• Designed to be concise yet comprehensive with the undergraduate student in mind • Will serve as a companion to many secondary and primary sources on Wilson • Contains primary source documents to help bring the subject to life

America's Arab Nationalists focuses in on the relationship between Arab nationalists and Americans in the struggle for independence in an era when idealistic Americans could see the Arab nationalist struggle as an expression of their own values. In the first three decades of the twentieth century (from the 1908 Ottoman revolution to the rise of Hitler), important and influential Americans, including members of the small Arab-American community, intellectually, politically and financially participated in the construction of Arab nationalism. This book tells the story of a diverse group of people whose contributions are largely unknown to the American public. The role Americans played in the development of Arab nationalism has been largely unexplored by historians, making this an important and original contribution to scholarship. This volume is of great interest to students and academics in the field, though the narrative style is accessible to anoyone interested in Arab nationalism, the conflict between Zionists and Palestinians, and the United States' relationship with the Arab world.

The postcards in It'll All Be Over By Christmas paint a picture of the First World War as experienced by those at home, at the front, in training, in hospital and in convalescence. These personal messages were sent from fathers to their wives and children, sons to family, friends and loved ones - sharing their thoughts, hopes and worries as well as the lighter side of life. There are cards from those at sea, in prisoner-of-war camps and those of the Central Powers. Featuring over 150 illustrations, including some rare examples, the book also demonstrates how the postcard was ulitised to enlist volunteers and boost morale through humour, sentimentality and propaganda. Postcards encouraged support of the war effort through fundraising, sending 'comforts' to those on the front line and promoting practical roles for women. This fascinating book offers a profound insight into the experiences of war through postcards, as well the part that they played in promoting it.

This volume offers a comprehensive and original analysis and reconceptualisation of the compendium of struggles that wracked the collapsing Tsarist empire and the emergent USSR, profoundly affecting the history of the twentieth century. Indeed, the reverberations of those decade-long wars echo to the present day -- not despite, but because of the collapse of the Soviet Union, which re-opened many old wounds, from the Baltic to the Caucasus. Contemporary memorialising and 'de-memorialising' of these wars, therefore form part of the book's focus, but at its heart lie the struggles between various Russian political and military forces which sought to inherit and preserve, or even expand, the territory of the tsars, overlain with examinations of the attempts of many non- Russian national and religious groups to divide the former empire. The reasons why some of the latter were successful (Poland and Finland, for example), while others (Ukraine, Georgia and the Muslim Basmachi) were not, are as much the author's concern as are explanations as to why the chief victors of the 'Russian' Civil Wars were the Bolsheviks.Tellingly, the work begins and ends with battles in Central Asia - a theatre of the 'Russian' Civil Wars that was closer to Mumbai than it was to Moscow.

The Tenth Cruiser Squadron of the Grand Fleet had the task of patrolling the seas between Scotland and Greenland to intercept enemy ships trying to escape into the ocean and merchant ships who could be carrying goods destined for Germany. This was a task of great political sensitivity, since almost all the ships intercepted were neutrals, and requiring great physical endurance from ships and men in the violent North Atlantic. The Maritime Blockade of Germany in the Great War is a comprehensive collection of the records of the Northern Patrol. It consists of regular reports of the admirals in command, to which are added other relevant official records, and more informal documents. There are the chatty letters of Captain Vivian and HMS Patia, the appalling experiences of young officers placed in barely seaworthy sailing ships to see that they went into port for examination, the patehtic 'mutiny' by a bored, distressed and underpaid black gang, the diary of Able Seaman Style, demonstrating the tedium of the patrol, and the self-satisfied diary of Dr Shaw. There are also the casualities: ships overwhelmed by storms, sunk by enemy action, torpedoed. The ships of the Patrol were perhaps the most constantly active Royal Navy vessels in the Great War, a barely acknowledged yet vital component in the eventual Allied victory

Although civilian internment has become associated with the Second World War in popular memory, it has a longer history. The turning point in this history occurred during the First World War when, in the interests of 'security' in a situation of total war, the internment of 'enemy aliens' became part of state policy for the belligerent states, resulting in the incarceration, displacement and, in more extreme cases, the death by neglect or deliberate killing of hundreds of thousands of people throughout the world. This pioneering book on internment during the First World War brings together international experts to investigate the importance of the conflict for the history of civilian incarceration.

