The epic battle of the Marine Fusiliers in the Great War
The men of the French Fusiliers Marins were always bound to draw public attention because irrespective of their proud military tradition, which often had them fighting alongside the celebrated French Foreign Legion, their distinctive uniform set them apart from the ordinary 'poilus' of the French infantry. The 'naval style' uniform of the men with their characteristic jaunty red pompomed hats and their officers in naval finery made them a unit guaranteed to draw attention and inspire admiration and romance. The role of this unit should not be confused with that of British Royal Marines. They were not intended to be sea going soldiers but to serve as land based infantry primarily in defence of naval stations and in campaigns where amphibious landings and naval support was essential. In the opening stages of the First World War between the middle of October and the middle of November 1914, these remarkable troops fought at Dixmude in Flanders, against the overwhelming tide of the German Army, in a fierce action that upheld their finest traditions, but all but annihilated them. This book is the account of that battle.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The New Nationalism and the First World War is an edited volume dedicated to a transnational study of the features of the turn-of-the-century nationalism, its manifestations in social and political arenas and the arts, and its influence on the development of the global-scale conflict that was the First World War.

The importance of the Italian front in the First World War is often overlooked. Nor is it realised that British troops fought in Italy. The Forgotten Front demonstrates Italy's vital contribution to the Allied effort, including Lloyd George's plan to secure overall victory by an offensive on this front. Although his grand scheme was frustrated, British troops were committed to the theatre and played a real part in holding the Italian line and in the final victory of 1918. George H. Cassar, in an account that is original, scholarly and readable, covers both the strategic considerations and the actual fighting.
Faced by stalemate on the Western Front, Lloyd George argued strongly in 1917 for a joint Allied campaign in Italy to defeat Austria-Hungary. Knocking Germany's principal ally out of the war would lead in turn to the collapse of Germany itself. While his plan had real attractions, it also begged many questions. These allowed Haig and Robertson to join the French high command to thwarting it. The disastrous Italian defeat at Caporetto in October 1917 led, however, to the deployment of a British corps in Italy under Sir Herbert Plumer, which bolstered the Italians at a critical juncture. Subsequently led by the Earl of Cavan, British troops fought gallantly at the battle of Asiago in February to March 1918 and contributed significantly to the final defeat of Austria-Hungary at Vittorio Veneto in October.

This transnational, interdisciplinary study argues for the use of comics as a primary source. In recuperating currently unknown or neglected strips the authors demonstrate that these examples, produced during the World Wars, act as an important cultural record, providing, amongst other information, a barometer for contemporary popular thinking.

Ranging from soldiers reading newspapers at the front to authors' responses to the war, this book sheds new light on the reading habits and preferences of men and women, combatants and civilians, during the First World War. This is the first study of the conflict from the perspective of readers.

Provides an account of war veterans and their associations which spanned French politics. Their work is distinguished from other European veterans' organizations by their commitment to civic rather than military virtues. The author has prepared a new introduction for this English edition."

