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Books > Humanities > History > World history > From 1900 > First World War
During the First World War, belligerents infringed on the rights and duties of neutrals, as these had been codified in international agreements. Both the Allies and the Central Powers pressured the neutrals to modify their policies to favour them over their adversaries. During the four-and-a-half years the war lasted, this pressure mounted until the neutrals were left with very little room to manoeuvre. More than fifty years ago, Nils Orvik stated that this disregard for international law, combined with the relative weakness of the European neutrals, spelled the end of traditional political neutrality. Caught in the Middle discusses this thesis based on new research from Scandinavia, the Netherlands, Spain and the USA. The result is the first comparative study in English on First World War neutrality. The contributors cover not only several countries involved, but also multiple aspects of the concept of neutrality: political, economic, cultural and legal. They reassess the notion of neutrality and the role of neutrals during the First World War, making this collection of great value to all scholars of both neutrality, the history of individual neutral countries, and of the war itself.
Imprisoned in a remote Turkish POW camp during the First World War, two British officers, Harry Jones and Cedric Hill, cunningly join forces. To stave off boredom, Jones makes a handmade Ouija board and holds fake seances for fellow prisoners. One day, an Ottoman official approaches him with a query: could Jones contact the spirits to find a vast treasure rumoured to be buried nearby? Jones, a lawyer, and Hill, a magician, use the Ouija board - and their keen understanding of the psychology of deception-to build a trap for their captors that will lead them to freedom. The Confidence Men is a nonfiction thriller featuring strategy, mortal danger and even high farce - and chronicles a profound but unlikely friendship.
""Fever of War" adds an important dimension to knowled of the
influenza pandemic of 1918-1919." aIt is a must read for anyone interested in military or health care history.a--"Nursing History Review" Fever of War is well written, meticulously researched, and poses
much food for thought.a "Prof. Byerly's superb research and writing bring to life an
event that held the world in its terrible grasp for more than a
year. Compelling and enlightening, "Fever of War" is well worth the
reading." "This is a well-written, well-researched book that generally
statys tightly on topic"--H-War "Byerly's book provides a wealth of fascinating detail. Everyone
with an interest in the 1918-19 pandemic will profit from reading
it"--Journal of the History of Medicine "A significant contribution to both military, social, and
medical history. . . . Fills a void and provides a valuable
corrective to a literature that ignored the role of the army in
creating conditions that maximized mortality, glorified the role of
the military, and provided explanations that shifted responsibility
to individual and racial susceptibilities." "In this lucid, well-focused book, Byerly (Univ. of Colorado)
examines the 1918 influenza pandemic as experienced by the American
Expeditionary Force. In writing this important analysis, Byerly
joins scholars such as Alfred Crosby, whose classic study America's
Forgotten Pandemic: The Influenza of 1918 remains the benchmark,
and John Barry, whose The Great Influenza: The Epic Story of the
Deadliest Plague inHistory focuses on the role of public health.
