Daler Rowney Graduate Mountboard is suitable for both mounting and framing purposes. This economy mount board can be used for artworks, photographs, modelling, and school or college project work.These boards are pH neutral and meet the Fine Art Trade Guild’s standard specification.

Contains ivory sheets.

Made with a cream core.

Size A3 with a thickness of 1250 microns.

Pack of 8

Daler Rowney Graduate Mountboard is suitable for both mounting and framing purposes. This economy mount board can be used for artworks, photographs, modelling, and school or college project work.These boards are pH neutral and meet the Fine Art Trade Guild’s standard specification.

Contains sheets of each colour: red, blue, green, ice white, ivory and black.

Made with a cream core.

Size A3 with a thickness of 1250 microns.

Pack of 8

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 15 x 20 cm.

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 15 x 20 cm.

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 15 x 20 cm.

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 20 x 30 cm.

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 20 x 30 cm.

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 20 x 30 cm.

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 20 x 30 cm.

JAS White Core Mount Board is a 1. 5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1. 1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper. These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications. These pre-cut mount boards measure 30. 5 x 40. 6cm along the outer edge, with an aperture of 19 x 28cm.

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 24 x 34 cm.

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 24 x 34 cm.

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 28 x 36 cm.

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 28 x 36 cm.

JAS White Core Mount Board is a 1.5mm thick acid-free mount board which weighs 850gsm. It consists of three layers: a 110gsm paper surface which is available in 16 colours; a 1.1mm thick, fully coated, bleached paperboard core which is acid free and which is considered sufficiently inert to be used in direct contact with documents; a backing layer of white chlorine- and acid-free cellulose paper.

These mountboards are not fully lightfast and should not be stored in direct sunlight, though they will display good colour-stability if stored out of direct sunlight. The front surface paper and the white paperboard core accords to ISO 6588, while the back paper accords to ISO9706. It is the back sheet, which is most fully in contact with the artwork, that has the highest archival specifications.

These pre-cut mount boards measure 24 x 30cm along the outer edge, with an aperture of 28 x 36 cm.

The Spool holds 150 Metres of wire.

Combiframe is a frame system that has been developed for

creative people to replace expensive custom made frames.

Fantastic plain wooden frames suitable for all types of framing,

can be stained, painted, varnished or left as they are.

Simply select the sizes of the frames you require eg. 12x16“

canvas board will require one pair of 12“ frames and one

pair of 16“ frames. Aline the frames face down and insert the

dove tail joiners into the back of the frame corners. Easy!

No tools are required. Available in the three mouldings. 13/16” has a 5/32“

rebate and should be used for canvas boards, panels, mounted

watercolours, backed watercolours, clip frames and glazed work.

Slightly curved, light, close - grained wood ideal for hand finishing. Responds well to varnish, wax, stain and metal leaf. Most suitable for panels, paper based work with a backing board and glazing and photographs.

Dimensions: 3cms across the top, 1.2cms rebate, 1.5cms depth.

Use with FC3 Panel clips – Please note these clips will change and be nail in not push in. Or use your glazier point and glazier tool.

Specifications.

Width = 1 3/6in

Rebate = 5/32in

Depth = 3/4in

A beveling tool ideal for creating beveled (rounded off or sloping) edges. Unlike most other beveling or chamfering tools, this beveler is extendable to allow for different thickness of material. This beveler has a red varnished beechwood handle, a metal head and steel cutting blades. Please Note: To cut the perfect bevel, we strongly advise securing your plastic or metal plate on a table or workbench before cutting.

80% grey core mountboard adds a rich, dramatic touch to framing presentations. The coloured surface serves simply as neutral space that draws attention to the art, while the black provides a sharp outline to set the art off from the mount.

A favourite for hinging window mats to backing boards or attaching art. The very fine linen cloth is flexible yet strong. The neutral pH acrylic adhesive gains strength overnight. The adhesive is permanent, non-yellowing and stable over time. This tape is pressure sensitive.

Designed specifically to seal Corri-Cor® Mark 3 or cardboard to the back of frames. This long-lasting, acid free, lignin free pressure sensitive tape conforms well to irregular or rough surfaces. Available in blue/grey/brown or white colours, the aluminium barrier stops acid migration.

Twelve Flexi Plates to affix canvases into Jackson's Easy Assemble Frames or any wood frame.

If needed bend into a 'Z'-shape with pliers or on the edge of a table to accomodate canvases than are higher or lower than the back of the frame.

The Flexi Plates will follow the contours.

This is a hardened nail with a friction-fit sliding collar.

It is designed for medium hard wall surfaces.

As the nail is driven in the collar stays flush with the wall surface, minimising any possible sagging of the nail.

Leave approximately. 8mm protruding to take the picture cord or wire. For pictures up to 1kg.

Please take care to ensure the nail is secure in the wall before hanging your work.

The flexibility of the inserts enables the canvas to be removed from the frame after the frame has been constructed, but without having to re-install the inserts. These inserts are to be used in conjunction with the Logan Dual Drive Point Driver F500-1. Model Qty Description Fits Logan F9 400 Multipoint Insert F400-1 Logan F10 400 Rigid Insert Logan F11 400 Flexible Insert Logan F12 300 Brad Nails Logan F53 600 Flexible Point Strips F500-2 Logan F54 600 Rigid Point Strips Logan F55 2500 Flexible Point Strips Logan F56 2500 Rigid Point Strips

Our Self-Adhesive Rebate Foam Tape protects the artwork from the acidic wood used for the moulding. Made from a closed-cell, inert polyethylene foam, it also protects glass, canvas transfers, digital media or other forms of art from sticking to the wood rebate.