The First World War mangled faces, blew away limbs, and ruined nerves. Ten million dead, twenty million severe casualties, and eight million people with permanent disabilities--modern war inflicted pain and suffering with unsparing, mechanical efficiency. However, such horror was not the entire story. People also rebuilt their lives, their communities, and their bodies. From the ashes of war rose beauty, eroticism, and the promise of utopia.
Ana Carden-Coyne investigates the cultures of resilience and the institutions of reconstruction in Britain, Australia, and the United States. Immersed in efforts to heal the consequences of violence and triumph over adversity, reconstruction inspired politicians, professionals, and individuals to transform themselves and their societies.
Bodies were not to remain locked away as tortured memories. Instead, they became the subjects of outspoken debate, the objects of rehabilitation, and commodities of desire in global industries. Governments, physicians, beauty and body therapists, monument designers and visual artists looked to classicism and modernism as the tools for rebuilding civilization and its citizens. What better response to loss of life, limb, and mind than a body reconstructed?

The Amazon History Book of the Year 2013 is a magisterial chronicle of the calamity that befell Europe in 1914 as the continent shifted from the glamour of the Edwardian era to the tragedy of total war. In 1914, Europe plunged into the 20th century's first terrible act of self-immolation - what was then called The Great War. On the eve of its centenary, Max Hastings seeks to explain both how the conflict came about and what befell millions of men and women during the first months of strife. He finds the evidence overwhelming, that Austria and Germany must accept principal blame for the outbreak. While what followed was a vast tragedy, he argues passionately against the 'poets' view', that the war was not worth winning. It was vital to the freedom of Europe, he says, that the Kaiser's Germany should be defeated. His narrative of the early battles will astonish those whose images of the war are simply of mud, wire, trenches and steel helmets. Hastings describes how the French Army marched into action amid virgin rural landscapes, in uniforms of red and blue, led by mounted officers, with flags flying and bands playing. The bloodiest day of the entire Western war fell on 22 August 1914, when the French lost 27,000 dead. Four days later, at Le Cateau the British fought an extraordinary action against the oncoming Germans, one of the last of its kind in history. In October, at terrible cost they held the allied line against massive German assaults in the first battle of Ypres.The author also describes the brutal struggles in Serbia, East Prussia and Galicia, where by Christmas the Germans, Austrians, Russians and Serbs had inflicted on each other three million casualties. This book offers answers to the huge and fascinating question 'what happened to Europe in 1914?', through Max Hastings's accustomed blend of top-down and bottom-up accounts from a multitude of statesmen and generals, peasants, housewives and private soldiers of seven nations. His narrative pricks myths and offers some striking and controversial judgements. For a host of readers gripped by the author's last international best-seller 'All Hell Let Loose', this will seem a worthy successor.

Empires, Soldiers, and Citizens 2/e offers a vivid range of eyewitness perspectives - from female munitions workers to Indian troops in France - which explore the social, cultural, and military dimensions of World War I. This second edition includes added material to reflect the very latest historical thinking. * Combines documents and themes that have proven successful in the first edition with new sources and topics that are currently at the forefront of historical debate and research * Now features 59 new documents which illustrate the imperial dimensions of the conflict and broaden the coverage of 'war culture' and developments in Eastern Europe * Documents have been included which pay particular attention to the experiences and perspectives of ordinary people, whose voices are often underrepresented in broad accounts * The bibliography has been expanded and completely updated, complemented by a new series of maps and illustrations

The Forgotten Appeasement of 1920 examines a turning point in East European history: the summer of 1920, when Lenin's Soviet Russia decided to challenge the Versailles system and launch a military attack on the continent. The outcome of this attack might have been the occupation of all of Poland and East Central Europe, and a Red Army sweep further west. This book probes the British-Soviet negotiations and diplomatic operations behind the scenes. Professor Nowak uses hitherto unexamined documents from Russian and British archives to show how (and why) top British politicians were ready to accept a new Russian imperial control over the whole of Eastern Europe. Nowak unravels this previously untold story of that first and forgotten appeasement, stopped only by the Polish military victory over the Red Army. His excellent historical craftsmanship and new sources contribute to the book's quality, filling up a lacuna in contemporary historiography. This book will appeal to researchers of geopolitical affairs and the Great Powers, the history of Poland, and the political mentality of Western elites. It will also be of interest to university students and tutors, scholars of history and international relations and - thanks to the book's brisk and fascinating narrative - amateur historians and history aficionados.

