World War I was a global war originating in Europe that lasted from 1914 to 1918. Contemporaneously known as the Great War or "the war to end all wars", it led to the mobilisation of more than 70 million military personnel, including 60 million Europeans, making it one of the largest wars in history. This series of Eight volumes provides year by year analysis of the war that resulted in the death of more than 17 million deaths worldwide.

Possibly THE book of the tank during the Great War
This is a very substantial and important book. Quite simply, anyone interested in the history of tank warfare should read and own it for it is essential. It was written by a British tank commander of the Great War who has given us a comprehensive account of tanks as machines and tanks at war. First, it is an account of the creation and development of the tank. Second, it describes the war of the tank in all its theatres of operation including the Western Front, the Middle East and including the French and German forces. Third, it provides an insight into armaments, armour, maintenance, breakdown and battle damage recovery and into many aspects of keeping an early armoured squadron operational. Fourth, it offers an excellent history of the engagements of British tanks and, finally, it is a brilliant eyewitness account of the tank of the Great War in action-from one who was personally involved-including much battle description, dialogue and anecdotal incident. A successful book in every way.

The American drive towards victory on the Western Front
This unique Leonaur book brings together 'The Turn of the Tide by Jennings Wise, ' an excellent history of some of the decisive battles fought by American forces on the Western Front in 1918, and the separately published portfolio of first-rate illustrations of the American Expeditionary Force in action during that period by Jean Berne-Bellecour. By the end of 1914 the die was cast in Europe for a war of stalemate on the Western Front. Inevitably generals on both sides sought battlefield solutions, but the lines remained almost static, with the armies grappling over entrenched positions of barbed-wire fringed mud. Inevitably the realisation came that this was a true war of attrition. There would be no decisive manoeuvre and the outcome would be determined by which nations would run out of men, materials and food first. Germany could see how the allies depended upon supplies from the United States of America and deployed its U-Boat wolf-packs to the Atlantic Ocean to disrupt shipping. By 1917 this strategy was close to success and the allied cause was in jeopardy. There can be little doubt that American entry into the war was the key to Allied victory. Both men and materials arrived, crossing the ocean protected by the might of a naval presence that only the USA could now muster. After three years of neutrality, the Americans-it has to be said-came not to fight the war, but to win it. This was an industrial war as no previous war had been, and this book traces the fiercely contested battles that became iconic for the Americans who served in Europe. Here are the battles of the summer of 1918 including the taking of Cantigny, the battles of Chateau Thierry and the famous Belleau Wood, Hill 204 and the counter-offensive which was the Second Battle of the Marne. This book includes many battlefield maps to assist the modern reader.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The Royal Navy strikes back
In the final months of the first year of the First World War a squadron of the Imperial German Navy under von Spee decisively destroyed a weaker British force under Cradock off the coast of South America. This action in the Southern Pacific, known as the Battle of Coronel (after the nearest coastal town in Chile) delivered a decisive blow to the prestige and perception of British sea power and prompted a determined and powerfully resourced retaliatory response from the British Admiralty which would lead to the events described in this book, the Battle of the Falkland Islands. The German cruiser squadron comprised two armoured cruisers, Scharnorst, Gneisenau, three light cruisers, Nurnberg, Dresden and Leipzig plus three auxiliary support vessels. After his Coronel victory, von Spee had sailed his squadron south with the intention of raiding the supply base at Port Stanley in the Falklands in the South Atlantic, when on December 8th, 1914 it was brought to engagement by the avenging stronger British force under Doveton Sturdee comprising the battle cruisers Invincible and Inflexible, the armoured cruisers Carnarvon, Cornwall and Kent and two light cruisers Bristol and Glasgow. The outcome was perhaps as inevitable as it was intended to be. Only two German vessels escaped being sunk. Students of naval history will know that for a century the Royal Navy's dominance of the seaways had meant that it had fought few major engagements since Trafalgar. The First World War was dominated by the Battle of Jutland. So this account of modern warships in action is of vital interest. Available in softcover and hardback for collectors.

