(Music Sales America). An unusual collection of music arranged for the recorder containing over fifty pieces from over 300 years of music. Contents: Allegro (Haydn) * Andante (Gluck) * Andante Grazioso (Mozart) * Anglaise (Handel) * Ballet Anglois (Fischer) * Beautiful Heaven (Fernandez) * Bourree (J.S. Bach) * Corrente Terza (Frescobaldi) * English Dance (J.C.F. Bach) * Gavotte * La Diane (Couperin) * Londonderry Air * March (J.S. Bach) * Minuet (Handel) * Moscow Nights * Musette (J.S. Bach) * Orientale (Cui) * Original Rags (Joplin) * Passepied * Poeme (Fibich) * Polovetsian Dances (Borodin) * Santa Lucia * Sarabande (J.S. Bach) * Scarborough Fair * Serenade (Drigo) * Siciliana (Muffat) * The Entertainer (Joplin) * The Lorelei * Theme from Symphony No. 6, Op. 68 "Pastoral" (Beethoven) * Transcription of a Gavotte by Gluck * Victory Dance and Festival (Kuhnau) * Waltz (W.F.E. Bach) * Wiegenlied.

Using interviews with world-renowned and innovative hip-hop DJs, as well as technology manufacturers that cater to the market/culture, this book reveals stories behind some of the iconic DJ technologies that have helped shape the history and culture of DJing. More importantly, it explores how DJs have impacted the evolution of technology. By looking at the networks of innovation behind DJ technologies, this book problematizes the notion of the individual genius and the concept of invention. Developing a theory of "technocultural synergism," this book attempts to detail the relationship between culture and industry through the manipulation, exchange, and rights associated with intellectual property. While the subject of hip-hop and intellectual property has already been well explored, this is the first time that hip-hop DJs have been conceptualized as intellectual property because of their role in the R&D and branding of DJ products. The book also addresses the impact of digital technology on the democratization of DJ culture, as well as how new digital DJ technology has affected the recorded music market.

Contributions by Joshua Coleman, Christine Hand Jones, Kevin C. Neece, Charlotte Pence, George Plasketes, Jeffrey Scholes, Jeff Sellars, Toby Thompson, and Jude Warne After performing with Ronnie Hawkins as the Hawks (1957-1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band's fusion of rock, country, soul, and blues music-all tinged with a southern flavor and musical adventurousness-created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era. In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band's music and influence. Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs-and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new.

Songs, airs, and dance music from Ireland. A delightful and handy book, crammed with songs and dance tunes with specific notes and hints for most traditional instruments. Eighteen songs and more than 60 tunes.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 edition. Excerpt: ...Bourbonnais, Pods, pop. Ill, fol. 91, Romania, XI, 103, 38 verses, sung by a woman seventy-two years old. I. Bretagne, Louddac, Pods, pop., Ill, fol. 121, Romania, XI, 103 f, 64 verses. J. Pods, pop., Ill, fol. 285, Romania, XII, 115 (I), 50 verses. K. Bretagne (?), Romania, XII, 115 f, 36 verses. L. V. Smith, Chants pop. du Velay et du Forez, Romania, X, 582. 57 verses. M. 'Le roi Renaud, ' Fldvy, Puymaigre, I, 39, 78 verses. N. Touraine, Bldrd, Brachet in Revue Critique, II, 125, 60 verses. O. The same, variations of a later version. P. ' L'Arnaud l'lnfant, ' Limoges, Laforest, Limoges au XVIP siecle, 1862, p. 300, Pods, pop., Ill, It will be observed that some of the Renaud ballads in the Poesies populaires de la France were derived from earlier publications: such as were communicated by collectors appear to have been sent in in 1852 or 1853. The versions cited by Rathery, Revue Critique, II, 287 ff, are all from the fol. 95, Romania, XI, 104, 82 verses. Q. Charente, Pods, pop., Ill, fol. 107, Romania, XI, 99, 60 verses. R. Cambes, Lot-et-Garonne, Romania, XII, 116, 46 verses. S. Jura, Revue des Deux Mondes, 1854, Aoflt, p. 486. 50 verses. T. Rouen, Poes. pop. Ill, fol. 100, Romania, XI, 102, 60 verses, communicated by a gentleman who at the beginning of the century had learned the ballad from an aunt, who had received it from an aged nun. TJ. a, Buchon, Noels et Chants populaires de la Franche-Comtd, p. 85, 34 verses; b, Tarbd, Romancero de Champagne, Vol. II, Chants Populaires, p. 125, 32 verses; c, G. de Nerval, La Bohcme Galante, ed. 1866, p. 77, Les Filles du Feu, ed. 1868, p. 130, 30 verses; d, ' Jean Renaud, ' Bujeaud, Chants et Chansons populaires des Provinces de l'Ouest, II, 213, 32 verses. V. Pods, pop., Ill, fol. 122, Romania,

