How did overseas Europeans participate in the two world wars' effort? Which were the tensions around mobilization? How did the war affect their identity and their descendants? What were their mobilization's effects on the relationship with the adopted homelands? These closely intertwined issues connect to the central argument of the book: war exerted a crucial influence on the configuration - and reconfiguration - of those European communities' national or ethnic identities and made evident their transnational nature. Through different case studies, this volume approached the multi-faceted, complex, and fluid nature of immigrant collective identities under the pressures and challenges of total wars. Contributors are: Juan Pablo Artinian, Juan Luis Carrellan Ruiz, Hernan M. Diaz, Norman Fraser Brown, Marcelo Huernos, Milagros Martinez-Flener, Norman Fraser Brown, German C. Friedmann, Maria Ines Tato, and Stefan Rinke.

This book deals with an aspect of the Great War that has been largely overlooked: the war reportage written based on British and American authors' experiences at the Western Front. It focuses on how the liminal experience of the First World War was portrayed in a series of works of literary journalism at different stages of the conflict, from the summer of 1914 to the Armistice in November 1918. Sara Prieto explores a number of representative texts written by a series of civilian eyewitness who have been passed over in earlier studies of literature and journalism in the Great War. The texts under discussion are situated in the 'liminal zone', as they were written in the middle of a transitional period, half-way between two radically different literary styles: the romantic and idealising ante bellum tradition, and the cynical and disillusioned modernist school of writing. They are also the product of the various stages of a physical and moral journey which took several authors into the fantastic albeit nightmarish world of the Western Front, where their understanding of reality was transformed beyond anything they could have anticipated.

Over the seas and far away-the world at war
In the late summer of 1914, the eyes of the world were fixed upon Europe as seemingly unstoppable German armies simultaneously marched eastwards and westwards subduing nations and forcing their armies to retreat. This was the beginning of an industrial war without precedent which would send shockwaves across the globe. This book, specially compiled by Leonaur's editors from John Buchan's excellent writings on the First World War, concentrates on the world beyond mainland Europe in the early months of the war. Readers will discover the naval battles of Heligoland Bight, Coronel, the Falkland Islands and Dogger Bank as the Imperial German Navy tested its mettle against the might of the Royal Navy. Here are accounts of German naval raiders such as the 'Emden' and the naval bombardments of British seaside towns. German and British colonial and regular troops clashed in East and West Africa and actions were fought on the coast of China and upon remote Pacific Islands. Disaffected Boers rose in rebellion in South Africa and Germany's ally, the Ottoman Turkish Empire joined the fray making advances in Mesopotamia (modern Iraq) and towards the strategically vital Suez Canal in Egypt. In 1914 this was a conflict far removed from the familiar mud, wire and trenches that have become emblematic of the First World War. This is a highly recommended overview of the world at war created especially to mark the centenary of the outbreak of hostilities; it includes many illustrations, photographs and maps.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

World War I, given all the rousing "Over-There" songs and in-the-trenches films it inspired, was, at its outset, surprisingly unpopular with the American public. As opposition increased, Woodrow Wilson's presidential administration became intent on stifling antiwar dissent. In his absorbing new book, Eric Chester reveals that out of this turmoil came a heated public discussion on the theory of civil liberties-the basic freedoms that are, theoretically, untouchable by any of the three branches of the U.S. government. The famous "clear and present danger" argument of Supreme Court Justice Oliver Wendell Holmes, and the "balance of conflicting interest" theory of law professor Zechariah Chafee, for example, evolved to provide a rationale for courts to act as a limited restraint on autocratic actions of the government. But Chester goes further, to examine an alternative theory: civil liberties exist as absolute rights, rather than being dependent on the specific circumstances of each case. Over the years, the debate about the right to dissent has intensified and become more necessary. This fascinating book explains why, a century after the First World War-and in the era of Trump-we need to know about this.

A unique and vivid first hand account of a young soldier, one of the millions who fought in World War I. Walter Williams volunteered at age fifteen and after completing his initial training in Shrewsbury, passed through the notorious training camp at Etaples before being plunged into the horrors of trench warfare. He fought in some of the major battles of the war including Passchendaele, the Somme and Vimy Ridge - and was badly wounded during the final attack on the Hindenburg line in September 1918, when he was hit by machine-gun fire from an enemy plane. After spending some months in a French hospital in Dieppe, he was repatriated to England where he made a full recovery. Walter's story was captured on an ancient reel-to-reel tape recorder during long conversations with his two nephews, Michael and Derek, who went on to research and verify the events he described before producing this remarkable story. Walter died in 1998, by which time he was one of the last veterans of World War I.

