From the bestselling, award-winning author of SKELLIG comes a vivid and moving story, beautifully illustrated, which commemorates the hundred-year anniversary of the end of the First World War.

"I am just a child," says John. "How can I be at war?"

It's 1918, and war is everywhere. John's dad is fighting in the trenches far away in France. His mum works in the munitions factory just along the road. His teacher says that John is fighting, too, that he is at war with enemy children in Germany.

One day, in the wild woods outside town, John has an impossible moment: a meeting with a German boy named Jan. John catches a glimpse of a better world, in which children like Jan and himself can come together, and scatter the seeds of peace.

Gorgeously illustrated by David Litchfield, this is a book to treasure.

This book explores the ramifications of 1917, arguing that it was a cataclysmic year in world history. In this volume, thirteen scholars reflect on the myriad legacies of the year 1917 as a year of war, revolution, upheaval and change. Crisscrossing the globe and drawing on a range of disciplinary approaches, from military, social and economic history to museum, memory and cultural studies, the collection highlights how the First World War remains 'living history'. With contributions on the Russian revolutions, the entry of the United States into the war, the Caucasus and Flanders war fronts, as well as on India and New Zealand, and chapters by pre-eminent First World War academics, including Jay Winter, Annette Becker, and Michael Neiberg, the collection engages all with an interest in the era and in the history and commemoration of war.

During the First World War, the Jewish population of Central Europe was politically, socially, and experientially diverse, to an extent that resists containment within a simple historical narrative. While antisemitism and Jewish disillusionment have dominated many previous studies of the topic, this collection aims to recapture the multifariousness of Central European Jewish life in the experiences of soldiers and civilians alike during the First World War. Here, scholars from multiple disciplines explore rare sources and employ innovative methods to illuminate four interconnected themes: minorities and the meaning of military service, Jewish-Gentile relations, cultural legacies of the war, and memory politics.

The collapse of the Habsburg Monarchy at the end of World War I ushered in a period of radical change for East-Central European political structures and national identities. Yet this transformed landscape inevitably still bore the traces of its imperial past. Breaking with traditional histories that take 1918 as a strict line of demarcation, this collection focuses on the complexities that attended the transition from the Habsburg Empire to its successor states. In so doing, it produces new and more nuanced insights into the persistence and effectiveness of imperial institutions, as well as the sources of instability in the newly formed nation-states.

Chaplain G.A. Studdert Kennedy has been described as the most popular British chaplain of the First World War. Widely known as "Woodbine Willie" for the cigarettes he distributed to the troops, his wartime poetry and prose communicated the challenges, hardships and hopes of the soldiers he served. As a chaplain, he was subject to the same hardships as his soldiers. This book analyses his experiences through the contemporary understanding of psychological, moral and spiritual impact of war on its survivors and suggests that the chaplain suffered from Combat Stress, Moral Injury, and Spiritual Injury. Through the analysis of his wartime and postwar publications, the author illustrates the continuing impact of war on the life of a veteran of the Great War.

A unique and vivid first hand account of a young soldier, one of the millions who fought in World War I. Walter Williams volunteered at age fifteen and after completing his initial training in Shrewsbury, passed through the notorious training camp at Etaples before being plunged into the horrors of trench warfare. He fought in some of the major battles of the war including Passchendaele, the Somme and Vimy Ridge - and was badly wounded during the final attack on the Hindenburg line in September 1918, when he was hit by machine-gun fire from an enemy plane. After spending some months in a French hospital in Dieppe, he was repatriated to England where he made a full recovery. Walter's story was captured on an ancient reel-to-reel tape recorder during long conversations with his two nephews, Michael and Derek, who went on to research and verify the events he described before producing this remarkable story. Walter died in 1998, by which time he was one of the last veterans of World War I.

The outbreak of the First World War saw an upsurge of patriotism. The Church generally saw the war as justified, and many clergy encouraged the men in their congregations to join the army. There was, however, already a strong strand of anti-war sentiment, opposed to the dominant theology of the Establishment. This was partly based on traditional Christian pacifism, but included other religious, social and political influences. Campaigners and conscientious objectors voiced a growing concern about the huge human cost of a conflict seemingly endlessly bogged down in the mud of the Flanders poppy fields. 'Subversive Peacemakers' recounts the stories of a strong and increasingly organised opposition to war, from peace groups to poets, from preachers to politicians, from women to working men, all of whom struggled to secure peace in a militarised and fragmenting society. Clive Barrett demonstrates that the Church of England provided an unlikely setting for much of this war resistance. Barrett masterfully narrates the story of the peace movement, bringing together stories of war-resistance until now lost, disregarded or undervalued. The people involved, as well as the dramatic events of the conflict themselves, are seen in a new light.

