From Costa Award-shortlisted author Nicholas Bowling comes a tale of adventure, myth and music to make your heart sing ... 'Cast its spell over me from the first page ... it really is my perfect book.' Jasbinder Bilan, author of ASHA & THE SPIRIT BIRD 'Nicholas Bowling is a thrilling writer.' THE TELEGRAPH Oran lives on Little Drum, where music is everything. Every islander has a birth instrument and a life song - and the ancestors, called ghasts, linger to hear the music. But when the Duchess arrives from the mainland bringing orders of silence, she threatens the ghasts' existence, the very soul of the community. When Oran hears of a mythical instrument with the power to manipulate hearts, she brings her ghast best friend, Alick, on a quest to find it, play it, and change the Duchess's mind ... From the author of the Costa Children's Book Award-shortlisted In the Shadow of the Heroes comes a thrilling Celtic-inspired fantasy adventure. The adventure and magic of Neil Gaiman's Stardust with a Hebridean-inspired fantasy setting and lovable characters reminiscent of Pixar's Brave. A story about how music has the power to reveal, to inspire, and to bind people together.

With roots in Appalachia, the Mississippi Delta, New Orleans, the Piedmont, Memphis, and the prairies of Texas and the American West, the musical genre called Americana can prove difficult to define. Nevertheless, this burgeoning trend in American popular music continues to expand and develop, winning new audiences and engendering fresh, innovative artists at an exponential rate. As Lee Zimmerman illustrates in Americana Music: Voices, Visionaries, and Pioneers of an Honest Sound, "Americana" covers a gamut of sounds and styles. In its strictest sense, it is a blanket term for bluegrass, country, mountain music, rockabilly, and the blues. By a broader definition, it can encompass roots rock, country rock, singer/songwriters, R&B, and their various combinations. Bob Dylan, Hank Williams, Carl Perkins, and Tom Petty can all lay valid claims as purveyors of Americana, but so can Elvis Costello, Solomon Burke, and Jason Isbell. Americana is new and old, classic and contemporary, trendy and traditional. Mining the firsthand insights of those whose stories help shape the sound-people such as Ralph Stanley, John McEuen (Nitty Gritty Dirt Band), Chris Hillman (Byrds, Flying Burrito Brothers), Paul Cotton and Rusty Young (Poco), Shawn Colvin, Kinky Friedman, David Bromberg, the Avett Brothers, Amanda Shires, Ruthie Foster, and many more-Americana Music provides a history of how Americana originated, how it reached a broader audience in the '60s and '70s with the merging of rock and country, and how it evolved its overwhelmingly populist appeal as it entered the new millennium.

Contributions by Joshua Coleman, Christine Hand Jones, Kevin C. Neece, Charlotte Pence, George Plasketes, Jeffrey Scholes, Jeff Sellars, Toby Thompson, and Jude Warne After performing with Ronnie Hawkins as the Hawks (1957-1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band's fusion of rock, country, soul, and blues music-all tinged with a southern flavor and musical adventurousness-created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era. In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band's music and influence. Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs-and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new.

Gaelic Scotland is one of the world's great treasure-houses of song. In this anthology, Anne Lorne Gillies has gathered together music and lyrics from all over the Gaelic-speaking Highlands and Islands - an extraordinary tradition that stretches in an unbroken line from the bardic effusions of ancient times to the Celtic fusions of today's vibrant young Gaelic musicians and poets. They paint vivid pictures of life among ordinary Gaelic-speaking people, their hopes, fears and preoccupations, births, deaths and marriages, and personal reactions to the great changes that blew their lives about. Everything about this book is designed to make the songs accessible to musicians and general readers alike. Anne Lorne Gillies provides a unique and informative introduction to Gaelic tradition, simple yet highly sensitive musical transcriptions, and English translations. She portrays the social and historical background of the songs, offers her own commentary on technical aspects of the music and its performance, and adds carefully researched biographical notes and a full discography in order to bring to life not only the people who composed the songs but also some of the singers and musicians who have continued the tradition into the twenty-first century. Songs of Gaelic Scotland was winner of the 2006 Ruth Michaelis-Jena Ratcliff Prize in Folklore and Folklife.

Who are "the folk" in folk music? This book traces the musical culture of these elusive figures in Britain and the US during a crucial period of industrialization from 1870 to 1930, and beyond to the contemporary alt-right. Drawing on a broad, interdisciplinary range of scholarship, The Folk examines the political dimensions of a recurrent longing for folk culture and how it was called upon for radical and reactionary ends at the apex of empire. It follows an insistent set of disputes surrounding the practice of collecting, ideas of racial belonging, nationality, the poetics of nostalgia, and the pre-history of European fascism. Deeply researched and beautifully written, Ross Cole provides us with a biography of a people who exist only as a symptom of the modern imagination, and the archaeology of a landscape directing flows of global populism to this day.

After the Scottish Enlightenment of the eighteenth century, nationalism in Scotland bloomed, and folklore, traditional songs, and ballads were collected as an important part of Scottish culture. Robert Chambers, a leading nineteenth-century publisher in Edinburgh (famous for Chambers Encyclopaedia and Dictionary), compiled and published various books of those traditional and popular songs of Scotland collected by his predecessors, together with the ones discovered in the nineteenth century. It became a valuable record of the traditional culture of Scotland. The present collection of four volumes consists of the three works of songs he published and unlike various abridged versions published afterwards this set includes all original editions in facsimile format, together with illustrations and scores of some of the songs. It provides scholars in the field with the most comprehensive source of Scottish songs and ballads.

This is the story of one of the most important female recording artist of the last 50 years. Joni Mitchell began singing in small nightclubs in her hometown of Saskatoon, Saskatchewan before busking in the streets and nightclubs of Toronto, Ontario. In 1965, she moved to the U.S. and began touring. Settling in Southern California, Mitchell, with popular songs like "Big Yellow Taxi" and "Woodstock," helped define an era and a generation. Mitchell's fifth album, For the Roses, was released in 1972. She then switched labels and began exploring more jazz-influenced melodic ideas, by way of lush pop textures, on 1974's Court and Spark, which featured the radio hits "Help Me" and "Free Man in Paris" and became her best-selling album. With roots in visual art, Mitchell has designed most of her own album covers. She describes herself as a "painter derailed by circumstance."