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Books > Humanities > History > World history > From 1900 > First World War
Georges Guynemer, Knight of the Air
A famous battalion on the Western Front
Two linked books of the Irish on many fronts of the Great War
When HMS Laurentic sank in 1917, few knew what cargo she was carrying, and the Admiralty wanted to keep it that way. After all, broadcasting that there were 44 tons of gold off the coast of Ireland in the middle of a vicious and bloody war was not the best strategic move. But Britain desperately needed that gold. Lieutenant Commander Guybon Damant was an expert diver and helped discover how to prevent decompression sickness ('the bends'). With a then world record dive of 210ft under his belt and a proven history of military determination, Damant was the perfect man for a job that required the utmost secrecy and skill. What followed next was a tale of incredible feats, set against a backdrop of war and treacherous storms. Based on thousands of Admiralty pages, interviews with Damant's family and the unpublished memoirs of the man himself, The Sunken Gold is a story of war, treasure - and one man's obsession to find it.
The Shelf2Life WWI Memoirs Collection is an engaging set of pre-1923 materials that describe life during the Great War through memoirs, letters and diaries. Poignant personal narratives from soldiers, doctors and nurses on the front lines to munitions workers and land girls on the home front, offer invaluable insight into the sacrifices men and women made for their country. Photographs and illustrations intensify stories of struggle and survival from the trenches, hospitals, prison camps and battlefields. The WWI Memoirs Collection captures the pride and fear of the war as experienced by combatants and non-combatants alike and provides historians, researchers and students extensive perspective on individual emotional responses to the war.
This book provides a historical narrative to tell the story of interwar German reparations the debates, controversies and diplomacy surrounding the issue from the 1919 Paris peace conference to the abandonment of reparations at the Lausanne Conference in 1932.
"Spies of the Kaiser" examines the scope and objectives of German
covert operations in Great Britain before and during the First
World War. It assesses the effect of German espionage on
Anglo-German relations and discusses the extent to which the fear
of German espionage in the United Kingdom shaped the British
intelligence community in the early twentieth century. The study is
based on original archival material, including hitherto unexploited
German records and recently declassified British documents.
The famous camel borne infantry of the Middle East campaigns
A highland regiment at war in the East
Donald Hankey was a writer who saw himself as a 'student of human nature' and peacetime Edwardian Britain as a society at war with itself. Wounded in a murderous daylight infantry charge near Ypres, Hankey began sending despatches to The Spectator from hospital in 1915. Trench life, wrote Hankey, taught that 'the gentleman' is a type not a social class. In one calm, humane, eyewitness report after another under the byline 'A Student in Arms', Hankey revealed how the civilian volunteers of Kitchener's Army, many with little stake in Edwardian society, put their betters to shame nonetheless. A runaway best-seller on both sides of the Atlantic, Hankey's prose vied in popularity with the poetry of Rupert Brooke. After he was killed on the Somme in another daylight infantry charge, Hankey joined Brooke as an international symbol of promise foregone. British propaganda backed publication in the-then neutral United States, yet at home Hankey had to dodge the censors to tell the truth as he saw it. This, the first scholarly biography, has been made possible by the recovery of Hankey papers long thought lost. Dr Davies traces the life of an Edwardian rebel from privileged birth into a banking dynasty that had owned slaves to spokesman for the ordinary man who, when put to the test of battle, proves to be not-so-ordinary. This study of Hankey's life, writing and vast audience - military and civilian - enlarges our understanding of how throughout the English-speaking world people managed to fight or endure a war for which little had prepared them.
Lord D'Abernon was the first British ambassador to Berlin after the First World War. This study, which challenges his positive historical reputation, assesses all the key aspects of Anglo-German relations in the early 1920s. Particular attention is paid to the reparations question and to issues of international security. Other topics include D'Abernon's relationship with the principal British and German politicians of the period and his attitude towards American involvement in European diplomacy.
Organised chronologically by type, German Aircraft of World War I offers a highly-illustrated guide to the main types of aircraft used by the German Air Force during World War I. The book offers a comprehensive survey of German aircraft, from the Albatros B.1 and Fokker E.II of the early years, to the more sophisticated Fokker D.VII and Junkers CL.1 of the final months of the war. All the major and many minor types are featured, including monoplanes, biplanes, single-seater fighters, two-seater fighters, bombers, ground attack aircraft, night bombers, giant bombers and floatplanes. This includes both well-known and lesser- known models, such as the LVG and Pfalz single-seater fighters, the Gotha and Zeppelin Staaken large bombers, AEG ground attack aircraft, and the Albatross, Halberstadt and Brandenburg two-seater biplanes. Each featured profile includes authentic markings and colour schemes, while every separate model is accompanied by exhaustive specifications. Packed with 110 full-colour artworks with detailed specifications, German Aircraft of World War I is a key reference guide for military modellers and World War I enthusiasts.
