The war of the French volunteers
This book does not concern the Battle of Verdun in 1916--widely considered to be the largest battle in world history, rather it positions the action geographically for the reader. Written during wartime this account concerns the personal experiences of a young officer of the French infantry from the earliest days of the Great War through a period of comparative fluidity of movement before the stalemate of trench warfare. The fighting concerns the actions about the Meuse and the Marne in the first year of the war from a French perspective and concludes as the 'armies go to earth' in the early part of 1915. Genevoix takes the reader into the heart of his enthusiastic young group of comrades and soldiers on campaign to provide valuable insights into the opening phases of the great conflict the French infantry knew. Available in soft cover and hard cover with dust jacket.

"Riveting . . . There is a wealth of new information here that adds considerable texture and nuance to his story and helps to set Russia apart from previous works."-The Wall Street Journal An epic new account of the conflict that reshaped Eastern Europe and set the stage for the rest of the twentieth century. Between 1917 and 1921 a devastating struggle took place in Russia following the collapse of the Tsarist empire. The doomed White alliance of moderate socialists and reactionary monarchists stood little chance against Trotsky's Red Army and the single-minded Communist dictatorship under Lenin. In the savage civil war that followed, terror begat terror, which in turn led to ever greater cruelty with man's inhumanity to man, woman and child. The struggle became a world war by proxy as Churchill deployed weaponry and troops from the British empire, while contingents from the United States, France, Italy, Japan, Poland, and Czechoslovakia played rival parts. Using the most up to date scholarship and archival research, Antony Beevor assembles the complete picture in a gripping narrative that conveys the conflict through the eyes of everyone from the worker on the streets of Petrograd to the cavalry officer on the battlefield and the doctor in an improvised hospital.

Invented during World War I to break the grim deadlock of the Western Front trenches, tanks went on to revolutionize warfare. From the lightning Blitzkrieg assaults of World War II, to the great battles in the Middle Eastern desert, tanks have become one of the key components of the 'combined arms' philosophy of the modern battlefield. This pocket guide makes accessible to 'rivetheads' everywhere essential information to identify 40 of history's most fearsome tanks, including Germany's Tiger, Russia's T-34, America's Sherman and Panther, and France's FT-17. Each tank is presented with a detailed drawing to aid recognition.

The Remembered Dead explores the ways poets of the First World War - and later poets writing in the memory of that war - address the difficult question of how to remember, and commemorate, those killed in conflict. It looks closely at the way poets struggled to meaningfully represent dying, death, and the trauma of witness, while responding to the pressing need for commemoration. The authors pay close attention to specific poems while maintaining a strong awareness of literary and philosophical contexts. The poems are discussed in relation to modernism and myth, other forms of commemoration (such as photographs and memorials), and theories of cultural memory. There is fresh analysis of canonical poets which, at the same time, challenges the confines of the canon by integrating discussion of lesser-known figures, including non-combatants and poets of later decades. The final chapter reaches beyond the war's centenary in a discussion of one remarkable commemoration of Wilfred Owen.

This is the compelling story of West Belfast's involvement fighting on the Western Front throughout the First World War. This is the story of men from either side of West Belfast's sectarian divide during the Great War. This dramatic book tells the story of the volunteers of the 36th and 16th divisions who fought on the Somme and side-by-side at Messines. Grayson also brings in forgotten West Belfast men from throughout the armed forces, from the retreat at Mons to the defeat of Germany and life post-war. In so doing, he tells a new story which challenges popular perceptions of the war and explains why remembrance remains so controversial in Belfast today.

Why, despite the appalling conditions in the trenches of the Western Front, was the British army almost untouched by major mutiny during the First World War? Drawing upon an extensive range of sources, including much previously unpublished archival material, G. D. Sheffield seeks to answer this question by examining a crucial but previously neglected factor in the maintenance of the British army's morale in the First World War: the relationship between the regimental officer and the ordinary soldier.

