Australia's War, 1914-18 explores Australia's involvement in the First World War and the effect this had on the nation' s society. In this very accessible book, Joan Beaumont, Pam Maclean, Marnie Haig-Muir and David Lowe focus on: where Australians fought and why; the tensions and realignments within Australian politics in the period of 1914-18; the stresses of the war on Australian society, especially on women and those whom wartime hysteria cast in the role of the 'enemy' at home; the impact of the war on the country's economy; the role played by Australia in international diplomacy; and finally, the creation and influence of the Anzac legend. Once dominated by the battlefield and official accounts of the war correspondent and official historian, C.E.W. Bean, Australian writing on the war has acquired a new depth and sophistication. Studies of the home front reveal a society riven by divisions without precedent in the nation's history. This single volume will be invaluable to tertiary students and of enormous interest to the reader concerned with the social, political and military history of Australia.

The First World War was a watershed in global history. Both terrible and terrifying, it shredded the social order and ushered in a bleak new world. Inevitably, the war led to major advances in military strategy and tactics that were reflected in the weapons used on the battlefield. This book offers an extended introduction to the arms and armour of the Great War, with particular focus on iconic weapons such as the Maxim machine gun. It is a unique insight into the material culture that not only enabled the horrors of the Somme, Passchendaele and Gallipoli but also provided the means to bring peace in 1918.

This book gives students an informed insight into the British experience in the First World War. The contributors, all established First World War historians, have drawn on their own research and secondary sources to give a succinct account of politics, diplomacy, strategy and social developments during a period of dramatic change. Each chapter gives a concise account of its subject and the chapters are well supported by maps and tables. This is an important textbook for school students and undergraduates which bridges the gap between specialized research on the First World War and the needs of the student reader.

A new history of the large, fast, and long-ranged armored cruisers of the US Navy, and the roles that these warships played in the fleet as America developed into a great naval power. At the dawn of the "Steel Navy" era, the rapidly expanding US Navy's fleet of capital ships consisted not only of battleships but also armored cruisers, the forerunner of the battlecruiser. Armored cruisers sacrificed the battleship's superlative firepower and protection for superior speed and range but, as this study shows, their role was not always easy to define. Controversial because they were as large and expensive as battleships but not able to withstand a battleship in battle, contemporary strategists pointed out that, "naval wars are not won by running away from stronger ships." Despite being produced at great expense, tactically they never really had a legitimate mission-traditional deployments were commerce raiding and protection, but despite this, author Brian Lane Herder illustrates how successful the use of armored cruisers was for the US Navy. After 1906, some replaced US battleships in the Pacific, functioning as oversized gunboats, most notably, the modified armored cruiser Pennsylvania which witnessed the first landing of an airplane on a ship. On November 5, 1915, North Carolina became the first cruiser to launch an aircraft from a catapult while underway. After the war, surviving US armored cruisers represented the US Navy on their Asiatic station until the final cruiser was scuttled in 1946. Using detailed, color artwork and photos, this fascinating book describes the development and deployment of these controversial but intriguing ships, providing examples of the key service they played in the US Navy in a variety of defensive and escorting roles.

Researched from original-language primary sources, this is a uniquely well-informed and multi-faceted history of the World War I air campaign of Bloody April. Researched from original German-, French-, and English-language sources, and written by an authority on both air and ground military operations, author, Dr James S Corum examines how Bloody April caused Allied forces to reassess their approach to the use of airpower. Considering well-known problems such as technology and training doctrine, but also how the artillery-aircraft combination ideally had to work in late-WW I ground offensives, Dr Corum analyses what each side got wrong and why. He describes little-known parts of the April campaigns, such as both sides' use of strategic bombing with heavy aircraft, and considers the German use of advanced high-altitude reconnaissance aircraft with oxygen and heated suits while detailing the exploits of the infamous 'Red Baron', Manfred von Richthofen. Lessons from Bloody April not only served to improve the coordination of Allied artillery and aircraft but subsequently aircraft played a much larger role in supporting ground troops in attack mode. Bloody April paved the way for the airpower revolution that, by 1918, would make the Allies masters of the sky on the Western Front.