The Titanic. The Britannic. The Olympic. They are some of the most famous ships in history, but for the wrong reasons. The Olympic Class liners were conceived as the largest, grandest ships ever to set sail. Of the three ships built, the first only lost the record for being the largest because she was beaten by the second, and they were both beaten by the third. The class was meant to secure the White Star Line's reputation as the greatest shipping company on earth. Instead, with the loss of both the Titanic and the Britannic in their first year of service, it guaranteed White Star's infamy. This unique book tells the extraordinary story of these three extraordinary ships from the bottom up, starting with their conception and construction (and later their modification) and following their very different careers. Behind the technical details of these magnificent ships lies a tragic human story - not just of the lives lost aboard the Titanic and Britannic, but of the designers pushing the limits beyond what was actually possible, engineers unable to prepare for every twist of fate, and ship owners and crew who truly believed a ship could be unsinkable. This fascinating story is told with rare photographs, new computer-generated recreations of the ships, and unique wreck images that explore how well the ships were designed and built. Simon Mills offers unparalleled access to shipbuilders Harland & Wolff's specification book for the Olympic Class, including original blueprints and - being made widely available for the first time - large fold-out technical drawings showing how these extensive plans were meant to be seen.

• Designed to be concise yet comprehensive with the undergraduate student in mind • Will serve as a companion to many secondary and primary sources on Wilson • Contains primary source documents to help bring the subject to life

The global impact of the First World War dominated the history of the first half of the twentieth century. This major reassessment of the origins of the war, based on extensive original research in several countries, is the first full analysis of the politics of armaments in pre-1914 Europe. David Stevenson directs attention away from the Anglo-German naval race towards the competition on land between the continental armies. He analyses the defence policies of the Powers, and the interaction between the growth of military preparedness and the diplomatic crises in the Mediterranean and the Balkans that culminated in the events of July-August 1914. Drawing on insights from political science, the book offers a fresh conceptual framework for the origins of the First World War, and provides a thought-provoking case-study of the broader relationships between armaments and international conflict.

On a summer's day on the Somme in 1916, one brave battalion lost half its men to enemy fire in an hour. What went wrong? Martha Kearey dressed in black for the rest of her life in memory of the four sons she lost on that day in the First World War, proudly wearing each of their medals in turn on Sundays. Nearly a century on, her grandson Terence has set out to do justice to the memory of his uncles and their colleagues with a full account of the role of their Battalion, the Kensingtons, on the Somme in the summer of 1916. The Kensingtons, guardians of the right flank on the battlefront at Gommecourt, were ordered to march on the enemy without proper preparation in a move later condemned as foolhardy and suicidal. That summer's day, cut to pieces by enemy artillery, they lost half their men in less than an hour. Kearey sets out a candid account of the action, examining why this tragic and unnecessary slaughter was allowed to happen.

The literary canon of World War I - celebrated for realizing the experience of an entire generation - ignores writing by women. The war brought home to women the sorrow of the loss of husbands, lovers and relatives as well as more revolutionary knowledge gained through the experience of working in munitions factories and as ambulance drivers, police, nurses and spies. During all this time women wrote - letters, poetry, novels, short stories and memoirs. This volume of mutually reflective essays brings writing from Britain, America, France, Germany, Australia and Russia into literary focus.

Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience. -- .

Examining the First World War through the lens of the American South. How did World War I affect the American South? Did southerners experience the war in a particular way? How did regional considerations and, more generally, southern values and culture impact the wider war effort? Was there a distinctive southern experience of WWI? Scholars considered these questions during "Dixie's Great War," a symposium held at the University of Alabama in October 2017 to commemorate the centenary of the American intervention in the war. With the explicit intent of exploring iterations of the Great War as experienced in the American South and by its people, organizers John M. Giggie and Andrew J. Huebner also sought to use historical discourse as a form of civic engagement designed to facilitate a community conversation about the meanings of the war. Giggie and Huebner structured the panels thematically around military, social, and political approaches to the war to encourage discussion and exchanges between panelists and the public alike. Drawn from transcriptions of the day's discussions and lightly edited to preserve the conversational tone and mix of professional and public voices, Dixie's Great War: World War I and the American South captures the process of historians at work with the public, pushing and probing general understandings of the past, uncovering and reflecting on the deeper truths and lessons of the Great War-this time, through the lens of the South. This volume also includes an introduction featuring a survey of recent literature dealing with regional aspects of WWI and a discussion of the centenary commemorations of the war. An afterword by noted historian Jay Winter places "Dixie's Great War"-the symposium and this book-within the larger framework of commemoration, emphasizing the vital role such forums perform in creating space and opportunity for scholars and the public alike to assess and understand the shifting ground between cultural memory and the historical record.

• Designed to be concise yet comprehensive with the undergraduate student in mind • Will serve as a companion to many secondary and primary sources on Wilson • Contains primary source documents to help bring the subject to life

This book examines the history of Herbert Hoover's Commission for Relief in Belgium, which supplied humanitarian aid to the millions of civilians trapped behind German lines in Belgium and Northern France during World War I. Here, Clotilde Druelle focuses on the little-known work of the CRB in Northern France, crossing continents and excavating neglected archives to tell the story of daily life under Allied blockade in the region. She shows how the survival of 2.3 million French civilians came to depend upon the transnational mobilization of a new sort of diplomatic actor-the non-governmental organization. Lacking formal authority, the leaders of the CRB claimed moral authority, introducing the concepts of a "humanitarian food emergency" and "humanitarian corridors" and ushering in a new age of international relations and American hegemony.