Booth offers a complex portrait of the relation between British Great War culture and modernist writings. She notes that unlike civilians, modernist writers and combatants shared a concern with the divide between language and experience, and draws connections between the sensibility of the modernist writer and the soldier, particularly regarding efforts to describe dying and the dead. Her analysis extends to memorials, posters, and architecture of the Great War, though her emphasis is on literary works by Robert Graves, E.M. Forster, Vera Brittain, and others.

I cannot stop while there are lives to be saved
Edith Cavell
Nurse Edith Cavell was a British Nurse and humanitarian who became famous during the First World War for not only nursing and saving the lives of battle casualties with no regard for the nationality of the combatants, but also for her work in assisting some 200 Allied soldiers to escape incarceration by the victorious German Army in Belgium during the early stages of the conflict. This middle aged nurse was discovered by the Germans, who considered her actions treasonable, abetting the escape of troops who might return to the battle front. Cavell was subsequently tried by court marshal, sentenced to be executed and shot by firing squad in October 1915, aged 50 years. The event was widely reported by the world press and the effect on the public at large was electric providing a propaganda triumph for the Allied cause and an equal disaster for the German cause-although they considered their actions fair and reasonable by the rules of war. Cavell's influence on nursing in Belgium has been an enduring one. This book contains two accounts brought together by Leonaur for interest and good value. The first, The Martyrdom of Nurse Cavell by William Thomson Hill, provides an overview of the Cavell story whilst the second, With Edith Cavell in Belgium by Jacqueline Van Til, was written by a young nurse who worked closely with Cavell and who had inside knowledge and personal experience of the dramatic events as they unfolded. Available in softcover and hardcover with dust jacket.

More than 400 photographs detail the American military experience in World War I on the ground, in the air, and at sea, from recruitment to the Armistice. This is the premier visual history of the United States in the Great War to be published during these centennial years. * Features not only the infamous Doughboys and Devil Dogs, but also flying aces, doctors and nurses, seamen, and the German enemy * Color photos of weapons and equipment, uniforms, insignia, medals, and posters * Richly informative text and captions by an expert on World War I and battlefield interpretation.

The Great War is still seen as a mostly European war. The Middle Eastern theater is, at best, considered a sideshow written from the western perspective. This book fills an important gap in the literature by giving an insight through annotated translations from five Ottoman memoirs, previously not available in English, of actors who witnessed the last few years of Turkish presence in the Arab lands. It provides the historical background to many of the crises in the Middle East today, such as the Arab-Israeli confrontation, the conflict-ridden emergence of Syria and Lebanon, the struggle over the holy places of Islam in the Hejaz, and the mutual prejudices of Arabs and Turks about each other.

This is a major new history of the British army during the Great War written by three leading military historians. Ian Beckett, Timothy Bowman and Mark Connelly survey operations on the Western Front and throughout the rest of the world as well as the army's social history, pre-war and wartime planning and strategy, the maintenance of discipline and morale and the lasting legacy of the First World War on the army's development. They assess the strengths and weaknesses of the army between 1914 and 1918, engaging with key debates around the adequacy of British generalship and whether or not there was a significant 'learning curve' in terms of the development of operational art during the course of the war. Their findings show how, despite limitations of initiative and innovation amongst the high command, the British army did succeed in developing the effective combined arms warfare necessary for victory in 1918.

Over 185,000 British military servicemen were captured by the Germans during the First World War and incarcerated as prisoners of war (POWs). In this original investigation into their experiences of captivity, Wilkinson uses official and private British source material to explore how these servicemen were challenged by, and responded to, their wartime fate. Examining the psychological anguish associated with captivity, and physical trials, such as the controlling camp spaces; harsh routines and regimes; the lack of material necessities; and, for many, forced labour demands, he asks if, how and with what effects British POWs were able to respond to such challenges. The culmination of this research reveals a range of coping strategies embracing resistance; leadership and organisation; networks of support; and links with 'home worlds'. British Prisoners of War in First World War Germany offers an original insight into First World War captivity, the German POW camps, and the mentalities and perceptions of the British servicemen held within.

