Writers at War addresses the most immediate representations of the First World War in the prose of Ford Madox Ford, May Sinclair, Siegfried Sassoon and Mary Borden; it interrogates the various ways in which these writers contended with conveying their war experience from the temporal and spatial proximity of the warzone and investigates the multifarious impact of the war on the (re)development of their aesthetics. It also interrogates to what extent these texts aligned with or challenged existing social, cultural, philosophical and aesthetic norms. While this book is concerned with literary technique, the rich existing scholarship on questions of gender, trauma and cultural studies on World War I literature serves as a foundation. This book does not oppose these perspectives but offers a complementary approach based on close critical reading. The distinctiveness of this study stems from its focus on the question of representation and form and on the specific role of the war in the four authors' literary careers. This is the first scholarly work concerned exclusively with theorising prose written from the immediacy of the war. This book is intended for academics, researchers, PhD candidates, postgraduates and anyone interested in war literature.

This book is based on original research into intimidation and violence directed at civilians by combatants during the revolutionary period in Ireland, considering this from the perspectives of the British, the Free State and the IRA. The book combines qualitative and quantitative approaches, and focusses on County Kerry, which saw high levels of violence. It demonstrates that violence and intimidation against civilians was more common than clashes between combatants and that the upsurge in violence in 1920 was a result of the deployment of the Black and Tans and Auxiliaries, particularly in the autumn and winter of that year. Despite the limited threat posed by the IRA, the British forces engaged in unprecedented and unprovoked violence against civilians. This study stresses the increasing brutality of the subsequent violence by both sides. The book shows how the British had similar methods and views as contemporary counter-revolutionary groups in Europe. IRA violence, however, was, in part, an attempt to impose homogeneity as, beneath the Irish republican narrative of popular approval, there lay a recognition that universal backing was never in fact present. The book is important reading for students and scholars of the Irish revolution, the social history of Ireland and inter-war European violence.

This is the first scientific biography of Milan Rastislav Stefanik (1880-1919) that is focused on analysing the process of how he became the Slovak national hero. Although he is relatively unknown internationally, his contemporaries compared him "to Choderlos de Laclos for the use of military tactics in love affairs, to Lawrence of Arabia for vision, to Bonaparte for ambition ... and to one of apostles for conviction". He played the key role in founding an independent Czechoslovakia in 1918 through his relentless worldwide travels during the First World War in order to create the Czechoslovak Army: he visited Serbia and Romania on the eve of invasion by the Central Powers, Russia before the February revolution, the United States after it declared war on Germany, Italy dealing with the consequences of defeat in the Caporetto battle, and again when Russia plunged into Civil War. Several historical methods are used to analyse the aforementioned central research question of this biography such as social capital to explain his rise in French society, the charismatic leader to understand how he convinced and won over a relatively large number of people; more traditional political, military, and diplomatic history to show his contribution to the founding of Czechoslovakia, and memory studies to analyse his extraordinary popularity in Slovakia. By mapping his intriguing life, the book will be of interest to scholars in a broad range of areas including history of Central Europe, especially Czechoslovakia, international relations, social history, French society at the beginning of the 20th century and biographical research.

During the last two centuries, ethnolinguistic nationalism has been the norm of nation building and state building in Central Europe. The number of recognized Slavic languages (in line with the normative political formula of language = nation = state) gradually tallied with the number of the Slavic nation-states, especially after the breakups of Czechoslovakia, the Soviet Union and Yugoslavia. But in the current age of borderless cyberspace, regional and minority Slavic languages are freely standardized and used, even when state authorities disapprove. As a result, since the turn of the 19th century, the number of Slavic languages has varied widely, from a single Slavic language to as many as 40. Through the story of Slavic languages, this timely book illustrates that decisions on what counts as a language are neither permanent nor stable, arguing that the politics of language is the politics in Central Europe. The monograph will prove to be an essential resource for scholars of linguistics and politics in Central Europe.

First World War-based ex-servicemen's organisations found themselves facing an existential crisis with the onset of the Second World War. This book examines how two such groups, the British and American Legions, adapted cognitively to the emergence of yet another world war and its veterans in the years 1938 through 1946. With collective identities and socio-political programmes based in First World War memory, both Legions renegotiated existing narratives of that war and the lessons they derived from those narratives as they responded to the unfolding Second World War in real time. Using the previous war as a "learning experience" for the new one privileged certain understandings of that conflict over others, inflecting its meaning for each Legion moving forward. Breaking the Second World War down into its constituent events to trace the evolution of First World War memory through everyday invocations, this unprecedented comparison of the British and American Legions illuminates the ways in which differing international, national, and organisational contexts intersected to shape this process as well as the common factors affecting it in both groups. The book will appeal most to researchers of the ex-service movement, First World War memory, and the cultural history of the Second World War.