The story of the enigmatic Jozef Pilsudski, the founding father of modern Poland: a brilliant military leader and high-minded statesman who betrayed his own democratic vision by seizing power in a military coup. In the story of modern Poland, no one stands taller than Jozef Pilsudski. From the age of sixteen he devoted his life to reestablishing the Polish state that had ceased to exist in 1795. Ahead of World War I, he created a clandestine military corps to fight Russia, which held most Polish territory. After the war, his dream of an independent Poland realized, he took the helm of its newly democratic political order. When he died in 1935, he was buried alongside Polish kings. Yet Pilsudski was a complicated figure. Passionately devoted to the idea of democracy, he ceded power on constitutional terms, only to retake it a few years later in a coup when he believed his opponents aimed to dismantle the democratic system. Joshua Zimmerman's authoritative biography examines a national hero in the thick of a changing Europe, and the legacy that still divides supporters and detractors. The Poland that Pilsudski envisioned was modern, democratic, and pluralistic. Domestically, he championed equality for Jews. Internationally, he positioned Poland as a bulwark against Bolshevism. But in 1926 he seized power violently, then ruled as a strongman for nearly a decade, imprisoning opponents and eroding legislative power. In Zimmerman's telling, Pilsudski's faith in the young democracy was shattered after its first elected president was assassinated. Unnerved by Poles brutally turning on one another, the father of the nation came to doubt his fellow citizens' democratic commitments and thereby betrayed his own. It is a legacy that dogs today's Poland, caught on the tortured edge between self-government and authoritarianism.

Recent studies of the British Army during the First World War have fundamentally overturned historical understandings of its strategy and tactics, yet the chain of command that linked the upper echelons of GHQ to the soldiers in the trenches remains poorly understood. In order to reconnect the lines of communication between the General Staff and the front line, this book examines the British army's commanders at battalion level, via four key questions: (i) How and where resources were found from the small officer corps of 1914 to cope with the requirement for commanding officers (COs) in the expanding army; (ii) What was the quality of the men who rose to command; (iii) Beyond simple overall quality, exactly what qualities were perceived as making an effective CO; and (iv) To what extent a meritocracy developed in the British army by the Armistice. Based upon a prosopographical analysis of a database over 4,000 officers who commanded infantry battalions during the war, the book tackles one of the central historiographical issues pertaining to the war: the qualities of the senior British officer. In so doing it challenges lingering popular conceptions of callous incompetence, as well more scholarly criticism that has derided the senior British officer, but has done so without a data-driven perspective. Through his thorough statistical analysis Dr Peter Hodgkinson adds a valuable new perspective to the historical debate underway regarding the nature of British officers during the extraordinary expansion of the Army between 1914 and 1918, and the remarkable, yet often forgotten, British victories of The Hundred Days.

In 1930 wealthy Scottish socialite Dorothy Brooke (1883-1955) followed her new husband to Cairo, Egypt, where she discovered thousands of malnourished and suffering former British war horses leading lives of backbreaking toil and misery. Brought to the Middle East by British forces during the Great War, these ex-cavalry horses had been left behind at the war's end, abandoned like used equipment too costly to be sent home. In Dorothy Brooke and the Fight to Save Cairo's Lost War Horses, Grant Hayter-Menzies chronicles the lives and eventual rescue of these noble creatures, who after years of deprivation and suffering (many were blind; most were starving) found respite in Brooke's Old War Horse Memorial Hospital (still in operation and now rechristened The Brooke); he also relates the story of the challenges of founding and maintaining this scale of animal rescue. The legacy of the Old War Horse Memorial Hospital and its founder endures today in the dozens of international Brooke animal welfare facilities in existence dedicated to improving the lives of working horses, donkeys, and mules across Africa, Asia, and Latin America.

America and World War I, the first volume in the new Routledge Research Guides to American Military Studies series, provides a concise, annotated guide to the vast amount of resources available on the Great War. With over 2,000 entries selected from a wide variety of publications, manuscript collections, databases, and online resources, this volume will be an invaluable research tool for students, scholars, and military history buffs alike. The wide range of topics covered include war films and literature, to civil-military relations, to women and war. Routledge Research Guides to American Military Studies will include concise, easy-to-use bibliographic volumes on different American military campaigns throughout history, as well as tackling timely subjects such as women in the military and terrorism.

