A rethinking of the factors which led to the American entry into the war. The complicated situation which led to the American entry into the First World War in 1917 is often explained from the perspective of public opinion, US domestic politics, or financial and economic opportunity. This book, however,reasserts the importance of diplomats and diplomacy. Based on extensive original research, the book provides a detailed examination of British, German, and American diplomacy in the period 1914-17. It argues that British and German diplomacy in this period followed the same patterns as had been established in the preceding decades. It goes on to consider key issues which concerned diplomats, including the international legality of Britain's economic blockade of Germany, Germany's use of unrestricted submarine warfare, peace initiatives, and Germany's attempt to manipulate in its favour the long history of distrust in Mexican-American relations. Overall, the book demonstrates thatdiplomats and diplomacy played a key role, thereby providing a fresh and original approach to this crucially important subject. JUSTIN QUINN OLMSTEAD is an Assistant Professor of History at the University of Central Oklahoma.

In the autumn of 1917, the British government established three batallions of infantry for the reception of non-nationalized Russian Jews. Known colloquially as the Jewish Legion, the batallions served in Egypt and Palestine, before their eventual disbandment in the late spring of 1921. By drawing on the testimonies of over 600 veterans, this unique unit is analyzed from within its political and social context, providing fresh insights into Anglo-Jewish relations during the early twentieth century.

Edwin Lutyens' Memorial to the Missing of the Somme at Thiepval in Northern France, visited annually by tens of thousands of tourists, is arguably the finest structure erected by any British architect in the twentieth century. It is the principal, tangible expression of the defining event in Britain's experience and memory of the Great War, the first day of the Battle of the Somme on 1 July 1916, and it bears the names of 73,000 soldiers whose bodies were never found at the end of that bloody and futile campaign. This brilliant study by an acclaimed architectural historian tells the origin of the memorial in the context of commemorating the war dead; it considers the giant classical brick arch in architectural terms, and also explores its wider historical significance and its resonances today. So much of the meaning of the twentieth century is concentrated here; the Thiepval Memorial to the Missing casts a shadow into the future, a shadow which extends beyond the dead of the Holocaust, to the Gulag, to the 'disappeared' of South America and of Tianenmen. Reissued in a beautiful and striking new edition for the centenary of the Somme.

The Great War is a collection of seven original essays and three critical comments by senior scholars dealing with the greatest conflict in modern history to its time - the 1914-18 World War. The Great War is edited by the distinguished historian of the First World War, R.J.Q.Adams.

The true and extraordinary story of the satirical newspaper created in the mud and mayhem of the Somme, interspersed with comic sketches and spoofs from the vivid imagination of those on the front line. In a bombed out building during the First World War in the French town of Ypres (mispronounced Wipers by British soldiers), two officers discover a printing press and create a newspaper for the troops. Far from being a sombre journal about life in the trenches, they produced a resolutely cheerful, subversive and very funny newspaper designed to lift the spirits of the men on the front line.

The Zionist Masquerade is a new history of the birth of the Anglo-Zionist alliance during the Great War - a critical chapter in the history of the Zionist-Palestinian conflict. James Renton argues that the Balfour Declaration was the result of a wider phenomenon of British propaganda policies during World War I that were driven by mistaken conceptions of ethnicity, ethnic power and nationalism. From this vantage point, Renton contends that while a number of Zionist activists played a crucial role in the making of the Balfour Declaration, the end result was not the great Zionist victory that has been widely assumed. Although the Declaration came to be the basis for the British Mandate for Palestine, which made a Jewish State possible thirty years later, this was far from being the original intention of the British Government. The primary purpose of Britain's wartime support for Zionism was to secure Jewish backing for the war effort. The unintended consequences of this policy, however, were to be explosive and far-reaching.

This book assesses Lloyd George's attempt to shape the history of 1914-18 through his War Memoirs. His account of the British conduct of the war focused on the generals' incompetence, their obsession with the Western Front, and their refusal to consider alternatives to the costly trench warfare in France and Belgium. Yet as War Minister and Prime Minister Lloyd George presided over the bloody offensives of 1916-17, and had earlier taken a leading role in mobilising industrial resources to provide the weapons which made them possible. Rewriting the First World War examines how Lloyd George addressed this paradox.

