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Books > Humanities > History > World history > From 1900 > First World War
The extraordinary story of Captain Llewellyn Wynne Jones' 1918 service in East Africa told through his personal military campaign diary and photograph albums. Llewellyn's granddaughter, born some 36 years after his death, researches his military life and family history to uncover the fascinating, courageous and ultimately tragic story of his life. The book is beautifully illustrated with original photographs from Llewellyn's campaign albums and from a rich family photographic archive. It includes family artefacts, letters, newspaper reports and interviews which combine to bring this exceptional young man's few years to life once more 100 years on.
When a devastated Belgium emerged from World War I, some of its leaders had high hopes that the upcoming negotiations would enable achievement of a long-cherished goal; annexing parts of the Netherlands lost in the final 1839 settlement which had established the country. Belgium's strong historical and military arguments were bolstered by its courageous Great War image. Yet the Dutch proved ready and able to launch an energetic counterattack which ultimately stymied the Belgian campaign. This book explains why and how this happened, and demonstrates that small states are active participants in their own destinies, not just spectators or victims.
The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VIII covers the war against German ally Turkey and the war in the Balkans and Greece, from August 1914 to October 1918. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).
The end of a dynasty
The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume IX covers the war in Italy and the war at sea, including submarine warfare, from August 1914 through November 1918. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).
The 'Cockney Jocks' at war in Flanders and France
The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VII focuses on Russia during the war years, from her early victories and defeats through the Revolution of 1919. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).
Submarines and U-boats-killers beneath the waves
The last great war of the horse
The First World War marked a key turning point in America's involvement on the global stage. Isolationism fell, and America joined the ranks of the Great Powers. Civil-Military relations would face new challenges as a result. Ford examines the multitude of changes that stemmed from America's first major overseas coalition war, including the new selective service process; mass mobilization of public opinion; training diverse soldiers; civil liberties, anti-war sentiment and conscientious objectors; segregation and warfare; Americans under British or French command. Post war issues of significance, such as the Red Scare and retraining during demobilization are also covered. Both the federal government and the military were expanding rapidly both in terms of size and in terms of power during this time. The new group of citizen-soldiers, diverse in terms of class, religion, ethnicity, regional identity, education, and ideology, would provide training challenges. New government-military-business relationships would experience failures and successes. Delicate relationships with allies would translate into diplomatic considerations and battlefield command concerns.
The current dogma concerning the origins of the First World War supports the militarist myth that wars are caused by stupid, evil, aggressive nations on the other side of the world who refuse to get along with the intelligent, good, peaceful people on this side. This book attempts to understand the real causes of war and to dissociate propaganda from historical fact. By reviewing the events of the pre-1914 period, the responsibility of Germany for the outbreak of the war is reconsidered. It begins with a short account of the situation after the Franco-Prussian War, when France was isolated and Germany secure in the friendship of all the other Great Powers, and proceeds to describe how France created an anti-German coalition. The account of the estrangement of England from Germany attempts to correct the usual pro-British prejudice and to explain the real causes of this development. The centrepiece of the work is the creation of the Triple Entente. This book is unique in its positive approach to the German Empire of 1871-1918.
The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VI covers March 1918 through September 1918, from the last battles on the Western Front through the Paris peace conference and revolution in Germany. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914). |
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