Byerly's prose is exceptionally clear and elegant. Highly
recommended." a" Fever of War" is handsome, readable, and extensively
researched.a "In this era of threats of anthrax, smallpox, SARS, and bird
flue, are we any less assured of our ability to conquer disease
than the generation of 1918? Perhaps Byerly's account of the great
influenza epidemic is a clarion call to wake us from our own
hubris." aByerlyas book provides a wealth of fascinating detail. Everyone
with an interest in the 1918a19 pandemic will profit from reading
it.a aa]a significant contribution to both military, social, and medical historya].fills a void and provides a valuable corrective to a literature that ignored the role of the army in creating conditions that maximized mortality, glorified the role of the military, and provided explanations that shifted responsibility to individual and racial susceptibilities.a--"American Historical Review" ""Fever of War" is an outstanding addition to the literature on
U.S. participation in World War I . . . based on exhaustive
research and thorough engagement with the published scholarship in
medical, military, and social history. An important book whose
fluently written exposition is well balanced between rigorous
analysis and sensitive attention to the human beings--doctors and
victims alike--who worked and suffered through the pandemic." ""Fever of War" is handsome, readable, and extensively
researched...It is awell-priced and wonderful addition to the
historical literature and highly recommended to anyone with an
interest in the influenza pandemic of 1918-1919." ""Fever of War" makes a powerful argument. One cannot walk away from the book without grasping the significant, tragic impact of influenza on U.S. troops in WWI, and how difficult that impact was for the nation's citizens to bear." --"Boulder Daily Camera" The influenza epidemic of 1918 killed more people in one year than the Great War killed in four, sickening at least one quarter of the world's population. In "Fever of War," Carol R. Byerly uncovers the startling impact of the 1918 influenza epidemic on the American army, its medical officers, and their profession, a story which has long been silenced. Through medical officers' memoirs and diaries, official reports, scientific articles, and other original sources, Byerly tells a grave tale about the limits of modern medicine and warfare. The tragedy begins with overly confident medical officers who, armed with new knowledge and technologies of modern medicine, had an inflated sense of their ability to control disease. The conditions of trench warfare on the Western Front soon outflanked medical knowledge by creating an environment where the influenza virus could mutate to a lethal strain. This new flu virus soon left medical officers' confidence in tatters as thousands of soldiers and trainees died under their care. They also were unable to convince the War Department to reduce the crowding of troops aboard ships and in barracks which were providing ideal environments for the epidemic to thrive.After the war, and given their helplessness to control influenza, many medical officers and military leaders began to downplay the epidemic as a significant event for the U. S. army, in effect erasing this dramatic story from the American historical memory.
In August of 1945, some 200,000 people died at Hiroshima and Nagasaki from two nuclear weapon explosions during Nuclear War I. This book details the following historical events that led to Nuclear War I: Fermi and Szilard worked on nuclear fission at Columbia University in 1939. Plutonium-239 was discovered in 1940. Einstein informed President Roosevelt of possible German uranium bombs. Fermi built the world's first nuclear reactor in 1942, to manufacture plutonium. General Groves and Oppenheimer led the U.S. effort to build atomic bombs as part of the Manhattan Project. Soviet spies infiltrated the Manhattan Project. The Trinity Test on July 16, 1945, was the world's first nuclear explosion. The Pope (1943) and many scientists spoke against the use of nuclear weapons. Truman became President on April 12, 1945 and first learned of the Manhattan Project. The B-29 bomber was selected to deliver atomic bombs to Japan. On August 6, 1945, an atomic bomb (uranium) was exploded over the Japanese city of Hiroshima. For three days (August 6th to the 9th) hope abounded that Japan would surrender but preparations for more nuclear war continued. On August 9, 1945, an atomic bomb (plutonium) was exploded over the Japanese city of Nagasaki. Emperor Hirohito survived a coup by angry military officers and Japan surrendered on August 14, 1945.
The Gambardier: the Experiences of a Battery of Heavy Artillery on the Western Front During the First World War The First World War with the big guns Gambardier is a title-not completely complimentary-for a heavy or siege artilleryman. It was bestowed most usually by his comrade (but rival) of the field artillery. This is the story of a young officer-a Gambardier-from the outbreak of the Great War to its end on the Western Front. In this compelling and unusual book, we experience life on campaign, the tension and danger of Observation Posts (O. Ps), the brutality of counter barrages from the enemy-the German artillery, and the humour and incident of life amongst a small group of men thrown together in adversity. The big guns themselves are the real characters of this book, and the author provides a fascinating and compelling detail about their various types, their rate of fire, their ammunition, transportation and maintenance.
From Africa to Flanders mud with the Mancunians
From its origins to its terrible legacy, the tortuous course of the Great War is vividly set out in a series of 174 fascinating maps. Together the maps form a comprehensive and compelling picture of the war that shattered Europe, and illustrate its military, social, political and economic aspects. Beginning with the tensions that already existed, the atlas covers:
This third edition contains an entirely new section depicting the visual remembrance of the war; a fascinating visitors' guide to the memorials that commemorate the tragedy of the Somme.
The First World War continues to fascinate. Its profound effect on politics and society is still felt today. Yet it remains a greatly misunderstood conflict, shrouded in myths and misperceptions. In The Palgrave Concise Historical Atlas of the First World War Philpott and Hughes, leading young historians of the conflict, draw on recent scholarship to present a clear introduction to the war. In fifty maps, accompanied by supporting text and statistical tables, they survey the main battles and political features of the war. This concise volume will give students and general readers important insights into the nature and effects of world war.