For centuries, battleships provided overwhelming firepower at sea. They were not only a major instrument of warfare, but a visible emblem of a nation's power, wealth and pride. The rise of the aircraft carrier following the Japanese aerial strike on Pearl Harbor in 1941 highlighted the vulnerabilities of the battleship, bringing about its demise as a dominant class of warship. This book offers a detailed guide to the major types of battleships to fight in the two World Wars. Explore HMS Dreadnought, the first of a class of fast, big-gun battleships to be developed at the beginning of the 20th century; see the great capital ships that exchanged salvos at the battle of Jutland, including the German battlecruiser Derfflinger, which sank the British battleship Queen Mary; find out about the destruction of HMS Hood, which exploded after exchanging fire with the Bismarck, which itself was sunk after a trans-Atlantic chase by a combination of battery fire and aircraft-launched torpedoes; and be amazed at the 'super-battleship' Yamato, which despite its size and firepower, made minimal contribution to Japan's war effort and was sunk by air attack during the defence of Okinawa. Illustrated with more than 120 vivid artworks and photographs, Technical Guide: Battleships of World War I and World War II is an essential reference guide for modellers and naval warfare enthusiasts.

Sing As We Go is an astonishingly ambitious overview of the political, social and cultural history of the country from 1919 to 1939. It explores and explains the politics of the period, and puts such moments of national turmoil as the General Strike of 1926 and the Abdication Crisis of 1936 under the microscope. It offers pen portraits of the era's most significant figures. It traces the changing face of Britain as cars made their first mass appearance, the suburbs sprawled, and radio and cinema became the means of mass entertainment. And it probes the deep divisions that split the nation: between the haves and have-nots, between warring ideological factions, and between those who promoted accommodation with fascism in Europe and those who bitterly opposed it. __________________________________________ Praise for the series: 'Scholarly, objective and extremely well written. A masterclass . . . Heffer's eye for the telling detail is evident on almost every page.' Andrew Roberts, 5*, Telegraph 'Gloriously rich and spirited . . . colourful, character driven history.' Dominic Sandbrook, Sunday Times 'Enlightening . . . Robust opinion, an eye for telling detail and a gift for bringing historical figures alive.' History Books of the Year, Daily Mail

In 1914, Princess Mary, the only daughter of King George V, was just 17. Yet with the world war two months old, the young princess was destined to make her mark. She would send a Christmas gift to all those serving in uniform, 'afloat and at the front.' With great determination, she set about her task to provide her gift to all those on active service. For Every Sailor Afloat, Every Soldier at the Front is the first time the full story of the princess's gift has been told. Using original sources, texts and archives, and illustrating original surviving objects, this book unfolds the true story of the fund and its wider meaning, set, as it is, in the context of hope as provided by the unofficial Truce in No Man's Land that has been so well documented. Princess Mary's gift was extremely sophisticated; great pains were taken to ensure that the needs of its recipients were met, based on ethnicity, gender, religious observance and personal preference - the Gift Committee was way ahead of its time. By 1919, some 2.7 million people from across the British Empire had received the gift. Well-illustrated and fully sourced, this book will provide those interested in the first Christmas of the War a greater perspective of the achievements of its founder, of the meaning of the gift to the recipients, and of the nature of the gift itself, such that prevailing myths and misunderstandings of its constituents and recipients will be resolved.