Based on a wide range of primary sources, this book shows the way in which diplomacy, economics, finance and strategy became intertwined during the First World War. The author examines the diplomatic, economic, financial and military relations between Britain and Russia and argues that the key to understanding the alliance is the British determination to win the war and the role Russia played in achieving this aim. British strategy is shown to be more the result of her relations with her allies, especially during the first years of the war, than a quarrel between East and West. This revision of the accepted interpretation of the strategy leads to a reassessment of the views of Lloyd George, Kitchener and Grey. The author concludes that in 1917 the British interest in Russia remained as it was earlier in the war: the maintenance of a powerful ally on the eastern front.

During the Allied victory celebrations there were few who chose to raise a glass to the staff. The high cost of casualties endured by the British army tarnished the reputation of the military planners, which has yet to recover. This book examines the work and development of the staff of the British army during the First World War and its critical role in the military leadership team. Their effectiveness was germane to the outcome of events in the front line but not enough consideration has been paid to this level of command and control, which has largely been overshadowed by the debate over generalship. This has painted an incomplete picture of the command function. Characterised as arrogant, remote and out of touch with the realities of the front line, the staff have been held responsible for the mismanagement of the war effort and profligate loss of lives in futile offensives. This book takes a different view. By using their letters and diaries it reveals fresh insights into their experience of the war. It shows that the staff made frequent visits to the front line and were no strangers to combat or hostile fire. Their work is also compared with their counterparts in the French and German armies, highlighting differences in practice and approach. In so doing, this study throws new light upon the characteristics, careers and working lives of these officers, investigating the ways in which they both embraced and resisted change. This offers evidence both for those who wish to exonerate the British command system on the basis of the learning process but also for those critical of its performance, thus advancing understanding of British military history in the First World War.

The First World War quickly escalated from a European war into a global conflict that would cause fundamental changes in the Middle East, Africa, Asia and the Americas. Its end signalled the dissolution of the Ottoman Empire, which had controlled most of the Arab Middle East. Over the wartime period, millions of people across the Empire died as a result of warfare, epidemics, famines and massacres. However, for the Ottoman leaders their entry into the war was not just a response to a life-or-death struggle, but rather presented them with an opportunity to transform the empire into a new type of state. Syria in World War I brings together leading scholars working with original Turkish, Arabic, Armenian and German sources, to present a comprehensive examination of this key period in Syria's history. Together, the chapters demonstrate how the war represented a radical break from the past for the Syrian lands, which underwent crucial political, economic, social and cultural transformations. It contextualises various facets of the then Unionist ruler of Syria, Djemal Pasha, as well as exploring the impact of the Ottoman leaders' divergent policies on the Syrian lands and people, which would undergo a series of political, economic and ecological catastrophes whose traces are still evident in the region's collective memory. Introducing a significant body of new information and considerably expanding the parameters of current debates, Syria in World War I is of key interest to students and scholars of Middle East History, as well as History of the Late Ottoman Empire and World War I History.

Lord Hankey (1877-1963) was a British civil servant and the first Cabinet Secretary, a top aide to Prime Minister David Lloyd George and the War Cabinet that directed Britain in World War One. Mostly derived from the author's diaries, which began in March 1915, this study describes how Lord Hankey contributed to the development of the British system of Cabinet Government during the war years. First published in 1961, the two-volume collection is a history of the Supreme Command of the War; the conduct of the war, the development of the Supreme Command from Balfour to Lloyd George, and the emergence of the Cabinet Secretariat from the Secretariat of the War Cabinet. It contains intimate glimpses of the statesmen, sailors and soldiers who guided affairs towards 1918. This is a fascinating first-hand examination of the people who influenced the conduct of the war, and will be of particular value to students interested in its diplomatic history.

