star, for a brief moment,
tween, then teen poppet, sexed herself into prehab as well as rehab
and our ever-eager wallets. Even Britney's old alumni Justin
Timberlake, the everyman next door, now reinvented into a GQ
supplement, is still known to exist, although, sadly the sartorial
elegance of the talented Andre 3000 front man of the band Outkast,
burst onto the scene then promptly burst out. Jennifer Lopez career
jellied her name out of a contract, flirting with the silver
screen, whilst conducting a well-publicized supermarket affair with
Sean "Puffy" Holmes. There were crossovers - Shakira and Ricky
Martin, humanitariansboth, credibly reworked Latin, ex Hawaiian
Bruno Mars made reggae fusion accessible to the masses, Rihanna
moved from Barbados at the age of 16 to the U.S. becoming one of
the best selling artists of all time at the tender age of 24. Since
we can remember people have been talking about Pop music. FEATURED
ARTISTS Michael Jackson Kylie Minogue Jennifer Lopez Adele Ke$ha
Katy Perry Jamiroquai Justin Timberlake Massive Attack Bruno Mars
Amy Winehouse LMFAO Fashion Industry Broadcast's Masters of Music
is a Series: Masters of Music - Rock Vol 1 Masters of Music - Rock
Vol 2 Masters of Music - Pop Vol 1 Masters of Music - Pop Vol 2
Masters of Music - Legends Vol 1 Masters of Music - Legends Vol 2
Masters of Music - R&B Vol 1 Masters of Music - Jazz Vol 1
Fashion Industry Broadcast is a leading publisher of lifestyle
titles, made and distributed globally as books, e-books and Apps.
Fashion Industry Broadcast supports a number of important charities
that provide funding for critical medical research, medicines,
animal and human rights. A percentage of every book, e-book and App
sold goes towards supporting these vital causes. The Masters of
Music series could well be the most extensive and complete
publishing initiative ever released on this subject. This multi
edition set has been created as hard cover colour coffee table
books for $45.00, e-books for $9.99, and groundbreaking video rich
App versions featuring thousands of original music videos, and rare
concert performances for just $6.99 per edition for all Apple
mobile devices (iPad, iPhone and iPod Touch), and is available
through the iTunes App store. Contact
[email protected] Authors Ian Hartley Samantha
Mayfair Paul G Roberts Paula Garrod Astrid Ingram-Lynn Ole Renberg
Mick Miller is often referred to as "The bald guy with the long
hair" and is well known for his famous "Noddy" routine. This book
tells the story of the journey from his childhood in Liverpool to
his acclaimed performance at "The Royal Variety Show" in front of
The Princess Royal. It takes us through his days as a goalkeeper at
Port Vale where the legendary Stanley Matthews signed him. We learn
of his days as a Pontin's Blue Coat and how he became a comedian in
his own right. We find out how that Noddy routine came about and
how he found himself on "New Faces" and "The Comedians." Mick
Miller is not an "Old School" comedian stuck in a 1980s time warp.
He works hard to keep his act fresh and up to date and, because of
that, he is still very relevant today and is equally at home in
comedy clubs, cruise ships and theatres. He still has the drive and
ambition that he had when he started out and relishes new
challenges. This is the story of his life so far.
I've written another book and this will be one of those that when
you pick it up, you'll begin to regret it. You see, I don't read
books; I read the Sun newspaper. Actually, that's a lie; because
when I get to page three I can't let go of my cock, so I can't turn
the pages.
From the iconic stylist and fashion provocateur whose designs
transformed culture - bringing the glitz of Studio 54 and the
sophistication of Sex and the City to the mainstream - comes a
playful yet intimate memoir of a life spent challenging
conventions. Carrie Bradshaw's pairing of a tutu with a tank top is
one of the most iconic outfits ever seen on television - and a look
that turned avant-garde New York designer and stylist Patricia
Field into a household name. But before she was crowned the fairy
godmother of haute couture, Field was the owner of the longtime
East Village emporium Pat Field, a haven for drag queens, club
kids, starving artists, NYU freshmen, and creative visionaries
alike. Presiding over downtown with her distinctive vermillion hair
and a constantly lit cigarette, Patricia was a rock 'n' roll den
mother to everyone from Amanda Lepore to Lady Bunny to Patti Smith,
with her store providing the city's eccentrics with a place to
discover a sense of family, home, and a rhinestone bedazzled
bustier or two. In Pat in the City, Patricia describes her journey
from scrappy Queens kid peddling men's pants to the fashion world's
most notorious renegade. As the daughter of immigrant parents,
Field learned the principles of glamour from her entrepreneurial
mother, and applied her NYU lessons on democracy to inform a
fashion ethos that would reach millions. From her Studio 54
disco-glam styling to her award-winning work in The Devil Wears
Prada and Sex and the City to today's buzzy costuming in Emily in
Paris, Field's inimitable styling has pushed the envelope and
created trends that have become the culture standard. Now in her
seventies, Patricia Field is ready to tell her story - not to take
a final bow, but to spread her credo of challenging convention and
filling the world with joy and dancing.
Thomas Hennell (1903-45) said his aim was to 'surprise his subject'
- to capture the transient quality of the moment. In watercolour he
found his perfect medium, producing work which was, as his fellow
artist Edward Bawden said, 'fully expressive and technically
perfect'. During an idyllic childhood in rural Kent Hennell
discovered his love of the English countryside. He explored its
fields, farms and woods, and later, travelling on a rusty old
bicycle, developed an appreciation of England's traditions and
crafts. Much of his work records the countryside in a state of
change, imbuing his sense of loss with poetic intensity. In the
early 1930s, Hennell suffered a severe breakdown and later
described the three years he spent in mental hospitals in his
memoir The Witnesses (1938), an astonishing document in a period
when stigma still attached to mental illness. Hennell's remarkable
talent for friendship survived his years of mental turmoil. Jessica
Kilburn's new biography brings Hennell the man vividly to life
through extracts from his letters to friends and personal accounts
by people who knew him. As this richly illustrated book shows, the
artist's final years were exceptionally productive. In 1943 Hennell
was appointed an official war artist, yielding commissions in
Iceland and northern Europe. After the pastoral evocations of
inter-war England, his portrayal of war's brutality is shocking:
devastated French towns, emaciated prisoners of war. At the war's
end, Hennell received a final posting to the Far East. Tragically,
he was caught up in the struggle for independence in Java and in
late October 1945 disappeared in circumstances which Jessica
Kilburn recreates more fully than in any previous account. Thomas
Hennell was born into a remarkable generation of English artists
that included Eric Ravilious, John Piper, Graham Sutherland and
Barbara Hepworth. His peers regarded him as one of their finest
creative talents; Jessica Kilburn's sensitive and deeply researched
new biography restores this unjustly neglected artist to his
rightful place in the history of twentieth-century English art.
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