M. D. Allen's study deals with T. E. Lawrence's lifelong interest in the medieval world, especially medieval literature, and its considerable influence on his view of himself and of the Arabs with whom he fought in an archaic theater of war, and hence his own literary production.

The Medievalism of Lawrence of Arabia investigates the influence Lawrence's interest in medieval life and literature had on his attitudes toward life in general and--in content, theme, and diction--on his masterpiece, Seven Pillars of Wisdom, in particular. Allen begins with a brief biography of Lawrence--his early interest in things medieval and his somewhat controversial BA thesis on crusader castles. Allen then reveals the extent to which Lawrence's ideas about honor, warfare, and chivalry in the Arab war against the Turks were shaped by his reading in medieval writings such as Malory's Morte d'Arthur. (Both, as he makes clear, were warrior societies dominated by horses.) Lawrence's reading in the nineteenth-century medievalism is also explored, as in Tennyson's Idylls of the King, and Ruskin's writing on art, where the parallel between Ruskin's ideas on ornament and Lawrence's ideas about the dignity of war is demonstrated.

Allen then identifies the medieval and neomedieval texts of Seven Pillars of Wisdom and shows why and to what effect Lawrence borrowed from chivalric, neochivalric, and pseudochivalric works, and sometimes transmogrified them, revealing Lawrence's greatest inspiration to be an English translation of the Moallakat (which is, so to speak, the Arabic Beowulf). Allen sheds new light on many aspects of the influence of medievalism on Lawrence's thought and writing.

From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India's struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.

Using a broad variety of textual and visual sources, Latin America and the First World War goes beyond traditional diplomatic history and analyzes the global dimension of the history of the Great War. Filling a significant gap in transnational histories of the war, Stefan Rinke addresses political, social, and economic aspects as well as the cultural impact of the war on Latin America and vice versa. Rinke's meticulous research is based on sources from the nineteen independent states of the entire subcontinent and promises to be the most comprehensive examination to date of Latin America before, during, and immediately after the war.

The First World War mangled faces, blew away limbs, and ruined nerves. Ten million dead, twenty million severe casualties, and eight million people with permanent disabilities--modern war inflicted pain and suffering with unsparing, mechanical efficiency. However, such horror was not the entire story. People also rebuilt their lives, their communities, and their bodies. From the ashes of war rose beauty, eroticism, and the promise of utopia.
Ana Carden-Coyne investigates the cultures of resilience and the institutions of reconstruction in Britain, Australia, and the United States. Immersed in efforts to heal the consequences of violence and triumph over adversity, reconstruction inspired politicians, professionals, and individuals to transform themselves and their societies.
Bodies were not to remain locked away as tortured memories. Instead, they became the subjects of outspoken debate, the objects of rehabilitation, and commodities of desire in global industries. Governments, physicians, beauty and body therapists, monument designers and visual artists looked to classicism and modernism as the tools for rebuilding civilization and its citizens. What better response to loss of life, limb, and mind than a body reconstructed?

Empires, Soldiers, and Citizens 2/e offers a vivid range of eyewitness perspectives - from female munitions workers to Indian troops in France - which explore the social, cultural, and military dimensions of World War I. This second edition includes added material to reflect the very latest historical thinking. * Combines documents and themes that have proven successful in the first edition with new sources and topics that are currently at the forefront of historical debate and research * Now features 59 new documents which illustrate the imperial dimensions of the conflict and broaden the coverage of 'war culture' and developments in Eastern Europe * Documents have been included which pay particular attention to the experiences and perspectives of ordinary people, whose voices are often underrepresented in broad accounts * The bibliography has been expanded and completely updated, complemented by a new series of maps and illustrations