Exiting war explores a particular 1918-20 'moment' in the British Empire's history, between the First World War's armistices of 1918, and the peace treaties of 1919 and 1920. That moment, we argue, was a challenging and transformative time for the Empire. While British authorities successfully answered some of the post-war tests they faced, such as demobilisation, repatriation, and fighting the widespread effects of the Spanish flu, the racial, social, political and economic hallmarks of their imperialism set the scene for a wide range of expressions of loyalties and disloyalties, and anticolonial movements. The book documents and conceptualises this 1918-20 'moment' and its characteristics as a crucial three-year period of transformation for and within the Empire, examining these years for the significant shifts in the imperial relationship that occurred and as laying the foundation for later change in the imperial system. -- .

An eye-opening interpretation of the infamous Gallipoli campaign that sets it in the context of global trade. In early 1915, the British government ordered the Royal Navy to force a passage of the Dardanelles Straits-the most heavily defended waterway in the world. After the Navy failed to breach Turkish defenses, British and allied ground forces stormed the Gallipoli peninsula but were unable to move off the beaches. Over the course of the year, the Allied landed hundreds of thousands of reinforcements but all to no avail. The Gallipoli campaign has gone down as one of the great disasters in the history of warfare. Previous works have focused on the battles and sought to explain the reasons for the British failure, typically focusing on First Lord of the Admiralty Winston Churchill. In this bold new account, Nicholas Lambert offers the first fully researched explanation of why Prime Minister Henry Asquith and all of his senior advisers-the War Lords-ordered the attacks in the first place, in defiance of most professional military opinion. Peeling back the manipulation of the historical record by those involved with the campaign's inception, Lambert shows that the original goals were political-economic rather than military: not to relieve pressure on the Western Front but to respond to the fall-out from the massive disruption of the international grain trade caused by the war. By the beginning of 1915, the price of wheat was rising so fast that Britain, the greatest importer of wheat in the world, feared bread riots. Meanwhile Russia, the greatest exporter of wheat in the world and Britain's ally in the east, faced financial collapse. Lambert demonstrates that the War Lords authorized the attacks at the Dardanelles to open the straits to the flow of Russian wheat, seeking to lower the price of grain on the global market and simultaneously to eliminate the need for huge British loans to support Russia's war effort. Carefully reconstructing the perspectives of the individual War Lords, this book offers an eye-opening case study of strategic policy making under pressure in a globalized world economy.

This book explores the ramifications of 1917, arguing that it was a cataclysmic year in world history. In this volume, thirteen scholars reflect on the myriad legacies of the year 1917 as a year of war, revolution, upheaval and change. Crisscrossing the globe and drawing on a range of disciplinary approaches, from military, social and economic history to museum, memory and cultural studies, the collection highlights how the First World War remains 'living history'. With contributions on the Russian revolutions, the entry of the United States into the war, the Caucasus and Flanders war fronts, as well as on India and New Zealand, and chapters by pre-eminent First World War academics, including Jay Winter, Annette Becker, and Michael Neiberg, the collection engages all with an interest in the era and in the history and commemoration of war.

During the First World War, the Jewish population of Central Europe was politically, socially, and experientially diverse, to an extent that resists containment within a simple historical narrative. While antisemitism and Jewish disillusionment have dominated many previous studies of the topic, this collection aims to recapture the multifariousness of Central European Jewish life in the experiences of soldiers and civilians alike during the First World War. Here, scholars from multiple disciplines explore rare sources and employ innovative methods to illuminate four interconnected themes: minorities and the meaning of military service, Jewish-Gentile relations, cultural legacies of the war, and memory politics.

The collapse of the Habsburg Monarchy at the end of World War I ushered in a period of radical change for East-Central European political structures and national identities. Yet this transformed landscape inevitably still bore the traces of its imperial past. Breaking with traditional histories that take 1918 as a strict line of demarcation, this collection focuses on the complexities that attended the transition from the Habsburg Empire to its successor states. In so doing, it produces new and more nuanced insights into the persistence and effectiveness of imperial institutions, as well as the sources of instability in the newly formed nation-states.

Chaplain G.A. Studdert Kennedy has been described as the most popular British chaplain of the First World War. Widely known as "Woodbine Willie" for the cigarettes he distributed to the troops, his wartime poetry and prose communicated the challenges, hardships and hopes of the soldiers he served. As a chaplain, he was subject to the same hardships as his soldiers. This book analyses his experiences through the contemporary understanding of psychological, moral and spiritual impact of war on its survivors and suggests that the chaplain suffered from Combat Stress, Moral Injury, and Spiritual Injury. Through the analysis of his wartime and postwar publications, the author illustrates the continuing impact of war on the life of a veteran of the Great War.