W. Heath Robinson is best known for his hilarious drawings of zany contraptions, though his work ranged across a wide variety of topics covering many aspects of British life in the decades following the First World War. Starting out as a watercolour artist, he quickly turned to the more lucrative field of book illustration and developed his forte in satirical drawings and cartoons. He was regularly commissioned by the editors of Tatler and The Sketch and in great demand from advertising companies. Collections of his drawings were subsequently published in many different editions and became so successful as to transform Heath Robinson into a household name, celebrated for his eccentric brand of British humour. Heath Robinson drew many cartoons lampooning the excesses of the First World War and poking fun at the German army, bringing welcome comic relief to British soldiers and civilians. This book presents his complete First World War satire, from ridiculous weapons such as 'Button Magnets' to aeronautical antics and a demonstration of how to have a 'Quiet Cup of Tea at the Front.'

Ruthless Warfare (1998) demonstrates how close the First World War came to Australia. It has been argued that Australia was manipulated against its interests into action in WW1 by London - this unpublished collection of documents from the military division of the German Archives shows that this was not the case. The German Navy expected a major confrontation with the British Empire, both in the North Sea and further afield. German cruisers were expected to make a significant contribution in the Indian Ocean and the Western Pacific, pinning down British naval forces and thus undermining the British fleet's supremacy in the Atlantic. The damage and disruption to imperial trade would have had serious consequences for Australia, and these German plans also meant that a significant military intelligence system was active in the Antipodes.

First published in 1914, this is a systematic treatment of the people whose contribution to civilization of the Nile Valley was for so long a source of controversy.

International contributors from the fields of political science, cultural studies, history, and literature grapple with both the local and global impact of World War I on marginal communities in China, Syria, Europe, Russia, and the Caribbean. Readers can uncover the neglected stories of this World War I as contributors draw particular attention to features of the war that are underrepresented such as Chinese contingent labor, East Prussian deportees, remittances from Syrian immigrants in the New World to struggling relatives in the Ottoman Empire, the war effort from Serbia to Martinique, and other war experiences. By redirecting focus away from the traditional areas of historical examination, such as battles on the Western Front and military strategy, this collection of chapters, international and interdisciplinary in nature, illustrates the war's omnipresence throughout the world, in particular its effect on less studied peoples and regions. The primary objective of this volume is to examine World War I through the lens of its forgotten participants, neglected stories, and underrepresented peoples.

A classic text that has been updated across the chapters, giving students a broad perspective on all the work done since the text was originally written, as well as the original perspective. A new introduction examines the topics and arguments that historians have raised since the original text was written, explaining what is new about them and their impact on the original text, giving students the tools to anaylse the context of the new material. Includes a new timeline, and fully updated further reading, providing extended context for students reading the text.

In a unique collection of international and interdisciplinary research, this book focuses on commemorative events around the world on the same day: 11 November 2018, the centenary of Armistice Day, the end of the First World War. It argues that we need to move beyond discourse, narrative and how historical events are represented to fully understand what commemoration does, socially, politically and culturally. Adopting an experiential reframing treats sensory, affective and emotional feelings as fundamental to how we collectively understand shared histories, and through them, shared identities. The volume features 15 case studies from ten countries, covering a variety of settings and national contexts specific to the First World War. Together the chapters demonstrate that a new conceptualisation of commemoration is needed: one that attends to how it feels.

This is a comprehensive new operational military history of the Ottoman army during the First World War. Drawing from archives, official military histories, personal war narratives and sizable Turkish secondary literature, it tells the incredible story of the Ottoman army's struggle from the mountains of the Caucasus to the deserts of Arabia and the bloody shores of Gallipoli. The Ottoman army, by opening new fronts, diverted and kept sizeable units of British, Russian and French forces away from the main theatres and even sent reinforcements to Austro-Hungary and Bulgaria. Against all odds the Ottoman army ultimately achieved some striking successes, not only on the battlefield, but in their total mobilization of the empire's meagre human and economic resources. However, even by the terrible standards of the First World War, these achievements came at a terrible price in casualties and, ultimately, loss of territory. Thus, instead of improving the integrity and security of the empire, the war effectively dismantled it and created situations and problems hitherto undreamed of by a besieged Ottoman leadership. In a unique account, Uyar revises our understanding of the war in the Middle East.

