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Books > Humanities > History > World history > From 1900 > First World War
The cup that cheers
The First World War was considered the pinnacle in the development
of warfare following the dawn of the industrial age. For the first
time conflict on a global stage was fought on land, on and under
the sea and in the skies. This war of the machines swept away
swathes of humanity by the use of ruthlessly efficient means of
slaughter. Every human resource was needed because it could not be
waged solely by male armies on the fields of battle. This meant
that the role of women in western society would be changed forever.
Women became the industrial workforce, agricultural workers and the
custodians of transport and logistics. Thousands more, from nurses
to drivers, mechanics to entertainers, volunteered to provide
essential services to support the fighting men on the front line.
Many new and established organisations willingly put all their
resources into the war effort. To the troops of the allied armies
these volunteers-both men and women-were little short of angels,
providing for body and spirit under the most difficult
circumstances and their contribution to the morale of the soldiers
in action cannot be over estimated. The Y. M. C. A was at the
forefront of these activities, providing everything from essentials
to much appreciated little luxuries, from the opportunity for a
bath and shave to that mainstay of English or American life, a
good, hot and much needed 'cuppa' tea or coffee, accompanied by a
kind smile or a supportive word. This special Leonaur edition
contains three accounts of these remarkably brave volunteers on the
Western Front. Theirs was essential but often dangerous work and
many of them made the ultimate sacrifice. This fascinating book
relates an often unsung aspect of the Great War, but one which will
be of enormous interest to those who require a complete
understanding of the conflict and are interested in the changing
role of women in the early years of the 20th century.
Leonaur editions are newly typeset and are not facsimiles; each
title is available in softcover and hardback with dustjacket; our
hardbacks are cloth bound and feature gold foil lettering on their
spines and fabric head and tail bands.
The quantity of journalism produced during World War I was unlike
anything the then-budding mass media had ever seen. Correspondents
at the front were dispatching voluminous reports on a daily basis,
and though much of it was subject to censorship, it all eventually
became available. It remains the most extraordinary firsthand look
at the war that we have. Published immediately after the cessation
of hostilities and compiled from those original journalistic
sources-American, British, French, German, and others-this is an
astonishing contemporary perspective on the Great War. This replica
of the first 1919 edition includes all the original maps, photos,
and illustrations, lending an even greater immediacy to readers a
century later. Volume I covers June through October 1914, from the
causes of the war-including how the local matter of the
assassination of Archduke Franz Ferdinand of Austria grew into a
global conflagration and the various declarations of war among the
world powers-through the early battles on the Western Front.
American journalist and historian FRANCIS WHITING HALSEY
(1851-1919) was literary editor of The New York Times from 1892
through 1896. He wrote and lectured extensively on history; his
works include, as editor, the two-volume Great Epochs in American
History Described by Famous Writers, From Columbus to Roosevelt
(1912), and, as writer, the 10-volume Seeing Europe with Famous
Authors (1914).
A fine author's view of the Great Somme Offensive
For many years there were few more highly regarded histories of
the momentous Battle of the Somme, 1916, than that written by John
Buchan, the renowned author of 'The Thirty Nine Steps, '
'Greenmantle, ' 'Huntingtower' and many others. In both his fiction
and non-fiction Buchan had the ability to craft a fine narrative in
an easy going, economic style. Today Buchan is far less well-known
for his non-fiction than for his fiction and that, perhaps, is
inevitable. Nevertheless, he was responsible for a very substantial
multi-volume history of the First World War which his consummate
skill as a writer has ensured remains readable, often quoted and
relevant. There were several versions of Buchan's 'Battle of the
Somme' published during and soon after the First World War,
sometimes in several volumes each dealing with different phases of
the battle. This unique, never before in print, Leonaur Original,
brings together all the text and all the illustrations and
photographs from those various editions to create, what we believe
to be the definitive version of the book. Fought over a period of
nearly five months, between July and November of 1916, the Battle
of the Somme became one of the defining battles, both of world
history and the First World War. Over 1,000,000 men were killed or
wounded in the course of the fighting which has made it, because of
its inconclusive outcome, emblematic of the lives wasted during the
war and of the implied incompetence of military commanders
throughout the conflict.
Leonaur editions are newly typeset and are not facsimiles; each
title is available in softcover and hardback with dustjacket; our
hardbacks are cloth bound and feature gold foil lettering on their
spines and fabric head and tail bands.
This book (hardcover) is part of the TREDITION CLASSICS. It
contains classical literature works from over two thousand years.
Most of these titles have been out of print and off the bookstore
shelves for decades. The book series is intended to preserve the
cultural legacy and to promote the timeless works of classical
literature. Readers of a TREDITION CLASSICS book support the
mission to save many of the amazing works of world literature from
oblivion. With this series, tredition intends to make thousands of
international literature classics available in printed format again
- worldwide.
This eye-opening study gives a nuanced, provocative account of how
German soldiers in the Great War experienced and enacted
masculinity. Drawing on an array of relevant narratives and media,
it explores the ways that both heterosexual and homosexual soldiers
expressed emotion, understood romantic ideals, and approached
intimacy and sexuality.
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