Legions of bluegrass fans know the name Otto Wood (1894-1930) from a ballad made popular by Doc Watson, telling the story of Wood's crimes and his eventual end at the hands of the local sheriff. However, few know the history of this Appalachian figure beyond the larger-than-life version heard in song. Trevor McKenzie reconstructs Wood's life, tracing how a Wilkes County juvenile delinquent became a celebrated folk hero. Throughout his short life, he was jailed for numerous offenses, stole countless automobiles, lost his left hand, and escaped state prison at least four times after a 1923 murder conviction. An early master of controlling his own narrative in the media, Wood appealed to the North Carolina public as a misunderstood, clever antihero. In 1930, after a final jailbreak, police killed Wood in a shootout. The ballad bearing his name first appeared less than a year later. Using reports of Wood's exploits from contemporary newspapers, his self-published autobiography, prison records, and other primary sources, McKenzie uses this colorful story to offer a new way to understand North Carolina and the South during this era of American history.

This handy book contains the complete lyrics for 100 old favourites from the vast array of Irish songs and ballads. Includes traditional favourites and popular classics. The shape and style of the book means that it is useful as a gig-bag refernce, but the collection will appeal to anyone who enjoys joining in at a sing-song and karaoke sessions.

In 2015 University Press of Mississippi published Mississippi Fiddle Tunes and Songs from the 1930s by Harry Bolick and Stephen T. Austin to critical acclaim and commercial success. Roughly half of Mississippi's rich, old-time fiddle tradition was documented in that volume and Harry Bolick has spent the intervening years working on this book, its sequel. Beginning with Tony Russell's original mid-1970s fieldwork as a reference, and later working with Russell, Bolick located and transcribed all of the Mississippi 78 rpm string band recordings. Some of the recording artists like the Leake County Revelers, Hoyt Ming and His Pep Steppers, and Narmour & Smith had been well known in the state. Others, like the Collier Trio, were obscure. This collecting work was followed by many field trips to Mississippi searching for and locating the children and grandchildren of the musicians. Previously unheard recordings and stories, unseen photographs and discoveries of nearly unknown local fiddlers, such as Jabe Dillon, John Gatwood, Claude Kennedy, and Homer Grice, followed. The results are now available in this second, companion volume, Fiddle Tunes from Mississippi: Commercial and Informal Recordings, 1920-2018. Two hundred and seventy musical examples supplement the biographies and photographs of the thirty-five artists documented here. Music comes from commercial recordings and small pressings of 78 rpm, 45 rpm, and LP records; collectors' field recordings; and the musicians' own home tape and disc recordings. Taken together, these two volumes represent a delightfully comprehensive survey of Mississippi's fiddle tunes.

Selling Folk Music: An Illustrated History highlights commercial sources that reveal how folk music has been packaged and sold to a broad, shifting audience in the United States. Folk music has a varied and complex scope and lineage, including the blues, minstrel tunes, Victorian parlor songs, spirituals and gospel tunes, country and western songs, sea shanties, labor and political songs, calypsos, pop folk, folk-rock, ethnic, bluegrass, and more. The genre is of major importance in the broader spectrum of American music, and it is easy to understand why folk music has been marketed as America's music. Selling Folk Music presents the public face of folk music in the United States via its commercial promotion and presentation throughout the twentieth century. Included are concert flyers; sheet music; book, songbook, magazine, and album covers; concert posters and flyers; and movie lobby cards and posters, all in their original colors. The 1964 hootenanny craze, for example, spawned such items as a candy bar, pinball machine, bath powder, paper dolls, Halloween costumes, and beach towels. The almost five hundred images in Selling Folk Music present a new way to catalog the history of folk music while highlighting the transformative nature of the genre. Following the detailed introduction on the history of folk music, illustrations from commercial products make up the bulk of the work, presenting a colorful, complex history.