On a summer's day on the Somme in 1916, one brave battalion lost half its men to enemy fire in an hour. What went wrong? Martha Kearey dressed in black for the rest of her life in memory of the four sons she lost on that day in the First World War, proudly wearing each of their medals in turn on Sundays. Nearly a century on, her grandson Terence has set out to do justice to the memory of his uncles and their colleagues with a full account of the role of their Battalion, the Kensingtons, on the Somme in the summer of 1916. The Kensingtons, guardians of the right flank on the battlefront at Gommecourt, were ordered to march on the enemy without proper preparation in a move later condemned as foolhardy and suicidal. That summer's day, cut to pieces by enemy artillery, they lost half their men in less than an hour. Kearey sets out a candid account of the action, examining why this tragic and unnecessary slaughter was allowed to happen.

The outbreak of the First World War saw an upsurge of patriotism. The Church generally saw the war as justified, and many clergy encouraged the men in their congregations to join the army. There was, however, already a strong strand of anti-war sentiment, opposed to the dominant theology of the Establishment. This was partly based on traditional Christian pacifism, but included other religious, social and political influences. Campaigners and conscientious objectors voiced a growing concern about the huge human cost of a conflict seemingly endlessly bogged down in the mud of the Flanders poppy fields. 'Subversive Peacemakers' recounts the stories of a strong and increasingly organised opposition to war, from peace groups to poets, from preachers to politicians, from women to working men, all of whom struggled to secure peace in a militarised and fragmenting society. Clive Barrett demonstrates that the Church of England provided an unlikely setting for much of this war resistance. Barrett masterfully narrates the story of the peace movement, bringing together stories of war-resistance until now lost, disregarded or undervalued. The people involved, as well as the dramatic events of the conflict themselves, are seen in a new light.

A fresh, nuanced look at an extraordinary woman and her lifelong fight for justice. Defying the constraints of her gender and class, Emily Hobhouse travelled across continents and spoke out against oppression. A passionate pacifist and a feminist, she opposed both the 1899-1902 Anglo-Boer War and World War One, leading to accusations of treason. Elsabe Brits travelled in her footsteps to bring to life a colourful story of war, heroism and passion, spanning three continents.

• Designed to be concise yet comprehensive with the undergraduate student in mind • Will serve as a companion to many secondary and primary sources on Wilson • Contains primary source documents to help bring the subject to life

• Designed to be concise yet comprehensive with the undergraduate student in mind • Will serve as a companion to many secondary and primary sources on Wilson • Contains primary source documents to help bring the subject to life

Recent scholarship has broadened definitions of war and shifted from the narrow focus on battles and power struggles to include narratives of the homefront and private sphere. To expand scholarship on textual representations of war means to shed light on the multiple theaters of war, and on the many voices who contributed to, were affected by, and/or critiqued German war efforts. Engaged women writers and artists commented on their nations' imperial and colonial ambitions and the events of the tumultuous beginning of the twentieth century. In an interdisciplinary investigation, this volume explores select female-authored, German-language texts focusing on German colonial wars and World War I and the discourses that promoted or critiqued their premises. They examine how colonial conflicts contributed to a persistent atmosphere of Kriegsbegeisterung (war enthusiasm) that eventually culminated in the outbreak of World War I, or a Kriegskritik (criticism of war) that resisted it. The span from German colonialism to World War I brings these explosive periods into relief and challenges readers to think about the intersection of nationalism, violence and gender and about the historical continuities and disruptions that shape such events.

The global impact of the First World War dominated the history of the first half of the twentieth century. This major reassessment of the origins of the war, based on extensive original research in several countries, is the first full analysis of the politics of armaments in pre-1914 Europe. David Stevenson directs attention away from the Anglo-German naval race towards the competition on land between the continental armies. He analyses the defence policies of the Powers, and the interaction between the growth of military preparedness and the diplomatic crises in the Mediterranean and the Balkans that culminated in the events of July-August 1914. Drawing on insights from political science, the book offers a fresh conceptual framework for the origins of the First World War, and provides a thought-provoking case-study of the broader relationships between armaments and international conflict.

The literary canon of World War I - celebrated for realizing the experience of an entire generation - ignores writing by women. The war brought home to women the sorrow of the loss of husbands, lovers and relatives as well as more revolutionary knowledge gained through the experience of working in munitions factories and as ambulance drivers, police, nurses and spies. During all this time women wrote - letters, poetry, novels, short stories and memoirs. This volume of mutually reflective essays brings writing from Britain, America, France, Germany, Australia and Russia into literary focus.

Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience. -- .