Writers at War addresses the most immediate representations of the First World War in the prose of Ford Madox Ford, May Sinclair, Siegfried Sassoon and Mary Borden; it interrogates the various ways in which these writers contended with conveying their war experience from the temporal and spatial proximity of the warzone and investigates the multifarious impact of the war on the (re)development of their aesthetics. It also interrogates to what extent these texts aligned with or challenged existing social, cultural, philosophical and aesthetic norms. While this book is concerned with literary technique, the rich existing scholarship on questions of gender, trauma and cultural studies on World War I literature serves as a foundation. This book does not oppose these perspectives but offers a complementary approach based on close critical reading. The distinctiveness of this study stems from its focus on the question of representation and form and on the specific role of the war in the four authors' literary careers. This is the first scholarly work concerned exclusively with theorising prose written from the immediacy of the war. This book is intended for academics, researchers, PhD candidates, postgraduates and anyone interested in war literature.

Explores the international consequences of the ending of the First World War

The Austro-Hungarian and the Ottoman Empire collapsed in the wake of the war and the boundaries of Europe were redrawn. Many subsequent international crises in the late twentieth century can be traced back to decisions taken in these critical years. The text deals with all the peace treaties and international agreements worked out between 1919 and the Locarno Pact of 1925. Erik Goldstein also looks at the international organizations and practices which came into existence at this time, including the establishment of a Permanent Court of International Justice, the creation of an International Labor Organization, the principle of war crimes, and the idea of arms control.

When HMS Laurentic sank in 1917, few knew what cargo she was carrying, and the Admiralty wanted to keep it that way. After all, broadcasting that there were 44 tons of gold off the coast of Ireland in the middle of a vicious and bloody war was not the best strategic move. But Britain desperately needed that gold. Lieutenant Commander Guybon Damant was an expert diver and helped discover how to prevent decompression sickness ('the bends'). With a then world record dive of 210ft under his belt and a proven history of military determination, Damant was the perfect man for a job that required the utmost secrecy and skill. What followed next was a tale of incredible feats, set against a backdrop of war and treacherous storms. Based on thousands of Admiralty pages, interviews with Damant's family and the unpublished memoirs of the man himself, The Sunken Gold is a story of war, treasure - and one man's obsession to find it.

The year 1916 has recently been identified as "a tipping point for the intensification of protests, riots, uprisings and even revolutions." Many of these constituted a challenge to the international pre-war order of empires, and thus collectively represent a global anti-imperial moment, which was the revolutionary counterpart to the later diplomatic attempt to construct a new world order in the so-called Wilsonian moment. Chief among such events was the Easter Rising in Ireland, an occurrence that took on worldwide significance as a challenge to the established order. This is the first collection of specialist studies that aims at interpreting the global significance of the year 1916 in the decline of empires.

The outbreak of World War I saw the collapse of socialist notions of class solidarity and reaffirmed the enduring strength of nationalism. The workers of the world did not unite, but turned on one another and slaughtered their fellows in what was then the bloodiest war in history. There have been many efforts to explain the outbreak of war in 1914, but few from so intimate a perspective as LeBon's. He examines such questions as why German scholars tried to deny Germany's obvious guilt in the war, and what explained the remarkable resolve of the French army to persevere in the face of unprecedented adversity.

To such questions, LeBon proposes answers built upon principles well articulated in the larger body of his work. He transforms the character of the debate by demonstrating how psychological principles explain more persuasively both the causes of German academic ignominy and the origins of French valor. Convinced as he was that only psychology could illuminate collective behavior, LeBon dismisses purely economic or political interpretations as ill-conceived and inadequate precisely because they fail to appreciate the role of psychology in the collective behavior of national statesmen, prominent scholars, and ordinary soldiers.

The Psychology of the Great War provides a bridge to study both crowd behavior and battlefield behavior by illustrating how ordinary people are transformed into savages by great events. This element in LeBon's thinking influenced Georges Sorel's thinking, as he had seen the same phenomenon in those who participated in general strikes and revolutions. And in a later period and different context, Hannah Arendt gave this strange capacity of the ordinary to be transformed into the extraordinary the name "banality of evil." The book will be of interest to social theorists, psychologists concerned with group behavior, and historians of the period.