" ... the student of the Great War and gender is well served, and Braybon's introduction provides an excellent overview of the various historiographical themes, whilst her footnotes provide a useful guide to further reading."? - History "Readers will not be disappointed by this scholarly, yet accessible, collection of essays."? - Centre for First World War Studies In the English-speaking world the Great War maintains a tenacious grip on the public imagination, and also continues to draw historians to an event which has been interpreted variously as a symbol of modernity, the midwife to the twentieth century and an agent of social change. Although much 'common knowledge' about the war and its aftermath has included myth, simplification and generalisation, this has often been accepted uncritically by popular and academic writers alike. While Britain may have suffered a surfeit of war books, many telling much the same story, there is far less written about the impact of the Great War in other combatant nations. Its history was long suppressed in both fascist Italy and the communist Soviet Union: only recently have historians of Russia begun to examine a conflict which killed, maimed and displaced so many millions. Even in France and Germany the experience of 1914-18 has often been overshadowed by the Second World War. The war's social history is now ripe for reassessment and revision. The essays in this volume incorporate a European perspective, engage with the historiography of the war, and consider how the primary textural, oral and pictorial evidence has been used - or abused. Subjects include the politics of shellshock, the impact of war on women, the plight of refugees, food distribution in Berlin and portrait photography, all of which illuminate key debates in war history. Gail Braybon is an independent historian. She is the author of Women Workers in the First World War and also wrote, with Penny Summerfield, Out of the Cage: Women's Experiences in Two World Wars.
The London Rifles in the Trenches
With the Middlesex Regiment against the Bolsheviks 1918-19
Many believe that World War I was only fought "over there," as the popular 1917 song goes, in the trenches and muddy battlefields of Northern France and Belgium - they are wrong. There was a secret war fought in America; on remote railway bridges and waterways linking the United States and Canada, aboard burning and exploding ships in the Atlantic Ocean, in the smoldering ruins of America's bombed and burned-out factories, munitions plants and railway centers and waged in carefully disguised clandestine workshops where improvised explosive devices and deadly toxins were designed and manufactured. It was irregular warfare on a scale that caught the United States woefully unprepared. This is the true story of German secret agents engaged in a campaign of subversion and terror on the American homeland before and during World War I.
The British cultural history of the Gallipoli campaign has been overlooked until now - this is a significant book as it offers the first real opportunity for this important campaign to be included in undergraduate courses on WWI. The commemoration of war is a particularly vibrant area of study - Anzac Day, commemorating the landings that began the Gallipoli campaign, is central to Australian national consciousness and this book examines why. A crucial argument in the cultural history of the First World War was sparked by Paul Fussell's contention that the war signified a profound cultural rupture; in widening the debate from the Western Front, this book supports the counter argument that romantic modes of expression retained resonance and utility. In Australia, the renewal of the story of Gallipoli by historians and film-makers (notably Peter Weir's 1981 film starring Mel Gibson) has profoundly altered the national sense of identity and society's perceptions of the armed forces; the authors explains how the writing of this particular event has developed and achieved this central position. An essential volume for those interested in British military and Australian history, postcolonialism and nation building, from academics and students through to the general reader. -- .
In the English-speaking world the Great War maintains a tenacious grip on the public imagination, and also continues to draw historians to an event which has been interpreted variously as a symbol of modernity, the midwife to the twentieth century and an agent of social change. Although much 'common knowledge' about the war and its aftermath has included myth, simplification and generalisation, this has often been accepted uncritically by popular and academic writers alike. While Britain may have suffered a surfeit of war books, many telling much the same story, there is far less written about the impact of the Great War in other combatant nations. Its history was long suppressed in both fascist Italy and the communist Soviet Union: only recently have historians of Russia begun to examine a conflict which killed, maimed and displaced so many millions. Even in France and Germany the experience of 1914-18 has often been overshadowed by the Second World War. The war's social history is now ripe for reassessment and revision. The essays in this volume incorporate a European perspective, engage with the historiography of the war, and consider how the primary textural, oral and pictorial evidence has been used - or abused. Subjects include the politics of shellshock, the impact of war on women, the plight of refugees, food distribution in Berlin and portrait photography, all of which illuminate key debates in war history. |
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