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 edition. Excerpt: ...Bourbonnais, Pods, pop. Ill, fol. 91, Romania, XI, 103, 38 verses, sung by a woman seventy-two years old. I. Bretagne, Louddac, Pods, pop., Ill, fol. 121, Romania, XI, 103 f, 64 verses. J. Pods, pop., Ill, fol. 285, Romania, XII, 115 (I), 50 verses. K. Bretagne (?), Romania, XII, 115 f, 36 verses. L. V. Smith, Chants pop. du Velay et du Forez, Romania, X, 582. 57 verses. M. 'Le roi Renaud, ' Fldvy, Puymaigre, I, 39, 78 verses. N. Touraine, Bldrd, Brachet in Revue Critique, II, 125, 60 verses. O. The same, variations of a later version. P. ' L'Arnaud l'lnfant, ' Limoges, Laforest, Limoges au XVIP siecle, 1862, p. 300, Pods, pop., Ill, It will be observed that some of the Renaud ballads in the Poesies populaires de la France were derived from earlier publications: such as were communicated by collectors appear to have been sent in in 1852 or 1853. The versions cited by Rathery, Revue Critique, II, 287 ff, are all from the fol. 95, Romania, XI, 104, 82 verses. Q. Charente, Pods, pop., Ill, fol. 107, Romania, XI, 99, 60 verses. R. Cambes, Lot-et-Garonne, Romania, XII, 116, 46 verses. S. Jura, Revue des Deux Mondes, 1854, Aoflt, p. 486. 50 verses. T. Rouen, Poes. pop. Ill, fol. 100, Romania, XI, 102, 60 verses, communicated by a gentleman who at the beginning of the century had learned the ballad from an aunt, who had received it from an aged nun. TJ. a, Buchon, Noels et Chants populaires de la Franche-Comtd, p. 85, 34 verses; b, Tarbd, Romancero de Champagne, Vol. II, Chants Populaires, p. 125, 32 verses; c, G. de Nerval, La Bohcme Galante, ed. 1866, p. 77, Les Filles du Feu, ed. 1868, p. 130, 30 verses; d, ' Jean Renaud, ' Bujeaud, Chants et Chansons populaires des Provinces de l'Ouest, II, 213, 32 verses. V. Pods, pop., Ill, fol. 122, Romania,

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 edition. Excerpt: ...Bourbonnais, Pods, pop. Ill, fol. 91, Romania, XI, 103, 38 verses, sung by a woman seventy-two years old. I. Bretagne, Louddac, Pods, pop., Ill, fol. 121, Romania, XI, 103 f, 64 verses. J. Pods, pop., Ill, fol. 285, Romania, XII, 115 (I), 50 verses. K. Bretagne (?), Romania, XII, 115 f, 36 verses. L. V. Smith, Chants pop. du Velay et du Forez, Romania, X, 582. 57 verses. M. 'Le roi Renaud, ' Fldvy, Puymaigre, I, 39, 78 verses. N. Touraine, Bldrd, Brachet in Revue Critique, II, 125, 60 verses. O. The same, variations of a later version. P. ' L'Arnaud l'lnfant, ' Limoges, Laforest, Limoges au XVIP siecle, 1862, p. 300, Pods, pop., Ill, It will be observed that some of the Renaud ballads in the Poesies populaires de la France were derived from earlier publications: such as were communicated by collectors appear to have been sent in in 1852 or 1853. The versions cited by Rathery, Revue Critique, II, 287 ff, are all from the fol. 95, Romania, XI, 104, 82 verses. Q. Charente, Pods, pop., Ill, fol. 107, Romania, XI, 99, 60 verses. R. Cambes, Lot-et-Garonne, Romania, XII, 116, 46 verses. S. Jura, Revue des Deux Mondes, 1854, Aoflt, p. 486. 50 verses. T. Rouen, Poes. pop. Ill, fol. 100, Romania, XI, 102, 60 verses, communicated by a gentleman who at the beginning of the century had learned the ballad from an aunt, who had received it from an aged nun. TJ. a, Buchon, Noels et Chants populaires de la Franche-Comtd, p. 85, 34 verses; b, Tarbd, Romancero de Champagne, Vol. II, Chants Populaires, p. 125, 32 verses; c, G. de Nerval, La Bohcme Galante, ed. 1866, p. 77, Les Filles du Feu, ed. 1868, p. 130, 30 verses; d, ' Jean Renaud, ' Bujeaud, Chants et Chansons populaires des Provinces de l'Ouest, II, 213, 32 verses. V. Pods, pop., Ill, fol. 122, Romania,