The American, his motor car and the cavalry in its last great conflict
This essential Leonaur Original, combines two works by American author Frederic Coleman, and has been published to coincide with the centenary of the outbreak of the First World War in 1914. Coleman, an American member of the Royal Automobile Club, together with a number of like minded volunteers, offered his own motor vehicle and services as a driver to the war effort. In 1914 they and their collection of superior cars arrived at the Western Front to be used as chauffeurs and couriers by staff and regimental officers of division and brigade. For many the Great War means massive armies locked in a war of attrition fought over a ' No Man's Land ' fringed with barbed wire behind which helmeted soldiers cowered in squalid trenches. For much of the war that image is accurate, but it was not always so. In the early stages infantry marched, cavalry charged and artillery was pulled into action by horsepower, just as it had been for hundreds of years. The invading Imperial German Army, superior in numbers and equipment of every kind, swept through Belgium and France as the allied armies fought and retired before its might. Coleman was allocated to the 2nd Cavalry Brigade of De Lisle as part of Allenby's First Cavalry Division. He kept a meticulous diary that enabled him to write these well crafted and detailed books full of anecdote, narrative and action. 'President' Coleman (as he was christened by the cavalry) was an eyewitness in the very heart of the conflict and in the company of the officers and men of the British Army's cavalry regiments he takes the reader from the campaigns of 1914 and the retreat from Mons to the war of stalemate of 1915. His descriptions of cavalry in action on the field of battle are riveting. Aside from his fascinating insights into some of the last campaigns of mounted soldiers, Coleman also provides the reader with a thrilling account of his own adventures with his trusty and almost indestructible motor car.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Adolf Hitler is the greatest mystery of the 20th century, and the mystery surrounding him consists of two unanswered questions that have baffled biographers and historians. First, how did he ever rise to power? Second, who was he really? Hitler had the power to mesmerize crowds as the most dynamic orator of the modern age. Yet, his power was not in his ideas, which he collected from the gutter sheets of Vienna, nor was it in his personality; his biographers describe him as an "unperson" and his character as a "void" and a "black hole." What, then, was the source of his power? Was he a medium or a magician with paranormal powers, as many contemporaries thought? Or did he have a secret or method that has not yet been revealed? Ben Novak spent fourteen years searching for the secret of Hitler's political success and his power as a speaker. Hitler's most astute contemporary observer, Konrad Heiden, who wrote the first objective books on Hitler warning that this man was "the greatest massdisturber in world history," suggested that Hitler's secret lay in his use of "eine eigentiimliche art von Logik,"or a "peculiar form of logic." Beginning with this clue, Novak finds that there is a new form of logic in accordance with Heiden's description and examples that can explain Hitler's phenomenal political success. This new form of logic, called "abduction," was discovered by an American philosopher, Charles Sanders Peirce (1839-1914), who is rapidly becoming America's most well-known philosopher and logician. Abduction is a third form of logic, in addition to deduction and induction. Unlike the other forms of logic, abduction is based on instinct and has a power over emotions. Novak argues that Hitler was the first politician to apply the logic of abduction to politics. This book provides the first coherent account of Hitler's youth that ties together all the known facts, clearly showing the genesis of the strangest and most terrible man of the twentieth century while identifying the power he discovered that allowed him to break out into the world in such a terrifying way.

Letters from under the Guns
Observation Posts, a special Leonaur book, brings together two books by Dawson concerning warfare as experienced by the men in the trenches during the First World War on the Western Front. 'Carry On' and its sequel 'Living Bayonets' are based on the author's time as an artillery officer and principally comprise his letters to his family. Dawson was an intelligent, thoughtful correspondent who in fine prose has left posterity an intimate 'gunner's' view of the Great War making this book an essential source work for students of the period. This good value 'two-in-one' Leonaur edition enables collectors to own these uncommon and related accounts in a single, value-for-money volume.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

This is the first full scholarly history of the French Foreign Ministry - the Quai d'Orsay - in the years between the Fashoda Crisis and the First World War. In this intensively researched study, M. B. Hayne examines the bureaucratic machinery of the Quai d'Orsay, its policies, and its personnel. He explores the ideas and influence of leading diplomats and administrators, their prejudices, and their aims; and traces the often complex relationships between successive Foreign Ministers and the functionaries of the Quai d'Orsay. Dr Hayne's analysis throws much light on French policy and actions during the July Crisis, and makes a significant contribution to the debate over the origins of the First World War.

This work explores the reasons for the Allied intervention into Russia at the end of the Great War and examines the military, diplomatic and political chaos that resulted in the failure of the Allies and White Russians to defeat the Bolshevik Revolution.