The exact legacies of the two Hague Peace Conferences remain unclear. On the one hand, diplomatic and military historians, who cast their gaze to 1914, traditionally dismiss the events of 1899 and 1907 as insignificant footnotes on the path to the First World War. On the other, experts in international law posit that The Hague's foremost legacy lies in the manner in which the conferences progressed the law of war and the concept and application of international justice. This volume brings together some of the latest scholarship on the legacies of the Hague Peace Conferences in a comprehensive volume, drawing together an international team of contributors.

Previously published as Peacemakers Between January and July 1919, after the war to end all wars, men and women from all over the world converged on Paris for the Peace Conference. At its heart were the leaders of the three great powers - Woodrow Wilson, Lloyd George and Clemenceau. Kings, prime ministers and foreign ministers with their crowds of advisers rubbed shoulders with journalists and lobbyists for a hundred causes - from Armenian independence to women's rights. Everyone had business in Paris that year - T.E. Lawrence, Queen Marie of Romania, Maynard Keynes, Ho Chi Minh. There had never been anything like it before, and there never has been since. For six extraordinary months the city was effectively the centre of world government as the peacemakers wound up bankrupt empires and created new countries. They pushed Russia to the sidelines, alienated China and dismissed the Arabs, struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; failed above all to prevent another war. Margaret MacMillan argues that they have unfairly been made scapegoats for the mistakes of those who came later. They tried to be evenhanded, but their goals - to make defeated countries pay without destroying them, to satisfy impossible nationalist dreams, to prevent the spread of Bolshevism and to establish a world order based on democracy and reason - could not be achieved by diplomacy. Paris 1919 (originally published as Peacemakers) offers a prismatic view of the moment when much of the modern world was first sketched out.

The First World War in the Middle East swept away five hundred years of Ottoman domination. It ushered in new ideologies and radicalised old ones - from Arab nationalism and revolutionary socialism to impassioned forms of atavistic Islamism. It created heroic icons, like the enigmatic Lawrence of Arabia or the modernizing Ataturk, and destroyed others. And it completely re-drew the map of the region, forging a host of new nation states, including Turkey, Iraq, Syria, Jordan, Lebanon, and Saudi Arabia - all of them (with the exception of Turkey) under the 'protection' of the victor powers, Britain and France. For many, the self-serving intervention of these powers in the region between 1914 and 1919 is the major reason for the conflicts that have raged there on and off ever since. Yet many of the most commonly accepted assertions about the First World War in the Middle East are more often stated than they are truly tested. Rob Johnson, military historian and former soldier, now seeks to put this right by examining in detail the strategic and operational course of the war in the Middle East. Johnson argues that, far from being a sideshow to the war in Europe, the Middle Eastern conflict was in fact the centre of gravity in a war for imperial domination and prestige. Moreover, contrary to another persistent myth of the First World War in the Middle East, local leaders and their forces were not simply the puppets of the Great Powers in any straightforward sense. The way in which these local forces embraced, resisted, succumbed to, disrupted, or on occasion overturned the plans of the imperialist powers for their own interests in fact played an important role in shaping the immediate aftermath of the conflict - and in laying the foundations for the troubled Middle East that we know today.