The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque's All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque's work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johannsen and Adrienne Thomas. In order to provide a more rounded view of German anti-war literature, this volume offers a selection of essays published by Brian Murdoch over the past twenty years. Beginning with a newly written introduction, providing the context for the volume and surveying recent developments in the subject, the essays that follow range broadly over the German anti-war literary tradition, telling us much about the shifting and contested nature of the war. The volume also touches upon subjects such as responsibility, victimhood, the problem of historical hiatus in the production and reception of novels, drama, poetry, film and other literature written during the war, in the Weimar Republic, and in the Third Reich. The collection also underlines the potential dangers of using novels as historical sources even when they look like diaries. One essay was previously unpublished, two have been augmented, and three are translated into English for the first time. Taken together they offer a fascinating insight into the cultural memory and literary legacy of the First World War and German anti-war texts.

Lord Hankey (1877-1963) was a British civil servant and the first Cabinet Secretary, a top aide to Prime Minister David Lloyd George and the War Cabinet that directed Britain in World War One. Mostly derived from the author's diaries, which began in March 1915, this study describes how Lord Hankey contributed to the development of the British system of Cabinet Government during the war years. First published in 1961, the two-volume collection is a history of the Supreme Command of the War; the conduct of the war, the development of the Supreme Command from Balfour to Lloyd George, and the emergence of the Cabinet Secretariat from the Secretariat of the War Cabinet. It contains intimate glimpses of the statesmen, sailors and soldiers who guided affairs towards 1918. This is a fascinating first-hand examination of the people who influenced the conduct of the war, and will be of particular value to students interested in its diplomatic history.

The story of Russia's First World War remains largely unknown, neglected by historians who have been more interested in the grand drama that unfolded in 1917. In Russia's First World War: A Social and Economic History Peter Gatrell shows that war is itself 'revolutionary' - rupturing established social and economic ties, but also creating new social and economic relationships, affiliations, practices and opportunities. Russia's First World War brings together the findings of Russian and non-Russian historians, and draws upon fresh research. It turns the spotlight on what Churchill called the 'unknown war', providing an authoritative account that finally does justice to the impact of war on Russia's home front

Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers' songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers' songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.

First published in 1933, this title presents the inner workings and diplomatic culture of the League of Nations in Geneva, at a time when the increasing strain of international relations was beginning to take its toll and disillusionment towards the League was growing. Written as a series of short sketches, Max Beer's communicates a variety of insights into the League of Nations. Delving into the machinations and bewildering configurations of diplomatic relations that predominated, while at the same time maintaining a very human perspective, this volume represents a unique resource for students of this period in European politics.

The course of events of the Great War has been told many times, spurred by an endless desire to understand 'the war to end all wars'. However, this book moves beyond military narrative to offer a much fuller analysis of of the conflict's strategic, political, economic, social and cultural impact. Starting with the context and origins of the war, including assasination, misunderstanding and differing national war aims, it then covers the treacherous course of the conflict and its social consequences for both soldiers and civilians, for science and technology, for national politics and for pan-European revolution. The war left a long-term legacy for victors and vanquished alike. It created new frontiers, changed the balance of power and influenced the arts, national memory and political thought. The reach of this acount is global, showing how a conflict among European powers came to involve their colonial empires, and embraced Japan, China, the Ottoman Empire, Latin America and the United States.

World War I, given all the rousing "Over-There" songs and in-the-trenches films it inspired, was, at its outset, surprisingly unpopular with the American public. As opposition increased, Woodrow Wilson's presidential administration became intent on stifling antiwar dissent. In his absorbing new book, Eric Chester reveals that out of this turmoil came a heated public discussion on the theory of civil liberties-the basic freedoms that are, theoretically, untouchable by any of the three branches of the U.S. government. The famous "clear and present danger" argument of Supreme Court Justice Oliver Wendell Holmes, and the "balance of conflicting interest" theory of law professor Zechariah Chafee, for example, evolved to provide a rationale for courts to act as a limited restraint on autocratic actions of the government. But Chester goes further, to examine an alternative theory: civil liberties exist as absolute rights, rather than being dependent on the specific circumstances of each case. Over the years, the debate about the right to dissent has intensified and become more necessary. This fascinating book explains why, a century after the First World War-and in the era of Trump-we need to know about this.

Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers' songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers' songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.

