A pilot's account of the war in the air
Books on the war in the air above the fields, broken landscapes and trenches of France and Belgium in the First World War are not numerous. Those written by pilots who experienced war in the air during the infancy of aviation are fewer still. In the early years of the 20th century the first clumsy attempts at mastering the skies was followed quickly by the necessity, on the part of armies and navies, to find individuals with the ability to learn the skills and tactics of fighting in three dimensions. Those whose learning failed them paid a price rarely expected of young students. This book was written by a young American volunteer during wartime. He informs his readers from the outset that he has a poor opinion of his own abilities and of the contribution he believes he can make, though this is difficult to understand for those who have never taken the air to fight in a primitive flying machine-without a parachute. Molter was one of those remarkable young men, irrespective of his own opinion of himself, who elected to volunteer to fight for France before America had entered the war. He gives us an insightful account of flying combat missions from the sharp end and no one who has an interest in the subject will be disappointed with his story.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VII focuses on Russia during the war years, from her early victories and defeats through the Revolution of 1919. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The last great war of the horse
The role of the 'war horse' particularly during its twilight years during the First World War has recently become the focus of much interest. All armies have used horses in wartime as cavalry and mounted infantry, as officers chargers, for artillery or for transport and supply. Some large nations, because the horse formed a central role in its domestic life, became more associated with horses and horsemanship in the period when mechanised transport was making its first halting appearance onto the field of conflict. Russia was famous for its Cossacks and among the countries of the British Empire and Commonwealth the accomplished riders of Australia, New Zealand and, especially noteworthy, Canada-the home of the author of this book. Naturally, the author is concerned with the activities of the Canadian Cavalry Brigade, but his book examines in detail the role of horses in every aspect of the Great War. He was not oblivious to the suffering of horses in war though, he clearly demonstrates a great affection for them in their military role. The book concludes with pictures and vignettes of individual horses of renown in the Canadian Army and a short piece on the service of dogs.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The current dogma concerning the origins of the First World War supports the militarist myth that wars are caused by stupid, evil, aggressive nations on the other side of the world who refuse to get along with the intelligent, good, peaceful people on this side.

This book attempts to understand the real causes of war and to dissociate propaganda from historical fact. By reviewing the events of the pre-1914 period, the responsibility of Germany for the outbreak of the war is reconsidered.

It begins with a short account of the situation after the Franco-Prussian War, when France was isolated and Germany secure in the friendship of all the other Great Powers, and proceeds to describe how France created an anti-German coalition. The account of the estrangement of England from Germany attempts to correct the usual pro-British prejudice and to explain the real causes of this development. The centrepiece of the work is the creation of the Triple Entente.

This book is unique in its positive approach to the German Empire of 1871-1918.

Dissects the politics of commemoration of soldiers, veterans, and relatives from WWI The United States lost thousands of troops during World War I, and the government gave next-of-kin a choice about what to do with their fallen loved ones: ship them home for burial or leave them permanently in Europe, in makeshift graves that would be eventually transformed into cemeteries in France, Belgium, and England. World War I marked the first war in which the United States government and military took full responsibility for the identification, burial, and memorialization of those killed in battle, and as a result, the process of burying and remembering the dead became intensely political. The government and military attempted to create a patriotic consensus on the historical memory of World War I in which war dead were not only honored but used as a symbol to legitimize America's participation in a war not fully supported by all citizens. The saga of American soldiers killed in World War I and the efforts of the living to honor them is a neglected component of United States military history, and in this fascinating yet often macabre account, Lisa M. Budreau unpacks the politics and processes of the competing interest groups involved in the three core components of commemoration: repatriation, remembrance, and return. She also describes how relatives of the fallen made pilgrimages to French battlefields, attended largely by American Legionnaires and the Gold Star Mothers, a group formed by mothers of sons killed in World War I, which exists to this day. Throughout, and with sensitivity to issues of race and gender, Bodies of War emphasizes the inherent tensions in the politics of memorialization and explores how those interests often conflicted with the needs of veterans and relatives.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VI covers March 1918 through September 1918, from the last battles on the Western Front through the Paris peace conference and revolution in Germany. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

Translated into English as the Winner of the Geisteswissenschaften International Translation Prize for Work in the Humanities and Social Sciences 2015. During the Great War, mass killing took place on an unprecedented scale. Violence and the German Soldier in the Great War explores the practice of violence in the German army and demonstrates how he killing of enemy troops, the deaths of German soldiers and their survival were entwined. As the war reached its climax in 1918, German soldiers refused to continue killing in their droves, and thus made an active contribution to the German defeat and ensuing revolution. Examining the postwar period, the chapters of this book also discuss the contested issue of a 'brutalization' of German society as a prerequisite of the Nazi mass movement. Biographical case studies on key figures such as Ernst Junger demonstrate how the killing of enemy troops by German soldiers followed a complex set of rules. Benjamin Ziemann makes a wealth of extensive archival work available to an Anglophone audience for the first time, enhancing our understanding of the German army and its practices of violence during the First World War as well as the implications of this brutalization in post-war Germany. This book provides new insights into a crucial topic for students of twentieth-century German history and the First World War.