When careful consideration is given to Nietzsche's critique of Platonism and to what he wrote about Bismarck, Kaiser Wilhelm, and to Germany's place in "international relations" (die Grosse Politik), the philosopher's carefully cultivated "pose of untimeliness" is revealed to be an imposture. As William H. F. Altman demonstrates, Nietzsche should be recognized as the paradigmatic philosopher of the Second Reich, the short-lived and equally complex German Empire that vanished in World War One. Since Nietzsche is a brilliant stylist whose seemingly disconnected aphorisms have made him notoriously difficult for scholars to analyze, Friedrich Wilhelm Nietzsche is presented in Nietzsche's own style in a series of 155 brief sections arranged in five discrete "Books," a structure modeled on Daybreak. All of Nietzsche's books are considered in the context of the close and revealing relationship between "Friedrich Wilhelm Nietzsche" (named by his patriotic father after the King of Prussia) and the Second Reich. In "Preface to 'A German Trilogy,'" Altman joins this book to two others already published by Lexington Books: Martin Heidegger and the First World War: Being and Time as Funeral Oration and The German Stranger: Leo Strauss and National Socialism.

The poetry of the Great War is among the most powerful ever written in the English language. Unique for its immediacy and searing honesty, it has made a fundamental contribution to our understanding of and response to war and the suffering it creates. Widely acclaimed as an indispensable guide to the Great War poets and their work, Out of Battle explores in depth the variety of responses from Rupert Brook, Ford Madox Ford, Siegfried Sassoon, Wilfred Owen, Issac Rosenberg and Edward Thomas to the events they witnessed. Other poets discussed are Hardy, Kipling, Charles Sorely, Ivor Gurney, Herbert Read, Richard Aldington and David Jones. For the second edition of Out of Battle , a substantial new preface has been added together with an appendix on the unresolved problems concerning the Owen manuscripts. An updated bibliography provides useful guidance for further reading.

The Shelf2Life WWI Memoirs Collection is an engaging set of pre-1923 materials that describe life during the Great War through memoirs, letters and diaries. Poignant personal narratives from soldiers, doctors and nurses on the front lines to munitions workers and land girls on the home front, offer invaluable insight into the sacrifices men and women made for their country. Photographs and illustrations intensify stories of struggle and survival from the trenches, hospitals, prison camps and battlefields. The WWI Memoirs Collection captures the pride and fear of the war as experienced by combatants and non-combatants alike and provides historians, researchers and students extensive perspective on individual emotional responses to the war.

This lyrical memoir offers a fresh look inside the trauma of war and captivity during the First World War, with resonance for today's world.Georges Connes was a young literature graduate when he was drafted and served in the infamous and bloody battle of Verdun. A survivor, he was captured by the Germans in June 1916 and became a prisoner of war until his repatriation in January 1919. In the Second World War, he was active in the French Resistance, was arrested and detained, and ultimately went into hiding. After the war, he served as the interim mayor of Dijon before returning to his academic life as a professor of British and American literature.Connes referred to his time as a POW as 'The Other Ordeal', recognizing that the most important suffering continued for those who had to endure the 'firing, blood and mud' of war. Connes focuses on the human aspects of war, which are all too easy to forget in the age of mass media. He passionately argues against the predominant black and white view of 'us versus them' to unearth the complexities of war. Rather than demonizing his German captors, for example, he describes individual examples of gratuitous acts of kindness.Connes offers a pacifist, internationalist perspective on war. A survivor of two of the greatest conflicts in modern history, Connes remained optimistic about humanity. This voice of hope provides insight not only into the First World War but into the contemporary world.

Italy and the Cultural Politics of World War I dialogues with the variety of texts recently published to commemorate the Great War. It explores Italian socialist pacifism, the role of women during the conflict and a dominant cultural movement, Futurism, whose leader, Filippo Tommaso Marinetti, glorified war and enlisted in the fight. Other soldiers created documents about the war that differ from the heroic and virile endeavor that Marinetti placed at the center of his works on war. Italy and the Cultural Politics of World War I pays attention to the representations of the soldiers through an analysis of their letters, dominated by descriptions of the terrible hunger they suffered. In contrast, popular film absorbed the cultural lessons in Marinetti's writings and represented soldiers as modernist heroes in comedies and dramas. However, film did not shy away from representing cowards who could only be baffoons and fools in propaganda films. In another medium, the concern was to publish texts that would serve the fighting soldier and inform readers about ideological and historical motivations for the conflict. The publishing industry supported national propaganda efforts. Only socialism could endanger anti-war publication, but after its initial opposition to the conflict, socialists occupied a neutral position. Italian socialism still remained the only European socialist party that did not renege its pacifism in order to embrace nationalism and the war, but it was also not in favor of actions that would sabotage in the Italian war industry. ltalian socialism is only one feature of Italian culture that was dramatically changed during the war. WWI impacted every aspect of Italian and of European cultures. For instance, as an essay in Italy and the Cultural Politics of World War I explores, the war industry needed workers. The solution was to bring Chinese men France to contribute in the war effort. After the war, they moved to other countries and in Milan, Italy, they founded one of the oldest Chinatowns in Europe, dramatically changing the human landscape of Italy as they later moved to other Italian cities. Italy and the Cultural Politics of World War I supplies essential research articles to the construction of an inclusive portrayal of WWI and Italian culture by deepening our understanding of the transformative role it played in 20th century Italy and Europe.