Preeminant gamelan performer and scholar Sumarsam explores the concept of hybridity in performance traditions that have developed in the context of Javanese encounters with the West. Javanese Gamelan and the West studies the meaning, forms, and traditions of the Javanese performing arts as they developed and changed through their contact with Western culture. Authored by a gamelan performer, teacher, and scholar, the book traces the adaptations in gamelan art as a result of Western colonialism in nineteenth-century Java, showing how Western musical and dramatic practices were domesticated by Javanese performers creating hybrid Javanese-Western art forms, such as with the introduction of brass bands in gendhing mares court music and West Javanese tanjidor, and Western theatrical idioms in contemporary wayang puppet plays. The book also examines the presentation of Javanese gamelan to the West, detailing performances in World's Fairs and American academia and considering its influence on Western performing arts and musical and performance studies. The end result is a comprehensive treatment of the formation of modern Javanese gamelan and a fascinating look at how an art form dramatizes changes and developments in a culture. Sumarsam is a University Professor of Music at Wesleyan University. He is the author of Gamelan: Cultural Interaction and Musical Development in Central Java (University of Chicago Press, 1995) and numerous articles in English and Indonesian. As a gamelan musician and a keenamateur dhalang (puppeteer) of Javanese wayang puppet play, he performs, conducts workshops, and lectures throughout the US, Australia, Europe, and Asia.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 edition. Excerpt: ...Bourbonnais, Pods, pop. Ill, fol. 91, Romania, XI, 103, 38 verses, sung by a woman seventy-two years old. I. Bretagne, Louddac, Pods, pop., Ill, fol. 121, Romania, XI, 103 f, 64 verses. J. Pods, pop., Ill, fol. 285, Romania, XII, 115 (I), 50 verses. K. Bretagne (?), Romania, XII, 115 f, 36 verses. L. V. Smith, Chants pop. du Velay et du Forez, Romania, X, 582. 57 verses. M. 'Le roi Renaud, ' Fldvy, Puymaigre, I, 39, 78 verses. N. Touraine, Bldrd, Brachet in Revue Critique, II, 125, 60 verses. O. The same, variations of a later version. P. ' L'Arnaud l'lnfant, ' Limoges, Laforest, Limoges au XVIP siecle, 1862, p. 300, Pods, pop., Ill, It will be observed that some of the Renaud ballads in the Poesies populaires de la France were derived from earlier publications: such as were communicated by collectors appear to have been sent in in 1852 or 1853. The versions cited by Rathery, Revue Critique, II, 287 ff, are all from the fol. 95, Romania, XI, 104, 82 verses. Q. Charente, Pods, pop., Ill, fol. 107, Romania, XI, 99, 60 verses. R. Cambes, Lot-et-Garonne, Romania, XII, 116, 46 verses. S. Jura, Revue des Deux Mondes, 1854, Aoflt, p. 486. 50 verses. T. Rouen, Poes. pop. Ill, fol. 100, Romania, XI, 102, 60 verses, communicated by a gentleman who at the beginning of the century had learned the ballad from an aunt, who had received it from an aged nun. TJ. a, Buchon, Noels et Chants populaires de la Franche-Comtd, p. 85, 34 verses; b, Tarbd, Romancero de Champagne, Vol. II, Chants Populaires, p. 125, 32 verses; c, G. de Nerval, La Bohcme Galante, ed. 1866, p. 77, Les Filles du Feu, ed. 1868, p. 130, 30 verses; d, ' Jean Renaud, ' Bujeaud, Chants et Chansons populaires des Provinces de l'Ouest, II, 213, 32 verses. V. Pods, pop., Ill, fol. 122, Romania,