The fateful story of Adolf Hitler's transformation from awkward, feckless loner to lethal, charismatic demagogue. The story of the making of Adolf Hitler that we are all familiar with is the one Hitler himself wove in his 1924 trial, and then expanded upon in Mein Kampf. It tells of his rapid emergence as National Socialist leader in 1919, and of how he successfully rallied most of Munich and the majority of Bavaria's establishment to support the famous beer-hall putsch of 1923. It is an account which has largely been taken at face value for over ninety years. Yet, on closer examination, Hitler's account of his experiences in the years immediately following the First World War turns out to be every bit as unreliable as his account of his experiences as a soldier during the war itself. In Becoming Hitler, Thomas Weber continues from where he left off in his previous book, Hitler's First War, stripping away the layers of myth and fabrication in Hitler's own tale to tell the real story of Hitler's politicization and radicalization in post-First World War Munich. It is the gripping account of how an awkward and unemployed loner with virtually no recognizable leadership qualities and fluctuating political ideas turned into the charismatic, self-assured, virulently anti-Semitic leader with an all-or-nothing approach to politics with whom the world was soon to become tragically familiar. As Weber clearly shows, far from the picture of a fully-formed political leader which Hitler wanted to portray in Mein Kampf, his ideas and priorities were still very uncertain and largely undefined in early 1919 - and they continued to shift until 1923. It was the failed Ludendorff putsch of November 1923 - and the subsequent Ludendorff trial - which was to prove the making of Hitler. And he was not slow to spot the opportunity that it offered. As the movers and shakers of Munich's political scene tried to blame everything on him in the course of the trial, Hitler was presented with a golden opportunity to place himself at the centre of attention, turning what had been the 'Ludendorff trial' into the 'Hitler trial'. Henceforth, he would no longer be merely a local Bavarian political leader. From now on, he would present himself as a potential 'national saviour'. In the months after the trial, Hitler cemented this myth by writing Mein Kampf from his comfortable prison cell. His years of metamorphosis were now behind him. His years as Fuhrer were soon to come.

In 1914 almost one quarter of the earth's surface was British. When the empire and its allies went to war in 1914 against the Central Powers, history's first global conflict was inevitable. It is the social and cultural reactions to that war and within those distant, often overlooked, societies which is the focus of this volume. From Singapore to Australia, Cyprus to Ireland, India to Iraq and around the rest of the British imperial world, further complexities and interlocking themes are addressed, offering new perspectives on imperial and colonial history and theory, as well as art, music, photography, propaganda, education, pacifism, gender, class, race and diplomacy at the end of the pax Britannica.

This study, first published in 1986, examines the evolution and application of the policies of wartime governments designed to deal with the danger to national security thought to be posed by enemy alien residents, and considers the social and political forces which helped shape these policies. The scope of the powers assumed by the authorities to regulate the entry, departure, movement, employment, business activities and many other facets of the lives of aliens were unprecedented in war or peace. This book will be of interest to students of history.

The Great War of 1914-1918 was fought on the battlefield, on the sea and in the air, and in the heart. Museums Victoria's exhibition World War I: Love and Sorrow exposed not just the nature of that war, but its depth and duration in personal and familial lives. Hailed by eminent scholar Jay Winter as "one of the best which the centenary of the Great War has occasioned", the exhibition delved into the war's continuing emotional claims on descendants and on those who encounter the war through museums today. Contributors to this volume, drawn largely from the exhibition's curators and advisory panel, grapple with the complexities of recovering and presenting difficult histories of the war. In eleven essays the book presents a new, more sensitive and nuanced narrative of the Great War, in which families and individuals take centre stage. Together they uncover private reckonings with the costs of that experience, not only in the years immediately after the war, but in the century since.

Why did Asquith take Britain to war in 1914? What did educated young men believe their role should be? What was it like to fly over the Somme battlefield? How could a trench on the front line be 'the safest place'? These compelling eye-witness accounts convey what it was really like to experience the first two years of the war up until the fall of Asquith's government, without the benefit of hindsight or the accumulated wisdom of a hundred years of discussion and writing. Using the rich manuscript resources of the Bodleian Libraries, the book features key extracts from letters and diaries of members of the Cabinet, academic and literary figures, student soldiers and a village rector. The letters of politicians reveal the strain of war leadership and throw light on the downfall of Asquith in 1916, while the experiences of the young Harold Macmillan in the trenches, vividly described in letters home, marked the beginning of his road to Downing Street. It was forbidden to record Cabinet discussions, but Lewis Harcourt's unauthorised diary provides a window on Asquith's government, complete with character sketches of some of the leading players, including Winston Churchill. Meanwhile, in one Essex village, the local rector compiled a diary to record the impact of war on his community. These fascinating contemporary papers paint a highly personal and immediate picture of the war as it happened. Fear, anger, death and sorrow are always present, but so too are idealism, excitement, humour, boredom and even beauty.