The author of this book, Ernst A. Lehmann, was close to the Zeppelin story from its early days and had great faith in the ever increasing success of the Zeppelin on international routes. It is sadly ironic that this talented man and strong advocate of the Zeppelin should die in Hindenburg disaster shortly after he had produced the draft for this book. He died following the fire that destroyed the Hindenburg on 6 May 1937; he survived the fire itself but was badly burned and died the following day. Lehmann was a Zeppelin commander during the First World War bombing England on numerous occasions, and even met some of the supreme German commanders such as General Erich Ludendorff. He was well acquainted with Count Zeppelin and all of the designers and management of the Zeppelin Company. After the war he worked for the Zeppelin Company under Hugo Eckener, who took over the management following Count Zeppelin's death in 1917. Lehmann was closely involved in the voyages of the Graf Zeppelin, including the famous round the world voyage, and pioneered services to the Unites States and the regular service to South America.Lehmann makes his Nazi sympathies quite clear, but tactfully does not touch upon his differences with Hugo Eckener regarding the use of the airships for Nazi electioneering-for Eckener was strongly against it. Nor does he touch upon Goring's manoeuvring which broke up the Zeppelin Company, thereby leaving Eckener as an outsider. He believes in the superiority of German engineering and beyond that the superiority of everything German.Lehmann served as commanding officer on more than 100 of the flights of the Graf Zeppelin between 1928 and 1936. In 1935, when Hermann Goring created the Deutsche Zeppelin Reederei to increase Nazi influence over Zeppelin operations, Captain Lehmann was named director of the new airline. In 1936, he commanded 10 round-trip flights to Lakehurst on the new Hindenburg.The text is well-written, approachable, and provides a comprehensive account of the Zeppelin story until the 1937 disaster which cost the author his life.

Despite the substantial output of revisionist scholarship over the last decade reappraising the performance of the British Army on the Western Front during the First World War, there still remains a stubborn perception that its commanders were incompetent, inflexible and unimaginative. Whilst much ink has been spilled vilifying or defending individual commanders, or looking for overarching trends and 'learning curves', this is the first work to examine systematically the vertical nature of command - that is the transmission of plans from the high-command down through the rank structure to the front line. Through such an investigation, a much more rounded measure of the effectiveness of British commanders can be gained; one moves the argument beyond the overly simplistic 'casualties to ground gained' equation that is usually offered. The Battle of Fromelles (19-20 July 1916) was selected as the case study as it was relatively small in scale, in the right period, and retains sufficient primary sources available to sustain the analysis. It also witnessed the first time Australian forces were used in offensive operations on the Western Front, and thus looms large in wider Commonwealth perceptions of 'Bumbling British Generals'. The book follows the progress of the battle plan from its inception in the strategic designs of the supreme commander down through the various intermediate level commands at operational and tactical headquarters until it became the orders that sent the infantry forward into the attack. In so doing it provides a unique insight into the strengths and weaknesses of British command structure, allowing a much more scholarly judgement of its overall effectiveness.

A century after the Armistice and the associated peace agreements that formally ended the Great War, many issues pertaining to the UK and its empire are yet to be satisfactorily resolved. Accordingly, this volume presents a multi-disciplinary approach to better understanding the post-Armistice Empire across a broad spectrum of disciplines, geographies and chronologies. Through the lens of diplomatic, social, cultural, historical and economic analysis, the chapters engage with the histories of Lagos and Tonga, Cyprus and China, as well as more obvious geographies of empire such as Ireland, India and Australia. Though globally diverse, and encompassing much of the post-Armistice century, the studies are nevertheless united by three common themes: the interrogation of that transitionary 'moment' after the Armistice that lingered well beyond the final Treaty of Lausanne in 1924; the utilisation of new research methods and avenues of enquiry to compliment extant debates concerning the legacies of colonialism and nationalism; and the common leitmotif of the British Empire in all its political and cultural complexity. The centenary of the Armistice offers a timely occasion on which to present these studies.

With compelling insight, Canada 1919 examines the concerns of Canadians in the year following the Great War: the treatment of veterans, including nurses and Indigenous soldiers; the rising farm lobby; the role of labour; the place of children; the influenza pandemic; the country's international standing; and commemoration of the fallen. Even as the military stumbled through massive demobilization and the government struggled to hang on to power, a new Canadian nationalism was forged. This fresh perspective on the concerns of the time exposes the ways in which war shaped Canada - and the ways it did not.