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 edition. Excerpt: ...Bourbonnais, Pods, pop. Ill, fol. 91, Romania, XI, 103, 38 verses, sung by a woman seventy-two years old. I. Bretagne, Louddac, Pods, pop., Ill, fol. 121, Romania, XI, 103 f, 64 verses. J. Pods, pop., Ill, fol. 285, Romania, XII, 115 (I), 50 verses. K. Bretagne (?), Romania, XII, 115 f, 36 verses. L. V. Smith, Chants pop. du Velay et du Forez, Romania, X, 582. 57 verses. M. 'Le roi Renaud, ' Fldvy, Puymaigre, I, 39, 78 verses. N. Touraine, Bldrd, Brachet in Revue Critique, II, 125, 60 verses. O. The same, variations of a later version. P. ' L'Arnaud l'lnfant, ' Limoges, Laforest, Limoges au XVIP siecle, 1862, p. 300, Pods, pop., Ill, It will be observed that some of the Renaud ballads in the Poesies populaires de la France were derived from earlier publications: such as were communicated by collectors appear to have been sent in in 1852 or 1853. The versions cited by Rathery, Revue Critique, II, 287 ff, are all from the fol. 95, Romania, XI, 104, 82 verses. Q. Charente, Pods, pop., Ill, fol. 107, Romania, XI, 99, 60 verses. R. Cambes, Lot-et-Garonne, Romania, XII, 116, 46 verses. S. Jura, Revue des Deux Mondes, 1854, Aoflt, p. 486. 50 verses. T. Rouen, Poes. pop. Ill, fol. 100, Romania, XI, 102, 60 verses, communicated by a gentleman who at the beginning of the century had learned the ballad from an aunt, who had received it from an aged nun. TJ. a, Buchon, Noels et Chants populaires de la Franche-Comtd, p. 85, 34 verses; b, Tarbd, Romancero de Champagne, Vol. II, Chants Populaires, p. 125, 32 verses; c, G. de Nerval, La Bohcme Galante, ed. 1866, p. 77, Les Filles du Feu, ed. 1868, p. 130, 30 verses; d, ' Jean Renaud, ' Bujeaud, Chants et Chansons populaires des Provinces de l'Ouest, II, 213, 32 verses. V. Pods, pop., Ill, fol. 122, Romania,

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 edition. Excerpt: ...Bourbonnais, Pods, pop. Ill, fol. 91, Romania, XI, 103, 38 verses, sung by a woman seventy-two years old. I. Bretagne, Louddac, Pods, pop., Ill, fol. 121, Romania, XI, 103 f, 64 verses. J. Pods, pop., Ill, fol. 285, Romania, XII, 115 (I), 50 verses. K. Bretagne (?), Romania, XII, 115 f, 36 verses. L. V. Smith, Chants pop. du Velay et du Forez, Romania, X, 582. 57 verses. M. 'Le roi Renaud, ' Fldvy, Puymaigre, I, 39, 78 verses. N. Touraine, Bldrd, Brachet in Revue Critique, II, 125, 60 verses. O. The same, variations of a later version. P. ' L'Arnaud l'lnfant, ' Limoges, Laforest, Limoges au XVIP siecle, 1862, p. 300, Pods, pop., Ill, It will be observed that some of the Renaud ballads in the Poesies populaires de la France were derived from earlier publications: such as were communicated by collectors appear to have been sent in in 1852 or 1853. The versions cited by Rathery, Revue Critique, II, 287 ff, are all from the fol. 95, Romania, XI, 104, 82 verses. Q. Charente, Pods, pop., Ill, fol. 107, Romania, XI, 99, 60 verses. R. Cambes, Lot-et-Garonne, Romania, XII, 116, 46 verses. S. Jura, Revue des Deux Mondes, 1854, Aoflt, p. 486. 50 verses. T. Rouen, Poes. pop. Ill, fol. 100, Romania, XI, 102, 60 verses, communicated by a gentleman who at the beginning of the century had learned the ballad from an aunt, who had received it from an aged nun. TJ. a, Buchon, Noels et Chants populaires de la Franche-Comtd, p. 85, 34 verses; b, Tarbd, Romancero de Champagne, Vol. II, Chants Populaires, p. 125, 32 verses; c, G. de Nerval, La Bohcme Galante, ed. 1866, p. 77, Les Filles du Feu, ed. 1868, p. 130, 30 verses; d, ' Jean Renaud, ' Bujeaud, Chants et Chansons populaires des Provinces de l'Ouest, II, 213, 32 verses. V. Pods, pop., Ill, fol. 122, Romania,