"How the War Was Won" describes the major role played by the British Expeditionary Force on the Western Front in defeating the German army. In particular, the book explains the methods used in fighting the last year of the war, and raises questions as to whether mechanical warfare could have been more widely used.
Using a wide range of unpublished material from archives in both Britain and Canada, Travers explores the two themes of command and technology as the style of warfare changed from late 1917 through 1918. He describes in detail the British army's defense against the German 1918 spring offensives, analyzes command problems during these offensives, and offers an overriding explanation for the March 1918 retreat. He also fully investigates the role of the tank from Cambrai to the end of the war, and concludes that, properly used, the tank could have made a greater contribution to victory.
"How the War Was Won" explodes many myths and advances new and controversial arguments. It will be essential reading for military historians and strategists, and for those interested in the origins of mechanical warfare.

An ace over the Western Front-in his own words
The Canadian author of this book, William Bishop, volunteered for imperial service as a cavalryman as the Great War called its colonial men to the colours. A brief encounter with aircraft-the cavalry of the clouds-and a prolonged encounter with mud persuaded him that his war should instead be fought in the skies with the RFC. Bishop flew first as an observer and eventually, on winning his double wings, as the pilot of a 'scout'-the famous early fighter aircraft of the pioneering 'dogfight days' of aerial combat. Most of us know that the lives of pilots over the Western Front were perilously short, but Bishop had found his vocation and he began destroying enemy aircraft with a ruthless efficiency. His final total of 47 kills established him as a notable allied 'ace' and earned him a succession of decorations including the Victoria Cross. Remarkably, through a combination of skill and good luck, he survived his combat experiences to be the author of this excellent first-hand account, written while the war still raged, of the First World War in the air from a pilots perspective. Readers can be assured that this exciting book is everything one could hope for, with vital descriptions of duels with the 'Red Baron' and his Flying Circus together with many other riveting experiences. Available in paperback and hardcover with dustjacket.

Marianne or Germania is the first comprehensive study of modern Alsatian history using gender as a category of historical analysis, and the first to record the experiences of the region's women from 1870 to 1946. Relying on an extensive array of documentary, visual and literary material, national and regional publications, oral testimonies, and previously unused archival sources gathered in France, Germany, and Britain, the book contributes to the growing literature on the relationship between gender, the nation and citizenship, and between nationalism and feminism. It does so by focusing on the roles, both passive and active, that women played in the process of German and French nation-building in Alsace.
The work also critiques and corrects the long-held assumptions that Alsatian women were the preservers, after 1871, of a French national heritage in the region, and that women were neglected or disregarded by policy-makers concerned with the consolidation of German, and later French, loyalties. Women were in fact seen as important agents of nation-formation and treated as such. In addition, all the categories of social action implicated in the nation-building process - confession, education, socialization, the public sphere, the domestic setting, the iconography of regional and national belonging - were themselves gendered. Thus nation-building projects impacted asymmetrically on men and women, with far-reaching consequences. Having been 'nationalized' through different 'rounds of restructuring' than men, the women of Alsace were, and continue to be, excluded from national and regional histories, as well as from public memory and official commemoration. Marianne or Germania questions, and ultimately challenges, these practices.

Humor and entertainment were vital to the war effort during World War I. While entertainment provided relief to soldiers in the trenches, it also built up support for the war effort on the home front. This book looks at transnational war culture by examining seemingly light-hearted discourses on the Great War.

Chasseur of 1914 - The first months of war through the eyes of a French regular cavalry officer. This is a fascinating and unusual book. Written in the early years of the Great War in Europe by a young professional officer of Chasseurs a Cheval, this is a lyrical work full of enthusiasm, idealism and conviction in the spirit of the Light Cavalry. In places the reader can easily imagine it is the account of a Napoleonic or 2nd Empire cavalryman - so similar are the scenes of campaigning against the common Prussian enemy. Dupont's regiment is brigaded with the Chasseurs de Afrique engaged in mounted warfare at the Battle of the Marne and after. As 1915 approaches they are dismounted to fight as infantry in Belgium where Dupont takes part in the Battle of the Yser. This book offers a 'snapshot' in time - a view of war in which the writer still dreams of Lasalle and Murat untarnished by the war of attrition to come. .