Despite acts of female heroism, popular memory, as well as official memorialization in monuments and historic sites, has ignored French women's role in the First World War. This book explores stories that were never told and why they were not. These include the experiences of French women in the war, the stories they themselves told about these experiences and how French society interpreted them.The author examines the ways French women served their country - from charity work, nursing and munitions manufacture to volunteering for military service and espionage. In tracing stories about war heroines, but also about villainesses like Mata Hari, this fascinating study shows what these stories reveal about French understanding of the war, their hopes and fears for the future. While the masculine war story was unitary and unchanging, the feminine story was multiple and shifting. Initially praised for their voluntary mobilization, women's claims of patriotism were undercut by criticisms as the war bogged down in the trenches. Were nurses giving solace or seeking romance? Were munitions workers patriots or profiteers? The prosecutions of Mata Hari for espionage and Hel'ne Brion for subversion show how attitudes to women's claim of patriotism changed. French women's relationship to the war called into question ideas about gender, definitions of citizenship and national identity.This book is the first study of women at war to treat both their experiences and its representations, which shaped nationalism, war and gender for the rest of the twentieth century. It makes an important contribution to the burgeoning history of collective memory and of the First World War.

How does a democratic government conscript citizens, turn them into soldiers who can fight effectively against a highly trained enemy, and then somehow reward these troops for their service? In "Doughboys, the Great War, and the Remaking of America, " Jennifer D. Keene argues that the doughboy experience in 1917-18 forged the U.S. Army of the twentieth century and ultimately led to the most sweeping piece of social-welfare legislation in the nation's history--the G.I. Bill.

Keene shows how citizen-soldiers established standards of discipline that the army in a sense had to adopt. Even after these troops had returned to civilian life, lessons learned by the army during its first experience with a mass conscripted force continued to influence the military as an institution. The experience of going into uniform and fighting abroad politicized citizen-soldiers, Keene finally argues, in ways she asks us to ponder. She finds that the country and the conscripts--in their view--entered into a certain social compact, one that assured veterans that the federal government owed conscripted soldiers of the twentieth century debts far in excess of the pensions the Grand Army of the Republic had claimed in the late nineteenth century.

"Whiz-Bangs and Woolly Bears" is a story about a soldier of the Great War and his experiences as an artillery gunner in France. I used to listen carefully to his stories while we worked on his farm in Carleton County, New Brunswick. He had kept a diary during the war, and I later had a chance to look at it.

The short entries did not begin to describe the horrors of the Western Front in 1917 and 1918. As I grew older, I began to write him to ask about the details. He responded to questions about major battles in this example: "Passchendaele was just one glorious mudhole. We were there 42 days. Kept 24 men on the guns and lost 42 in the time, an average of one a day." This is the essence of what "Whiz Bangs and Woolly Bears" is about. It is a running discourse between a grandfather, Walter Ray Estabrooks and his grandson Hal Skaarup, now in the army as well.

Although the story is essentially about Walter Estabrooks, his experiences during the Great War, it is also about the fact that he lived to tell the tale. So many did not.

This book discusses British cinema's representation of the Great War during the 1920s. It argues that popular cinematic representations of the war offered surviving audiences a language through which to interpret their recent experience, and traces the ways in which those interpretations changed during the decade.

James D. Startt previously explored Woodrow Wilson's relationship with the press during his rise to political prominence. Now, Startt returns to continue the story, picking up with the outbreak of World War I in 1914 and tracing history through the Senate's ultimate rejection in 1920 of the Treaty of Versailles and the League of Nations. Woodrow Wilson, the Great War, and the Fourth Estate delves deeply into the president's evolving relations with the press and its influence on and importance to the events of the time. Startt navigates the complicated relationship that existed between one of the country's most controversial leaders and its increasingly ruthless corps of journalists. The portrait of Wilson that emerges here is one of complexity-a skilled politician whose private nature and notorious grit often tarnished his rapport with the press, and an influential leader whose passionate vision just as often inspired journalists to his cause.

British children were mobilised for total war in 1914-18. War dominated their teaching and school experience, it was the focus of their extra curricular activities and they enjoyed it as a source of entertainment in literature and play. Children were not shielded from the war because it was believed their support was vital for Britain's present and future.
The study of children's lives provides a unique perspective on British society during the First World War. It lets us get to the very essence of how Britain's adults perceived the war and allows us to explore the methods society used to communicate with itself. Children's connection to the war, however, was personal. Millions had a relative in the army and those that did not had friends, neighbours and teachers involved in the fighting. Their participation, therefore, while shaped by adults, was motivated by a desire to remain in touch with their absent fathers and brothers.