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 edition. Excerpt: ...Bourbonnais, Pods, pop. Ill, fol. 91, Romania, XI, 103, 38 verses, sung by a woman seventy-two years old. I. Bretagne, Louddac, Pods, pop., Ill, fol. 121, Romania, XI, 103 f, 64 verses. J. Pods, pop., Ill, fol. 285, Romania, XII, 115 (I), 50 verses. K. Bretagne (?), Romania, XII, 115 f, 36 verses. L. V. Smith, Chants pop. du Velay et du Forez, Romania, X, 582. 57 verses. M. 'Le roi Renaud, ' Fldvy, Puymaigre, I, 39, 78 verses. N. Touraine, Bldrd, Brachet in Revue Critique, II, 125, 60 verses. O. The same, variations of a later version. P. ' L'Arnaud l'lnfant, ' Limoges, Laforest, Limoges au XVIP siecle, 1862, p. 300, Pods, pop., Ill, It will be observed that some of the Renaud ballads in the Poesies populaires de la France were derived from earlier publications: such as were communicated by collectors appear to have been sent in in 1852 or 1853. The versions cited by Rathery, Revue Critique, II, 287 ff, are all from the fol. 95, Romania, XI, 104, 82 verses. Q. Charente, Pods, pop., Ill, fol. 107, Romania, XI, 99, 60 verses. R. Cambes, Lot-et-Garonne, Romania, XII, 116, 46 verses. S. Jura, Revue des Deux Mondes, 1854, Aoflt, p. 486. 50 verses. T. Rouen, Poes. pop. Ill, fol. 100, Romania, XI, 102, 60 verses, communicated by a gentleman who at the beginning of the century had learned the ballad from an aunt, who had received it from an aged nun. TJ. a, Buchon, Noels et Chants populaires de la Franche-Comtd, p. 85, 34 verses; b, Tarbd, Romancero de Champagne, Vol. II, Chants Populaires, p. 125, 32 verses; c, G. de Nerval, La Bohcme Galante, ed. 1866, p. 77, Les Filles du Feu, ed. 1868, p. 130, 30 verses; d, ' Jean Renaud, ' Bujeaud, Chants et Chansons populaires des Provinces de l'Ouest, II, 213, 32 verses. V. Pods, pop., Ill, fol. 122, Romania,

In Roots of the Revival: American and British Folk Music in the 1950s, Ronald D. Cohen and Rachel Clare Donaldson present a transatlantic history of folk's midcentury resurgence that juxtaposes the related but distinct revivals that took place in the United States and Great Britain.
After setting the stage with the work of music collectors in the nineteenth century, the authors explore the so-called recovery of folk music practices and performers by Alan Lomax and others, including journeys to and within the British Isles that allowed artists and folk music advocates to absorb native forms and facilitate the music's transatlantic exchange. Cohen and Donaldson place the musical and cultural connections of the twin revivals within the decade's social and musical milieu and grapple with the performers' leftist political agendas and artistic challenges, including the fierce debates over "authenticity" in practice and repertoire that erupted when artists like Harry Belafonte and the Kingston Trio carried folk into the popular music mainstream.
From work songs to skiffle, from the Weavers in Greenwich Village to Burl Ives on the BBC, Roots of the Revival offers a frank and wide-ranging consideration of a time, a movement, and a transformative period in American and British pop culture.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 edition. Excerpt: ...Bourbonnais, Pods, pop. Ill, fol. 91, Romania, XI, 103, 38 verses, sung by a woman seventy-two years old. I. Bretagne, Louddac, Pods, pop., Ill, fol. 121, Romania, XI, 103 f, 64 verses. J. Pods, pop., Ill, fol. 285, Romania, XII, 115 (I), 50 verses. K. Bretagne (?), Romania, XII, 115 f, 36 verses. L. V. Smith, Chants pop. du Velay et du Forez, Romania, X, 582. 57 verses. M. 'Le roi Renaud, ' Fldvy, Puymaigre, I, 39, 78 verses. N. Touraine, Bldrd, Brachet in Revue Critique, II, 125, 60 verses. O. The same, variations of a later version. P. ' L'Arnaud l'lnfant, ' Limoges, Laforest, Limoges au XVIP siecle, 1862, p. 300, Pods, pop., Ill, It will be observed that some of the Renaud ballads in the Poesies populaires de la France were derived from earlier publications: such as were communicated by collectors appear to have been sent in in 1852 or 1853. The versions cited by Rathery, Revue Critique, II, 287 ff, are all from the fol. 95, Romania, XI, 104, 82 verses. Q. Charente, Pods, pop., Ill, fol. 107, Romania, XI, 99, 60 verses. R. Cambes, Lot-et-Garonne, Romania, XII, 116, 46 verses. S. Jura, Revue des Deux Mondes, 1854, Aoflt, p. 486. 50 verses. T. Rouen, Poes. pop. Ill, fol. 100, Romania, XI, 102, 60 verses, communicated by a gentleman who at the beginning of the century had learned the ballad from an aunt, who had received it from an aged nun. TJ. a, Buchon, Noels et Chants populaires de la Franche-Comtd, p. 85, 34 verses; b, Tarbd, Romancero de Champagne, Vol. II, Chants Populaires, p. 125, 32 verses; c, G. de Nerval, La Bohcme Galante, ed. 1866, p. 77, Les Filles du Feu, ed. 1868, p. 130, 30 verses; d, ' Jean Renaud, ' Bujeaud, Chants et Chansons populaires des Provinces de l'Ouest, II, 213, 32 verses. V. Pods, pop., Ill, fol. 122, Romania,