The First World War's centenary generated a mass of commemorative activity worldwide. Officially and unofficially; individually, collectively and commercially; locally, nationally and internationally, efforts were made to respond to the legacies of this vast conflict. This book explores some of these responses from areas previously tied to the British Empire, including Australia, Britain, Canada, India and New Zealand. Showcasing insights from historians of commemoration and heritage professionals it provides revealing insider and outsider perspectives of the centenary. How far did commemoration become celebration, and how merited were such responses? To what extent did the centenary serve wider social and political functions? Was it a time for new knowledge and understanding of the events of a century ago, for recovery of lost or marginalised voices, or for confirming existing cliches? And what can be learned from the experience of this centenary that might inform the approach to future commemorative activities? The contributors to this book grapple with these questions, coming to different answers and demonstrating the connections and disconnections between those involved in building public knowledge of the 'war to end all wars'.

The Titanic. The Britannic. The Olympic. They are some of the most famous ships in history, but for the wrong reasons. The Olympic Class liners were conceived as the largest, grandest ships ever to set sail. Of the three ships built, the first only lost the record for being the largest because she was beaten by the second, and they were both beaten by the third. The class was meant to secure the White Star Line's reputation as the greatest shipping company on earth. Instead, with the loss of both the Titanic and the Britannic in their first year of service, it guaranteed White Star's infamy. This unique book tells the extraordinary story of these three extraordinary ships from the bottom up, starting with their conception and construction (and later their modification) and following their very different careers. Behind the technical details of these magnificent ships lies a tragic human story - not just of the lives lost aboard the Titanic and Britannic, but of the designers pushing the limits beyond what was actually possible, engineers unable to prepare for every twist of fate, and ship owners and crew who truly believed a ship could be unsinkable. This fascinating story is told with rare photographs, new computer-generated recreations of the ships, and unique wreck images that explore how well the ships were designed and built. Simon Mills offers unparalleled access to shipbuilders Harland & Wolff's specification book for the Olympic Class, including original blueprints and - being made widely available for the first time - large fold-out technical drawings showing how these extensive plans were meant to be seen.

The Amazon History Book of the Year 2013 is a magisterial chronicle of the calamity that befell Europe in 1914 as the continent shifted from the glamour of the Edwardian era to the tragedy of total war. In 1914, Europe plunged into the 20th century's first terrible act of self-immolation - what was then called The Great War. On the eve of its centenary, Max Hastings seeks to explain both how the conflict came about and what befell millions of men and women during the first months of strife. He finds the evidence overwhelming, that Austria and Germany must accept principal blame for the outbreak. While what followed was a vast tragedy, he argues passionately against the 'poets' view', that the war was not worth winning. It was vital to the freedom of Europe, he says, that the Kaiser's Germany should be defeated. His narrative of the early battles will astonish those whose images of the war are simply of mud, wire, trenches and steel helmets. Hastings describes how the French Army marched into action amid virgin rural landscapes, in uniforms of red and blue, led by mounted officers, with flags flying and bands playing. The bloodiest day of the entire Western war fell on 22 August 1914, when the French lost 27,000 dead. Four days later, at Le Cateau the British fought an extraordinary action against the oncoming Germans, one of the last of its kind in history. In October, at terrible cost they held the allied line against massive German assaults in the first battle of Ypres.The author also describes the brutal struggles in Serbia, East Prussia and Galicia, where by Christmas the Germans, Austrians, Russians and Serbs had inflicted on each other three million casualties. This book offers answers to the huge and fascinating question 'what happened to Europe in 1914?', through Max Hastings's accustomed blend of top-down and bottom-up accounts from a multitude of statesmen and generals, peasants, housewives and private soldiers of seven nations. His narrative pricks myths and offers some striking and controversial judgements. For a host of readers gripped by the author's last international best-seller 'All Hell Let Loose', this will seem a worthy successor.

The civilian police during the First World War in Great Britain were central to the control of the population at home. This book will show the detail and challenges of police work during the First World War and how this impacted on ordinary people's daily lives. The aim is to tell the story of the police as they saw themselves through the pages of their best-known journal, The Police Review and Parade Gossip, in addition to a wide range of other published, archival and private sources.