This title presents new research highlighting the invention of new weaponry and its front-line combat use. No army went to war in 1914 ready to conduct trench warfare operations. All the armies of the First World War discovered that prolonged trench warfare required new types of munitions alongside the conventional howitzers, large-calibre guns and explosive shells. This volume examines how the British went about inventing and manufacturing new weaponry such as hand grenades, rifle grenades and trench mortars when no body of knowledge about trench warfare munitions existed. It also examines how tactics were developed for these new munitions. Based on new research, this is the first book to discuss the complexity of invention and manufacture of novel weapons such as the Mills grenade and the Stokes mortar, and to consider the relationship between technical design and operational tactics on the ground. In so doing the book presents a different model of the trench warfare conducted by the British Expeditionary Force on the Western Front, and also provides a blueprint to understanding the relationship between technology and tactics applicable to all types of weapons and warfare. "Continuum Studies in Military History" offers up-to-date, scholarly accounts of war and military history. Unrestricted by period or geography, the series aims to provide free-standing works that are attuned to conceptual and historiographical developments in the field while being based on original scholarship.

A British territorial battalion during the First World War
The Sherwood Foresters were described before the outbreak of the Great War as part of the 'best territorial brigade in the kingdom.' These were part time soldiers mainly from Nottinghamshire and Derbyshire and, of course, they derived their regimental name from the great forest of Sherwood, legendary haunt of Robin Hood. The magnitude of the 1914-18 war demanded a huge and steady supply of manpower from Britain and its colonies and so the attrition of the early period of the war made the mobilisation of the Territorial Force inevitable. Thus it was that these amateur soldiers, together with others who had volunteered, were destined to fight their war on the Western Front and in the author of this book they had an able chronicler to record their services. Most regimental histories of this period include a list of engagements which reads like a history of the war and this book is no exception; here are the Salient, the Hohenzollern Redoubt, Vimy Ridge and the Somme together with descriptions of the regiment's achievements at Gommecourt, Bellacourt, Lens, St. Elie, Hill 70, Gorre, Essars and other iconic engagements. It was not until the last bullet had been fired that the men who survived marched home again.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Tall, sun-bronzed, hardy. Resourceful, independent, egalitarian. Scornful of authority, loyal to their mates. These mythical characteristics of the Anzac 'diggers' are central to our idea of what it is to be Australian. But did the soldiers themselves fit the stereotype? How closely does the myth match the reality? This penetrating study strips away celebratory generalisations and measures the Anzac legend against the actual experiences of one battalion that fought at Gallipoli and on the Western Front in World War I. The diaries and letters written by soldiers of the 1st Battalion reveal attitudes, insights, comments and criticisms that qualify and even contradict the Anzac legend. In Dinkum Diggers, Dale James Blair compares these first-hand accounts by front-line infantrymen with unit diaries, operational records, service and repatriation records, as well as with interviews with family members and statistical analysis, to present a well-rounded picture of the complexities of the 1st Battalion's experience. By narrowing the focus of Australian war experience to a single battalion, he demonstrates nuances and subtleties, showing how the men vie

An American journalist with the German Army
Until the United States of America came into the First World War on the side of the Allies in 1917, it was a neutral nation considered, in theory at least, to have no interest in the outcome of the war. This enabled American journalists to visit both sides of the battle lines and this in turn enabled the author of this book, Edward Lyell Fox, to gain access to the German war effort in considerable depth and detail. Accounts of the Great War from the German perspective are not common in the English language and so this book provides interesting insights from a neutral viewpoint. Fox visited the Western Front and was present as the conflict at Ypres broke out. He also accompanied the German Army through the Flanders campaign and later visited the Russian Front with German forces. He was an eyewitness at the Battle of Augustowo Wald in East Prussia-an overwhelming German victory. Fox concludes his book with an account of the work of the American Red Cross on the battle front. This is an interesting book for students who seek both a different view of the conflict and an examination of less familiar battles fronts.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.