The Forgotten Appeasement of 1920 examines a turning point in East European history: the summer of 1920, when Lenin's Soviet Russia decided to challenge the Versailles system and launch a military attack on the continent. The outcome of this attack might have been the occupation of all of Poland and East Central Europe, and a Red Army sweep further west. This book probes the British-Soviet negotiations and diplomatic operations behind the scenes. Professor Nowak uses hitherto unexamined documents from Russian and British archives to show how (and why) top British politicians were ready to accept a new Russian imperial control over the whole of Eastern Europe. Nowak unravels this previously untold story of that first and forgotten appeasement, stopped only by the Polish military victory over the Red Army. His excellent historical craftsmanship and new sources contribute to the book's quality, filling up a lacuna in contemporary historiography. This book will appeal to researchers of geopolitical affairs and the Great Powers, the history of Poland, and the political mentality of Western elites. It will also be of interest to university students and tutors, scholars of history and international relations and - thanks to the book's brisk and fascinating narrative - amateur historians and history aficionados.

A war in the skies above the waves
As early as 1908 the Royal Navy understood the potential for the use of aircraft in naval warfare. By 1914 the Royal Naval Air Service consisted of 93 aircraft, 6 airships, 2 balloons and 727 personnel. By 1918 when the RNAS was combined with the RAF it had nearly 3,000 aircraft and more than 55,000 personnel. Aircraft working in concert with the Royal Navy and against enemy shipping and coastal installations had come to stay. This interesting book looks at the RNAS from a much more personal perspective-that of one young navy pilot, Harold Rosher. The book tells the story of Rosher's war, based around Dover and engaged in patrolling over and across the English Channel and attacking enemy held coastal defences such as Zeebrugge, principally through letters to his family and provides vital insights into the First World War in the air as experienced by an early naval pilot. Available in softcover and hardcover with dust jacket

This book examines the particular experience of ethnic, religious and national minorities who participated in the First World War as members of the main belligerent powers: Britain, France, Germany and Russia. Individual chapters explore themes including contested loyalties, internment, refugees, racial violence, genocide and disputed memories from 1914 through into the interwar years to explore how minorities made the transition from war to peace at the end of the First World War. The first section discusses so-called 'friendly minorities', considering the way in which Jews, Muslims and refugees lived through the war and its aftermath. Section two looks at fears of 'enemy aliens', which prompted not only widespread internment, but also violence and genocide. The third section considers how the wartime experience of minorities played out in interwar Europe, exploring debates over political representation and remembrance. Bridging the gap between war and peace, this is the ideal book for all those interested in both First World War and minority histories.

This book juxtaposes national anthems of thirteen countries from central Europe, with the aim of initiating a dialogue among the peoples of East-Central Europe. We tend to perceive a national anthem as a particular mirror, involuntarily reflecting an image of nation and homeland; but how does it represent the community for whom it sounds? To answer this question, the book deploys a comparative approach - anthems are presented in the light of those of neighbouring countries, with the conviction that one of the key features of true Europeanness is good relations between neighbours. The development trajectory of the modern nation is the context in which the book examines the history of such national symbols, alongside the symbolic content of poetry, images of the homeland and nation depicted in the anthems, as well as the sometimes longer processes which led to the adoption and legal codification of current state symbols. The Anthems of East-Central Europe will be a great resource for researchers, journalists, college and university students, politicians trying to impact emigrees from this region and emigrees themselves.

The literature on trench journalism is well-established for Britain and France during the First World War, but this book is the first systematic study in English of German soldier newspapers as a representation of daily life and beliefs on the front. Printed by and for soldiers at or near the front line these newspapers were read by millions of 'ordinary soldiers'. They reveal an elaborately defined understanding of comradeship and duty. The war of aggression, the prolonged occupation on both fronts and the hostility of the local populations were justified through a powerful image of manly comradeship. The belief among many Germans was that they were good gentlemen, fighting a just war and bringing civilization to backward populations. This comparative study includes French, British, Australian and Canadian newspapers and sheds new light on the views of combatants on both sides of the line.

Black Shame offers a detailed analysis of the recruitment and deployment of - and reactions to - African soldiers in the WWI European theatre of war. In so doing, the book paints a vivid picture of the wider debates of race and national identity provoked by the use of African troops within the main actors on the WWI scene: France, Britain, Germany and even the US. Drawing on war-time attitudes, Dick van Galen Last explores the reality and long-term consequences of the participation of African regiments in the post-war occupation of the German territories. Wide-ranging, both geographically and thematically, the first publication of its kind, Black Shame adds a fresh, truly comparative perspective to the scholarship in the fields of imperial and military history, as well as war studies and postcolonial studies, and will appeal to academics and postgraduate students alike.