At the Violet Hour argues that the literature of the early twentieth-century in England and Ireland was deeply organized around a reckoning with grievous violence, imagined as intimate, direct, and often transformative. The book aims to excavate and amplify a consistent feature of this literature, which is that its central operations (formal as well as thematic) emerge specifically in reference to violence. At the Violet Hour offers a variety of new terms and paradigms for reading violence in literary works, most centrally the concepts it names "enchanted and disenchanted violence." In addition to defining key aspects of literary violence in the period, including the notion of "violet hour," the book explores three major historical episodes: dynamite violence and anarchism in the nineteenth century, which provided a vibrant, new consciousness about explosion, sensationalism, and the limits of political meaning in the act of violence; the turbulent events consuming Ireland in the first thirty years of the century, including the Rising, the War of Independence, and the Civil War, all of which play a vital role in defining the literary corpus; and the 1930s build-up to WWII, including the event that most enthralled Europe in these years, the Spanish Civil War. These historical upheavals provide the imaginative and physical material for a re-reading of four canonical writers (Eliot, Conrad, Yeats, and Woolf), understood not only as including violence in their works, but as generating their primary styles and plots out of its deformations. Included also in this panorama are a host of other works, literary and non-literary, including visual culture, journalism, popular novels, and other modernist texts.

This volume contains Kipling's collected of essays, poems, theories, and reminisciences on sea warfare, from submarines to destroyers, with the personal and philosophical touches that mark all of his best works. Includes "The Fringes of the Fleet," "Tales of 'the Trade'," and "Destroyers at Jutland."

Two accounts of men of the Legion during the First World War
The French Foreign Legion has earned its reputation in acts of heroism and aggression, in tenacious actions of resistance and in the spilling of much blood. It has always been recognised as a home for the dispossessed, criminals and soldiers of fortune, so among its ranks could be found hard men from a multitude of backgrounds and numerous nations. The Legion has been typified by the fierce loyalty of its men, its esprit de corps and its undying allegiance to the nation which had taken them under its protection. France has, however, always exacted a high price for its patronage. The Legion has habitually been asked to demonstrate that it is equal to its laurels and it has constantly been placed in the 'post of honour'-that bloody ground where the fighting is hardest and death more certain. In the warfare of the Western Front during the Great War that likelihood of annihilation was multiplied by the lethal nature of the battleground and losses were horrendous for Legion regiments-sometimes as high as one man killed out of three or four engaged. Yet still men flocked to the Legion's ranks. This book offers accounts of the experiences of two such men as they fought for the cause of France in the trenches. Each piece is comparatively short so they have been joined together in this special Leonaur good value edition.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

This study examines what led the leaders of Austria-Hungary and Germany to launch major military offensives at the beginning of the First World War. The focus is on understanding why these two countries adopted high-risk offensive strategies during an international confrontation rather than a defensive military stance. The decision to attack or defend did not occur in a political vacuum. The leaders of Austria-Hungary and Germany adopted offensive strategies as a way to achieve their political ambitions. The offensives undertaken by Austria-Hungary and Germany in 1914 thus reflected their political goals as well as the strategic doctrines of war planners. The concluding chapter of this study explores why deterrence failed in 1914.

On His Majesty's Secret Service
The Duke of Wellington famously said that the art of war was discovering what you don't know by what you do-guessing what was on the other side of the hill. The best way to know what was over that hill was to send someone to look for you. The duke was no stranger to scouts, spies and intelligence officers and knew their value. As important as the spying itself was the need to stop enemy agents employed in the same work. By the later 19th century the means by which intelligence work could be undertaken was as a result of developments in communication, transport and technology in all its forms becoming more sophisticated. Countermeasures likewise became more difficult and complex. The decision made by many governments was to formalise the operations of espionage and counterespionage agents into dedicated services. This book, by a member of the British Secret Service, offers an essential insight into intelligence activities during the Great War. The narrative includes the riveting personal experiences and anecdotes of other agents, touches upon the methods used including codes and locating minelayers, and gives an overview of the secret service organisations operating at that time; it concludes with an examination of the 'Casement Affair.' For those interested in the world of the proto-Bond against Imperial Germany this is a highly entertaining read.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.