The First World War was the first truly global conflict which left its mark on every nation of the world. Few communities or families escaped its devastating reach with many mourning the loss of entire generations. Those that returned often refused to speak of their experiences and today we often see the same old images or newsreel footage to give us an insight of the life experienced in the 'Great War'. Stereo photography and stereo viewers had been something of a craze for the Victorians, most of whom would never see for themselves the magnificence of far off and exotic locations from around the globe. Stereo photography was an amazing technology that didn't just allow them to see a view but to immerse themselves in that location as if they were there themselves. By the time of the First World War many of the more affluent households would have had a stereo viewer and some stereoscopic cards to keep themselves amused. As the war began, a number of companies were already busy capturing the world in stereo for the enjoyment and education of their customers. As hostilities increased they scrambled to get the best photographs to record the war. This book is a collection of some of those photographs presented both as original stereo pairs for those with a suitable viewer and as anaglyph images suitable for viewing with the supplied glasses. They offer a unique photographic journey through the war that documents its bloody progression and allows us to glimpse first hand, a realistic view only previously available to those that were there. (Please note that it's important when viewing the images that the glasses are worn with the Red lens over the left eye and the Blue lens over the right eye).

This set of essays introduces readers to new historical research on the creation of the new order in East-Central Europe in the period immediately following 1918. The book offers insights into the political, diplomatic, military, economic and cultural conditions out of which the New Europe was born. Experts from various countries take into account three perspectives. They give equal attention to both the Western and Eastern fronts; they recognise that on 11 November 1918, the War ended only on the Western front and violence continued in multiple forms over the next five years; and they show how state-building after 1918 in Central and Eastern Europe was marked by a mixture of innovation and instability. Thus, the volume focuses on three kinds of narratives: those related to conflicts and violence, those related to the recasting of civil life in new structures and institutions, and those related to remembrance and representations of these years in the public sphere. Taking a step towards writing a fully European history of the Great War and its aftermath, the volume offers an original approach to this decisive period in 20th-century European history.

A unique and vivid first hand account of a young soldier, one of the millions who fought in World War I. Walter Williams volunteered at age fifteen and after completing his initial training in Shrewsbury, passed through the notorious training camp at Etaples before being plunged into the horrors of trench warfare. He fought in some of the major battles of the war including Passchendaele, the Somme and Vimy Ridge - and was badly wounded during the final attack on the Hindenburg line in September 1918, when he was hit by machine-gun fire from an enemy plane. After spending some months in a French hospital in Dieppe, he was repatriated to England where he made a full recovery. Walter's story was captured on an ancient reel-to-reel tape recorder during long conversations with his two nephews, Michael and Derek, who went on to research and verify the events he described before producing this remarkable story. Walter died in 1998, by which time he was one of the last veterans of World War I.

The book is a sociocultural microhistory of migrants. From the 1880s to the 1930s, it traces the lives of the occupants of a housing complex located just north of the French capital, in the heart of the Plaine-Saint-Denis. Starting in the 1870s, that industrial suburb became a magnet for working-class migrants of diverse origins, from within France and abroad. The author examines how the inhabitants of that particular place identified themselves and others. The study looks at the role played, in the construction of social difference, by interpersonal contacts, institutional interactions and migration. The objective of the book is to carry out an original experiment: applying microhistorical methods to the history of modern migrations. Beyond its own material history, the tenement is an observation point: it was deliberately selected for its high degree of demographic diversity, which contrasts with the typical objects of the traditional, ethnicity-based scholarship on migration. The micro lens allows for the reconstruction of the itineraries, interactions, and representations of the tenement's occupants, in both their singularity and their structural context. Through its many individual stories, the book restores a degree of complexity that is often overlooked by historical accounts at broader levels.

The Palestine campaign of 1917 saw Britain's armed forces rise from defeat to achieve stunning victory. After two failed attempts in the spring, at the end of the year they broke through the Ottoman line with an innovative mixture of old and new technology and tactics, and managed to advance over 50 miles in only two months, all the way from Gaza to Jerusalem. As well as discussions of military strategy, this gripping narrative of the 1917 campaign gives a broad account of the men on both sides who lived and fought in the harsh desert conditions of Palestine, facing not only brave and determined enemies, but also the environment itself: heat, disease and an ever-present thirst. Involving Ottoman, ANZAC, British and Arab forces, the campaign saw great empires manoeuvring for the coveted Holy Land. It was Britain's victory in 1917, however, that redrew the maps of the Middle East and shaped the political climate for the century to come. The repercussions of the 1917 Palestine campaign continue to be felt today. Stuart Hadaway, in this highly readable book, re-examines this crucial point in time when the fate of the Holy Land was changed beyond recognition.