This book is based on original research into intimidation and violence directed at civilians by combatants during the revolutionary period in Ireland, considering this from the perspectives of the British, the Free State and the IRA. The book combines qualitative and quantitative approaches, and focusses on County Kerry, which saw high levels of violence. It demonstrates that violence and intimidation against civilians was more common than clashes between combatants and that the upsurge in violence in 1920 was a result of the deployment of the Black and Tans and Auxiliaries, particularly in the autumn and winter of that year. Despite the limited threat posed by the IRA, the British forces engaged in unprecedented and unprovoked violence against civilians. This study stresses the increasing brutality of the subsequent violence by both sides. The book shows how the British had similar methods and views as contemporary counter-revolutionary groups in Europe. IRA violence, however, was, in part, an attempt to impose homogeneity as, beneath the Irish republican narrative of popular approval, there lay a recognition that universal backing was never in fact present. The book is important reading for students and scholars of the Irish revolution, the social history of Ireland and inter-war European violence.

Clash of Fleets is an operational history that records every naval engagement fought between major surface warships during World War I. Much more than a catalog of combat facts, Clash of Fleets explores why battles occurred; how the different navies fought; and how combat advanced doctrine and affected the development and application of technology. The result is a holistic overview of the war at sea as it affected all nations and all theaters of war. A work of this scope is unprecedented. Organized into seven chapters, the authors first introduce the technology, weapons, ships, and the doctrine that governed naval warfare in 1914. The next five chapters explore each year of the war and are subdivided into sections corresponding to major geographic areas. This arrangement allows the massive sweep of action to be presented in a structured and easy to follow format that includes engagements fought by the Austro-Hungarian, British, French, German, Ottoman, and Russian Navies in the Adriatic, Aegean, Baltic, Black, Mediterranean, and North Seas as well as the Atlantic, India, and Pacific Oceans. The role of surface combat in the Great War is analyzed and these actions are compared to major naval wars before and after. In addition to providing detailed descriptions of actions in their historical perspectives, O'Hara and Heinz advance several themes, including the notion that World War I was a war of navies as much as a war of armies. They explain that surface combat had a major impact on all aspects of the naval war and on the course of the war in general. Finally, Clash of Fleets illustrates that systems developed in peace do not always work as expected in war, that some are not used as anticipated, and that others became unexpectedly important. There is much for today's naval professional to consider in the naval conflict that occurred a century ago.

World War I has come down to us in indelible images--those of airplane bombers, bleak-eyed soldiers, stern-faced commanders, and the ruins of countless villages. But soldiers themselves also took photographs on the battlefield, and many of their striking images were transformed into postcards that were sent home to family and friends or collected as war mementos. "Postcards from the Trenches" gathers a number of these postcards to create a striking visual history of World War I.
The cards in this compelling volume were created not only by soldiers, but also by embedded journalists from France, Belgium, Austria, Germany, and Britain. The images capture scenes both humorous and poignant, including soldiers having a mock party with little food to eat, wounded soldiers smiling for the camera, a makeshift trench hospital, the bloody aftermath of a battle, and a huddle of men taking what they know could be their last communion before marching onto the battlefield. Other cards document the mundane duties that dominated wartime life, including men digging trenches, troops marching to new trenches and battlefields, and or soldiers nearly comatose with boredom while waiting for the fight to begin. This stunning visual narrative opens a new window into one of the most analyzed events in history, as the postcards' images testify to the resilience and bravery of soldiers in the most trying circumstances.
A fascinating and unprecedented historical document, "Postcards from the Trenches" draws back the curtain to unflinchingly show the daily horror and humanity that define life in war.