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 edition. Excerpt: ...Bourbonnais, Pods, pop. Ill, fol. 91, Romania, XI, 103, 38 verses, sung by a woman seventy-two years old. I. Bretagne, Louddac, Pods, pop., Ill, fol. 121, Romania, XI, 103 f, 64 verses. J. Pods, pop., Ill, fol. 285, Romania, XII, 115 (I), 50 verses. K. Bretagne (?), Romania, XII, 115 f, 36 verses. L. V. Smith, Chants pop. du Velay et du Forez, Romania, X, 582. 57 verses. M. 'Le roi Renaud, ' Fldvy, Puymaigre, I, 39, 78 verses. N. Touraine, Bldrd, Brachet in Revue Critique, II, 125, 60 verses. O. The same, variations of a later version. P. ' L'Arnaud l'lnfant, ' Limoges, Laforest, Limoges au XVIP siecle, 1862, p. 300, Pods, pop., Ill, It will be observed that some of the Renaud ballads in the Poesies populaires de la France were derived from earlier publications: such as were communicated by collectors appear to have been sent in in 1852 or 1853. The versions cited by Rathery, Revue Critique, II, 287 ff, are all from the fol. 95, Romania, XI, 104, 82 verses. Q. Charente, Pods, pop., Ill, fol. 107, Romania, XI, 99, 60 verses. R. Cambes, Lot-et-Garonne, Romania, XII, 116, 46 verses. S. Jura, Revue des Deux Mondes, 1854, Aoflt, p. 486. 50 verses. T. Rouen, Poes. pop. Ill, fol. 100, Romania, XI, 102, 60 verses, communicated by a gentleman who at the beginning of the century had learned the ballad from an aunt, who had received it from an aged nun. TJ. a, Buchon, Noels et Chants populaires de la Franche-Comtd, p. 85, 34 verses; b, Tarbd, Romancero de Champagne, Vol. II, Chants Populaires, p. 125, 32 verses; c, G. de Nerval, La Bohcme Galante, ed. 1866, p. 77, Les Filles du Feu, ed. 1868, p. 130, 30 verses; d, ' Jean Renaud, ' Bujeaud, Chants et Chansons populaires des Provinces de l'Ouest, II, 213, 32 verses. V. Pods, pop., Ill, fol. 122, Romania,