Modernist texts and writings of protest have until now received most of the critical attention of literary scholars of the First World War. Popular literature with its penchant for predictable storylines, melodramatic prose, and patriotic rhetoric has been much-maligned or at the very least ignored. Boys in Khaki, Girls in Print: Women's Literary Responses to the Great War redresses the balance. It turns the spotlight on the novels and memoirs of women writers - many of whom are now virtually forgotten - that appealed to a British reading public hungry for amusement, news, and above all, encouragement in the face of uncertainty and grief. The writers of 1914-18 had powerful models for interpreting their war, as a consideration of texts from the Anglo-Boer War of 1899-1902 shows. They were also bolstered by wartime publishing practices that reinforced the sense that their books, whether fiction or non-fiction, were not simply 'light' entertainment but a powerful agents of propaganda. Generously illustrated, Boys in Khaki, Girls in Print is a scholarly yet accessible illumination of a hitherto untapped resource of women's writing and is an important new contribution to the study of the literature of the Great War.

The motorised wheels of war begin to turn
In 1914 as the B. E. F was quickly hurried to the battle lines-by whatever means possible-British troops were amused to see familiar commercial vehicles trundle past, resplendent with their colourful advertisements for household products. The French civilian population was equally amused, bemused and occasionally confused by this incongruous sight. The Great War, with powered flying machines, submarines, motor transport and tanks, was the first major mechanised war. The invention of the internal combustion engine metamorphosed the waging of war. Motor transport could efficiently move both men and materials, the dispatch rider was no longer the glittering aide-de-camp but a drab, goggled corporal on a motorcycle, and weapons of destruction could be carried behind the steel plating of motorised armoured cars and tanks. This subject fascinates those interested in the history of modern warfare and to mark the centenary of the outbreak of the First World War in 1914, the Leonaur Editors have compiled this special three-in-one book about the Great War from the perspective of 'the motor.' The first title here is an excellent overview of the subject, accompanied by useful illustrations and diagrams, which covers each aspect of the motor at war. Next is a manufactures catalogue with detailed views and elevations of the very commercial vehicles that carried British troops to the front in 1914. The final piece is an extract about motor transport and armoured vehicles in the first decades of the 20th century. This is a useful reference guide for all military vehicle enthusiasts.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Glasgow men on the Western Front
As every student of the Great War is aware, the escalating scale of the conflict on the Western Front required the formation of new battalions-a new citizen army formed to be equal to the size of the challenge. This is the unit history of one of them, The Seventeenth Highland Light Infantry (Glasgow Chamber of Commerce) Battalion. As its name suggests it was but one of many additional battalions raised in Scotland which would bear the name of an old regiment of the British Army in this case the 71st Foot, the HLI. Many of these battalions, particularly those raised in large urban centres, took on the character of their place and community of origin. This battalion's sister unit, the Sixteenth, for example was styled, 'The Glasgow Boy's Brigade' Battalion. The Glasgow men were dispatched to France and into the trenches with all its hardships, grinding routine and frequent raiding. The battalion served through the Battle of the Somme and went on the see action around Hulluch, Beaumont-Hamel and the Ypres Salient among others. This invaluable book also contains honours and award rolls making it invaluable for genealogists. Available in softcover and hard over with dust jacket.

This book deals with an aspect of the Great War that has been largely overlooked: the war reportage written based on British and American authors' experiences at the Western Front. It focuses on how the liminal experience of the First World War was portrayed in a series of works of literary journalism at different stages of the conflict, from the summer of 1914 to the Armistice in November 1918. Sara Prieto explores a number of representative texts written by a series of civilian eyewitness who have been passed over in earlier studies of literature and journalism in the Great War. The texts under discussion are situated in the 'liminal zone', as they were written in the middle of a transitional period, half-way between two radically different literary styles: the romantic and idealising ante bellum tradition, and the cynical and disillusioned modernist school of writing. They are also the product of the various stages of a physical and moral journey which took several authors into the fantastic albeit nightmarish world of the Western Front, where their understanding of reality was transformed beyond anything they could have anticipated.

The execution of British matron Edith Cavell by occupying German forces was portrayed by the allies as one of the key atrocities of the Great War. This book recovers and interprets the worldwide reaction to Cavell's death, exploring its contextual relationship within imperial and international history, as well women's history and gender history.