Three accounts of the brave women volunteers of the V.A.Ds during the Great War
Although the wars of the later 19th century, such as the American Civil War and the Franco-Prussian War, offered insights into what warfare would become as the industrial age developed, nothing could prepare anyone for the global conflict that became the First World War. Here was a lethal combination of warring nations, whose troops were armed with the most sophisticated weapons that technology could devise, each with the means of mass production to manufacture and deliver them. For the first time it was possible to wage war on a grand scale on land, in the air and beneath and upon the oceans. This was a war where millions of men took part in battle and, in consequence, stripped the production and support services workforces from their home countries. Women, already impatient for political reform, stepped forward to make a vital contribution to the war effort and in so doing changed their status in western society forever. There were many volunteer organisations who were relied upon to support the fighting troops, including the Scottish Women's Hospitals, the F.A.N.Ys, the Y.M.C.A and those who are the subject of this book-the V.A.Ds-the Voluntary Aid Detachments. Three quarters of V.A.Ds were women and girls and they became ambulance drivers, mechanics, cooks, clerks and learned trades which were normally the province of men. But it is in their role as nurses during the conflict for which they are especially remembered. The V.A.Ds included both trained and untrained nurses who worked principally under the direction of the Red Cross and the Order of St. John. This special Leonaur book about the V.A.Ds, published to commemorate the centenary of the outbreak of the First World War, contains three essential and riveting first-hand acounts by those who served, and provides invaluable insights into the developing role of women during those years of crisis. Recommended.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

This is an important reassessment of British and Italian grand strategies during the First World War. Stefano Marcuzzi sheds new light on a hitherto overlooked but central aspect of Britain and Italy's war experiences: the uneasy and only partial overlap between Britain's strategy for imperial defence and Italy's ambition for imperial expansion. Taking Anglo-Italian bilateral relations as a special lens through which to understand the workings of the Entente in World War I, he reveals how the ups-and-downs of that relationship influenced and shaped Allied grand strategy. Marcuzzi considers three main issues - war aims, war strategy and peace-making - and examines how, under the pressure of divergent interests and wartime events, the Anglo-Italian 'traditional friendship' turned increasingly into competition by the end of the war, casting a shadow on Anglo-Italian relations both at the Peace Conference and in the interwar period.

On November 30, 1916, an apparently ordinary freighter left harbor in Kiel, Germany, and would not touch land again for another fifteen months. It was the beginning of an astounding 64,000-mile voyage that was to take the ship around the world, leaving a trail of destruction and devastation in her wake. For this was no ordinary freighter--this was the "Wolf, "a disguised German warship.
In this gripping account of an audacious and lethal World War I expedition, Richard Guilliatt and Peter Hohnen depict the "Wolf "'s assignment: to terrorize distant ports of the British Empire by laying minefields and sinking freighters, thus hastening Germany's goal of starving her enemy into submission. Yet to maintain secrecy, she could never pull into port or use her radio, and to comply with the rules of sea warfare, her captain fastidiously tried to avoid killing civilians aboard the merchant ships he attacked, taking their crews and passengers prisoner before sinking the vessels.
The "Wolf "thus became a huge floating prison, with more than 400 captives, including a number of women and children, from twenty-five different nations. Sexual affairs were kindled between the German crew and some female prisoners. A six-year-old American girl, captured while sailing across the Pacific with her parents, was adopted as a mascot by the Germans.
Forced to survive on food and fuel plundered from other ships, facing death from scurvy, and hunted by the combined navies of five Allied nations, the Germans and their prisoners came to share a common bond. The will to survive transcended enmities of race, class, and nationality.
It was to be one of the most daring clandestine naval missions of modern times. Under the command of Captain Karl Nerger, who conducted his deadly business with an admirable sense of chivalry, the "Wolf "traversed three of the world's major oceans and destroyed more than thirty Allied vessels.
We learn of the world through which the "Wolf "moved, with all its social divisions and xenophobia, its bravery and stoicism, its combination of old-world social mores and rapid technological change. The story of this epic voyage is a vivid real-life narrative and simultaneously a richly detailed picture of a world being profoundly transformed by war.