In the First World War, civilian life played a fundamental part in the war effort; and music was no exception. Performing Propaganda looks at musical life in Paris during the First World War. This conflict was one in which civilian life played a fundamental part in the war effort; and music was no exception. The book examines how Western art music became a central part of the home-front war effort, employed by both musicians and government as a powerful tool of propaganda. It situates French art music of the First World War within its social, cultural and political context, and within the wider temporal framework of the Franco-Prussian and Second World Wars. Drawing on a diverse range of archival material, including concert and operatic programmes, the musical and daily press, documents detailing government involvement in musical activity, and police records, it explores how various facets of French musical life served, in very different ways, as propaganda. In short, it explores why music mattered during a period of prolonged conflict, whether as emotional catalyst, weapon, or tool. This book will be of interest to musicologists, to cultural historians working on early twentieth-century France, and to scholars of the First World War,as well as to a more general readership with an interest in music during times of adversity. RACHEL MOORE is a Leverhulme Early Career Fellow in Music, University of Oxford.
Tigers on the Western Front
In this collection of essays of incomparable scholarship, Stephen Badsey explores in individual detail how the British Army fought in the First World War, how politics and strategy affected its battles and the decisions of senior commanders such as Douglas Haig, and how these issues were intimately intertwined with the mass media portrayal of the Army to itself and to the British people. Informative, provocative, and often entertaining, based on more than a quarter-century of research, these essays on the British Army in the First World War range through topics from a trench raid to modern television comedy. As a contribution to progressive military history, "The British Army in Battle and Its Image 1914-1918" proves that the way the British Army fought and its portrayal through the media cannot be separated. It is one of a growing number of studies which show that, far from being in opposition to each other, cultural history and the history of battle must be combined for the First World War to be properly understood. For more information visit Stephen Badsey's website www.stephenbadsey.com
The First World War cannot be sufficiently documented and understood without considering the analytical category of gender. This exciting volume examines key issues in this area, including the 'home front' and battlefront, violence, pacifism, citizenship - and emphasizes the relevance of gender within the expanding field of First World War Studies. By addressing such a broad range of topics through case studies and chapters on British and French heroines, Austro-Hungarian war nurses, gendered representations of bereavement and modern war technology, this volume provides a transnational and comparative approach to the subject, integrating research on Western and Central Europe with that on marginalized regions in Italy, Austria-Hungary, Slovenia, and Lithuania.
At the end of the First World War, there were 270,000 demobilised Australian soldiers in Europe. Getting them home after the Armistice was a task of epic proportions that would take more than two years. In the meantime, how to keep these disgruntled, damaged men with guns occupied? In a word: sport. The Oarsmen tells the story of the servicemen who survived the war to row for the coveted King's Cup at the 1919 Royal Henley Peace Regatta. Competing against crews from the US, New Zealand, France, the UK and Canada, the Australians were a ragtag bunch of oarsmen thrown in an old-fashioned boat and expected to race. Many had seen the worst of the action during the war at Gallipoli and the Western Front, and carried scars both physical and psychological. The baggage they brought to the boat would soon threaten to capsize the whole endeavour. Combining first-hand accounts with lively prose, this never-before-told story approaches the First World War from peacetime and illuminates history in vivid and compelling detail. Interweaving the soldiers' personal stories from before, during and after the war, The Oarsmen paints a fascinating picture of how these men, and society, transitioned from an unprecedented war to a new sort of peace.
The Art of Staying Neutral offers a fascinating insight into the problems and challenges associated with neutrality in an age of 'total war'. It explains how the Netherlands upheld and protected its non-belligerency during the First World War despite constant interference from its warring neighbours. Staying neutral was an artform that the Dutch managed to master through clever diplomacy, conscientious adherence to international laws, comprehensive mobilisation of its armed forces, regular patrols of its territorial boundaries, careful policing of its citizens, and a decisive measure of good fortune. The Art of Staying Neutral makes important contributions to the study of neutrality and the domestic history of the Netherlands in this seminal world event.
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