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1884 edition. Excerpt: ...Bourbonnais, Pods, pop. Ill, fol. 91, Romania, XI, 103, 38 verses, sung by a woman seventy-two years old. I. Bretagne, Louddac, Pods, pop., Ill, fol. 121, Romania, XI, 103 f, 64 verses. J. Pods, pop., Ill, fol. 285, Romania, XII, 115 (I), 50 verses. K. Bretagne (?), Romania, XII, 115 f, 36 verses. L. V. Smith, Chants pop. du Velay et du Forez, Romania, X, 582. 57 verses. M. 'Le roi Renaud, ' Fldvy, Puymaigre, I, 39, 78 verses. N. Touraine, Bldrd, Brachet in Revue Critique, II, 125, 60 verses. O. The same, variations of a later version. P. ' L'Arnaud l'lnfant, ' Limoges, Laforest, Limoges au XVIP siecle, 1862, p. 300, Pods, pop., Ill, It will be observed that some of the Renaud ballads in the Poesies populaires de la France were derived from earlier publications: such as were communicated by collectors appear to have been sent in in 1852 or 1853. The versions cited by Rathery, Revue Critique, II, 287 ff, are all from the fol. 95, Romania, XI, 104, 82 verses. Q. Charente, Pods, pop., Ill, fol. 107, Romania, XI, 99, 60 verses. R. Cambes, Lot-et-Garonne, Romania, XII, 116, 46 verses. S. Jura, Revue des Deux Mondes, 1854, Aoflt, p. 486. 50 verses. T. Rouen, Poes. pop. Ill, fol. 100, Romania, XI, 102, 60 verses, communicated by a gentleman who at the beginning of the century had learned the ballad from an aunt, who had received it from an aged nun. TJ. a, Buchon, Noels et Chants populaires de la Franche-Comtd, p. 85, 34 verses; b, Tarbd, Romancero de Champagne, Vol. II, Chants Populaires, p. 125, 32 verses; c, G. de Nerval, La Bohcme Galante, ed. 1866, p. 77, Les Filles du Feu, ed. 1868, p. 130, 30 verses; d, ' Jean Renaud, ' Bujeaud, Chants et Chansons populaires des Provinces de l'Ouest, II, 213, 32 verses. V. Pods, pop., Ill, fol. 122, Romania,

Iron & Wine: The Songbook contains songs from albums and EPs by American singer-songwriter Iron & Wine. The artist-approved chord songbook includes lyrics and chords with short picking patterns in tab and notation and is full colour throughout with artwork, photographs and tour posters, a song index and index of first lines. Sam Beam is a singer-songwriter who has been creating music as Iron & Wine for over a decade. Through the course of seven albums, numerous EPs and singles, and the initial volumes of an Archive Series - Iron & Wine has captured the emotion and imagination of listeners with distinctly cinematic songs.

From one of the most lauded scholars in ethnomusicology comes this enlightening and highly personal narrative on the evolution and current state of the field of ethnomusicology. Surveying the field he helped establish, Bruno Nettl investigates how concepts such as evolution, geography, and history serve as catalysts for advancing ethnomusicological methods and perspectives. This entertaining collection covers Nettl's scholarly interests ranging from Native American to Mediterranean to Middle Eastern contexts while laying out the pivotal moments of the field and conversations with the giants of its past. Nettl moves from reflections on the history of ethnomusicology to evaluations of the principal organizations in the field, interspersing those broader discussions with shorter essays focusing on neglected literature and personal experiences.

Frank Kidson (1855-1926) and Mary Neal (1860-1944) were both notable for their involvement in the development of a scholarly movement relating to English folk traditions, Neal was also a prominent social campaigner and suffragette. Originally published in 1915, this volume provides a concise introduction to English folk songs and folk dances. The text is divided in two parts, with the first, written by Kidson, being assigned to songs and the second, written by Neal, being assigned to dances. This is a beautifully presented book, containing illustrations and numerous musical scores, that will be of value to anyone with an interest in folk traditions.

While Western medicine has conventionally separated music, science, and religion into distinct entities, traditional cultures throughout the world have always viewed music as a bridge that connects the physical with the spiritual. Now, as people in even the most technologically advanced nations across the globe struggle with obtaining affordable and reliable healthcare coverage, more and more people are turning to these ancient cultural practices of ICAM healing (integrative, complementary, and alternative medicine).
With Beyond the Roof of the World, Dr. Benjamin D. Koen unearths the Western separation of healing from spiritual and musical practices as a culturally determined phenomenon, and proves the relevance of medical ethnomusicology in light of the globally spreading ICAM healing practices. Using the culture found within the towering Pamir Mountains of Badakhshan Tajikistan, in a place poetically known as the Roof of the World, as the paradigm of ICAM healing, Koen shows spirituality and musicality to be intimately intertwined with one's physical life, health and healing. For the first time, Koen bridges the widespread gap between ethnomusicology and music therapy. Koen's extensive research and emersion into the Badakhstan culture provides the reader with an "insider" perspective while maintaining an "observer's" view, as he infuses the text with relevant scholarship.