• Designed to be concise yet comprehensive with the undergraduate student in mind • Will serve as a companion to many secondary and primary sources on Wilson • Contains primary source documents to help bring the subject to life

Over the seas and far away-the world at war
In the late summer of 1914, the eyes of the world were fixed upon Europe as seemingly unstoppable German armies simultaneously marched eastwards and westwards subduing nations and forcing their armies to retreat. This was the beginning of an industrial war without precedent which would send shockwaves across the globe. This book, specially compiled by Leonaur's editors from John Buchan's excellent writings on the First World War, concentrates on the world beyond mainland Europe in the early months of the war. Readers will discover the naval battles of Heligoland Bight, Coronel, the Falkland Islands and Dogger Bank as the Imperial German Navy tested its mettle against the might of the Royal Navy. Here are accounts of German naval raiders such as the 'Emden' and the naval bombardments of British seaside towns. German and British colonial and regular troops clashed in East and West Africa and actions were fought on the coast of China and upon remote Pacific Islands. Disaffected Boers rose in rebellion in South Africa and Germany's ally, the Ottoman Turkish Empire joined the fray making advances in Mesopotamia (modern Iraq) and towards the strategically vital Suez Canal in Egypt. In 1914 this was a conflict far removed from the familiar mud, wire and trenches that have become emblematic of the First World War. This is a highly recommended overview of the world at war created especially to mark the centenary of the outbreak of hostilities; it includes many illustrations, photographs and maps.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

In incorporating Black African soldiers on the European battleground in their war against the Germans in WWI, France needed to change the image of the African from that of savage to a loyal and courageous soldier, a non-threat to French citizenry. What emerged was the Grand Enfant, a child-like figure with a winning grin who nonetheless could be ruthless in pursuit of the Hun. Meanwhile, German propaganda persisted in portraying the African as a cannibal, being unjustly deployed by France against the civilized European. Postcards of the era were an important means of disseminating these images and demonstrate how the African soldier's image was manipulated to serve the changing needs of the European belligerents. The book contains over 150 stunning images from this propaganda war and places them in historical context. It is a pioneering study in English of a long-neglected aspect of the First World War.

A unique and vivid first hand account of a young soldier, one of the millions who fought in World War I. Walter Williams volunteered at age fifteen and after completing his initial training in Shrewsbury, passed through the notorious training camp at Etaples before being plunged into the horrors of trench warfare. He fought in some of the major battles of the war including Passchendaele, the Somme and Vimy Ridge - and was badly wounded during the final attack on the Hindenburg line in September 1918, when he was hit by machine-gun fire from an enemy plane. After spending some months in a French hospital in Dieppe, he was repatriated to England where he made a full recovery. Walter's story was captured on an ancient reel-to-reel tape recorder during long conversations with his two nephews, Michael and Derek, who went on to research and verify the events he described before producing this remarkable story. Walter died in 1998, by which time he was one of the last veterans of World War I.

Chaplain G.A. Studdert Kennedy has been described as the most popular British chaplain of the First World War. Widely known as "Woodbine Willie" for the cigarettes he distributed to the troops, his wartime poetry and prose communicated the challenges, hardships and hopes of the soldiers he served. As a chaplain, he was subject to the same hardships as his soldiers. This book analyses his experiences through the contemporary understanding of psychological, moral and spiritual impact of war on its survivors and suggests that the chaplain suffered from Combat Stress, Moral Injury, and Spiritual Injury. Through the analysis of his wartime and postwar publications, the author illustrates the continuing impact of war on the life of a veteran of the Great War.

Exiting war explores a particular 1918-20 'moment' in the British Empire's history, between the First World War's armistices of 1918, and the peace treaties of 1919 and 1920. That moment, we argue, was a challenging and transformative time for the Empire. While British authorities successfully answered some of the post-war tests they faced, such as demobilisation, repatriation, and fighting the widespread effects of the Spanish flu, the racial, social, political and economic hallmarks of their imperialism set the scene for a wide range of expressions of loyalties and disloyalties, and anticolonial movements. The book documents and conceptualises this 1918-20 'moment' and its characteristics as a crucial three-year period of transformation for and within the Empire, examining these years for the significant shifts in the imperial relationship that occurred and as laying the foundation for later change in the imperial system. -- .